#to see this be the ultimate outcome of the entire 20th century is absurd to an insane degree

[midnightactual]

Yoruichi’s Character Arc

I’ve alluded to it before with things like Yoruichi’s Versions, but I’ve never really directly spelled out my conception of Yoruichi’s post-exile development and character arc from a more emotional point of view, so I guess I might as well do that. I’ve talked about Yoruichi’s character flaws and deficiencies before in The Duality of Yoruichi, and I’ve talked about impressions other people have of her in Yoruichi and Loneliness. A lot of the former issues stem from her childhood, adolescence, and early adulthood, which is detailed (if dispassionately) in History, and a lot of the latter has to do with the image she presents to others as a form of distancing herself from them.

Something which serves as a good emotional guide to Yoruichi in this timeframe is The Glitch Mob’s remix of Seven Nation Army by The White Stripes. I’ll be intercutting lyrics from it to illustrate that point more as I go.

Upon her arrival on Earth, Yoruichi (Yoruichi-4) was essentially extremely Tired and Done as a result of the things which had happened to Yoruichi-1 through Yoruichi-3. Although getting away from things wasn’t her primary motivation during the Hollowfication Incident, it did nonetheless inform her complete willingness to leave her life behind. Simply doing that, however, didn’t really free her mentally from the ramifications.

And I’m talking to myself at night Because I can’t forget Back and forth through my mind Behind a cigarette

And the message coming from my eyes Says “Leave it alone”

Engaging in avoidant behavior, she quickly departed from reminders of her past life and promptly threw herself into worldly human concerns as a way of getting away from her past and herself. This sort of worked for a time, although she would accordingly encounter new traumas due to the horrors of the early 20th century, resulting in Yoruichi-5 and Yoruichi-6.

While she would properly reconnect with Kisuke and the Shōten following the conclusion World War II, it was the death of Kaien that really altered her trajectory substantively. The subsequent Yoruichi-7 was more aware of the fact that she couldn’t escape who she was and where she’d come from, but chose to contextualize it within her recent experiences: she chose to uphold Kaien’s ideals in trying to guide and save humanity through direct action. (As a full nuclear exchange World War III would crash the reincarnation system just as hard as any subsequent threat.)

And if I catch it coming back my way I’m gonna serve it to you And that ain’t what you want to hear But that’s what I’ll do

And the feeling coming from my bones Says “Find a home”

Yeah

I’m going to Wichita Far from this opera forevermore I’m gonna work the straw Make the sweat drip out of every pore

While this agenda was ultimately successful (even if her final relevance to the outcome was questionable) it really boiled down to just keeping things ticking over so that (metaphorically) the sun would still rise the next day. Yoruichi also kind of lost herself in the process and became even more Tired, which even the comparative respite of the ‘90s did relatively little to alleviate.

Being summoned back to Karakura to deal with Aizen finally making moves again, she sort of framed it as one last ride before retirement, only for the fights with Soifon and especially with Yammy to make it clear to her that nothing was really over. Yoruichi-8 thus came about, resolved to return to to her peak performance (at the level of Yoruichi-3 and more) and to put an end to everything once and for all.

The return to dealing with matters involving Soul Society and the organization of the universe at large reawakened feelings of inadequacy and failure within Yoruichi, and Kisuke’s proposition of a grand plan to put things right using Ichigo and Rukia resonated with her: she could either finally atone and receive absolution for her past, or at least receive judgment and oblivion.

All that came crashing down when that plan failed in a spectacularly ignominious fashion. “Judgment Day” came and went with the Wandenreich War, and the world as it was known trundled on past the apocalypse rather substantively unchanged. They failed. She failed. The resulting Yoruichi-9 was thus mostly defined by her rage and resentment at having her satisfactory conclusion snatched away from her by forces beyond her control, and being forced to live with herself just like before only without much hope for some sort of resolution.

But she did have to live with herself. Eventually, as she lived day to day and her anger cooled, she became Yoruichi-10, who was nonetheless still rather more latently irritable and aggressive than most past iterations. This Yoruichi was left looking for purpose in life, and more besides.

And I’m bleeding, and I’m bleeding, and I’m bleeding Right before the Lord All the words are gonna bleed from me And I will think no more

Eventually, she found it in the idea of protecting humanity, just like Yoruichi-7... if differently. Yoruichi-11 was, as a result of recent experiences with Yoruichi-9 and Yoruichi-10, rather more presumptive, assertive, and—to not put too fine of a point on it—quite capable of being a bitch toward others. Unfortunately for her, just having the resolve to live and a purpose in doing so wasn’t really sufficient to lead a meaningful and fulfilling life, and she knew it (as seen in Provocateur).

The real crux at the heart of her interpersonal discontent was, “Don’t you all know you’d be so much better off without me?”

And the stains coming from my blood Tell me “Go back home”

The Void and Hale event was Yoruichi’s attempt to find real personal meaning in life rather than just some sort of impersonal mission statement, and so she decided to fashion her own little idea of “Judgment Day”: she quite literally threw herself away, again and again, searching for deeper meaning in the process of doing so.

There was no divine revelation at the bottom. All that was down there, in the deepest and darkest abyss, was a single spark of indignation: a rage against the dying of the light. What she decided to do upon finding it, was to cradle it within her hands and to make it her purpose to fill the entire universe with it: “Let there be light.”

Yoruichi-12 finally really gets that she can’t do that by herself, and that the way of achieving it is to indeed “Go back home”. Of course, home to her isn’t something so simple as the Shihōin Manor or even the Urahara Shōten. She’s a creature of two worlds at this point—of Earth and Soul Society—and knows that home is as much other people as it is some place. It’s Yūno, and Yūshirō, and Kūkaku, and Kisuke, and Tessai, and Soifon, and so on. (Yes, even her parents.)

This Yoruichi is probably the closest which she has ever actually been to the image which many others have of her (see Yoruichi and Loneliness) and is (increasingly with time) likely the most well-adjusted she’s been too. However it’s important to keep in mind that despite this, Yoruichi is fundamentally a rather Absurdist figure, capital-A.

What she’s truly wanted for more than a century—redemption—has been, in essence, ridiculous. Her latest conception of herself, as filling the human universe with “light” through her own personal example—of rebelling against the status quo and improving things for their own sake right now, and damn the consequences, because that’s what it means to be human—is preposterous. What she ultimately resolves to do in Peace and subsequent threads (set approximately a year after Void and Hale?) could really be seen as her at her most absurd, like Don Quixote tilting at windmills.

Nonetheless, there she is, and there she goes, living on and by her own terms.

#Out Of Character #Headcanons #Music