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#like i was Intrigued by him but i think re reading girard made me go OH i understand you now
katabay · 5 months
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ANDREY STAMATIN
Keep a close eye on Peter. You'd become desperate and turn into a villain without him.
I spend a lot of time thinking about daniil and peter, but something just clicked into place for me with andrey. so!
I am. currently untangling this thread of thoughts about the stamatin twins and daniil and this kind of. triangle that's happening. a three fold bullet for sure, the kind of recognition-awareness-understanding where three people become one, but to step back from that. when daniil and andrey talk, there's a specific shape of peter that stands in his conversational absence. so: triangle formation. it's opposite-adjacent-complementary to daniil and peter's conversations. it all goes back to that first conversation you have with andrey. it's giving knife. love it!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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bestmovies0 · 6 years
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How ‘Rise of the Black Panther’ writer Evan Narcisse told his own Wakandan story
Image: marvel comics – composite by mashable
How is a character like Black Panther brought to life in 2018?
Marvel introduced the costumed alter-ego of Wakanda’s King T’Challa in 1966, and in the time since he’s been written and reshaped by a developing succession of novelists. Now, in Marvel’s six-part Rise of the Black Panther limited series, writer Evan Narcisse is working to tie it all together.
SEE ALSO: ‘Black Panther: A Commonwealth Under Our Feet’ were gonna help those who want to stay in Wakanda
“Even though I’m writing a prequel, I feel like the Black Panther’s, for lack of a better term, fictional personality has changed every time a different novelist has get on him, ” Narcisse said during a recent interview.
He wants to tell a story in which the different versions of the specific characteristics can all co-exist in a way that induces sense. From Don McGregor’s Black Panther of the mid-‘7 0s all the way through Christopher Priest’s reinvention, Reginald Hudlin’s over-the-top superheroics, and, most recently Ta-Nehisi Coates’ push and pull between past and present.
“I crave readers to … experience[ T’Challa] as a cool character who is multi-valent, who can exist in different realizes and different levels, ” Narcisse said. “I want them to have some sense of the history, of the published and fictional history of the character.”
That’s the “north star” for Narcisse, whose narrative opens during T’Challa’s pre-king days. Over the course of six issues, he’s weaving a re-telling of Black Panther history that can serve, in part, as an introduced by new readers who might then go back and excavation deeper into the history.
That’s not to say Rise of the Black Panther is a “greatest hits” collecting, however. Earlier comics are illuminating the track, but Narcisse has his own eyesight for this character. And much of that added narrative texture has been inspired, at the least in part, by a number of outside sources.
Toussaint Louverture: A Revolutionary Life , by Philippe Girard
Image: basic books – composite by mashable
Toussaint Louverture was the leader of the Haitian revolution that ultimately brought an end to France’s colonial rule over the country. Narcisse, a Haitian-American, grown up hearing what he described as a “very comforting mythology” about Louverture.
Those stories changed as he got older, however. “I remember my mother telling me narratives about about Louverture and[ his eventual successor, Jean-Jacques] Dessalines, and how there was infighting and betrayal and intrigue amongst the leaders of the Haitian revolution, ” he said.
Narcisse acknowledges Girard’s book for taking an unflinching approach in its portrait of the Haitian leader. Someone who is “full of complexity and contradiction, ” as he set it.
“I’m not saying that T’Challa is Toussaint Louverture in my series, but what I did want was an idea of how to treat an historic figure in a way that complicates the generally agreed upon narrative and notions that get pass away, ” Narcisse said.
Once you cut away the starry-eyed mystique of a human whose attempts fundamentally helped to reshape the world in positive ways, what does the reality look like? That’s the idea Narcisse wanted to interrogate as it relates to T’Challa.
“It makes you consider his legacy a little bit differently, ” Narcisse said of the book. “It basically made me belief, OK, we hear about people in history one route, but who are they actually in practice? What are the things we didn’t know about them? That book helped me think about that a lot as it might have been in Wakanda.”
Half of a Yellow Sun , by Chimamanda Ngozi Adichie
Image: Michael Loccisano/ Getty images( r) – composite by mashable
Chimamanda Ngozi Adichie is a Nigerian author who chronicled her country’s civil war during the ‘6 0s in Half of a Yellow Sun . It’s a project of historical fiction, mapping the experiences of five different characters as their lives gale through the real world struggle.
Narcisse had read the book before “hes taking” on Rise of the Black Panther , but he picked it back up because of the style it looks at this very specific post-colonial interval in Africa. In the midst of the civil conflict, Nigerians were struggling to come to terms with the lingering after-effects of colonial rule.
“There were divides of class and economics that likewise fused with old tribal tensions that basically threatened to tear the country apart, ” Narcisse explained. “I feel like you can’t should be considered Wakanda without thinking about colonialism.”
It’s not that he watches Nigeria as an analog for Wakanda. But the fictional country’s inherent xenophobia is driving in those same tensions. Wakandans don’t enter into negotiations with the outside world because they know what the outside world has done to Africa.
“Even though Marvel time induces things tricky in terms of aligning timelines with the real world, it is still a cautionary narrative. The fate of the rest of the continent of Africa is a cautionary narration for Wakanda, ” Narcisse said.
The Underground Railroad , by Colson Whitehead
Image: Sean Gallup/ getty images( R) – composite by mashable
Colson Whitehead’s 2016 novel, The Underground Railroad , is a fixture on Narcisse’s desk. But where those other two books have helped to fill out Rise of the Black Panther ‘s narrative texture, Whitehead’s work is more a source of creative fuel.
“It’s a slightly science fiction take on what the experience of chattel slavery was in the 19 th century. The language in it is beautiful, but what it details is horrible, ” Narcisse said.
“There’s not exactly stuff like that going on in Rise of the Black Panther . But I’m not a very poetically inflected writer like Coates is, so to try and engineer a change in my mode of writing this report, sometimes I’ll sift through that too.”
Fela Kuti and Shabazz Palaces
Fela Kuti/ Tendai Maraire( L) and Ishmael Butler( R) of Shabazz Palaces
Image: Paul Natkin( L)/ Theo Wargo( R ), both getty images – composite by mashable
Narcisse doesn’t turn to volumes alone for notion. He listens, too. Two artists including with regard to stand out during our conversation: Fela Kuti, who pioneered the “Afrobeat” genre of music, and Shabazz Palaces, a Seattle-based hip hop-skip duo.
“I’ve constantly been listening to Fela while writing Rise of the Black Panther , ” Narcisse said. “He was a rabblerouser, a protester when it came to the Nigerian government. He called out their corruption and their hypocrisy.”
Much like Louverture, Fela is a complex and sometimes contradictory historical figure. But his music is what Narcisse describes as “a soundtrack of black pride.” He became popular in the consequences of the the Nigerian civil war, while Africa was still wrestling with the same post-colonial thinking being considered in Half of a Yellow Sun .
“He’s trying to reclaim the idea of self-love and self-determination in an African-centered ethos, during a day when a lot of African countries thought it better to simulate the West and their former colonizers, ” Narcisse said.
Shabazz Palaces has been equally helpful for get Narcisse into what he calls “a Wakandan mind-state.” The duo features Ishmael, formerly of Digable Planets, and Tendai Maraire, a multi-instrumentalist and producer.
“Their first album including with regard to, Black Up , is amazing, ” Narcisse said. “It just sounds like this insane Afro-futuristic song cycle that is like hood and grimey but also on some Sun Ra shit. There’s a lot of spaceship imagery, a lot of pilgrimage imagery.”
Disclosure notice: The writer of this story knows Evan Narcisse socially . em>
WATCH: A deeper look at the Afrofuture dress of ‘Black Panther’ and the women who brought them to life
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Read more: https :// mashable.com/ 2018/03/ 01/ rise-of-the-black-panther-reading-list-evan-narcisse /
from https://bestmovies.fun/2018/03/04/how-rise-of-the-black-panther-writer-evan-narcisse-told-his-own-wakandan-story/
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