#mizukemicritical

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun! #it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!! #plus it has its appeal which i DO STILL see and enjoy!!!! #i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!! #but. yeah. my gradual distaste for this ship is indeed very unfortunate.

[kaladinkholins]

hot take time about the mizu and akemi ship. y'all can disagree but i said what i said, because again, it's just an opinion!!!!

putting the rest under a cut so y'all are free to ignore this if you want. i'm just rambling anyway and, again, these are just my personal opinions.

okay like i gotta hand it to blue eye samurai like it's genuinely impressive that they've written their characters so well, like each one of them feels so real and fully-realised

and as a consequence of that, it actually. for the first time ever. has me rooting against a sapphic ship becoming canon endgame LIKE LMAO ???? i didn't think that was POSSIBLE but here we are ???

cuz like if you know me at all you know i usually instantly latch onto any femslash ship at any given opportunity. like i don't think yall understand. i was ride or die for korrasami before it was even remotely a thing, like at that point korrasami was still a CRACK SHIP in the fandom and i was gunning for it immediately and begging them both to leave mako's stupid ass!!!

but SOMEHOW this show, with all its gender fuckery galore and all its well written characters, has somehow made me look at the mizu/akemi ship and say "i'll pass." like dont get me wrong i was pinning my hopes on it initially in the first episode, but by the time i got to the end??? NAH.

like don't get me wrong they ARE cute and sexy on paper and i DO definitely see them developing feelings for each other (mizu towards akemi especially, less so the other way around because akemi just does not strike me as the pining type) but for an endgame? nah. it'd be weird and messy for both of them like!!! they'd be bad for each other!!!

they both want and need completely different things in life (mizu wants vengeance but needs acceptance/belonging; akemi wants freedom but needs autonomy and empowerment).

and they don't even share much in common that would help them bond in a romantic way? like not even interests-wise, but like. personality-wise too. their perceptions of life and approaches and experiences all directly contrast each other. like i know that they're narrative foils and all, which is great, excellent really, but romantically? there is no common ground between them.

besides, of course, both being AFAB and struggling with the patriarchy and misogyny, both having a surrogate father figure who raised them (swordfather for mizu; seki for akemi). aside from those things, they diverge in almost every single way?

like i do get the appeal of the "yin and yang" dynamic of opposites attract in ships (i have so many such ships from other fandoms after all), so i do suppose that, if given enough time for a really long and intense slow burn, it could work. but with all the plot plot plot the show's got going on, i don't know if that's going to be possible, especially now that mizu is ??? apparently going to london ????

and what would their endgame even look like? the two of them running off into the sunset together? why? when akemi has everything she wants and needs in edo palace? which, by the way, is completely the opposite of what mizu wants and needs, as mizu needs a place where she is free to be herself and is accepted and loved for who she is. she does not need, nor want, a life of political intrigue. she is not made for it, nor is it meant for her. akemi, on the other hand, is perfectly suited for such a life, while being completely unsuited for a life on the road, travelling, or living on a farm in the middle of nowhere. nor would akemi like or enjoy such a life either! she'd get freedom, yes, but it would hardly be fulfilling, especially now that she has decided that she wants greatness!

i don't know. if they become canon endgame, the show better put in the work. because this is a netflix adult animated show with the freedom to do that (unlike, say, cartoons on nickelodeon and disney where the creators all faced heavy censorship to get some rep in), so if they're taking the sapphic endgame route, they better buck up and put their backs into it because seeing the state of it right now, the chemistry is bone-dry and the prospects are disastrous!!!!

so until further developments prove me wrong and change my mind, every time i see mizu/akemi content somehow escape the confines of the mute function, i just reenact the gengar gay wrongs gif:

#fandom.rtf #wank.mp3 #shut up haydar #blue eye samurai #mizukemicritical #also i say critical not anti because im not 100% against it #like lemme be clear i support gay women's rights and wrongs!!!!!!! in this house we stand up for toxic yuri rights 🫡 #but! i'm talking about like. from the perspective of what i want to be the canon endgame of the show #like i fully endorse the show exploring a romance between them! #but im crossing my fingers hoping they are not the final canon relationship ykwim dkjfksjfsk #but regardless of my feelings just know i'm still out here in the trenches defending them from the reddit homophobes 🫡🫡🫡