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les-gnossiennes-fantomatiques · 5 months

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Ten First Lines Game

Rules: Share the first line of ten of your most recent fanfics and then tag ten people. Don't have ten? Not to worry, just share what you have.

Thanks for the tags @emotionalmotionsicknessxx and @catcorsair <3

The Fly Agaric

(Erik/Christine, Rated M. Leroux-based. Post-canon angst, smut, and fee-fees.)

The simple explanation, or, at least, as simple as an answer one could distill from such madness: Erik clung to Christine like that because he was clinging to the very idea of life itself. The moment he coiled those bone-licked hands of his into the threads of her skirt was the moment he finally managed to wrap his soul around Christine’s very own.

All Imaginable Pangs

(Erik/OC, Rated M. Leroux-based. Pre-canon angst, smut, and art.)

Augustine had tasted so many pleasures in her little life—the love and respect of men born to stations high above her, the sweet sting of champagne upon her tongue, the most beautiful vistas Europe had to offer to those with enough money to spare. But as her maid welcomed her into the vestibule of the charming quarters she kept on Rue Oberkampf, she was reminded yet again of what she treasured more than anything else: her loneliness.

Le Phénomène

(Erik/Christine, Rated M. Leroux-based AU. Fluff, smut, and misunderstandings!)

It was the sort of July night where sweat and vapor mingled so heavily in the air that one could not tell where skin ended and the night began—the sort of humidity that ruined hair and silk and any appetite for labor. The sort of heat that chased millionaire and milliner alike out of their homes, for want of distraction and respite, forcing all to collide against one another until that great heap of Paris was nothing more than a thrumming mass of mischief.

Between the Lines

(Erik/Christine, Rated M. Leroux-based. Angst, BDSM, and flirtations with Dead Dove Do Eat territory.)

The most remarkable aspect of Christine’s captivity was how utterly unremarkable it had been. The immensely peculiar circumstances of her abduction, which had left her with a little more than a miasma of resentment, anger, and pity, had faded into something that almost resembled a normal waking life. For a man who swore to lay heaven and earth at her feet, who had cloaked the initial months of their relationship in the most absurd deceit and mystery, Erik had been a downright mundane captor.

The Follies

(Erik, All Ages. Leroux-based crossover with the Stephen Sondheim musical Sunday in the Park with George. Post-canon fee-fees and lots of hope.)

The monster was bored.

The so-called Palais Garnier was long finished, and President MacMahon’s clique of ministers and prefects were more than happy to have finally wiped their hands of the project’s costly nature, content to descend from on high every few years to gift the company with an endowment from their vast coffers; to think of how the management balked at a mere 20,000 francs!

All That is Solid Melts into Air

(Erik/Christine, All Ages. Leroux-based modern AU where Erik is reincarnated as one of those inflatable tube men. It is the dumbest thing I have ever written.)

From the moment he first gained consciousness, pain and derision was all the monster knew. The hooting of children and idiots. Being forced to sleep outside in all manner of weather, barring a hurricane warning or a flash flood. The constant barrage of rocks and pebbles and trash that rained down upon him; he’d once been pelted in the face by a Slurpee cup so hard that, had he a nose, he was sure it would have shattered to smithereens on impact. It was better, he supposed, than the used diaper that took out one of his comrades earlier that winter. The thought of that particular disaster made the monster shake with fear, moreso than usual.

Tagging @ladystormcrow @box5intern @shinyfire-0 @ashadeintheshade @lincolnlogger @phannah--montana @paperandsong @flora-gray and anyone who wants to join in. My apologies for any double-tagging!

#the phantom of the opera #poto #fanfic #christine daae #erik #christine x erik

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phandompenny · 3 years

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Fanfic Writers 20 Questions

Tagged by the lovely @shinyfire-0 and amazing @phannah--montana, thank you both!

1) How many works do you have on AO3?

2) What’s your total AO3 word count?

92449

3) How many fandoms have you written for and what are they?

Eight so far: Phantom of the Opera, MCU, Tales of Arcadia, Miraculous Ladybug, Percy Jackson, Strange Magic, Harry Potter, and DC... I’ll probably be adding Oklahoma stuff fairly soon so I get around!

4) What are your top five fics by kudos?

The Chosen Ones (ML/Trollhunters crossover)

Part of the Human Heart (POTO)

Sticks and Stones (MCU)

A United Front (PJO)

Colour of Choice (PJO)

5) Do you respond to comments? Why or why not?

I used to respond to them all, but then I felt guilty for responding to comments on fics that I haven’t updated in years. I do appreciate those comments and intend to respond to them all... eventually...

6) What’s the fic you’ve written with the angstiest ending?

It’s a Soft Decay can’t qualify since I fully intend on adding more to it, so I think it’s Chrysalis! That poor kid...

7) Do you write crossovers?

I’ve written a couple! what you’ve kept hidden (I've always known) and The Chosen Ones are both Trollhunters/Miraculous Ladybug crossovers where the characters interact, while Transformative is PJO characters in a world with ML elements.

8) Have you ever received hate on a fic?

I had to delete some very nasty comments on Sticks and Stones, which was funny to me since they all appeared to be critiques of Civil War and had literally nothing to do with the content of my fic.

9) Do you write smut? If so, what kind?

Nope!

10) Have you ever had a fic stolen?

None that I’m aware of

11) Have you ever had a fic translated?

Nope!

12) Have you ever co-written a fic before?

Yes I have! The lovely @symphony-in-a and I collaborated on She Blinded Me With Science which was a great deal of fun.

13) What’s your all-time favourite ship?

This is going to come out of left field, but my all time favourite ship is Razaya from Green Lantern the Animated Series. There’s no content but I think about them every day and they were the first ship that brought me physical pain.

14) What’s a WIP that you want to finish but don’t think you ever will?

I’ve got this one Strange Magic fic that takes place in the School for Good and Evil and it’s honestly such a great concept. I love the characters and relationships and the plot, but it’s also incredibly ambitious and I’m not sure I can pull it off.

15) What are your writing strengths?

I’m really great at writing conflict and angst, especially internal character conflict. And I’m also very happy with some of my prose and descriptions.

16) What are your writing weaknesses?

Writing endings! Now that I’ve got all this lovely conflict how on earth can I resolve it and have a satisfying conclusion?

17) What are your thoughts on writing dialogue in another language?

I only know English so I don’t, and whenever I see it I have to use Google Translate. But I think language can be a really good way to show characterization, and it kills me whenever bilingual characters switch to their “home” language when they’re speaking to their close family or friends...

18) What was the first fandom you ever wrote for?

Published, DC! Unpublished, ED Baker’s Frog Princess series.

19) What’s your favourite fic you’ve written?

I’m really proud of everything I’ve written, but one of my favourites is A Serendipitous Sea. It was going to be a simple Percabeth mermaid au but then I got caught in thinking about the language barrier between merpeople and humans... Some fantastic worldbuilding went into that story if I do say so myself.

20) Who do you tag?

I have no idea who’s already been tagged so if this is your second tag just ignore it! I tag @symphony-in-a, @belleyells, @kireibunni, @pureanonofficial, and @msdowartyheps! No pressure <3

#hm goes out to jud/laurey my most recent ship i'm obsessed with that has no content #this was so fun but also not very poto centred so sorry about that

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nerdywriter36 · 3 years

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ask game!! 19. Is there something you always find yourself repeating in your writing? (favourite verb, something you describe ‘too often’, trope you can’t get enough of?)

Thank you for the ask @phannah--montana! <3

hahaha well, i think every author struggles with using ‘said’ too much, but i find myself using ‘asked’ and ‘gently’ a lot. I'm not sure about something i describe ‘too often’, but a trope that i cannot get enough of is both happy family content, mostly with Erik/Christine, and, as @ofserien has so wonderfully put it, ‘soft baby daddy erik content’ :D

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wildwechselmagazin · 5 years

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Lust auf Neues? Die Kasseler Musiktage 2019

Kombinieren Staud und Dvorak: Das Boulanger Trio | Foto: Steven Haberland II Die Kasseler Musiktage 2019 bewegen sich zwischen Strozzi und Rammstein, Mozart und Staud, zwischen wiederentdeckten und neu komponierten Werken. Bekannte Formate treffen auf außergewöhnliche, die anregen, mit neuen Ohren zu hören. Die Kasseler Musiktage widmen sich 2019 neben dem traditionellen Streichquartett und Liederabend auch neuen Konzertformaten mit Musik, die entweder lange in Vergessenheit geraten oder ganz neu komponiert worden ist. Bereits bekannte Künstler*innen kehren auf die Kasseler Bühnen zurück, neue Gesichter gesellen sich dazu, allen voran einer der bedeutendsten österreichischen Komponisten unserer Zeit. Staud, Mozart und Schubert Bereits im Eröffnungskonzert erklingt Musik des aus Innsbruck stammenden Komponisten Johannes Maria Staud, die sich durch weitere Konzerte des Festivals ziehen wird. Sein neuestes Orchesterwerk aufzuführen und in die traditionellen Klänge Mozarts und Schuberts einzubetten, diese Herausforderung wird dem Münchener Kammerorchester zuteil. Gemeinsam mit dem mehrfach ausgezeichneten Klarinettisten Sebastian Manz, der in diesem Jahr ebenfalls als Kammermusikpartner der Geigerin Tianwa Yang beim Begegnungen-Festival zu erleben ist, verwandeln sie die documenta-Halle in einen Schauplatz, der neue Sinnzusammenhänge schafft.

Hannah Morrison | Foto: Christian Palm

Helmut Deutsch | Shirley Suarez

Frieder Bernius | Foto: Gudrun Bublitz

Clemens Schuldt | Foto: Marco BorggreveCölner Barockorchester | Foto: privat Ebenfalls im Zeichen der Musik Johannes Maria Stauds steht das Gesprächskonzert des Boulanger Trio. Die drei Musikerinnen bringen in ihrem Konzertformat „Boulangerie“ Stauds neues Klaviertrio zur Uraufführung, das sie mit Dvořák kombinieren. Ganz neue Klänge gibt es auch bei Klaus Steffes-Holländer, der als Pianist des Freiburger ensemble recherche Spezialist für zeitgenössische Musik ist. Mit Georg Philipp Telemanns Klavierfantasien im Gepäck nimmt er das Motto des Festivals zum Anlass, Altes neu zu entdecken und Neues entgegenzusetzen. Zwei "alte Bekannte"! Gleich zwei Streichquartette kehren in diesem Jahr auf die Kasseler Bühnen zurück. Die Musiker des Apollon Musagète Quartett führen ihren 2016 bei den Kasseler Musiktagen begonnenen Dvořák-Zyklus fort und widmen sich zuvor einem frühen Schubert-Quartett. Das in Kassel bestens bekannte französische Quatuor Diotima umrahmt in einem ganz und gar österreichischen Programm Stauds bisher einziges Streichquartett mit Musik Alban Bergs und Schuberts. Klaus Steffes Holländer | Foto: Marc Doradzillo

Quatuordiotima | Foto: Jeremie Mazenq II

Klassische Philharmonie Stuttgart | Foto: Nicolas E Gavinet

MKO | Foto: Sammy Hart

Michael Volle | Foto: Carsten Sander

Quatuordiotima | Foto: Jeremie Mazenq Komponistinnen des Barock sind musikalisch wegweisend für das frech mit „Frauenpower“ betitelte Konzert des jungen Cölner Barockorchester, das sich aus Absolvent*innen der Abteilung für Alte Musik an der Musikhochschule Köln gründete. Gemeinsam mit der Sopranistin Hannah Morrison entdecken sie Werke u. a. von Barbara Strozzi, die lange weitgehend in Vergessenheit geraten sind. Von Händel zu Depeche Mode! Barock wird es unter anderem auch beim Gipfeltreffen einzigartiger Musiker*innen in der documenta-Halle: Die 2017 in Kassel bejubelte klassische Band Spark betritt zusammen mit dem Countertenor Valer Sabadus, der im vergangenen Jahr im Eröffnungskonzert gefeiert wurde, die Bühne. Gemeinsam mit den Virtuosen von Spark, die seit Jahren wie kein anderes Ensemble mit unbändiger Experimentierfreude das Gesicht der jungen Kammermusikszene prägen, wandelt der Sänger auf neuen, außergewöhnlichen Pfaden von Händel über Gabriel Fauré bis hin zu Rammstein und Depeche Mode.

Spark | Foto: Gregor Hohenberg II

Spark | Foto: Hartmut Hientzsch

AMQ | Foto: Nikolaj Lund I

Olaf Schmitt | Foto: Frank Nagel

AMQ | Foto: Marco Borggreve

Sebastian Manz | Foto: Marco Borggreve

Valer Sabadus | Foto: Henning Ross Gegen Ende des Festivals ist Neues im scheinbar Bekannten zu entdecken, wenn in der Kasseler Martinskirche Felix Mendelssohn Bartholdys Elias zum Klingen gebracht wird. Nachdem er schon vor zwei Jahren mit Paulus begeisterte, vereint Frieder Bernius in diesem Jahr erneut seine Stuttgarter Ensembles. Mit der Partie des Elias führt der Bariton Michael Volle das hochkarätige Solistenensemble an, bevor er gemeinsam mit dem herausragenden Liedbegleiter Helmut Deutsch das Festival zum Abschluss bringt. Ein außergewöhnliches Programm führt die beiden international begehrten Liedkünstler nach Kassel: Neben heute eher unbekannten Werken von Mozart, Schubert und Reutter erklingt der letzte Liederzyklus aus der Feder von Johannes Brahms. » 24. Oktober - 3. November 2019, Kasseler Musiktage » Hier gibt's das Gesamtprogramm der Kasseler Musiktage! » Weitere Veranstaltungen in Kassel Read the full article

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