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schumi-nadal · 1 year

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Matteo Berrettini, Erling Haaland & Matteo Lunelli - Monaco Grand Prix 2021 - Glass of Bubbly

So, I just found out that Matteo and Erling already met during a Grand Prix… WHERE WAS I DURING THIS RACE ? 🫠

#matteo berrettini #erling haaland #matteo lunelli #glass of bubbly #monaco gp 2021

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delectablywaywardbeard-blog · 2 months

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Premio l'Adige 2024, Matteo Lunelli è l'imprenditore dell'anno

Matteo Lunelli, presidente e ceo di Ferrari Trento e amministratore delegato del Gruppo Lunelli, è il vincitore della prima edizione del “Premio l’Adige” dedicato al manager/imprenditore dell’anno. Il riconoscimento, nato per celebrare l’eccellenza economica di un territorio che da sempre coniuga qualità e sostenibilità, è stato assegnato all’unanimità dalla giuria composta da Michela Baldessari…

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f1 · 11 months

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Formula One raises 245000 for Imola flood relief

Formula One raises £245,000 for Imola flood relief By Balazs Szabo on 14 Jun 2023, 21:19 F1 Authentics, Formula 1, Pirelli and Ferrari Trento have raised more than £245,000 for the Emilia-Romagna Region’s Agency for Territorial Safety and Civil Protection. While the Emilia Romagna Grand Prix was set to take place as the first European round of the 2023 F1 season over the weekend of the 19th – 21st May, extreme flooding in the region forced the sport to call off the event. Following the cancellation, Formula One decided to join forces with F1 Authentics, Pirelli, Ferrari Trento, Automobile Club d’Italia and Formula Imola to raise money for the Emilia-Romagna Region’s Agency for Territorial Safety and Civil Protection. The campaign involved a collection of extremely exclusive memorabilia auctions, hosted on the F1 Authentics platform, including the Pirelli Pole Position Award trophy and all four Podium trophies - all of which would have been awarded at the Emilia Romagna Grand Prix - as well as an official Ferrari Trento Bottle of Sparkling Wine. All of these items were also signed by all current drivers, with the podium trophies also boasting autographs from Team Principals too. All auctions closed on 6th June, collectively raising a huge £247,171 for the Emilia-Romagna Region’s Agency for Territorial Safety and Civil Protection. The flood relief will receive this large sum to help in the wake of the devastation caused by the flooding in Imola. Ferrari Trento have also committed to matching the amount raised from the Podium Bottle auction, to add to this total. Commenting on the action, Barry Gough, Founder and CEO of Memento Exclusives and F1 Authentics, said: “We are pleased to have been able to support the Emilia-Romagna Region’s Agency for Territorial Safety and Civil Protection and help raise an incredible sum, to be donated to this worthy cause. These items were all ‘once-in-a-lifetime’ pieces, and to have raised £247,171 from them is absolutely fantastic.” Pirelli Motorsport Director Mario Isola, added: "Once again the F1 community has shown great generosity, collecting through this auction a sum to be donated to those who are still suffering from the damage caused by the bad weather in Emilia-Romagna, which has been very serious and whose consequences will weigh heavily on the population for a long time. Any help, even a small one, can help and we are happy to have made our contribution.” Matteo Lunelli, President & CEO of Ferrari Trento, commented: “Ferrari Trento is proud and honoured to play a role in supporting the people affected by the floods in Imola. This is an issue close to our hearts especially due to the proximity of the floods, happening in our home country. “That is why Ferrari Trento will be matching the proceeds generated by the auction of the special Jeroboam bottle, that should have been on the Imola podium, and double the donation to the Emilia-Romagna region. The auction was a success, and we are grateful to the drivers and Formula 1 team for their support and participation." via F1Technical.net . Motorsport news https://www.f1technical.net/news/

#F1 #Formula One raises £245 #000 for Imola flood relief #Formula 1

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notiziariofinanziario · 1 year

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Per la cedrata Tassoni si apre una nuova era

Tassoni ha presentato a Milano un progetto di rilancio che ha visto il rinnovamento in chiave moderna dell’iconica cedrata. Nella nuova versione, sono più visibili e in rilievo il logo e la data di fondazione, a sottolineare il legame con il territorio del Garda, mentre il nuovo tappo riprende nei colori la confezione con eleganti richiami allo stile floreale liberty, a cui è ispirato il nuovo packaging. La nuova etichetta passa, inoltre, dalla plastica alla carta, in coerenza con l’impegno verso la sostenibilità del gruppo Lunelli. Da un lato l’autenticità e la storicità, dall’altro la voglia di coinvolgere le nuove generazioni con immagini audaci e ammalianti, ispirate al mondo della moda: il restyling, realizzato in collaborazione con RobilantAssociati, parte dalla famosa Cedrata e abbraccia l’intera collezione, che si arricchisce di prodotti destinati alla “mixology“ di alta gamma. Il restyling ha coinvolto il packaging, ma restanoinvariati il gusto e la ricetta originale della cedrata, con ingredienti che continuano ad essere esclusivamente naturali e della migliore qualità, a partire dai cedri Diamante di Calabria. Per apprezzare al meglio la cedrata viene proposto un nuovo ‘perfect serve’ che invita a sorseggiarla con ghiaccio e una foglia di basilico nel calice a coppa creato in esclusiva per Tassoni, con una texture che ricorda la buccia del cedro "La nuova era di Tassoni coniuga tradizione e innovazione, storia e futuro, memoria e sogno – racconta Matteo Lunelli, amministratore delegato Gruppo Lunelli e presidente Tassoni –. Valorizzeremo in chiave contemporanea il saper fare intrinseco nei 230 anni di storia dell’azienda". Read the full article

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simonettaramogida · 1 year

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WINE/ MATTEO LUNELLI PRESIDENTE E CEO DI FERRARI TRENTO CONFERMATO ALLA GUIDA DELLA FONDAZIONE ALTAGAMMA PER IL TRIENNIO 2023-2025

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don-lichterman · 2 years

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Ferrari Trento Returns to Austin as the Official Toast of the Formula 1 Aramco United States Grand Prix

Italy’s premium sparkling wine graced the iconic F1 podium for the second year in a row at the Circuit of the Americas The popularity of Formula 1® in this country is increasing at a breathtaking pace. We are confident that our partnership will help Ferrari Trento continue to develop this market.” — Matteo Lunelli, Ferrari Trento President and CEO AUSTIN, TX, USA, October 24, 2022…

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latribune · 2 years

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Le tourisme de luxe en Europe représente entre 130 et 170 millards d'euros

Le tourisme de luxe en Europe représente entre 130 et 170 millards d’euros

Selon une étude menée par le cabinet Bain pour l’European Cultural and creative industries alliance (ECCIA), qui regroupe des marques de luxe, il pourrait tripler dans les 10 ans. “L’ Europe est la première destination touristique mondiale et le tourisme haut de gamme européen représente entre 130 et 170 milliards d’euros” par an, selon Matteo Lunelli, président d’Altagamma et nouveau président…

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fashioncurrentnews · 6 years

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Il primo Premio Wondy per libri resilienti

È dedicato alla memoria di Francesca Del Rosso, alias Wondy, giornalista, scrittrice e autrice di un seguitissimo blog su Vanity Fair, il primo premio letterario per la letteratura resiliente. La giuria tecnica presieduta da Roberto Saviano – e composta dal Premio Strega Paolo Cognetti, dal Premio Campiello Donatella Di Pietrantonio, dagli scrittori Daria Bignardi e Chiara Gamberale, dai giornalisti Ferruccio de Bortoli e Paola Saluzzi, dai critici letterari Chiara Fenoglio e Gianni Turchetta, dall’esperto di comunicazione Emanuele Nenna e da Luca Dini, direttore editoriale di Condé Nast – ha selezionato una lista di libri resilienti scritti da donne e uomini resilienti per lettori che lo sono altrettano. O che forse, pensando di non esserlo, cercano un’ispirazione, una guida, qualcuno che possa indicare loro una strada.

Tra tutte le opere partecipanti, ne sono state scelte sei, presentate il 5 marzo, al Teatro Manzoni di Milano, durante una serata condotta da Ambra Angiolini, con le canzoni di Malyka Ayane e Paola Turci e la partecipazione, tra gli altri, di Valeria Solarino, Marco D’Amore, Vittoria Puccini, Matilda De Angelis, Marta Gastini, Alessandro Borghi.

Sei i finalisti – Edith Bruck, La rondine sul termosifone (La Nave di Teseo); Barbara Garlaschelli, Non volevo morire vergine, (Piemme); Emiliano Gucci, Voi due senza di me (Feltrinelli); Lorenzo Marone, Magari domani resto (Feltrinelli); Alessandra Sarchi, La notte ha la mia voce (Einaudi); Ilaria Scarioni, Quello che mi manca per essere intera (Mondadori) – una la vincitrice. Alessandra Sarchi, con La notte ha la mia voce, che si è aggiudicata il primo posto, riceverà 5000 euro e un’opera su tela dell’artista Luca Tridente, ispirata al concetto di resilienza.

Un secondo premio, deciso su Facebook da una giuria popolare, è andato a Non volevo morire vergine di Barbara Garlaschelli. La serata, resa possibile dal contributo di Matteo Lunelli di Ferrari Trento e di Moreno Zani, si è conclusa con una lettera di Alessandro Milan a sua moglie Francesca alias Wondy, con l’appuntamento alla prossima edizione, e con un brindisi (bollicine Ferrari) in ricordo di Wondy. L’evento è stato organizzato dall’associazione Wondy Sono Io in collaborazione con Condé Nast.

L'articolo Il primo Premio Wondy per libri resilienti sembra essere il primo su Vogue.it.

from Vogue.it http://ift.tt/2oNAL7v from Blogger http://ift.tt/2D3Rsjk

#fashion current news #fashion news #fashion week events #fashion events #fashion today #fashion daily

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delinquenzanews · 5 years

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Simone Masè nuovo Direttore Generale di Cantine Ferrari e del Gruppo Lunelli

Il Gruppo Lunelli continua il percorso di managerializzazione avviato da anni nominando Simone Masè quale Direttore Generale con competenza su tutte le aziende nel core business di Gruppo. Mas�� riporterà al CEO Matteo Lunelli e avrà la responsabilità di coordinamento e ottimizzazione di tutte le attività operative e progettuali di Cantine Ferrari, Bisol1542, Surgiva, Segnana e Tenute Lunelli.

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#Cantine Ferrari #direttore #Gruppo Lunellli #Simone Masè

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wineanddinosaur · 5 years

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Winegrowing in Venice? (Wine Spectator)

I have visited lots of “extreme” terroirs—from mountainside sites harvested with the help of helicopters to cliffside vineyards dangling above the sea, but nothing matches the Venetian lagoon.

Venissa, the quixotic wine project started by the Bisol family of Prosecco renown, is now in its 10th vintage on Venice’s Mazzorbo island, adjacent to Burano. It has taken an investment of more than $11 million—for recovering and replanting Venice’s obscure white Dorona variety, building a small wine resort with a Michelin-starred restaurant, and even buying an island for more vineyards—but the project is now breaking even under Matteo Bisol, 31, the eldest member of Bisol’s Millennial generation.

“We are not rich,” Matteo says with a laugh. “We used to be rich before we invested in this crazy project.”

The project began with the obsession of Matteo’s father, Gianluca Bisol, president of Bisol, now owned by the Lunelli Group. It’s “crazy” not only because of the small quantities of wine made, but also because of the perpetual threat of flooding by brackish lagoon water with salt levels considered toxic to vines.

“A consultant told us it was not possible to have a vineyard here,” says Matteo, an MBA who took over the project in 2014. “But when my father has his mind on something—no matter what the difficulties—he is going to find a solution.”

Standing in the heart of Venissa’s white wine vineyard—2 acres contained in an old walled convent and surrounded by water—Matteo explains, “You don’t look at the vines. You need to look at everything else.”

He points out signs of ground salt, evident in the types of natural ground cover or in the lack thereof. The lagoon’s brackish waters sit about 30 inches below the surface, meaning vines need to be planted to have enough room to grow horizontally in search of fresh water.

“We have 30 different areas in this vineyard with different saltiness,” Matteo says, looking across the Dorona rows to Venissa’s ancient leaning bell tower. “The differences in elevation are a matter of inches.”

Venissa’s story began 17 years ago, when Gianluca was visiting the historic medieval church on nearby Torcello island and saw vines in a small garden.

Gianluca was fascinated: Viticulture in Venice? He talked to the owner, who pointed him to three Dorona vines growing on their own roots—a rarity today when nearly all vines are planted on phylloxera-resistant rootstock. Gianluca contacted a historian friend and began researching.

Venice made local wine for millennia—most recently on the sparsely populated smaller islands that still serve for growing produce. Dorona, a descendant of Garganega, the main grape in Soave, was one of the few local varieties that survived.

Most viticulture was wiped out in the 1966 flood—considered the worst in Venice’s history—when high tides, winds and heavy rains conspired to raise waters more than 6 feet.

But Gianluca discovered more than 80 other Dorona vines around Venice. He also found an abandoned vineyard and winery on Mazzorbo that had produced wine for nearly a century before the ’66 flood, after which it fell into the hands of Venice’s city government.

Gianluca obtained a long-term lease, planting a Dorona vineyard with propagated cuttings beginning in 2006. A freshwater well was dug to more than 600 feet—not to irrigate vines in the classic sense but to help flush away salt after periodic light flooding.

Tuscan wine consultant Roberto Cipresso vinified the first vintage, 2010, Montalcino, making 3,000 half-liter bottles. From the start, Bisol and Cipresso decided to make a skin-contactwhite; a weeks-long maceration was traditional for Dorona, allowing the wines to withstand summer heat in a place with no underground cellars or refrigeration.

Gianluca, who wholly owns the Venissa project, went to great lengths with the packaging for the wine: Each year, a different minimal design is scratched into a sheet of gold leaf that serves as a label. The vintage is etched into the glass. The $160 price tag makes the wine sustainable, Matteo says.

The wine, which has the mouthfeel of a red and is characterized by bittersweet notes and saltiness, has developed fans on both sides of the Atlantic.

Since 2011, Venissa has also produced a Merlot-Carmenère red, as well as a second red under the Venusa label. Both are sourced from a late-1960s-era, 7-acre vineyard rented from the Swarovski crystal family on their private island, Santa Cristina.

In 2012, Gianluca followed up by buying a 15-acre deserted island, Isola del Pra, divided from Mazzorbo by a small canal. Planting of the first 3.5 acres is scheduled to start this month.

Some of Matteo’s innovations include brewing a Venusa beer with local herbs and opening a year-round, casual osteria a few steps from Venissa’s seasonal, vineyard-edge, gastronomic restaurant. Both are run by executive chef Francesco Brutto, a young star chef from Treviso known for cooking with a light hand and using wild local plants.

These days, after the harvest is transported by boat to the mainland, fermentation takes place in the Maeli winery (in which Gianluca holds a controlling interest), nearly 40 miles southwest of Venice. The wines are aged up to three years in cement tanks in rented space nearby.

“Our dream is to have a winery in the lagoon,” Matteo says, cranking the motor on the small, old, wooden boat he uses to get around Venice. “But it’s such a small production, you can’t justify having a winemaker here every day.”

“With [nearly 25 acres] of vineyards, we could justify it,” he continues. Then he looks to the waters of the lagoon and adds, “Of course, it’s a constant risk.”

source https://www.winespectator.com/blogs/show/id/Venissa-Wine-on-Venice-Lagoon

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unfoldingpavilion2018 · 6 years

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Unfolding Pavilion 2018

The Authors

The most unique members of the Little Italy network have been invited to take part in the 2018 iteration of the Unfolding Pavilion. They are Italian architects born in the 1980s, practicing also as academics, critics, artists, photographers, curators, editors or designers.

abacO is a Paris-based collaborative design studio established by Alice Braggion and Alessandro Carabini, working at the intersection of space, technologies and art.

ANALOGIQUE is an architectural practice founded in Sicily in 2015 by Claudia Cosentino, Dario Felice and Antonio Rizzo, working in the fields of architecture, landscape and urban design, furniture production and curatorial practice.

Arcipelago is a collective of islands scattered in the sea of architecture. A submarine volcanic eruption in the Adriatic Sea formed these six islands along the coast of Puglia in the spring of 2015. Since then, the plate movements on the lithosphere have caused the continuous migration of the islands throughout the Eurasian continent. These days, they are scattered all over Italy, Switzerland and Spain; some of them have just reached the Venetian lagoon to join the Unfolding Pavilion. These Islands are: Nicola Dario Baldassarre, Pasquale Cipri, Salvatore Dentamaro and Nicoletta Faccitondo.

atelier XYZ, based in Brescia and Porto, works and researches in architectural photography and architectural video. The atelier was founded in 2017 by Nicolò Galeazzi and Stefano Di Corato.

Babau Bureau is an architectural and landscape office founded in 2012 in Venice by Marco Ballarin, Stefano Tornieri and Massimo Triches. Babau Bureau’s current research focuses on the reuse and transformation of buildings and open spaces as a contemporary requirement and as a sustainable development strategy. Beside the professional career, the office keeps an active research in the academic field in the IUAV Venice.

Diego BEGNARDI graduated in Architecture at the Polytechnic of Milan. He worked mainly as an interior and furniture designer. From 2017 he follows set design courses to develop manual skills and craftsmanship, making creativity its main action field.

Giovanni BENEDETTI graduated in Architecture at the Polytechnic of Milan. He lives in Madrid, where he works and carries on personal researches about architecture. He writes and draws on his blog using the pseudonym of Muto.

Boano Prišmontas is a young London-based architectural firm, founded by Tomaso Boano and Jonas Prišmontas. They like to play, craft, design, make, doubt, investigate, and challenge themselves and the world. Boano Prišmontas took part in the London Festival of Architecture 2016 with an installation called Minima Moralia; Milan Design Week 2017 with Quiubox and Dubai Design Week with Aidah.

Bunker is a design and research studio led by Carlo Gandolfi and Roberto Molteni, operating between Milan, Venice, Lisbon, and Sao Paulo. Bunker’s formation has a variable structure, availing itself through the years of internal and external collaborations, realizing designs, winning contests, and gaining acknowledgements both in Italy and abroad. Bunker has been involved in important urban regeneration projects such as the center of artistic and cultural production "mare culturale urbano" in Milan.

Campomarzio is an architectural collective practice which merges practical and theoretical expertise within the fields of architecture, urbanism, research, and visual communication. Founded in Trento in 2012, Campomarzio is run by six partners: Pietro V. Ambrosini, Michele Andreatta, Alessandro Busana, Daniele Cappelletti, Enrico Lunelli and Teresa Pedretti. The plurality of its founders and their different international academic and professional experiences allow Campomarzio to develop a careful and meticulous design and research activity, with the aim to combine theory and practice.

Fabio CAPPELLO is M.Arch (DiARC - University of Study of Naples ‘Federico II’), assistant at DiARC and at the international seminar Villard de Honnecourt. Cappello is a licensed architect, co-founder of PROFFERLO architettura, curator at SPONTANEOUS, editor of Chiasmo (leaflet about Neapolitan architecture) and architectural photographer. He collaborated with Domus, Temporary Office, Milan Arch Week and the Venice Architecture Biennale.

Michele D’ARIANO SIMIONATO has an MA in Architecture from the University of Ferrara and a Master in Spatial Design from ZHDK in Zurich. His work focuses on temporary architecture, urban regeneration and social practice.

Roberto DAMIANI has a PhD in Architecture and Urbanism from the Università di Pescara and is currently serving as a Postdoctoral Fellow at the John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto. He is the organizer and curator of Italy under Construction, a program of public lectures and exhibitions on contemporary architecture in Italy sponsored by the Italian Cultural Institute in Toronto. He is the editor of the forthcoming book The Architect and the Public: On George Baird’s Contribution to Architecture (Macerata: Quodlibet) supported by the Graham Foundation.

ECÒL is an architecture office and research platform founded in 2016 in Prato, Italy. Fading the line between architectural practice and theory, its work concentrates on developing multidisciplinary collaborations promoting an inclusive approach to architecture. ECÒL believes in the definition of pure geometry as an accomplished architectural gesture, an immediate spatial producer; looking for a new iconography rich of symbolism, ECÒL uses geometry as a tool to address intuitively human reactions and to trigger spontaneous social engagement.

ENTER Studio is an architectural cooperative practice based in Genoa, Italy, founded in 2017. Enter believes in schemes where interaction, intersection and negotiation become the foundation of a work model where the exchange of skills is the surplus value. Enter aims to apply a multidisciplinary approach that believes in the variety of scales and society interaction as a key to interpret the role of the architect in contemporaneity.

False mirror office gathers five architects who have the Polytechnic School of Genoa as a common background. Believing that new only originates as a reaction to the existing, false mirror office re-discovers the past as the present, re-signifies high as mass culture, re-values forms and functions. As a matter of fact, false mirror office mis-represents Architecture.

Sara FAVARGIOTTI is Assistant Professor of Landscape Architecture at University of Trento as well as Research Affiliate at the Office for Urbanization, Harvard GSD. Graduated with distinction in 2009 (University of Genoa), she completed her PhD in 2014 (IUAV). Her research and teaching focus on landscape’s transformations and adaptation. She is specialized in landscape urbanism and ecological design focusing on emerging infrastructures and their influence on cities, landscapes and territories.

Rossella FERORELLI obtained a PhD at the Politecnico di Milano with Luca Molinari, with a thesis about the transformation of publicness in the built urban environment of the postdigital society. Since 2011, she is a founding member of SMALL - Soft Metropolitan Architecture & Landscape Lab, an architecture office and open platform based in Bari and Milan, investigating on the contemporary urban condition both through design and forms of parallel research, hybridizing the curatorial practice with independent publishing and academic experimentation.

Davide Tommaso FERRANDO is an architecture critic, editor, curator and educator based in Torino, Italy. M.Arch in Advanced Architectural Design at ETSA Madrid and Ph.D in Architecture and Building Design at Politecnico di Torino. He’s been adjunct professor at ETSA Madrid, Politecnico di Torino and Università di Ferrara, and an invited lecturer, among others, at ETSA Madrid, Politecnico di Milano and Innsbruck University. He is director of 011+ and editor of Viceversa. His texts are published in international magazines and collective books.

Figura/Sfondo is a creative workshop led by Michele Brusasca. Founded in Paris in 2010, it creates and develops poetic and ingenious objects using both traditional and new digital technologies.

Forestieri Pace Pezzani is an architecture firm based in Milan. The office was founded in 2013 by the architects Enrico Forestieri, Matteo Pace Sargenti and Pietro Pezzani. It deals with projects of different sizes, from private commissions for interiors to masterplan competitions.

gosplan believes in architecture as a mass medium. As such, architecture is a production of forms, a tale about space. gosplan was established in Genova in 2010 by Federico Bellegoni, Nicola Lunardi, Veronica Rusca and Lorenzo Trompetto.

LINEARAMA is an architectural studio and research lab established in Genoa in 2014 by Gabriele Molfetta and Selene Vacchelli.

Malapartecafé is a research project born in Genoa, Italy and currently led by Ilaria Caraffi and Emanuele Crovetto. They make drawings, satire, and stuff about architecture and contemporary culture.

Luigi MANDRACCIO is an architect and a Ph.D. candidate at dAD, Polytechnic School of Genoa and his research is focused on scientific mega-structures. He is part of the editorial board of the international books series Burrasca that he founded in 2013. He co–curated the 2015 and 2016 edition of the symposium “Clip Stamp Upload” about independent publishers on Architecture. Besides publishing some articles and essay, he co-edited: CSU Editoria indipendente di architettura nei seminari Clip Stamp Upload, and Temporary Office. First act. Il Mercato del Pesce di Genova (2017, Sagep).

oblò - officina di architettura is an architecture practice based in Milan and Paris, led by Francesca Coden and Emanuele Romani.

Giacomo PALA is an architect and researcher working and teaching at the Institute of Architectural Theory of the Faculty of Architecture in Innsbruck. He is conducting a PhD on Giovanni Battista Piranesi as a case study to develop a theoretical inquiry about the notions of contemporaneity, history, narrative and “parachronism” in architecture. He is co-directing the studio “ArchiFIcture” at the University of Innsbruck. SInce 2013 he is a member of Burrasca.

pia is an architectural practice based in Genoa, led by Alessandro Perotta and Valeria Iberto.

Gabriele PITACCO graduated cum laude, obtained a PhD and a master at the International School for Advanced Studies, won the Leonardo da Vinci grant, the Erasmus Young Entrepreneur grant and the DIANET postdoc grant. After working for OMA and OBR, Pitacco founded GPA in 2009; the firm designed the Eko Kampus masterplan in Saranda (Albania), the Hydrodinamic Museum in Trieste (Italy) and was selected (with Libeskind, Miralles-Tagliabue, LAND, Culd and Co+E) for the Kodrina maserplan in Pristina, Kosovo.

Gian Luca PORCILE received his PhD in Architecture from the University of Genoa in 2011. His main research interests are the influences of natural patterns on architectural theory and urban development. He is a founding member of the Multidisciplinary Research Group ‘ICAR65′. He teaches History of Architecture at the department of Architecture-Design (dAD) of the University of Genoa.

Giuseppe RESTA received his Ph.D. in Architecture from Politecnico di Bari/Università RomaTRE. He is co-founder of PROFFERLO architettura and curator at Antilia gallery. His research is focused on contemporary Mediterranean domestic space.

ROBOCOOP is an urban art duo composed by two architects, currently living between Rome and London. Working mainly in the urban context of the city, their aim is to document the architecture comparing it to the past, using different tools – as collages, installations, photographs, engravings, drawings etc - with a provocative and reflexive approach.

Emilia ROSMINI PhD, architectural researcher and designer, teaching assistant in various courses of Urban and Architectural design, in recent years she attended international competitions, congresses, festivals and architectural events, receiving prizes and mentions. She carried out research at ETSA Seville in 2013 and at ETSA Madrid in 2017, focusing on the relationship between social inclusion, experimental housing and built heritage. Italian by birth, Spanish by adoption, she moves between Rome, Seville and Madrid.

Giorgia SCOGNAMIGLIO is an architect and urban designer from Rome, currently attending a MSc in Urban Regeneration at UCL in London. Her research mainly focuses on the themes of urban governance, community engagement and the design and management of public spaces. With an experience of professional consultancy and academic research and teaching at Sapienza University of Rome, she has collaborated as ideator and designer with different experts on regeneration projects. She is co-founder of Unsent Postcard.

Jörg STANZEL is an architecture student, designer and researcher living and practicing in Innsbruck. His current architectural research deals with the notions of real and fake as concepts influencing the discipline of architecture (as a practice, object or ideal). He has held workshops and seminars at the faculty of architecture of Innsbruck and he is part of the Institute of Urban Design’s team at the same university.

Caterina STEINER has an MA in Architecture, from the University of Firenze. She has taught at UNITEC in Auckland, SDU in China and worked as an architect in Basel, Zurich and Milan.

STUDIO associates is the architectural practice of Marco Formenti, Nicolò Galeazzi and Martina Salvaneschi. It is an abstract and anonymous container, which by its nature, refuses a precise definition and adjectivization. It does not focus only on the final result, the product, but rather on the process that lead to that result. Thus, nothing is static and definite. Everything is constantly evolving...

StudioERRANTE Architetture is a Turin based office founded by Sarah Becchio and Paolo Borghino. Errante Architetture is particularly interested in the narrative and poetic side of the project through the use of simple construction methods, raw materials and naked details. The only way Errante Architetture knows to pursue the project is making models and drawings.

Studiospazio is the architectural practice established in 2014 by Samuele Squassabia, Tao Baerlocher and Eugenio Squassabia in Zurich (CH) and Mantova (IT). Studiospazio deals with the question of the relationship between architecture and the contemporary reality through projects, competitions, publications and the academic commitment.

TCA THINK TANK is a platform based in Singapore. Led by Pier Alessio Rizzardi, TCA is practicing architecture, urbanism and cultural analysis. TCA’s works include a variety of projects from city scale level, portable and temporary design, to printed publications. Working with architects, artist, publishers, and universities, TCA escapes from the constraint of the division between research and practice, to explore the multidisciplinary possibilities of architecture. TCA reports the Theoretical Condition of the Architecture.

Davide TRABUCCO is an artist and architecture student from Bologna, Italy. In 2012 he won a place in the residence program of Fondazione Collegio Artistico Venturoli di Bologna. He is the author of the ongoing visual project Confórmi (le forme non appartengono a nessuno).

UNO8A is an architecture team founded in Genoa in 2014 by Beatrice Moretti and Fabrizio Polimone. Since 2018, UNO8A is part of casana, a collective of architects based in Genoa.

Riccardo M. VILLA is Assistant Researcher at the TU Wien and a member of GIZMO. His latest work, Backstage: l’architettura come lavoro concreto (Hoepli, 2016) deals with the state of the practice and the conditions of labor in contemporary architecture.

WAR (Warehouse of Architecture and Research) was founded in Rome in 2013. Its essence lies between the concept of a mannerist architecture studio and an independent space for research in the contemporary practice. The studio is led by Gabriele Corbo, Jacopo Costanzo, Valeria Guerrisi.

Emiliano ZANDRI is an architect based in Rome and is teaching assistant in Urban and Architectural design at the Sapienza University of Rome. In 2016 he co-founded ZA², a brotherhood photographic project. As architect, he took part in several international competitions, workshops and architectural exhibitions.

Lorenzo ZANDRI is an architect-photographer-artist, currently living between Rome, Paris and London. His visual research has the aim to document the built environment and urban transformations, using photography as the main tool to represent the surrounding landscape. He is co-founder of ROBOCOOP, ZA² and Unsent Postcard.

ZarCola Architetti is a Milanese architectural practice founded by Edoardo Giancola and Federico Zarattini.

Illustrations: 1. Gabriele Basilico, Pupils playing in the courtyard of Aldo Rossi’s school in Fagnano Olona. Source: Gianni Braghieri, “Aldo Rossi: Works and Projects” (Barcelona: Gustavo Gili, 1991).

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Trento Doc, Bollicine sulla città Inaugurazione spumeggiante

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Trento Doc, Bollicine sulla città Inaugurazione spumeggiante

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La tredicesima edizione di “Trento Doc Bollicine sulla Città” durerà fino al 10 dicembre, serata di grande effetto quella di sabato 18 novembre con i cuochi della Val di Fassa protagonisti della cena.

47 case spumantistiche che hanno aperto nella giornata di sabato i loro banchi d’assaggio nelle suggestive sale del Muse, il Museo delle Scienza di Trento, tra dinosauri appesi al soffitto e fossili, le bollicine di montagna hanno attirato winlovers, addetti ai lavori e sommelier, fattiva partnership con Ais – Associazione italiana sommelier, per due gironi di degustazioni e scoperte.

La cena ha celebrato le grandi tavole della Val di Fassa con i cuochi protagonisti degli abbinamenti con notevoli millesimati e riserve. Il presidente dell’Istituto Trento Doc Enrico Zanoni ha accolto i numerosi ospiti per la cena al primo piano del Museo. Presenti Matteo Lunelli, presidente di Cantine Ferrari, Helmuth Köcher, fondatore del Merano WineFestival e Essi Avellan, giudice internazionale di vini spumanti.

Il presidente Zanoni ha commentato: «Una importante vetrina per le case spumantistiche aderenti alla nostra associazione è un’opportunità unica per turisti e appassionanti di degustare e apprezzare la produzione Trento Doc in contesti diversi, dai ristoranti alle enoteche o direttamente in cantina». Gli eventi e le manifestazioni si susseguiranno fino al 10 dicembre nelle splendide sale dell’Enoteca di Palazzo Roccabruna dove sarà possibile degustare per tutta la durata della manifestazione Trentodoc in abbinamento a gustosi piatti caldi e taglieri di formaggi e salumi legati alla tradizione della cucina trentina.

Inoltre “Trento Doc in Cantina” permetterà agli appassionati di conoscere Trentodoc là dove nasce. Un programma di eventi, degustazioni, abbinamenti insoliti, presentazioni e spettacoli teatrali nelle case spumantistiche trentine.

Per informazioni: www.trentodoc.com