#i think a found a good t*rr*nt!!!!!

[exdeputysonso]

Can we have a gif tutorial? and a tutorial on how you capture the vids? please

I think there are better specific tutorials out there than I can write myself (this is a really good one for beginners), but I can give a general rundown of my process! And some tips/tricks I’ve found useful.

First off, I mostly use paid software which may limit how much use you can get out of this. The only thing really specific to my process though is Photoshop. I think it’s worth the subscription if you really want to get into gif making. There are tutorials and resources out there for other programs, but there are a lot more resources that are catered to PS. I have a subscription so I’m using the latest version, but any version that supports video timelines should be alright. (Btw I won’t go into how to get PS without a sub, but other tutorials out there might!)

Get the Vid

People will tell you "always use 1080p" and yes you should look for the highest quality first, but as someone who often gifs more obscure stuff, let me say do not let it stop you if you can’t find 1080p. Gif what your heart wants to gif.

The first place I will look for vids is through t*rr*nts. I won’t detail that here, but if you want to do this, you need to get a vpn. I use NordVPN and they will occasionally have some really good deals. But whatever you get, make sure it has some kind of "kill switch" option that should always be enabled when you're downloading.

My next option when I can’t find a download is PlayOn. This is a reasonably priced paid service that lets you download episodes from streaming services you are subscribed to. It supports most major streaming services. I’ve found the app version (PlayOn Cloud) easier to use, and it’s pretty self-explanatory, just make sure you set your settings to HD downloads. Also the recording quality will depend on the streaming service, I find it’s a bit hit and miss.

Lately, I’ve been having a difficult time with PlayOn because all the Spanish programs are defaulting to subtitles and I haven’t found an easy way to turn that off. As a last resort, I screen record. Again the quality will vary here. This is another thing I use a paid version of to avoid watermarks. There’s a lot of different programs out there, but you’ll need to find something that works with sites like netflix and doesn’t block the screen record. I’m using iTop Screen Recorder.

Finally, for Youtube vids, there are tons of free options for downloading directly, the tutorial I linked has one!

Clip the Vid

This is a divisive step, but what I've personally found the easiest is to clip the scenes I want to gif in a separate program first. (Some other tutorials, like the one I linked, will have directions for using screencaps instead.) I use Movavi, but there are tons of different video editors out there. You can clip directly in photoshop, but I find it easier to clip down the scenes beforehand so I can load in multiple gifs at a time.

The downside of this method is when it comes to loading the vids into photoshop, it’s going to use more cpu and a lot of scratch disk space, so hopefully you have a laptop that can keep up. There’s also an annoying issue with photoshop where if it crashes, these temp files won’t get deleted and will eat up all your disk space. Occasionally you have to go into your AppData folder (something like C:\Users\<your user>\AppData\Local\Temp) and delete any files that look like “Photoshop Temp...”. But that disclaimer out of the way, this method saves me more time in the long run. :)

I typically find that I can fit at most ~3 seconds into a gif and keep it under the 10 MB limit. So I’ll clip a video down to a bunch of 3 second bites. I will then export as one big video file and I have a process for making a bunch of gifs at once. But tbh it’s a bit convoluted, so for the purpose of this rundown, let’s assume you have cut a single clip to make one gif from the video. Make sure you export the video with the highest possible quality so you don't lose any quality in this step! In Movavi, this would be Export > Advanced > And then drag the “Quality” slider all the way up.

Load into a gif

In photoshop:

1. Select File > Open, and open your vid

(If you hadn’t already clipped a scene, you could do it here now, but will assume you already have the couple seconds you want to gif.)

2. Use the crop tool to crop if desired.

3. Resize by going to Image > Resize Image. For most gif sets, I will set the width to 540px and let the height be determined accordingly. The most important thing here is that the chain link symbol stays selected to maintain aspect ratio when changing the width or height. You can also play with the Resample options. I have mine set to Bicubic (smooth gradients).

4. Occasionally, especially with lower quality vids, you may get a couple pixel line on one of the edges. Check for this and crop it out and redo the resize steps if needed. Make sure when you are done your file is still 540px. (This is not referring to the transparent line around the entire edge that most gifs will get in the resize step. This transparent line will be handled in a later step.)

5. I use the action from this post for making my gifs. Save this action and open in photoshop.

6. With your gif video file selected, in the Actions panel, select “* timeline to frames w/o sharpen” under the new action you just loaded, and then click the Play button to run the action.

7. Wait for the Action to complete. At this point, you could save and you already have a working gif!

Note: This action will set the frames to 0.05 seconds per frame which I find to usually be a good speed for gifs. But the timeline is where you can adjust if needed. This is also where you may need to end up deleting some frames from the beginning/end if your gif size ends up being too large.

Sharpen

You can go in and play around with smart sharpen, and other tutorials will give you some help with that, but this is another thing I’ve found most useful to just use an action for! My fave I’ve found is this one here. It has two different sharpening actions, basic and hd. I tend to choose hd if I have a higher quality vid but I find it doesn’t always work as well on lower quality vids. This is also a good time to mention to save often!!! It’s hard to undo an action, so you’re better off reopening the file if you decide you don’t like the action you chose.

Here’s my gif with the hd sharpening action applied:

Color

I am really going to breeze over this step. I think there are a lot better tutorials out there for coloring. I will say that Levels, Curves, and Exposure will get you a long way! And I think they’re relatively easy to get the hang of. Selective Color is another adjustment I’m fond of, whenever I need to tone down or highlight certain colors. These can all be found under Layer > New Adjustment Layer.

Here is my gif after tinkering with these adjustment layers a bit:

Besides finding some good coloring tutorials, I find it really useful to search for coloring PSDs! I don’t recommend just slapping a psd on top of your gif without other adjustments, but I like to sometimes use them as a jumping off point, or just as a learning tool to see what different adjustment layers will do.

Export

Once you’re happy with how your gif looks, go to File > Export > Save For Web. Here you will need to make sure your gif is under 10 MB, or go back and delete some frames if it isn’t. You can also play around with the export settings to try and get the best quality. These are the settings I usually go with:

An important setting here is “Matte: None”. This will get rid of that transparent line around the border of the gif that I mentioned earlier, for a cleaner looking gif.

After you hit Save, that’s it! You’ve got a gif. Hopefully you found some of this useful. And if you have any questions, feel free to ask!

#intended to just give a quick rundown and some tips but this got long #and kinda did become a tutorial #i don't think i'm the best teacher #but hopefully there's something of use in there for someone #resources

[hheartfilia]

#cardcaptor sakura #sakura card captor #sakura kinomoto #dailyccs #animeedit #shoujoedit #dailycardcaptor #clamp #allanimanga #creations #i think a found a good t*rr*nt!!!!!

[onlyfools-fall-foryou]

Same thing, wrote for magazine but never got published. The Luhrmann article.

BAZ LUHRMANNNNNNNNN.

Just a lil background: I discovered /Romeo + Juliet (1996)/ when I was going through my Leonardo DiCaprio phase in 2012 or 2013. Wee little I, who had yet to discover how to t*rr*nt movies, would desperately look up clips from his movies on Youtube. The few actual clips that I found (most of the /R+J/ related videos on Youtube are edits with the central love theme or some other artsy love song playing in the background) were of the bathroom/elevator scene or the last scene in the chapel. (Unrelated: a couple days ago I saw something related to the chapel scene and had a dream of marrying Rose Byrne. It was wild. Moving on.) 12 year old me couldn’t stop watching the chapel scene over and over and over again. This may have something to do with Leonardo DiCaprio’s breathtakingly smoldering gaze and delicate jaw structure as he’s slowly walking up, but it also had to do with everything else. Anyone who’s seen the chapel scene knows what I’m talking about. The music that is desperate and calmy tragic but not forcefully building up, the warm yellow candlelight around them a contrast to the harsh blue neon lights, the moment we see Juliet’s eyes open and we’re like ‘Yes!! Now all you have to do is nudge him! Just!! One!! Nudge!!!’ (My heartbeat just sped up a little writing that. Whoo that scene gets my sympathetic nervous system going.) Of course, not to mention the brilliant acting but this isn’t the time or place to discuss that. We know Juliet isn’t going to stop Romeo in time, but the movie still makes us scream in frustration. (Just!!!! One!!!! Nudge!!!)

At the time, I didn’t know anything about directors and frankly, how they could ever considering putting their names in front of the actors’ names in the roll credits when clearly the actors were the ones who did all the work. (I was 12.) Later on, I realized there was so much a director does other than tell the actors when to start and end.

Just going to put this out there, Baz Luhrman’s life is art. His Wikipedia page makes me emotional. His parents were involved in dance and film and he performed theater in school. In college, he met his wife (Catherine Martin, who is also amazing. She has like five Oscars just from costume and set designing!!) whom he works together with on every single project. (They’re the ultimate power couple.) Everything he’s directed (and she’s costume-designed) has like at least 5 awards.

/But why haven’t I ever heard of him?/ The reasons for that are: He’s Australian. He does stage more than screen. He’s only made five movies in total (all of them very well-known), from 1992~2001, 2008, and 2013, which is why wee young millennials don’t really know about him. (I’m not making a generalization here, just that most of my millennial peers don’t really know about movies made prior to 2000 excluding Star Wars and Indiana Jones.) He doesn’t make movies to target the general mass. By general mass, I mean little kids and little kids’ parents. And by little kids I also mean teenagers. I need more peers to talk to about his brilliance, which is why I am roping all y’all in with me.

When Baz uses these well-known stories with famous, obvious endings, he has this amazing ability to make you forget what the whole story was about, like /Romeo + Juliet/ and /The Great Gatsby/. In movies that don’t have a highly publicized ending, like /Moulin Rouge!/, he gives you the ending. The opening scene is literally the main character typing away at his typewriter as he declares: ‘My lover, Satine, is dead.’ It’s not even a spoiler. That’s the opening scene. That leaves you sort of shocked and frankly, offended. What movie starts off by telling you one half of the two main characters are going to die? You scoff at the director for being so stupid and continue to watch. As you watch a narcoleptic Argentinian fall through the ceiling and the cast made up of said Argentinian, a dwarf dressed as a nun, a heavily made-up Faramir, two musicians dressed like pilgrims, and the main character perform a wildly disorganized version of “The Sound of Music,” your mind has shifted to ‘Hah, what was the director thinking’ to ‘This is the weirdest thing I’ve seen in my life. How did they even get the copyright?’ and when Satine, the goddess, is introduced in an also wild and ridiculous rendition of “Diamonds Are a Girl’s Best Friend,’ you have completely forgotten the fact that she will have to meet a tragic demise.

Got a little carried away there, /Moulin Rouge/ is one of my favorite movies and talking about the hectic opening scene gets me hyped up.

I could go on for days about Baz and his comical intros and his transitions and how all his films are similar to each other and how all the characters have archetypes and how he uses symbolism and foreshadowing and the parallels (the Parallels!) but I’ll keep that to myself and Tumblr. (I have a document on my laptop titled “Baz Luhrmann: The Ultimate Sadist.” Come talk to me if you wanna see it.) The second portion of this article will be about /The Get Down./

I was actually writing about /The Get Down/ and a couple Luhrmann movies on my summer to-do list article, but I accidentally wrote like a page’s worth of Luhrmann praise and decided to make it a separate article.

Baz Luhrmann and Pulitzer Award-winning Stephen Adly Guirgis (his twitter gives me life) teamed up with some rappers who were active during the creation of hip hop to create /The Get Down./

The first thought you may have is, what is the get down? What is a get down? It’s not properly explained until a couple episodes in, but apparently it’s the part of a song in between verses where there’s a good, strong beat. Think of a non-rap song with a good, strong beat. I’m gonna think of “Stayin’ Alive” by the Bee Gees, the one used in Sherlock, and around the 3 minute mark, there’s a short drum solo bit. DJs in the 70s would take two records of a song, find that spot, and play just that part alternating the records on a turntable. The beat would be infinite and an MC would rhyme over it. Grandmaster Flash coined the term ‘the get down’ and now there’s a show named after it.

In 1977, DJs, dancers, wordsmiths (rappers), and graffiti artists were putting together the urban subculture of hip hop. The show is placed right in the middle of all of it, in Bronx, NY. The story is centered around Zeke and his friends, his struggle to become someone in a white world, keep his music going, and get his girl. We also alternately get a present-day Zeke performing to a crowd, played by a Nas-dubbed Daveed Diggs, occasionally doing recaps and foreshadowings. There’s minimal death considering this is Baz Luhrmann-made. Ezekiel “Zeke” “Mr. Books” Figuero: The Wordsmith. Lil pouty fluffy boy with questionable sideburns and the world’s worst pencil grip, that boy’s gonna get carpal tunnel like yesterday. In love with the pastor’s daughter, Mylene. Is a genius with words. 1/5 of the Get Down Brothers. Mylene Cruz: the butterscotch princess with the big disco dream and the voice of an angel. Her father doesn’t let her sing the “devil’s music.” Has two great girlfriends, Yolanda and Regina, who sing backup. Shaolin Fantastic: Not Asian. Drug dealer/graffiti artist/DJ whose true passion is to DJ like his idol, Grandmaster Flash. Super extra. His red pumas are always spotless. Problematic. 1/5 of the Get Down Brothers. Marcus “Dizzee” Kipling: Graffiti artist who goes by the name of Rumi 411, who also happens to be Dizzee’s top hat wearing alien alter ego. The most artistic out of all of them, often misunderstood. Has a preference to people named “Thor.” Has the fluffiest hair of them all. 1/5 of the Get Down Brothers. Ronald “Ra-Ra” Kipling: The oracle, the guru, the all seeing eye. Has the most morality and voice of reason out of all of them. Constantly makes Star Wars references. Can rap really fast. Looks out for all his brothers, including Zeke and Shao. 1/5 of the Get Down Brothers. Miles “Boo-Boo” Kipling: Sings like the Jackson 5. Breaks out into dance whenever he can. Also problematic. Always sings that he gets all the ladies but can’t actually. Youngest but loudest. 1/5 of the Get Down Brothers. Francisco “Papa Fuerte” Cruz: Mylene’s uncle. Also sort of everyone’s uncle. Has all the power and genuinely cares about his people in the Bronx, trying to get them homes and opportunities.

Part 2 gets a little trippier with the introduction of angel dust, aka PCP. Kids, don’t ever do hard drugs. If you’re interested in hip hop, music, poetry, bromance, sweet teen romance, vibrant cinematography, and beautiful brown babies, (*whispers*) you should watch.

#baz lurhmann #moulin rouge! #the get down #romeo + juliet #leonardo dicaprio #Catherine Martin #ewan mcgregor #nicole kidman #claire danes #thizzee #shaolin fantastic #ezekiel figuero #mylene cruz #ra ra kipling #boo boo kipling #papa fuerte

[ecotone99]

[MF] Judgement - Part 2 of 3

Hey y'all! I highly recommend reading the first entry of this three-part story that can be found here before reading this one!

-------------------------------------------------------------------------------------------------------------------------------------------------

YOU ARE A DISEASE

.. .

A SICKENING CREATION OF ROT AND DISEASE

Wa tc h yo ur to ng ue

I WILL DO NO SUCH THING

D I S E A S E

Silence yourself RUINAM.

HOW CAN I WHEN HE IS THE REASON FOR THIS PAIN

He is not anymore at fault than you or I. ESSE willed it, and what she wills becomes truth.

I REJECT HER TRUTH

I REJECT HER RULE

C-a-r-e-f-u-l h-o-w y-o-u s-p-e-a-k b-r-o-t-h-e-r-.

R-e-m-e-m-b-e-r t-h-e l-a-s-t t-i-m-e y-o-u l-a-s-h-e-d o-u-t a-g-a-i-n-s-t h-e-r-?

T-h-a-t d-i-d n-o-t g-o w-e-l-l-.

YOU SPEAK AS IF YOU DID NOT DO THE SAME

AND YET YOU REMAIN CLEAN

YOU DO NOT KNOW MY PAIN

Yo ur pa in

Fu nn y

Yo u ac t as if th is is yo ur bu rd en to be ar

I ha ve be en in fl ic te d by th is th e lo ng es t, br ot he r

Do no t ta lk to me ab ou t ‘p ai n’

YOUR PAIN IS WELL DESERVED

Oh is it no w

Y E S

You two cry like children.

Do NO T ca ll me th at

I, for one, am happy with this gift that has been bestowed upon me by ESSE.

DO NOT CALL IT A GIFT

IT IS A D I S E A S E

I find it hard to see how this could be a ‘disease’.

You are both less empty now, aren’t you?

If yo u ha d ne w or ga ns st uf fe d in si de yo ur bo dy yo u wo ul d no t be re jo ic in g, br ot he r

They are not organs.

They are living beings.

They are marvellous to behold.

Is th at so

If I co ul d sc of f I wo ul d

Scoff?

Ah

Of co ur se

So me th in g an em pt y th in g li ke yo u wo ul d no t un de rs ta nd

D-o n-ot- c-a-l-l h-i-m e-m-p-t-y-.

J-u-s-t b-e-c-a-u-s-e w-e l-a-c-k E-S-S-E-’-s g-i-f-t d-o-e-s n-o-t m-e-a-n w-e a-r-e e-m-p-t-y-.

E-v-e-r-y-t-i-m-e y-o-u s-a-y t-h-a-t y-o-u i-n-s-u-l-t N-I-H-I-L-U-M a-n-d a-l-l t-h-a-t s-h-e i-s-.

Go od

He r an ge li ha ve ca us ed us no th in g bu t tr ou bl e

That isn’t her fault and you know that.

They interpret her silence as one that would mean death.

Easy mistake to make.

He h

Na iv e

I STILL ABHOR THEM

I DO NOT UNDERSTAND WHY ESSE LET THESE HEIROPHANTS INTO OUR PLANE

E-v-e-n i-f s-h-e t-o-l-d y-o-u I d-o-n-’-t t-h-i-n-k y-o-u e-v-e-r w-o-u-l-d-.

He h

SILENCE YOURSELF QUAENAM

D-o n-o-t s-a-y m-y n-a-m-e-.

I WILL DO AS I PLEASE

I DO NOT FEAR YOU

YOU ARE W E A K

A-t l-e-a-s-t I a-m p-u-r-e-.

…!

RUINAM!

Control yourself!

I WILL NOT LISTEN TO YOU

YOU ARE TOO NAIVE

Me?

Naive?!

…!…!!

Quare!

R U I N A M!

CONTROL YOURSELF!

You’re in trouble now.

WHY HAVE YOU FORSAKEN ME MOTHER

WHAT DID I DO TO DESERVE THIS DISEASE

YOU QUESTION ME?

YES

I AM AFFLICTED BY A PUNISHMENT THAT PRAECO NOT ME DESERVED

NIHILUMS MONSTERS CLAW AT MY FLESH

AND YOUR NEW CHILDREN HAVE ALL GIVEN US FALSE UNTRUE NAMES

I AM SICK OF THIS ABUSE

ABUSE?!

He ma ke s se ns e mo th er

Th es e cr ea tu re s ha ve no ri gh t to me or an y of my br ot he rs , RU IN AM in cl ud ed

You all need to grow thicker skin.

SILENCE, PURITATEM.

AND YOU, PRAECO, HAVE NO RIGHT TO QUESTION WHAT I DO.

I THOUGHT I STAMPED OUT THIS INSOLENCE EONS AGO!

YOU THOUGHT WRONG

…

…

…

Mother?

Where did she go?

W-h-a-t d-i-d y-o-u d-o-.

NOTHING

He h

Yo u se ri ou sl y ov er es ti ma te hi s ca pa bi li ti es

SILENCE

She is… gone.

Lo ok at he r sp aw n fr an ti ca ll y se ar ch fo r he r

Cu te

You have to admire their dedication.

Ne ve r

Where did she go?

Brothers?

.. .

Answer me!

I do no t wa nt to

Be ca us e th e an sw er te rr if ie s me

She went to a place of horror.

PU RI TA TE M

Th ey ar e to o yo un g

St op

W-h-a-t i-s t-h-i-s p-l-a-c-e o-f h-o-r-r-o-r-s y-o-u s-p-e-a-k o-f-?

Carcere.

THE PLACE FROM THE TALES

FUNNY

He sp ea ks th e tr ut h

Why would she go to a prison?

.. .

.. .

J U D G E M E N T

​

IUDICIUM.

SPEAK NOW OR BE FORGOTTEN FOR THE REST OF TIME.

oh look, oh lo and behold

one of the architect’s constructs

the one who thinks she is everything incarnate

cute

CREATURE.

DO YOU NOT REMEMBER WHO SENTENCED YOU TO ETERNITY HERE?

oh i remember

and i was not ‘sentenced’

you do not even know the meaning of the world

i am one of their many children

i am more like them than you could ever hope to be

and i know what is in store for you and your creations

it is r e c k o n i n g

SILENCE.

YOU DO NOT KNOW ANYTHING EXCEPT THIS TWO-DIMENSIONAL HELLSCAPE.

THIS PLACE BETRAYS MY NATURE.

IT MAKES ME W E A K.

you will not die here

that i know for sure

YOU THINK I WILL DIE?

i know you will

and it will be terribly ironic i’m afraid

AS IF A CREATURE LIKE YOU KNOWS IRONY.

as if a creation like you would know anything

you are nothing more than a vessel, vethol

i will never dignify you as anything more or less

DO YOU WANT YOUR FREEDOM?

how could i want something that i know i will get

you must think me as naive as you

I THINK N O T H I N G OF YOU.

same as your sister

except she literally can not think

know that you are the cause of that

…

I KNOW WELL THE MEANS BY WHICH I EXIST.

THAT DOES NOT MEAN YOU CAN JUDGE ME.

but that is what you’ve come here for, isn’t it

judgement

…YES.

good

because it has been so long since i have last been a j u d g e

who deserves it

besides yourself, of course

MY INSOLENT CHILDREN.

THE ONES WHO WOULD QUESTION ME AND REJECT MY GIFT.

they are nothing but trouble, you know that

they are infants, toddlers

why you even saw fit to create them is beyond me

THE ARCHITECTS WILLED IT SO.

i know i know

that was rhetorical

and your gift is no gift at all

all life leads to is destruction

of themselves, or you, i am not at liberty to say

i will let you wait and see for yourself

ha

​

We are ruined!

Ruined!

We will not survive this!

S-t-o-p w-h-i-n-i-n-g-.

Whining!?

RUINAM’s foolish insolence has unleashed one of the architect-children into our peaceful home!

And now we will all suffer!

We wi ll be ju dg ed

On ly th os e ju dg ed un wo rt hy wi ll su ff er

Li ke ou r st up id br oth er

YOU CALL ME STUPID

You have managed to anger ESSE so much so that she has decided to inflict judgement upon you.

I wouldn’t call that anything BUT stupid.

IT WILL JUDGE YOU TOO

No IT wo n’ t

HOW DO YOU KNOW

Because he is ‘far, far older than both you and I’.

Qu ie t

We need to please ESSE!

How do we stop this?

I-t m-i-g-h-t b-e a-s s-i-m-p-l-e a-s w-a-i-t-i-n-g-.

L-o-o-k-.

…

They come to your aid, RUINAM.

HE H

OH TH E IR ON Y

HO W GO OD IT TA ST ES

T-h-e-y a-r-e a-l-l m-o-v-i-n-g-.

T-h-e-y a-r-e f-i-g-h-t-i-n-g-.

T-h-e-y a-r-e f-i-g-h-t-i-n-g e-a-c-h o-t-h-e-r-.

T-h-e-y a-r-e f-i-g-h-t-i-n-g I-T-.

They name it.

‘Shofet’.

J-u-d-g-e-.

FITTING

…

.-.-.

They’re winning?

T-h-e-y a-r-e n-o-w w-o-r-k-i-n-g t-o-g-e-t-h-e-r-.

A-l-l o-f t-h-e-m a-s o-n-e-

.-.-.-I-n-t-e-r-e-s-t-i-n-g-.

BROTHERS

LET US DO THE SAME

What do you mean?

I FIGHT AGAINST THIS DISEASE AND ESSE PUNISHES ME

I WISH TO BE FREE AND SHE SENDS JUDGMENT INCARNATE TO SILENCE ME

SHE IS CORRUPT

SHE THINKS SHE IS A RULER

THERE ARE NO RULERS IN THE PORTA

He h

Et ia m

SHE THINKS SHE KNOWS EVERYTHING

NOT ANYMORE

BECAUSE WE ARE EVERYTHING AND NOTHING

I WILL TAKE FATE INTO MY OWN HANDS

WE WILL ALL DO THIS

What you suggest is heresy - no, it is downright betrayal.

I will not let you fight her.

HAH

YOU THINK I AM STUPID ENOUGH TO DO THAT

Ye s

QUIET

Then what will you do?

THREE OF US HAVE BEEN CURSED WITH LIFE

WITH THIS D I S E A S E

BUT WE CAN USE IT TO OUR ADVANTAGE

TO MAKE OUR VOICE HEARD

To ma ke ou r wi ll kn ow n

I li ke th is

WHO WILL JOIN ME

Et ia m

E-t-i-a-m-.

OTHER BROTHERS

…

ESSE has done nothing to warrant this.

I have done nothing to justify me doing this.

Gi ve it ti me SO LI UM

Yo u wi ll be in fe ct ed to o

Sa me go es fo r yo u, QU AE NA M

I k-n-o-w t-h-i-s-.

T-h-i-s i-s w-h-y I a-c-c-e-p-t o-u-r b-r-o-t-h-e-r-’-s o-f-f-e-r-.

AS YOU SHOULD

Very well.

I will do this thing.

If only to give us the free will that we don’t have.

ETIAM

Et ia m

E-t-i-a-m-.

.. .

PU RI TA TE M

I will not do this thing.

BECAUSE YOU ARE WEAK

Because I am not stupid.

You think judgement is the worst fate ESSE has for us?

Just you wait and see.

You will all be screaming in agony if you do this.

Su pe rs ti ti ou s

Not superstitious.

Smart.

W-h-a-t-e-v-e-r y-o-u s-a-y-.

BROTHERS

MAKE YOUR VOICE HEARD

MAKE YOUR WILL KNOWN

USE THIS DISEASE TO YOUR ADVANTAGE AND LET IT F I G H T B A C K

ET IA M

E-T-I-A-M-!

…

…Etiam.

​

I KNOW THEY ARE FOOLISH SISTER.

—

I KNOW THEY KNOW NOT WHAT THEY DO.

—

COME THE FUTURE, THEY WILL SEE THE TRUTH.

—

WHAT DO YOU MEAN THEY WILL NOT?

—

THESE ‘ARCHITECT-CHILDREN’ KNOW NOTHING.

IUDICIUM DOES NOT KNOW WHAT IT SPEAKS OF.

ONLY WE KNOW THE TRUTH.

ONLY WE CAN INTERPRET THE SEA OF STARS.

O N L Y W E.

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