th3astr0b0y

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Good to see Enjolras and Grantaire are making a life for themselves.

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Reblog if you love reblogging literally everything you see on this site

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OH MY GOD SHUT UP VICTOR HUGO IM NOT READING YOUR BOOK FOR A HISTORY LESSON I DONT CARE ABOUT THE BATTLE IN WATERLOO

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How we doing tonight

Quasimodo as a jester was in my mind forever, and Frollo is def an emo jester lmfao

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Tobias Ragg appreciation post reblog if you agree

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“kill ‘em with kindness-“ WRONG! SOAK ‘EM FOR CRUTCHIE🗞️🗞️🗞️🗞️💥💥💥💥💥🍅🍅🍅🗞️🍅💥💥🗞️🗞️🗞️💥💥🍅🗞️💥🗞️

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"Kill them with kindess" WRONG‼️ KICK EM HALFWAY TO QUEENS 🦵🦵🦵🦵🗞️🗞️🗞️🗞️🗞️💥💥💥💥🗽🗽🗽🗽🗽🗽🗽

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reblog if you'd go on a roadtrip with your pfp

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rent au in which everyone is a muppet except mark. send tweet

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@stcreators event 03: comfort (dynamic) ↳ Dustin Henderson & Erica Sinclair (insp)

#them!!! #me and bro #st #stedit #dustin henderson #erica sinclair

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this is where i post from

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i saw a poll abt Gaten Matarazzo and Joe Locke’s Toby the other day and even though I haven’t found a full recording of Joe’s performance I think that Gaten is the better Toby AND I HAVE MY REASONS!!!!! this has nothing to do with either of them as people, but i do just think that Gaten having experience in theater definitely shows throughout his performance. while Joe is incredibly sympathetic in the way he approaches Toby, I feel as though he’s just sort of scampering around the stage with a really good singing voice. he’s not really making choices, and if he is, they don’t translate well from the stage. Gaten’s performance is so good because he’s making choices that you can see. his comedy is the result of the way he delivers his performance, whereas Joe’s comedy comes from the lines themselves and the situations. there’s a moment in act i where Sweeney reaches over to tap his leg and—probably because of his experience with Pirelli—he immediately moves out of the way so as not to be so close to him. at the end of act ii when Toby and Sweeney have their scene, it’s very clear that Gaten is making choices with his inflections and movements and the way he goes about things. the way he sings the nursery rhyme, the way he moves into his spot for the light cue, the seamless transition with the blood whereas—in the performance I saw Joe you can tell he’s holding something in his hands until it goes in his pocket. now, to be fair I’ve only seen one performance of each, but then again that’s what you have to go off in theater. the biggest thing is the difference between their “Not While I’m Around” performances. again, they’re both super duper talented and I’m not comparing their singing abilities or anything like that, merely just the way they both embody the same character. Joe delivers a really touching and simple performance, very little movement and what movement he makes feels very necessary to moving the scene along. nothing wrong with that!! in Gaten’s version he uses his body the entire time, taking up space, moving around, really showing the kind of desperation that is needed for this song. he’s incredibly deliberate with everything, but not in a way that’s difficult to watch or clunky. that’s all I have for you folks… this is just my little rant, i thought I’d share. if anyone has any other thoughts or opinions I’d love to hear them :))

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The final scene of Falsettos: Hartford Stage, Original Broadway Cast, Revival

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they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes

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little betty

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Be off and be on your way! Bring me the broomstick of the Witch of the West These are your orders, now obey!

^ bonus flats cuz theyre cute