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negative-speedforce · 5 months

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Alright, your turn! If YOUR OCs starred in a movie, who would you pick to play them?

(I know you have a ton of OCs, feel free to just do the ones you can come up with a good answer for - I struggled to pick people for this and I have like half the OCs you do lol)

Alright so some of these people aren't actors or anything but they're definitely who I imagine the characters looking like-

Siv: Romy Flores, 100%. She's got the face, the nose, the "don't give a fuck" attitude. All she'd really need is gray contact lenses and either a haircut or a short wig.

Hailey: Lynk Lee isn't 100% perfect for Hailey, since Hailey has a more stocky, muscular build, but in the hypothetical movie, if she were to do some weight training, she could definitely do Hailey justice. Also, she'd need green/blue contacts for Hailey's post-death heterochromatic eyes.

Jay: Elliot Fletcher is the closest I can get to how I imagine Jay looking, though I would hypothetically want to cast someone who was both transmasc and physically disabled, since Jay is both.

Cassandra: Halle is absolutely perfect for Cassandra- though if she were to play the role, she'd need violet contacts for Cassandra's magic-corrupted eyes.

Arya: Cayley Spivey, 100%! This, but with elf ears and a shaggy mullet! (fun fact: Spivey was the fancast for Siv's original design)

Esme: Ava Max is my current fancast for her. She's got the bleach blonde hair, the "party girl" vibe and the angular yet cutesy face.

Gina: Ilianna Ayala Garcia would make a pretty good Gina, imo, though she's a little older than the actual Gina was when she died, what movie doesn't have a 20-something playing a teen?

Ember: Marina Summers, a queen who starred in S1 of Drag Race Philippines, is absolutely perfect for Ember!

Cat: Even though she doesn't necessarily look entirely like Cat, I've never been able to imagine anyone but Anna Cathcart as her. I think its just the vibes lol.

Kyle: This random-ass hockey player from Minnesota, Ryan Johnson, has been my faceclaim for Kyle since I first created the character.

Max: Heng Sokvisal makes a pretty good Max, just slap on a pair of glasses and we're good to go!

Khalil: Shameik Moore makes the perfect Khalil imo. No comments, just vibes. (though since Khalil works as a makeup artist I'd definitely give him some gold eyeliner or something)

Reggie: Winnie Harlow's pretty much perfect for Reggie, though she'd need blue contacts because Reggie has xer dad's eyes.

Ameerah: Amandla Stenberg makes an absolutely amazing Ameerah, I'd definitely want her to have the light blonde hair like in the picture, and she'd need pink contacts to match Ameerah's description.

Rania: Denise Bidot, 10000000%. She's been my faceclaim for her for like, FOREVER.

Director Hawke: Julianne Moore, specifically in her "President Coin" look. Director Hawke was loosely based on President Coin, so I've always imagined her looking somewhat like her.

Meredith: Rachel Zegler, but with glasses and lighter brown hair.

Onnie: Same as Siv lol it's her multiversal variant

Jessi: Same as Esme, multiversal variant

Pippa: Veondre Mitchell is the perfect Pippa! She was actually the one who I initially based Pippa's appearance off of.

Hyun-Ki: Park Sung-Hoon is a pretty good Hyun-Ki. From his dramatic looks to his honestly kinda gorgeous voice. I don't doubt he'd make a great Hyun-Ki

Thalia: Teyonah Parris is Thalia, there's no doubt about it. Ever since I watched Wandavision and saw her as Monica Rambeau, I knew that she'd be perfect to play Thalia in her hypothetical movie.

Reyna: K-Pop soloist AleXa is a pretty good fancast for her, though she'd need some pretty good SFX makeup or CGI due to Reyna being a near-human felid species.

Athena: Alaqua Cox (AKA Echo from Hawkeye) is how I imagine Athena looks, but with a white streak in the front of her hair (and a lot more seductive of an aesthetic)

Laila: Youtuber Beth Crowley is my faceclaim for Laila, though as Laila I'd want her to either don a short bob or a short wig, and amber contacts.

Marie: Mayu Maeshima is a great faceclaim for Marie, though she'd need SFX makeup for Marie's Romulan features and her Borg implants.

Qiara: Due to Qiara's nature as a being of pure energy, she doesn't necessarily take the same form at all times. However, the one she frequents the most could very well be portrayed by Chiquis Rivera.

Liah: Raquel Rodriguez would make a great Liah, she has the right height and build for her, she would just need SFX makeup for Liah's Cardassian features, and hazel contacts.

Samira: Desiree Akhavan would make a pretty good Samira. She definitely fits how I imagine Samira to look, and she's got the right vibe to play her as well.

Sohelia: Golshifteh Farahani is a pretty good faceclaim for Sohelia, though she'd need some light makeup to make her skin more ashy, due to Sohelia being half-vampire.

Vanessa: Storm Reid is absolutely perfect for Vanessa, though for most of the movie she'd be replaced with either a puppet or CGI double for her monster form.

Dolores: Diane Guerrero is perfect for Dolores. She'd just need some minor makeup in order to look more like a vampire, i.e. ashy skin, red eyes, fangs, etc.

I don't have faceclaims for Eric, Jacob, Antonio, Cory, Soraya, Aldrich, Matt, or Victorie yet.

#ask revan #oc shit #practically-an-x-man

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pinespittinink · 2 years

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. { oc appreciation celebration } .

⚜ Laila Rose ⚜

kicking off the start of these moodboards from my follower celebration ask game with this lovely star princess. laila belongs to @aninkwellofnectar 🌹

#pls don't click on this the quality will just rot away fghdjd #cammie i hope it's okay!#laila has such a pretty aesthetic it was really fun to make this #got some ideas for some others already #i might just do a handful total #my edits #not my ocs #not my work #aninkwellofnectar #lmao IM NOT MAKING THESE ON MY PHONE ANYMORE NO SIR god..... maybe i'll remake this later ghfgjf

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poodlejoonas · 3 years

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Dad!BC AU - the moms

So wow-ihateithere and I (because for some reason Tumblr won’t let me directly @ you) have been tossing out so many amazing ideas for the BC dad AU lately that we’ve thought of pretty much every scenario under the sun. One idea I’d like to throw in here is the group that is the moms who make up their own personal wolfpack. Since they’ll be brought in as stand-alone characters soon, it would be better to have a basic introduction for each and how they know/interact with each other.

(Under the read-more for length)

Joel - Emilia (”Millie”) Hokka - The absolute baddest bitch you will meet on this planet. She's a 5′1″ sweetheart, but if you lay a single finger on her kid, her husband, her BC brothers and sisters, or any of her nieces and nephews, she will become the human embodiment of that one line from “Wolfpack.” You know the one. She’s gone viral before for Joel needing to hold her back from fighting the mom of a kid who’s bullying Enkka at school, and literally watching this tiny woman become a human hurricane at the drop of a hat was enough for this kid to immediately leave him alone. From then on, kids at school know not to come after Viktor Hokka because his mom doesn’t play around. Why would she? After all, she dedicated 18 months of her life to trying to become a mom, and anyone who dares to come after her baby needs a running start to get away from her.

Sometimes even Joel has to hold her back from doing something she probably should regret but wouldn’t if it involved her family. He knows better than to cross a line with her. Then there are other times when they work together to be the shadiest power couple on earth, like when Aleksi’s ex-girlfriend Laila slanders him in the media for talking about taking custody of their son from her. If Joel comes home pissed about something, she’s the first one to jump on board with whatever plan he has to get his point across. She would totally have a stan account on Instagram dedicated to her called “milliehokkasupremacy”. And Joel loves his wife so much that he would eat every bit of this shit up. When she tells someone off, he writes down what she says and turns it into the lyrics of Blind Channel’s next single.

In short, Millie Hokka is 100 percent That Bitch™.

Bonus bit because this idea made me laugh: (in the comments section of a post slandering BC) @milliehokka: Bitch you better take this shit down before I puncture your fucking tires @joelhokka: She's my better half ❤️

Joonas - Kirsten Porko - Kirsten’s one of the quiet BC moms, and a hell of a lot more tame than Millie. But she has her shining moments every now and then, like when she was wondering why Millie took Joel with her knowing that she could’ve easily beaten that bully’s mom’s ass without him. She has the patience of a saint, being married to Joonas and raising two (soon to be three) kids with him. But she adores every minute of their chaotic little family. Since Sohvi was the first of the BC kids, the guys were quick to show up in support of her and Joonas. She was also pretty lonely until the others started dating their wives, and she was more than happy to have more friends to bond with.

She does the most to mother the rest of the kids when they need it. They love to come to their house because Kirsten will have a fresh pan of cookies ready for them. They also like hanging out with Joonas, but Kirsten is a fun aunt on her own. She’s typically the first to show up when one of the other moms tosses out a cry for help in taking care of their kids, especially when they’re newborns and the guys are away on tour. Kirsten’s total aesthetic is the absolute opposite of Joonas’s: she’s bubbly and wears nothing but pastel dresses and soft fabrics. A lot of people wonder what a “nice girl” like her is doing with a punk rocker like Joonas, until you see them interact and know that they’re crazy in love with each other and their kids. She’s the unassuming type, but she loves pranks as much as her husband and kids; she’ll play along whenever there’s a really good one and sometimes she can totally outdo them.

Niko - Jenna Moilanen - Jenna is Millie’s co-conspirator and partner-in-crime. If Millie needs someone to back her up and Joel’s trying to talk her out of whatever she’s thinking about doing, Jenna is the first to show up on the scene. She’s very much Niko’s type - she has just as many tattoos as him, several piercings, and hair that changes color depending on her mood. She’s naturally a blonde but you almost never see her as one. A lot of people tend to pass judgement on her abilities as a mom based on her appearance, but both of her and Niko’s kids adore her (especially their daughter Lahja) and they grow up happy with their loving parents. She’s a fantastic cook and works as a head chef at a five-star steakhouse, and she’s always willing to come home and cook for her family as well. She and Millie are the two shortest of the group, and it’s hilarious because they are both absolute spitfires.

Jenna has the best intuition when it comes to deciding who is trustworthy and who isn’t. There’s no “leader” in the group, but most of the others trust Jenna when someone gives her a bad feeling. She would be the one to raise the alarm on Laila years before she and Aleksi ever break up, and Laila would find the absolute worst way to end up on Jenna’s shit list. In her time with the group, Laila does nothing to help take care of the rest of the kids or try to fit in with the group. One day, when Leevi cries because he needs something, Jenna spots an annoyed expression out of the corner of her eye coming from Laila. It takes an intervention from God to stop Jenna from ripping her apart on the scene. The most important thing to note about Jenna: she calls her closest friends “bitch” affectionately. The moment it stops being affectionate, there’s no turning back.

Olli - Kaarina Matela - The quietest and calmest of the BC moms. She perfectly matches her husband’s energies, which is why they parent their daughters so well. She was definitely more calm than him on the day they learned they were having twins, and still is to this day. When he was panicking about their pregnancy scare, she was still managing to stay collected somehow (but just as relieved as he was). She’s very much like a suburban soccer mom type, but far from being a Karen because she’s aggressively kind to everyone around her, including hardworking people. And Olli just adores her so much, sometimes he doubts if he even deserves her. She’s always the first to remind him that there’s no one else she would rather be with.

Kaarina is the arts and crafts kind of aunt. During the summer, she likes to have the kids come over for day camp style hangout sessions where they mix in time outside with craft activities. She’s the reason why Olli’s stage outfits have been so cool lately, because she’s got a perfect eye for colors and is super skilled at hand-stitching patches. If the kids need anything repaired, they’ll know to go to Aunt Rina first because she’ll either make it as good as new, or turn it into some sick artwork. All the moms get along but she and Kirsten vibe together the best. They get together and plan the summer activities for the kids, which involve Rina planning the crafts and Kirsten baking for, and with, them.

Tommi - Marja Lalli - Marja is unique in her position as a BC mom because she joined the group when her son Miikka from a previous relationship was already almost 4. For a brief time, she was worried about herself and Miikka feeling left out of the group dynamic that was already there, but they were so quick to invite her in as one of them. A lot of it had to do with her being friends with Jenna since elementary school, and Jenna knew that the sisterhood would be more than happy to accept her. She and Niko help set her up with Tommi because they both know he would love her and accept Miikka as his own. She’s chill and reserved, but she’s still a ton of fun to be around. Along with Kaarina and Kirsten, she’s one of the level-headed moms and is typically the voice of reason for a lot of things (especially when it comes to trying to contain Millie and Jenna’s tempers).

The rest of the moms were thrilled when she told them she was pregnant with Anna, but constantly concerned and fretting over her when she was on occasional bed rest. If Tommi couldn’t be with her, it was one of them coming over to help take care of her and Miikka. Marja’s health showed the caring side of the sisterhood of the BC moms, how they are willing to take care of each other in sickness as well as celebrating the good times and defending each other from drama. Even months after Anna is born, they still come over from time to time to see if there’s any way they can help.

Aleksi - Laila Pekkanen (later on, marries Hanna Kaunisvesi) - So this one is a bit complicated. For about three years, Aleksi was in a high-profile relationship with Laila Pekkanen, a producer who worked with him on a solo single before joining BC. They meet again a couple years later and begin a relationship that last for about three years. But it was far from loving, as they were just in general not good for each other. A few weeks after their break-up, Laila calls Aleksi while he’s in the studio to break the news to him that she’s pregnant, which sends Aleksi into total emotional turmoil because he thought they were being careful. Of all the guys, he’s the most careful with avoiding this kind of thing, but it was her who missed one too many days of her birth control. They’re barely on speaking terms, but they agree to try to stay cordial until Aleksi can take full custody of the child himself. She admits to having no maternal instinct and wants nothing to do with the baby.

Here’s where it gets messy. Aleksi finally decides to break his silence on the matter and announces via Instagram that he will be a father and raise his son on his own. He does his best to tell his side of the story without dragging Laila down. But she takes it personally and goes on the radio to try to attack Aleksi, feeling like she’s being treated like a villain and a bad person for giving up her child. She feels like she’s being “exposed” in thinking that Aleksi publicly acknowledging their son’s existence would ruin her career, because she’d been trying everything possible to cover it up. It becomes a major feud between her and her team, and Aleksi and the BC team, but more industry people can back him up as a stand-up guy than they can come to her defense. She nearly ends up having Noah prematurely, and yet Aleksi still shows up in support, more so for their son than for her. When Noah is born months later, she refuses to hold him and immediately cuts off all contact with Aleksi.

Aleksi raises Noah alone and learns to support his son when he’s later diagnosed on the autism spectrum. Noah is semi-verbal and partially communicates with sign language. He uses sign in situations when he meets a stranger, and Aleksi respects his intuition when someone makes him uncomfortable. Noah has separation anxiety from losing his mom at a young age, so Aleksi refuses to date for years because he doesn’t want to bring a revolving door of strangers around him. But then he meets Hanna, who makes an almost instant connection with him. He’s hesitant to make a decision about a long-term relationship with her until he sees how well she works with Noah. She’s one of the first people he opens up to - mostly because of her experience as a child psychologist - but the moment that seals the deal is when Noah calls her “mom” for the first time (in sign to his cousins). Fans and people he works with can’t help but notice that Aleksi is so much happier with Hanna than Laila. And as much as he would like to have a baby with her, he’s happy having Noah and wants to invest his energy into ensuring his happiness. But Hanna understands, because she’s an angel and only wants the best for her family.

#blind channel #dad!blind channel #no idea what else to tag this as lol #this is a lot more fun than making them all reader inserts #i love writing reader inserts but it'll be nice to see them interacting with each other

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all-brown-everything · 5 years

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My favourite Indian films of 2018

Sorry for the wait this year. 2018 in the movies mirrored my own life a lot; the films on the list are films to love, make you feel something human, and they force you to take their characters and hold them close to your chest as if they were your own. While the most interesting mainstream movies from South Asia over previous years on this blog have excelled when they chose to experiment with the language of cinema itself, the 10 I’ve written about here have, similar to great literature, embraced pain, longing, love and everything else that comes with being alive.

10. Theevandi

I’ve seen this film being described as an “anti-smoking movie.” I couldn’t disagree more. It’s a story about the nature of habit (rather than the disease of ‘addiction’), of locating the source of your personality, your soul, and trying to change it against the will of nature. During my time in India this year, nothing brought more joy than an ice burst and cutting tea at the side of the road, perching on the side of the pavement and watching life carry on around you. And while this is a film with a main character who wants to quit smoking, it isn’t about cancer. It isn’t about that horrible sooty smell at the end of your fingers, or yellowing teeth or a decreased sperm count. It’s about how something as innocuous as a tube of rolled up tobacco hanging out of your mouth can act as a fragile crutch for the entire weight of the world.

9. Laila Majnu

Like many of my favourites this year (and every year), this re-telling of one of South Asia’s most important romances wants to know what love is. Here, we see love not as a generous, giving emotion, but as pure greed. With one of Bollywood’s most gorgeous soundtracks, that bleeds furiously out of every frame, and a constant sparkling gleam of glamour over these gorgeous young actors and the Kashmiri hills they prance around in, I enjoyed this enough just based on the commercial tropes it toys with for fun. But its real beauty lies in its brave and painful final declaration; that the most divine love may connect you to God and remove your soul from your body, but it will destroy you and your connections to the Earth, as the cruelest form of asceticism.

8. Cake

I’m including a Pakistani movie (again) because our film industries were birthed under one national identity, and I don’t see the studios of Karachi as any more culturally distant from Mumbai’s Film City than Kodambakkam. Moving to Cake, this stunning portrait of a dysfunctional family surprised me against all my instincts that it was a Western-facing production clearly aimed at piercing its way into festivals and a patronising ‘World Cinema’ bracket. It is in fact, a study of shifting societal politics in an increasingly extreme and polarised World, of figuring out where your values stand in the midst of religion, feudalism and globalisation, and accepting that when these heavy, abstract concepts weigh down on your shoulders, it is the human beings around you who will feel the strain first.

7. Golak, Bugni, Bank Te Batua

I really love Punjabi cinema. Seeing it come into its own and reclaim its cultural narratives and aesthetics from bastardizing Bollywood (where now even a film set in rural Gujarat will feature a Punjabi language song) has brought a lot of joy. Now here comes a happy little film not set on preaching the glory of Sikkhi or telling an epic tale of brave warriors or earnest farmers, but on bringing us into the lives of a middle class Hindu Punjabi family in a small mohalla of a tier 2 city. And these aren’t the Hindu “Punjabis” of a Bollywood movie set in Chandni Chowk, who might throw in a “tussi” or “tuadi” here and there at the most. These are real people with a real culture, as intertwined with Punjab and their Sikh neighbours as they are separate. The film doesn’t patronise them by drawing humour from their novel identity; the situational character-based slapstick and witty back-and-forth theatrical dialogues exist in a warm parallel with the “World” of the movie. And then the lives of these people change in one instant as demonetisation hits, and we are hilariously reminded that whether you’re Hindu or Sikh, Northern or Southern, you are (unfortunately) still in India.

6. C/o Kancharapalem

I won't say this film stood out as a "Telugu movie", as such slight, subtle films are an anomaly no matter what language they're made in or how brash those other films produced in the same mother tongue may be. These small and quiet tales, with their shy characters who live at the fringes of society, whether that mean they are Muslim prostitutes or simple middle class teachers carving out a living in a small village, are special because they manage to transmit such humanity without stirring from the dark alleyways or shaded courtyards where they take place. Not every film needs to stand tall like an intimdsting Tolstoy tome; some can be as unassuming as an RK Narayan novella and still make us feel like they're an epic.

5. Pyaar Prema Kaadhal

Let's be honest. Casting two leads from a reality show, putting heart shaped balloons in your posters and deciding on the title "Love, Love, Love" pretty much screams "trash" doesn't it? But here was a humbling reminder that Indian popular culture can surprise you in the most pleasant of ways. These two good-looking young wannabe-stars and their social media followings represent so much about the "new India", a steadfastly singular culture (or cultures) whizzing through the fiery hoops of globalisation at breakneck speed, coming to terms with a mixed up value system, raging sexual frustration and an ever widening class gap, all of which have left a generation feeling more connected yet more alienated than ever before. This is 'Pyaar, Prema, Kaadhal', a flawed and horny love story, sweating with tension and all the repulsive angst of human emotion, yet with the glamorous musical heart of Indian cinema still beating loudly underneath.

4. Manmarziyaan

There was as much to love about 'Manmarziyaan' as there was to hate. The age-old filmi love triangle rears its head again, only this time with characters who are more manipulative and frustrating than any you've seen in a "mainstream" movie before. But while the film never forces you to judge (at times leaving you confused about whether you're actually supposed to like any of these people) it demands that you engage. It's encouraged some of the finest writing on cinema I've seen in recent years, and such an unashamedly "Bollywood" film inspiring this thrilling thought and analysis from our finest critics (whether their judgement is kind or not) warrants its inclusion on this list alone. Then there's the way its incredible soundtrack weaves in and out of scenes like the characters own breaths, the way life changing moments are obscured from the script by deafening silences and acutely observed minutiae, and of course THAT lead performance. I'm not sure if I "liked" it or not, but I sure as hell can't wait to watch it again.

3. Pari

The better the film, the harder it is to write about. 'Pari' is rich with metaphor. While being a ghost story (and a damn good one) merely on the surface, it has plenty to say about the way our society treats women, poses the question of if we can truly be born evil, and even critiques our savage treatment of "the other" in a global society where more of us are on the run than settled in our homes. But I think its biggest strength is that while it challenges you to reach into the very centre of your being and take a look at yourself and the World around you, its craft and screenwriting is so good that not at any moment does it give you a second to realise that's what you're doing.

2. Rangasthalam

'Rangasthalam' is so great. Like really really great. Once an innocuous muscle man, Ram Charan has channelled his inner Dhanush and located his physicality, writhing and slanging his way into the mind and body of the quintessential South Indian rural hero, hoisting his lungi and flicking his beedi into one of the most visceral and truly cinematic masala movies in living memory. The thumping pace and kinetic choreography (both of the rousing song sequences and the busy, lived-in frames of the rest of the movie) evoke a dusty, violent world with the same panache of Ameer in 'Paruthiveeran' or Sasikumar in 'Subramaniyapuram', while the moustache twirling dialogues and meticulous emotional beats offer as much pure fun as a "Dabangg" or a "Khakee" or any classic Hindi masala movie. I've read pieces linking the cinema of 'Rangasthalam' to film noir traditions, but to me it simply proved that the masala genre still has as much excitement to offer as any other.

1. Mukkabaaz

I'll remember 2018 as the year that Anurag Kashyap, previously India's frontrunner in the realm of "interesting" (but more often headscatching) cinema, stopped thinking with his very big brain and instead used his even bigger heart. His most straightforward film is undoubtedly his best, Hollywood-esque in its writing but firmly Indian in its sentiment. The scale is small - empty boxing arenas, bleak winding village paths and a cast plucked from the TV screen - but its emotions are pure opera. This is a timeless film, and though it laughs at the ridiculousness of modern India, poking a nasty smug finger at caste oppression, petty politics and the bureaucratic nightmare of simply trying to stay alive, it defies analysis. Much like the song at the centre of the story, the violently stunning 'Paintra', it only asks that you feel. And what more could we want from cinema?

I've had so much fun at the movies this year. From dancing to Dilbar in the cheap seats of G7 in Bandra to reciting Dhanush's Maari 2 dialogues at the bus stop outside Ilford Cineworld, Indian movies have continued to punctuate my life and bring me more joy than they have any right to. I can't wait to do this all again this year. What were the films that stirred you over the last 12 months? Let me know. Xx

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