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#i love how pure live albums are i listen to the live tapeworms album as well
a-loving-ghost · 1 month
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will wood in case i die.... save me...... save me in case i die will wood.....
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starf · 3 years
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StarF’s Top Ten Albums of 2020
Another year, another list. Let’s not even bother with the preamble this time around, you get what it is.
10. I DON'T KNOW HOW BUT THEY FOUND ME - RAZZMATAZZ
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Let me tell you right now, I struggled with this tenth spot. There were about four albums that were pretty much tied once I narrowed it down this far because it was a jam-packed year. Ultimately though I had to give it to iDKHOW for their smooth brand of piano rock-pop. This is their debut album and it brought the heat. While it didn't dazzle me immediately, with every subsequent listen I feel a little more of that promised razzmatazz from the title. I also absolutely love the ballad "Nobody Likes The Opening Band," which will certainly be a fun song to hear them perform some day whether they're the opener or not.
9. The Front Bottoms - In Sickness & In Flames
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The last offering from The Front Bottoms, Going Gray, left me feeling a little lukewarm. In Sickness & In Flames, however, is a much stronger return to form for the band in my opinion. Some people say all of The Front Bottoms' albums sound the same, and maybe that's a little bit true. But maybe 2020 is the year that we needed to hear some new Front Bottoms material. It was a strange time for all of us, and in these times this kind of album just hits different. From the optimistic opening of "everyone blooms" to the infectious singalong moments of "Fairbanks, Alaska," this album is a good time all around.
8. The Used - Heartwork
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Did you know The Used is still around? Not only still around, but apaprently they never went away! When I saw that they had released a new album early in the year I assumed it was a comeback, but I was wrong! For me there was a 12 year gap since I had personally listened to a new Used album, and this one blew me away in a big way. They're still going big, going hard, and rocking their signature sound - but updated for the modern age. This is a band that has managed to hold on to their roots while successfully adapting and progressing into the future.
7. Oliver Tree - Ugly Is Beautiful
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Where do you even start with an artist like Oliver Tree? An absolute master of internet marketing, the release of this album was a tortured and dragged out experience, like a person chasing a 20 dollar bill on a string and having it constantly pulled away over and over again. By the time it came out it was a little disheartening that an entire half of the album had already been released via single, but overall it is undeniably a powerhouse of a pop album and a strong showing from Oliver Tree. A strange character, but an impossibly catchy album with earworm after earworm.
6. The World/Inferno Friendship Society - All Borders Are Porous To Cats
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I pretty much always enjoy any offering from this band, but to varying degrees. Their last few albums have certainly been good to my ears, but for whatever reason just didn't resonate enough with me to earn a spot in my top ten. This album is clearly different though, and keeps me enthralled the entire way. With their unique brand of punk-jazz-cabaret, All Borders Are Porous To Cats tells the story of one Mr. Cat In The Hat, and it's a wild ride that you're going to want to hear.
5. Run The Jewels - RTJ4
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One of the most biting and necessary releases of the year, RTJ4 dropped right when we needed to hear it most, and for free no less. It's my personal opinion that Run The Jewels continue to get better with every release they put out, and their fourth showing is easily my favorite so far. El-P and Killer Mike come through with some of their sharpest bars and heaviest beats yet. It's just a shame that for how much history repeats we as society still haven't learned some of the lessons that an album like this continues to attempt to teach us.
4. Aesop Rock - Spirit World Field Guide
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Spirit World Field Guide is not a typical Aesop Rock album, but then again what is? Back in 2016 I fell in love with the album The Impossible Kid, an accessible (by Aes standards) album that hooked me in immediately. Spirit World is a different beast that took me off guard the first time I heard it, and left me a little bit lost - but that almost seems to be the intent. An absolute monster of an album coming in at 21 tracks and over an hour, this thing wasn't necessarily meant to be ingested all at once, or even in the order presented. The more I revisit it the more I put the pieces together and enjoy it more and more.
3. Poppy - I Disagree
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Let's take a journey all the way back to January before the world entirely fell apart. I discovered Poppy for the first time through this album and was quickly intrigued. Going back through her older music, and then her YouTube, and slowly unraveling the mystery that is Poppy was perhaps some of the most fun I've had experiencing an artist's work in years - all topped off with seeing her perform live that month, the last large live music show I've been to. I Disagree is an eclectic blend of pop, metal, and strange curiosity. It starts off right away with the oddball banger Concrete and promises to weed out those who aren't prepared to take the mental trip through this album right away. It's not for everyone, but it's definitely for me.
2. Jeff Rosenstock - N O  D R E A M
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Well here we are! The number one spot! You guessed it, it's Jeff Rose- what? This isn't number one? Well that can't be right, hold on. Nope, I guess that's correct. The new Jeff Rosenstock album, N O  D R E A M comes in at number two this year, a fact that will probably shock and confuse anyone who knows me. This is the proof that Jeff doesn't automatically get my number one spot if he releases an album, but with all of that out of the way, let's talk about the album.
In a Post-Post- world we see Jeff returning to a more traditional take on putting together an album, rather than simply rushing through it to get the feelings out of his head (both perfectly valid approaches). N O  D R E A M continues to explore themes of being lost and confused in such a soul-crushing and increasingly overwhelming world - all while attempting to find the silver linings and be optimistic about where we're headed. Whether it's the world at large or a personal journey, this album is an anthem to a year that saw most people holding their head in their hands and saying "please, just, let's all get through this, okay?"
1. Will Wood - The Normal Album
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Wow. Just wow. Okay, where to begin? I was listening to a random Spotify radio when it started playing a song by Will Wood & The Tapeworms called "Hand Me My Shovel, I'm Going In!" Intrigued by the style of the song, as well as the title, I clicked through and listened to their most recent album which was 2016's "Self-Ish." I thought it was really good! I enjoyed it a lot and continued to listen to it for about a week. At that point when I started digging further into the band I learned that there was actually an even newer album entitled The Normal Album, categorized on Spotify under just Will Wood, which is why I hadn't previously found it.
I enjoyed Self-Ish, but hearing The Normal Album took it to an entirely new album and blew me away in a way that I haven't experienced in years. This wasn't just a great album, this was one of those musical discoveries where you think "oh wow, this is something I can't live without going forward." Will Wood is exactly what I needed in the back half of 2020 to keep my sanity, and even now I still listen to this album usually at least once a day. It's perfectly crafted in every sense of the world. Not a single second is wasted or out of place. The technical skill is in full display without muddling the pure enjoyment of the melodies or taking away from the overall vibe of the songs. The writing is some of the sharpest and dense I've ever seen, without being undecipherable or inaccessible. This is an album that truly does it all.
The feeling I have when I listen to this album and attempt to get people to listen to it is identical to how I felt about Jeff Rosenstock in the late 2000's, back before he had sort of blown up. Will Wood certainly has a following, but his music is definitely niche at the moment and somewhat obscure. Much in the same way that eventually people listened to me about Jeff, I hope they will find out about Will. Everyone should hear this album. It's breath-takingly perfect.
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