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strykingback · 3 years

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Ok... Gotta say my Farewell to Vol 8. So If you dont like what Im about to say best click off now or ignore it.

Ok so you decided to click on it, Alrighty brace yourself

This entire Arc was just fucking horrendous. No joke, this entire arc was just garbage entirely, no joke. The way how they made Ironwood into a cartoon villain making him into some albeist joke of people who are diagnosed with ADHD, PTSD, Actual Amputees’, etc. This was meant to be A FUCKING WAR ARC!!!

Which means I expected these few things from this Arc even though I was not watching it.

- Plenty of Character Deaths ranging from Main, Secondary, and Tertiary Characters.

- Stakes at An All New High.

- Characters being forced to make tough decisions or risks that fail or pay off.

- Uneasy Alliances being forged.

- Tensions between Team RWBY, Ironwoods Group, and Salems.

-SALEM TEARING ATLAS AND MANTLE A NEW ONE.

- THE VILLIANS ACTUALLY FUCKING WIN THIS VOLUME.

Instead We Got:

-Ruby’s Group BEING INSIDE THE FUCKING HOUSE LIKE IN VOLUME 5 BARELY DOING FUCK ALL!!!

- Ironwood being “villainized” even further instead of turning him into a morally-grey villain.

- Team RWBY “winning” through plot armor and bad writing like the Mary Sues they are.

- Bumbleby Ship-Baiting... AGAIN. (Seriously. . . fuck off) (No hate to anyone who ships BB but at this point it was seriously getting annoying and tiring)

- Salem Just Getting Merked... NOT ONCE FOLKS. BUT TWICE!!!

- The Hound Getting Merked.....

Seriously no joke, this was such a bullshit, deadbeat volume. No joke it makes me so frustrated to see that this entire Volume was fucked up to no end. Yangs and Rubys argument did not feel like an actual fucking argument.

What I expect from an argument was four things.

- Calling them Out On Their Actions.

- Person A and B Debating About their Actions/Decisions which said argument intensifies.

- Person A or B Starts a fight after saying something that pisses one of them off

- Fight Between A and B, Totally Optional to have a bystander such as C or D end the Fight.

Instead we get....a simple Argument that barely intensifies and only has Yang calling Ruby out on her abilities being a leader of a team. We should have Ruby also calling out Yang for sharing the information to Robyn and her “Happy Huntresses.” Which should’ve escalated to the point where Ruby says. “Well that Gung-Ho Attitude is what caused you to lose your Arm!!”

or Yang saying:

“Well If you didn’t decide to...Oh I dont know have our faces pasted on EVERY VIRTUAL BOARD IN ATLAS FOR YOUR SHIT DECISIONS!”

Not to mention to have Blake ,Weiss, and the Rest of ORNJ just look in awe or shock.... at seeing them argue to the point where they start fighting SERIOUSLY THATS WHAT A FUCKING ARGUMENT IS MEANT TO FEEL LIKE IN A WAR ARC!!!!

Moving on from that... anyways Cinders Past was just so so so SO LAZY.....

No joke her past was so boring it was to the point where I found it just uninteresting at all. Yet that brings up a good point hat I said once and I will say again. “How Come the FNDM praises Women that get beaten and show love to them rather than Men who also get abused like Adam whose EYE WAS BRANDED and MERCURY WHOSE LEGS WERE BROKEN BY THE FEMUR NO LESS.”

No joke for her it was just... a shock collar and she was berated verbally.....You know this actually makes Ellie from Last of Us Part 2 Look Better than Cinders. (Yeah I went there!)

Like if you want to do Twisted Cinderella with some RWBY Vibes.... heres how you do it.

- Have Cinder be in Awe at the Sight of a Huntsman or Huntress fighting which inspires her to be a Huntress when Reeves finally tells her she can be one.

- Show that Reeves does care about her and when he falls ill and dies Cinder is berated even more by the twins and the proprietor where she was enslaved.

- What Finally causes her to snap and kill everyone was when she finds out her “sisters” burned her Academy Approval letter on their mothers order causing her to kill and murder which she is later on arrested and then bailed out by Watts who leads her to Salem.

Seriously DO IT FUCKING RIGHT ESPECIALLY WHEN IT COMES TO CINDER WHOSE PAST WAS IN SHADOWS FOR 8 WHOLE FUCKING YEARS.

8 YEARS AND YOU DROP IT LIKE A RAW PIECE LAMB CHOP!!!

Finally SALEM. Oh God how did they fuck up with Salem?! I will admit there was some moments that spooked me. However it was not enough to make me feel nervous for the characters as a whole.

Like for example I expected her to wipe the floor with Atlas’ forces and just seriously showing destruction and chaos arriving. Instead last season it looked like she was JUST APPROACHING THE CITY.

Which would have been a “Race Against The Clock/War” Volume since Salem would have begun her destruction of Atlas and even forcing her way into Atlas.... and then suddenly Hazel performs a Heel-Face-Turn that suddenly screams BS because seriously he should’ve had some sort of a better redemption that felt built up, then she gets BURNED THEN NUKED BY OZPINS MAGICAL CANE OF SUPERPOWERED BULLSHIT. Which Held enough magic to unleash it....which could have been used during the BATTLE OF BEACON. However, I wont complain about it why?

Cause, I think the major reason is because If he were to use it in there he would be revealing Beacon’s Relic Vault as well to Cinder which she can use to open it and take the Relic of Choice. Which I believe was a pragmatic choice because you also have to think of the people who are still trying to escape or evacuating at the moment.

Now the ultimate disrespectful thing the CRWBY did for their “Design a Grimm” contest was the Sulfur Fish.

THIS DESIGN WAS SICK, AND THE ABILITIES WAS JUST JAW DROPPINGLY COOL!

However what does CRWBY do instead of giving a Full Scene where we see its Forms or attacking other soldiers/people.

It gets... *Drumroll*

A Cameo sequence...thats it. A Cameo....Wow CRWBY you are shit. Just absolutely shit at writing and even giving the winner of the Design-A-Grimm Contest Winner an actual shot...while you overwork your animators giving Anxiety Disorders or PTSD. Great Show.

TL;DR: RWBY Volume 8 was one of the most boring, shittiest, and a snoozefest of a volume with such bad writing that it makes even watching The Last of Us Part II look good!

If you are planning on dropping RWBY let me offer you an Alternative.

Say hello to Meta Runner! A series that I find to be a favorite of mine and one that is actually better than RWBY’s garbage ass bullshit writing.

To give you a brief synopsis, This series follows Tari a girl who wakes up in Silica City without any memory of what has happened except some brief flashbacks. To which TasCorp the antagonistic corporation seeks to use her for entertainment, while there is a mystery element about a famous gamer gone missing... and its up to Tari and the help of a Resistance force to find out this mystery.

This series is done by Glitch Studios which many do know them as...drumroll please! *drumroll*

The Youtubers SMG4! Who is well known for doing GMOD Shitposts!

Its actually quite relieving to see a series that these two brothers actually want to share with us! They dont want to do it for money or for anything just for the sake of a good story!

AND THATS WHAT I LIKE!

Oh did I forget to mention that Meta Runner is backed by: Epic Games

Crunchyroll

AMD Lastly.... and hold onto your butts...

THE AUSTRALIAN GOVERNMENT!!!

You know you hit it big WHEN THE GOVERNMENT BACKS YOUR SERIES!!! Come On you cant help but smile at that! So far the Third Season is being worked on at the moment but no release date at the moment so it could be sometime this year or next year.

So if you have any plans on watching that I highly recommend giving it a watch. Anyways

Fuck RWBY Volume 8. Fuck the Canon. Fuck Everything about RWBY!

#RWDE #Is this RWDE

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pengosolvent · 6 years

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really frightened that i am lacking something essential and will never be able to be a skilled or creative artist no matter how hard i try. equally frightened that i have sabotaged my own progress in various ways and have wasted years backsliding and will never “get back” any skill i did previously exhibit. do you have any suggestions for how to continue to produce art and improve even when constantly suffocated by fear

anon this is a common but unfortunate occurrencei feel this a lot too this is a very long reply because i think about this kinda stuff often, so there’s a readmore

i’ve got some advice for you, though i’m sure you’ve probably already heard some if not all of this before, so i don’t mean to talk to you like this is new magic info, but just reiterating stuff that i try to keep in mind that might work for you tooalso i want to point out that i’m not a professional remotely, so the things i’m stating are completely from my own personal experiences ….. and also i struggle with perfectionism and other things so while i give this advice i also still have trouble with the problems noted and also i use a lot of examples and comparisons when i talk because its easier for me to understand things that way

anyway:

1- you are the person who sees your art the mostthis is a very obvious thing, to state but it ties directly into a lot of what you’ve statedyou feel you lack something essential, you feel you’ve backslid and lost previous skills, and youre afraidbut think about the other art you seeyou ONLY see the end result of what everyone posts… or even if people do post in-progress pictures or speedpaints, you’re not really seeing the “scope” of it with in-progress pictures, you don’t know how much changed or how much was erased how much time was spent how much etc with speedpaints, you see all the progress but its sped up and it’s easy to feel like all of that was done faster than it really was even if youre aware its sped up

and even if you watched a realtime video of someone drawing… theres thousands of hours outside of that video of this person doodling, and even THINKING about their art that you havent seen it makes other peoples art feel a lot more.. confident? secure?

for your own art however, you are fully aware of the struggle of every line because you’re the one doing it and thinking about itit might make you feel like you’re trying so hard when everyone else has just Got it

2- experiencing art as a consumer vs a creator is a different feelingthis is directly tied to the previous idea but it’s easy to feel like you lack something essential when, instead of consuming the art, you are the one producing it

here’s an example: i love horror contentnot all of it of course, but i love horror that really makes me think and makes me see a characters motivations and really digs in deep psychologically and sticks with you even after you’re done experiencing the media

however it is very very hard for me to make anything that is strictly horror. for a long time i thought i was just bad at it, but i realized later that i’m not missing something that helps to write/draw horror … i just experience horror different based on if i’m consuming it vs making it part of the horror appeal to me is the MYSTERYif i am writing/drawing horror, there is NO mystery! i know everything there is to know about the situation i am making! i know all the character’s motivations, i know everything there is to know about every tiny detail and even if i am writing something where i don’t know what happens so it’s a purposeful mystery (such as in this comic where i don’t know what happens if you take off the tinier beak) it sometimes feels less Cool Mystery for me and more like “oh no i don’t know this thing, oh god, i’m a bad writer”i’ve gotten over that little by little, but it’s still hard to shake that i’m “missing” something with work that ISN’T mine its easy to put meaning that may not have been totally intended and THINK that the person meant it, and thus feel like that thing is more thought-out than it actually is

you might be experiencing something similar with art… where it feels like when you see OTHER art, you feel happy or like theres a meaning there etc but with your own art, you can’t capture that same feeling… it could literally be because you know what youre going for and what youre doing because youre the one doing it

3a- old art feels better sometimes because it is more removed from youyou know better than i do in this regard if this is true to you, because sometimes people can genuinely get rusty and lose but for the most part older art tends to feel better due to the fact it is becoming more and more removed from your current state and mindsetold art starts to slowly get treated the way you read Other people’s art because you’re not staring at it constantly and you start to forget the process and effort behind the old art

sometimes you can’t see well if your new art is “better” or not because it is too current on your mind and you know how hard it is to make and if it does or doesnt match what you were going for or etc etcmeanwhile your old art starts to be viewed more objectively because you dont remember every difficult line with it, and you can see it as a bit better because you’re not bogged by the negativity

3b- even if you fell off, you can regain the skill

even if you DID get worse over time… you did it once before and you can do it againyou can learn from your old works, but also try to learn from your old mentality a lot of my old stuff was more expressive and emotivei could learn to do that again mechanically, imitating my old stuff, but a big part of why my art was that way was because my mentality was different back then i was louder, more open, etc etcthink about what’s changed within you to see reasons for things changed in your art

4a- fear only works if you’re afraid of being badit is important to be able to see ways you can improve… but it’s also important not to fear that you have areas that CAN improveif you view “making something bad” as a punishment/negative outcome your fear directs itself through all your art

the easiest point fear can attack is starting to draw at allbefore you start drawing its very easy for your mind to go “why do this? why try if it’s just going to be stressful” and all through out the process that ramps up like “see it’s just stressful why do it”

your fear seemingly offers you something to gain if you don’t even try: avoiding the pain of art altogether

but what if you were unphased by that pain? if you don’t care about making something bad, that fear can’t manifest

some artists start their day by drawing the shittiest thing they can to shake off rust and have fun doing it … drawing a cartoon character from memory, drawing and overly rendered shitpost etc now i’m not saying not to care about your quality and take a ton of shortcuts and blablait’s still good to want to learn and improve it’s just that you have to start rearranging your perspective on your steps to achieve that

4b- no-stakes neutral is no problemhow do you get rid of that fear? how do you stop feeling being bad is.. bad?

try to view arts range as neutral to positive (as opposed to negative to postive) because at it’s base that’s exactly what art is what i mean by that is…let’s say you’re trying to draw a cat (and it’s not a commission or anything). your first attempt does not look anything like a cat this is not a “bad” thing though it may feel that way your failed attempt at a cat has not stabbed you or taken money or food from you or in any way truly inconvenienced you

the base idea is that you drew something and it wasn’t what you wanted this is completely neutral.. it’s like going to look for a new shirt. if you see shirts you don’t care for, you move past them until you get to the shirt you want.your “bad art” is just that. a bunch of shirts you don’t want til you find the one you’re looking for… you don’t have to pay anything for those “bad” attemptssure they take a bit of time and if you don’t have a lot of energy you might feel bad to use it on a drawing that you don’t enjoy and it can be frustrating if you keep trying to no avail, but all in all it’s not a stark negative

art isn’t a straight pathit’s winding, it’s really confusing , and it can be tiringbut if you go down a path that’s a dead end, you just try another pathdon’t fear reaching dead ends, there are always more paths

chuck jones (an iconic animator) said he had to draw multiple drafts to get expressions just right failure is in the eye of the beholder… he felt the first drafts for those expressions did not fit what he wanted, but he didn’t fear failure because of that even if the art was not by his standards, he continued until he got the one he felt was appropriate

it takes patience to get to where you wantif you stay patient you will eventually arrive there

5- drawing and thinking go hand in handart is a blend of being able to draw and being able to problem solve through what you already knowwhen i get stressed with art it’s usually because i don’t know what the hell i’m doing with no way to check myself if i’m close to what i want or not with me it tends to happen with backgrounds or animalsthis is why ppl typically suggest learning to draw cubes, cylinders and spheres from any angle because then you can transfer that base knowledge into other objectslike, cubes can be used to draw rooms, boxes, screens, fences, etccylinders can be pipes, water bottles, arms and legs, etc

transfering base knowledge is essential in art and understanding that you can do that, even if only as a base, helps a lotwith learning how to draw a mouse, you have a starting point for learning how to draw a rat (comparing the headshapes, sizes, ears, etc)… then you can use these two as a base point for drawing a squirrel, then a rabbit etc

another example could be maybe you know how to draw claws but not fangs… you can interchange the shape of a curved claw for a curved fang easily

starting with something you know and figuring out how to transfer the knowledge is very important and can help lessen that stress because instead of not even knowing where to start, you can problem solve to figure out what you already know under different termsits just all about knowing what connections you can try and learn, and working “smart”

on that vein… 6- perfecting things doesn’t make perfectit’s very tempting to make every tiny detail as good as you possibly can… but it’s very daunting and time consumingyou should try to work “smart” here too and now what i mean by that is … say i’m making a comic. i can make the comic to the absolute best of my current ability and take forever and become extremely drained Or… i could decide to try but still set a deadline for myself, and not worry TOO much about the smaller details why is the second one better? because i will get it done. if i try very very hard my ABSOLUTE best on a comic, making sure every single line is perfect, in a few months that comic will still be outdated. it will still get old and the amount i learned from it is limitedif i give myself some leeway (still trying of course, still learning and challenging myself) and set a deadline, i learn to be disciplined in my comics, i get a comic finished, AND i learn more because i am finishing more work in general

this is a really helpful video that explains this point more in depth

this isn’t to say you need to take the easiest routes for art that are availableit’s more like… back to the comic example, let’s say it’s like making a cake i can be a huge perfectionist about my cake, carving everything exact and putting every drop of frosting as exact as i can… but i’m still not a “master” at this i’m still learning the next time i make a cake i’m going to have to do the same situation … take forever to try to make the perfect cake

if i make a cake and still try, but accept when i don’t know how to get the exact result, my first cake is going to be a bit of a mess, but the next cake i make, i’ll be a little closer and in the time it takes Perfectionist Me to make 2 cakes, i might have already made 10 and i’ve sped up the process now and improved because i’ve learned a lot with those 10 cakes

there’s probably more that can be said about art, but i’m hesitant to try to dictate too much about how you experience your art and go about it i hope that this can help you at least a bit though

#nonbonart post

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