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#it has daddy issues and killed its father in a manner so gruesome it's never explicitly described in an otherwise VERY gory book
clownsecret · 5 months
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The dynamic of my current National Novel Writing Month project is SO much the courtly love / submission of the guard dog to the sheep it kills wolves for thing Tumblr is fucking nuts over right now. That and also the "call my man shredded lettuce the way he's a sub topping" post.
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brave-clarice · 3 years
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“Clarice” Liveblog: Episode 2
Again, some extremely unfashionably late hot takes.
(Special thanks to @kathrynethegreat and @special-agent-pendragon​ for encouraging another liveblog!)
Clarice is working out! And eating junk food! I love it.
and cleaning her gun!
hey, Ardelia is drinking what I’m going to assume is her grandmother’s “smart people tea”.
Krendler disciplining Clarice already is infuriating but appropriate.
“I lost control.” Oh no, I don’t like that. Don’t make Clarice unstable. Her mental and emotional state never had anything to do with her failing career.
getting weird mixed signals from Ardelia. Last week, she obviously didn’t want Clarice to lie/stick to the script Krendler gave her, but now she’s telling Clarice she messed up by not doing so...?
“I better know you if you’re calling this early.” Amen, Ardelia.
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I’m in love: this cinematography is straight out of the film (when she’s flying to WV with Crawford)!
“When’s the last time you went back to Appalachia?” “It’s been years.” What??? It has NOT been years--Clarice was JUST in West Virginia last week as well as in Silence, and she arguably attended college there as well. (UVA is at least nestled in the mountains, and you don’t have to drive far outside the Albemarle Valley to hit Appalachia proper.) After all the details about her character they’ve been nailing, they miss this glaring error? 
I like the tiny details she’s noticing (like the guy biting his nails). Not only because she’s an investigator, but because it’s reminiscent of Hannibal’s influence (imo).
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Clarice Is Short: The Saga continues
still not getting any creepy vibes off Krendler. He’s going to be much less effective as an antagonist if he isn’t lewd as well as a dick.
I really don’t care for the way the opening “credits” fade out from the death’s-head moth to Clarice’s face. There are MANY animals that represent her, or parts of her, in the books--lions, lambs, horses, and of course birds--so this choice feels empty and lazy to me.
also lazy: having a fellow agent straight-up tell her in episode 2 “you shouldn’t be in the Bureau.” Maybe in two or three years, after some further “Death Angel”-type incidents, I could see this blatant rudeness, but not yet.
“Reesey”? Thanks, I hate it.
this flashback must be of Clarice’s little brother. That answers one question I had last week. That said...Clarice’s brother doesn’t play the same role in her story that Mischa does in Hannibal’s--but this sure feels like a Mischa-esque flashback.
good: they’re finally getting to the source of Clarice’s actual trauma!
bad: this is NOT how Clarice found out about her father. In fact, that whole incident is laid out in detail in the novels, and there’s nothing overly literary/un-cinematic about it, so this feels unnecessary. “The police are here! Something happened to Daddy!” No, bad! Show, don’t tell!
she would’ve known better than to introduce herself to that kid as “Clarice Starling, FBI,” come on now.
were they regularly able to wire tap hair clips in 1993? 
actually, nothing in this show looks very 90s to me so far. I’m sad about it.
so in eighteen months, Ruth Martin has gone from a junior Senator to the Attorney freakin’ General, and now she might run for governor?? At least let her get settled in one position of power first, why don’t you!
yet more Buffalo Bill flashbacks...alas.
are they trying to make this guy another surrogate Hannibal character? He’s commenting on Clarice’s accent and the dryness of her skin, asking about who she “left behind”...it all feels very Hannibal. (I know he’s a Charismatic Cult Leader trope, too--but when played off of Clarice...)
“Ew.” “I hate this guy.” I laughed.
I understand that Clarice probably feels conflicted re: her siblings in the book, but I’m really not digging the flashbacks of this Tim Burton character her brother.
@ the writers: Clarice already has the lamb backstory/symbolism, too. We don’t need this Little Brother stuff.
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*shrieking* Mrs. Starling! At the sink washing the blood out of his hat!!! 
...aaand they had to ruin it with the brother’s painfully bad dialogue. Will still be good for gif-making, though.
are we supposed to interpret all these flashbacks as Clarice being incapable of controlling her emotions/state of mind? She keeps losing herself in memories and emerging all doe-eyed and panicky. I don’t like it.
not to be a broken record but...Clarice should be TOUGH. Again, Ardelia only saw her cry once in seven years. But she’s more worked up in this scene than Jodie was in Memphis!
when Mr. Cult Leader shouts “Agent Starling! Agent Starling!” he sounds exactly like Hannibal calling her back to his cell in the asylum. That has to be intentional. 
damn, wish that I could look as good five minutes after I’ve been crying as Clarice does.
I LOVE that Ardelia gets to be the crucial behind-the-scenes book-smart partner to Clarice’s action heroine.
AG Martin’s just playing politics by turning a blind eye to the crooked sheriff. But when her own daughter was just kidnapped and almost killed, she looks like a real hypocrite.
gosh, Rebecca Breeds is great. I already hope she gets nominated for an Emmy.
so Krendler is...doing the right thing???
Clarice’s father was definitely not a sheriff. I hope she’s just exaggerating for dramatic effect. (Maybe this will be clarified later.)
she couldn’t just sit with a manipulative guy without getting emotional, but she’s cool as a cucumber while telling an extended story about her father? HmmMM.
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sometimes her mannerisms and facial expressions are so much like Jodie’s that it’s uncanny, like here when she leans forward to confront the Cult Leader.
“She did it.” Damn straight!
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another great callback to Silence. this show’s camera crew knows its stuff!
“He’s concerned I have some residual trauma from Bill.” I. Hate. This. Subplot--and all its OOC implications.
“Catherine was close to her father, too.” Ooh, a nice allusion to the novel! Clarice makes note of their “common wound,” the loss of a father, when she’s in Catherine’s apartment in Silence.
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she is just SO pretty.
little Clarice looks a LOT like Rebecca Breeds. I hope we see some more of her. 
The Good:
the continuing visual nods to the Silence film via cinematography
Mama Starling!!!
Clarice’s “The World Will Not Be This Way Within the Reach of my Arm” attitude, refusing to leave without helping the victims.
Ardelia Mapp coming in clutch! 
Clarice being, generally, a badass
and using psychological tricks/mind games to pin the antagonist...that’s the woman who disarmed a monster with just a few words.
Rebecca Breed’s acting has been phenomenal so far.
I like Clarice’s haircut a lot better when worn down (though it’s not very practical for fieldwork, so we probably won’t see it much).
The Bad:
the continuing Buffalo Bill-related Trauma Subplot. Ugh.
all the flashbacks to Clarice’s brother (and the not-so-subtle suggestion that her brother is, symbolically, another lamb).
will the real Paul Krendler please come forward? this guy is so TAME.
the other agents’ hostility towards Clarice needs to be toned down slightly so that it can escalate. Otherwise, where’s the tension?
is this actually 1993? I’m not feeling it. Shouldn’t it have a little of that Season 1/2 X-Files aesthetic? Please give me more than once-an-episode references to pagers and fax machines!
that glaring Appalachia continuity error...it’s still bugging me.
I missed the overt Hannibal references, even though they’re not necessary to any part of this episode. A lady can dream!
Overall, I really liked this one despite my various issues with it. It started shakily but built to a great finish. The emphasis across both episodes on Clarice being in the FBI not just to “get out, get anywhere,” but out of a genuine desire to help victims has been wonderful. I just hope they don’t swerve too far into the “too traumatized and emotionally compromised to function” lane. It would be a disservice to Clarice’s character and to her journey (and would smack too much of “Hannibal really did prey on her weak mind/brainwash her”.
Things I’d still like to see: More of her personality. Her hobbies and interests. That she’s cleaning her gun is great! Now let’s see “Poison Oakley” practicing her sharpshooting skills. Or car shopping. Or clothes shopping to show off her “developing taste.” (Ardelia can come!) I’ll take literally anything. Give us more of Clarice’s sense of humor as well. She had some subtle funny moments in the pilot, and it’s nice to see Rebecca smile for a change.
And Krendler? Smear that man in grease! I appreciated a happy ending even though Clarice’s career is, as we know, already in a downward spiral--the last thing we want is for every episode to be a slog, especially when a good chunk of the audience hasn’t read the book and doesn’t know Clarice is doomed to fail in the Bureau.
However... Krendler’s not a “redemption arc” kind of character. Or even a “run-of-the-mill sexist asshole” character. This is a man who spent seven years systematically sabotaging a young woman’s career because a) he was jealous that she solved the Gumb case before him, and b) she wouldn’t fuck him. He was a Justice Department official working fist-in-glove with a serial child molester who was planning some of the heinous vigilante justice imaginable. THAT’S why his very gruesome end at Hannibal’s hands felt deserved--even Clarice thought so! In short, he needs to get nasty.
Anyway, thanks for coming to another long-overdue TedTalk. Fingers crossed that the next one will be more timely (aiming for Sunday night)! 
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