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inmyarmswrappedin · 3 years

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How does SKAM build a LI?

I’ve been thinking about this for a while, and even gave speeches to my long suffering friends about the topic. Now that we know what happened to Josh to make him the way he is, I feel like I can finally post about the way SKAM built love interest characters.

When it’s good, SKAM is a very tightly written show because every clip, and every storyline, advances the themes that make the main character vulnerable. I would call this their “shame” but DRUCK fans don’t like that term because the show is called “pressure” and not “shame”. In the end, whether a character’s issues are internal (”shame”) or external (”pressure”) is irrelevant to what I want to talk about, so let’s just call those themes a character’s vulnerability, shall we?

How does SKAM make every storyline relate to the themes of the season and what makes a character vulnerable? Well, one way it does that is to make the love interest the personification of a character’s fears and issues.

To wit: In season 1, Eva is called out on having no opinions of their own. If you read @skamenglishsubs‘ culture and context posts, they have listed every instance in which this theme is portrayed by having Eva follow someone else’s opinion (I recommend you do this, because there are way more instances than I picked up on!). So, who is Jonas? Jonas is an extremely opinionated person who feels he’s not a follower at all.

In season 2, Noora is afraid of opening herself to a boyfriend, both emotionally and sexually, because when she was 13 she had sex with a guy she thought she was in love with, who then dumped her as that was all he was interested in. Who is William? William is the school’s fuckboy who dumps girls after having sex with them, and doesn’t seem to care about the girls’ feelings, but rather is just interested in them advertising his sexual prowess via hoodies.

In season 3, Isak’s strained relationship with his mom makes him believe that it’s impossible to have a functional relationship with a person who has a mental illness, because they’re not in touch with reality. Even has bipolar disorder.

And then, in possibly one of the most simplistic ways to perceive one’s own character, in season 4, Sana is a hijabi out to prove she can do everything a ~normal Norwegian party girl~ can do. Yousef is... not a Muslim, lol. (Note that the Yousef storyline was not originally planned by Julie Andem, and in fact came about because of feedback she received from Muslim fans that they wanted Sana to have a LI. Sana’s main storyline isn’t so much about her religion, but rather her furious desire to prove the haters wrong.)

In general, most of the SKAM remakes have not tried to reinvent the wheel, and have more or less stuck to these character profiles in order to build their own seasons. Most of the changes remake stans will point to when they talk about a remake season don’t really qualify as changes (under this definition) because they don’t change the conflict between the main and the LI.

I was pretty interested in whether the remakes had picked up on this way to build a LI, and most particularly, how the remakes that have done original seasons built their LIs. Thoughts on these after the read more.

Out of all the seasons that remade SKAM’s four seasons, I would say there are only four that didn’t stick to the character profiles as outlined above. In my opinion, it’s these seasons:

Eva’s season in SKAM España changes this because Jorge is never set up as an opinionated person. He’s a good guy, for sure, a good friend to his friends like most Jonases, but you will never catch Jorge acting like his opinions are better than Eva’s. He never calls Eva out on not having opinions of her own. Their break up scene doesn’t deal with this, and most importantly, Eva could never get the upper hand in that last conversation like the other Evas have, because Jorge is the only Jonas to kiss Eva first.

Matteo’s season in DRUCK changes this because while Matteo is afraid that his mom won’t react well if he comes out to her, we have no idea what he thinks about having relationships with people with a mental illness, as a general rule. We don’t know because David doesn’t have a MI (that we know of). He is trans, and DRUCK wisely avoided making David’s gender identity the personification of Matteo’s issues (gvgvvh imagine how shit that would’ve been!!). Matteo and David’s major conflict is that Matteo has abandonment issues and David a tendency to peace out when things get hot.

Cris’ season in SKAM España changes this because Cris’ mom doesn’t have a mental illness. In fact, Cris doesn’t know much about MI in general. While Cris does have some internalized ableism, it comes from ignorance and buying into societal prejudices against MI, rather than personal experience. Cris’ vulnerability isn’t her ideas about MI. Her issue is that she has bought into the idea that she’s an unintelligent party girl who can’t ever be responsible or dependable.

Nora’s season in SKAM España both keeps and changes the conflicts as presented in SKAM. Nora fails to trust Alejandro because he’s a fuckboy who would have sex with girls and then mock them for getting their hopes up. But, unlike Noora, Nora’s issue is that her lack of trust in Alejandro throws her into the arms of the seemingly ideal boyfriend despite the red flags, whereas Noora’s lack of trust in William made her withhold sex.

As you can see, all Sana seasons so far (Amira N.’s included) have kept the original conflict by having a non Muslim Yousef. Under this definition, Martino’s season in SKAM Italia isn’t a subversion, because while he does live with his mom, he doesn’t think he can have a functional relationship with her. Aside from Eva Vázquez, all of the Evas kissed their Jonas first. However, I should note that while SKAM Austin kept the Eva/Jonas conflict, they’re the only other SKAM that doesn’t open with Jonas’ essay. (Which I chalk up to facebook not wanting their show to open with a blatantly anti-capitalist speech lmao.)

Now, how did the remakes with original seasons build their LIs?

Arthur’s season in SKAM France is an interesting example, because Baguettes picked up on the LI personifying the main’s vulnerability. If Arthur is vulnerable about his (lack of) hearing, Noée embraces it, takes pride on it and bases her identify around it. So far, this is exactly how SKAM/Julie Andem built her LIs. However, Arthur rejects Noée and mocks her language. Noée disappears after s5. Alexia has no hearing issues, or any disability.

Lola’s season in SKAM France similarly picks up on the concept. Since Lola is an addict, Maya’s father was one as well. However, this conflict isn’t really explored amidst the thousand other ideas that were thrown at the wall during this season. It’s fair to say Lola and Maya’s clips don’t develop the theme of addiction throughout the season. Unless you want to count Maya telling Lola that Lola is Maya’s addiction, I suppose.

Kato’s season in wtFOCK (oh yes I’m going there) could be said to have picked up on the concept, although not in any real elegant way. Because of fan feedback for Moyo to get a season (which they declined to do for super valid reasons I’m sure), the team decided to have Moyo be the LI and worked backwards to build the main. It is similar to how SKAM approached Sana’s LI. Moyo is a black guy, so Kato would be a racist! Genius!

Given these precedents, I was really curious what Nora’s season in DRUCK would do with their first 100% original love interest (so, not counting David). If they decided to go with SKAM’s standard way of building a LI, there were several possibilities. Nora’s mom has addiction issues, and this is a vulnerability of Nora’s. Would that mean that Josh would have substance issues? Or maybe his dad? His mom? Nora has a mental illness. Would that mean Josh would have issues around mental illness or therapy? Would he maybe have a mental illness himself? Nora was set up from the start as a liar. Would Josh be honest to a fault? And so on.

In the end, it seems like DRUCK has taken the same approach they did with David. That is, Nora doesn’t have to accept something about Josh that she has preconceived ideas about (Noora, Isak, Sana), neither are Josh and Nora extremes in one character trait (Eva and Jonas). With this clip, it appears that their conflict is that Nora has a problem sharing her vulnerabilities (reminder: she didn’t come clean in English class out of a desire to be vulnerable, but to prove a point) and Josh has abandonment issues that make him prefer to try to change a person or even be hurt, rather than be left behind.

DRUCK’s approach to building a LI in s5 (and probably beyond) might end up making the season less cohesive than SKAM seasons were. On the other hand, you can argue that the way SKAM built LIs could end up being too predictable (Isak is afraid of MI so Even has a MI, Sana is a Muslim so Yousef isn’t, Noora is afraid of being used for sex so William uses girls for sex, etc) and perhaps lowkey reductionist. And that’s without getting into the issues of making a character’s mental illness, religion, gender identity, sexuality, ethnicity or race, etc... the source of another character’s vulnerability (or “shame” or “pressure” if you will). This is particularly clear in the hands of lesser writers, as seen on wtFOCK and SKAM France.

I will also get yelled at by @dusuessekartoffel if I fail to acknowledge that DRUCK is now doing original seasons and, though based on SKAM, should therefore become its own thing, develop LIs how they will, without taking SKAM as a model for anything. Iiiiii... think that DRUCK still owes a lot to SKAM even in this generation, and I kind of feel like the way SKAM built LIs is like the real time aspect of SKAM, something that is embedded into the very concept of the show and not something you can just discard when you buy the adaptation rights, but this is certainly up for debate.

#brain vomit #skam #skam france #skam españa #wtfock #druck

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