#i sure hope I wrote that romanji correctly

[yanderefan-kimi]

Kurobe Makoto and the path of cruelty

Heeey yall this isn't something I normally do but I thought I'd finally live up to my username and start talking about some yandere characters! I was recently rereading this series in anticipation for it resuming soon when this panel (the second image) caught my eyes again, so I decided to rant a bit about this, so here goes *cracks knuckles*

Just a small disclaimer: I'm not an art history major or anything like that, I literally just googled this painting and read the wikipedia article because it fascinated me

Okay so let's start with a VERY brief description of this series, since I don't believe it has been officially translated yet so I don't know how many people have heard of it:

This is デスゲーム漫画の黒幕殺人鬼の妹に転生して失敗した (which basically translates to "I Reincarnated As The Mastermind's Little Sister from a Death Game Manga and Failed") which was originally a web novel by Inaida Sou and was adapted to manga form by Pepu.

I won't go too deeply into the details because I think it's the sort of story that's more fun to read yourself, but the basic premise is that Kurobe Mai, the protagonist, has reincarnated into one of her favorite manga series... which was unfortunate, since it happens to be a Death Game series and she happens to be the first victim. Her older step-brother, Makoto, is a psychopath and the mastermind behind said Death Game in the manga. With a year until the start of the manga, Mai's determined to stop her brother, but her actions cause him to develop an abnormal obsession with her...

In chapter 13, the two stop by an art museum that was showing a medical science exhibit (split into three sections: Exploring the Body, Disease and Death, & Love and Life.) They're both looking around until Makoto comes to a stop at this painting in the 2nd section of the exhibit and stares at it silently for a while. That is, William Hogarth's: The Reward of Cruelty - which is his final work in his Four Stages of Cruelty series (warning if you want to look this up, the paintings are a bit gruesome and unpleasant, on purpose.)

The Four Stages depicts the story of the fictional character Nero as he walks down the path of cruelty. In the First Stage, he's torturing a dog as a child. In the Second Stage, he goes on to beat his horse as an adult. In Cruelty in Perfection, he moves on to theft and murder. Finally, in The Reward of Cruelty, Nero has been hung for his crimes and his corpse publicly mutilated by surgeons.

These paintings were much different from Hogarth's other works because he wanted to shock and deter his audience. He was dismayed over the casual acts of cruelty he witnessed and wanted to warn others that the inevitable end of the path of cruelty was death as retribution.

I thought it was interesting how Makoto chose this specific painting to stare at. Sure, he was fascinated by the macabre, but I think it was likely because he realized that he was walking that path of cruelty himself.

Ever since he was young, he found everyone and everything to be dull and uninteresting. He never struggled at anything, could easily read others, and couldn't empathize with anyone. The only thing that excited him was death. So he started torturing and killing insects, but like all addictions, it was never enough. Soon enough he started desiring for bigger, harder targets. Like a cat, or a dog... or a human.

Makoto realizes that his desire for death and pain was far from normal, but he also felt no desire to change himself. I wonder if he was staring at that painting like he was looking at his inevitable end. Throughout the series, he's been devising various schemes to get Mai's attention (as well as juggling between wanting to kiss her and kill her), but she always strives to surprise him, so what if he fails? What if he succeeds? Was there nothing awaiting the end of his journey other than his early death?

After he's been staring at the painting for a while, Mai comes up behind Makoto and asks if he's finding the exhibit interesting and if he's feeling better. He hugs her, saying that he's fine, and the two go home without ever stepping into the third section (Love and Life.) Now, he's been getting more and more touchy-feely towards Mai with each chapter, but I felt like this hug was a bit... softer. Like he wanted some reassurance that he wasn't at that final stage of cruelty, that he hasn't gotten his "reward" yet.

Anyways, I'm just really fascinated by this scene since it was pretty much glossed over in the web novel, so it was something that Pepu-sensei decided to add in for a reason. Now we're at the gushing part of the post cuz I really think Pepu-sensei is incredibly skilled at panel/scene composition in manga and it's fun to analyze specific scenes and guess the reasoning behind them. (I am vaguely referencing the center spread from the first chapter, which I might talk about later but it's really great, trust me)

Basically, I really love this series (PLUS Inaida-sensei is one of my fav authors and I love Pepu-sensei's art sm) and I really can't wait to see where it goes. It has a good following so we're actually gonna get a whole extra volume and I'm so excited to see what new arc they're gonna throw at us!! And and I'm super excited to see how some scenes in the finale are gonna play out and I should probably stop gushing or I will never finish this post lol.

(if you like yandere, I highly suggest this series!! Plus this is the only series with Kurobe Mai so... 👀)

#デスゲーム漫画の黒幕殺人鬼の妹に転生して失敗した #Death Game Manga no Kuromaku Satsujinki no Imouto ni Tensai Shite Shippai Shita #i sure hope I wrote that romanji correctly #yandere #kimi gushes about manga #and yanderes #aka kimi gushes about yanderes in manga #i dunno how to tag this lol