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#i dont think he's a bad dancer he just doesn't impress me?
sanstropfremir · 3 years
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please let me join the dance conversation since it's the form of art i am actually the most interested in. i've been dancing as a kid for 6 years, and i don't mean to say that that gave me any type of authority in the domain, but it did leave me with the slight ability to recognize a good performance (or whatever makes a good performance to me, personally) and a great appreciation for valueing dancing as acting, like you said. too often i've seen dance ranking videos from actual life-long dancers who value technical skill above anything else. even if they take into consideration the facial expressions, it doesn't hold much weight and that always lowkey pissed me off. because when i am watching a performance, i care way more about the emotional delivery rather than the technical one. of course, this is not to disregard skill, because emotion without skill just ends up messy. good enough to appreciate as a form of authentic self-expression, but still messy, and mess won't make you a good dancer.
i've really enjoyed seeing you say dancing and acting have a mutual component since i've always felt that way too but never knew how to put it in words. two groups that come in mind when thinking about this are blackpink and itzy, i have no idea how familiar you are with them so i'm sorry if the following come across as foreign to you. but i gotta say, regarding bp, i think there's always been discourse over lisa vs rose as the best dancer. technically, everybody knows lisa is miles ahead, and i have to say she has decent stage presence and some pretty nice facial expressions too (taking into consideration how limited bp's concepts have been so far). rose, on the other hand, has a certain style that appeals to a specific audience (which i am not a part of, her lack of body control is so irritating sometimes) but i can see why some would find her charming. i would say her stage presence is decent too, but i can't help but choose lisa over her, and not just because i'm biased. but because in order to be a true dancer, you need the right balance between technique and emotion that gives your performance that star-value and appeal. and let's be real, kpop is really lacking in that "true dancer" department.
another dancing discourse that goes on is in the itzy fandom, where fans are pitting yeji and chaeryeong against each other. their techniques are quite different but they are each very good in their respective style. now, i've seen people call yeji the better "idol dancer" since she has better developed facial expressions, and chaeryeong the better "overall dancer" since people value her technique more. and i'm just like, no. emotion makes or breaks a dancer. everyone can learn technique, but emotion is hard to fake, and when you do, the non-authenticity is very much obvious.
that's why i love san as a dancer. he might not be the most technically skilled, but he is skilled enough to hold his own. and his way of living in the performance, of just letting every feel of the song wash over him and show the audience 110% and more - nothing compares to that, no amount of technicality. stage presence is something you just have, and no matter how much you train for it, you will pale in comparison to a natural.
wow, this is really long so thank you if you take the time to read it all and respond. english is not my first language and sometimes i'm having trouble finding the right words to get my point across exactly how i think of it in my mind, so i hope the message is delivered accurately, haha :D also, i must add i love the way you talk, your speech has a flow and a uniqueness to it you don't find everyday. and we love a developed vocabulary<3 may i ask how old you are?
thank you for the compliment, thats very sweet of you! english is my native language and i have spent just as much time, if not longer doing academics as i have doing performance work so at this point ive developed a very specific style. there’s a joke that theatre design is 90% communication and only 10% design, and it’s not wrong. it helps that i like to talk and my brain works very fast sometimes.
im glad you took the time to write this out! and don't apologize for your english, it's excellent and very clear. you are correct i know very little about blackpink and itzy but i would likely agree with you, dance is equal parts emotion and technique and that is my preference in idols as well. but i don’t think that the kpop industry needs to have ‘true’ dancers, though. yes it is fun to watch those who are technically and charismatically gifted in dance, it is only a portion of the experience that they market. also i think we lose a bit of objectivity in kpop because all idols are required to dance, but i dont think ive seen one recently that's a legitimately bad dancer. even the ‘worst’ dancers that i can think of are still leagues better than the average person on the street, but we see them as ‘bad’ because they work directly alongside peers who are legitimately gifted and have a passion for dance as a form. 
it's interesting to hear you say that everyone can learn technique but emotion is hard to fake, because i hear a lot of dancers say that. i think this comes from a misunderstanding of what exactly acting is and how it works. i would argue that a statement closer to the sentiment that you (and many others) are trying to get is ‘not everyone can do both at the same time.’ the average person is no more predisposed to acting then they are to dance, because acting is a skill that can be taught and exercised in the same way dance can. sure, there are people that have a higher latent ability, but if you put in the work, you can learn. why do you think there are acting classes and schools and conservatories? you can get a doctorate in acting if you really want to. the thing about acting is that in order to be good at it, you have to both understand and be able to implement the correct postures for mimicking human emotion. this is an insanely complex task when you get down to the brass tacks of it. just think about your face and body posture for a moment. why are you sitting/standing in that particular way? why is your face in that particular expression? what do you think your posture is saying to someone who is observing you? how would you change it if you wanted the person to start a conversation with you? if you wanted them to leave you alone? 
there’s also a general assumption that acting comes from a place of genuine or authentic emotion, and this is the fault of modern ‘method’ film acting. i have a very long thesis about how much i hate method acting and i can make a separate post about that if people are curious. but suffice to say, acting very rarely comes from a ‘genuine’ place. it may be informed from a genuine place, but by nature it is not real. thats what makes it acting. and i think dancers seem to be under the impression that showing emotion while dancing has to come from the dancer personally feeling those emotions, when thats not the case at all. this criminal fancam is a perfect example of exactly how good taemin is at putting on a character for a performance. you can very clearly see him drop character after the main camera cuts, and pretty much any concert footage shows this as well.
now, being able to do both a complex system of physical movements with your body and also control the minute details and timing in your facial muscles and posture? thats pretty fuckin hard. not a lot of people can do that, it takes just as much practice as learning technique does, just not in the way that people might think. but it is possible.
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