weird-fleshy-heart-forge
weird fleshy heart forge
a zine to the moon
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weird fleshy heart forge
Issue #10, Full Moon June 28th, 2018
#poetry#zine#contemporary poetry#full moon poems#poems to the moon#weird fleshy heart forge#Indianpolis#Indy DIY
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Issue #09
placeholder until I get better images ready.
Thanks for your patience!
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weird fleshy heart forge
Issue #08
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Thanks for your patience!
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Issue #07
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Thanks for your patience!
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weird fleshy heart forge
Issue #06
placeholder until I get better images ready.
Thanks for your patience!
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weird fleshy heart forge
Issue #5, Full Moon Janurary 31st, 2018
#poetry#zine#contemporary poetry#full moon poems#poems to the moon#weird fleshy heart forge#Indianapoilis#Indy DIY
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weird fleshy heart forge
Issue #4, Full Moon January 1st, 2018
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weird fleshy heart forge
Issue #3, Full Moon December 2nd, 2017
#poetry#zine#contemporary poetry#full moon poems#poems to the moon#weird fleshy heart forge#Indianapolis#Indy DIY
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Issue #2, Full Moon November 4th, 2017
#poetry#zine#contemporary poetry#full moon poems#poems to the moon#weird fleshy heart florge#Indianapolis
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Issue #1, Full Moon October 5th, 2017
Entire zine is black & white in its intended form
Front Page
Title
black writing against white,
at top of page,
handwritten print:
"WEIRD FLESHY HEART
FORGE #1"
Image
under the title, to the right, flush with bottom of the page
man sitting, giving peace sign with right hand,
wearing a checkered suit,
head replaced by a circular camel logo
against a simplistic two-tone background,
a word is blacked out completely to the left of the man
Subtitle
black writing against white,
at the bottom of the page,
handwritten print which matches title handwriting:
"10-05-17 full moon poems"
Page 1
Background Image
entire page:
image spans this page and next,
dark, striped, nearly black and medium gray,
resembles CRT monitor effect
Poem #1
black writing against white,
block cut-out in the middle of page,
monospaced serif type:
"this is for the moon
and her many roles
which we all put on
like outfits
and outlets
for nightlights"
Page 2
Background Image
entire page:
image spans previous page and this one,
dark, striped, nearly black and medium gray,
resembles CRT monitor effect
Poem #2
black writing against white,
block cut-out in the middle of page,
sans serif type with kerning that makes words almost blend into each other:
"every wall in the house
was a different word
before the paint went up"
Page 3
background is solid white
Poem #3
black writing against white,
top center of page,
serif type:
"It's impossible to
interpret a gap
with any accuracy.
What color
are those swans?
And does that
make them ghosts
or just more swans?"
Image
bottom center right below poem,
cut off in a clean line in the middle of page
and taking up entire bottom half of page
nude legs cut off at the knees,
either dangling in front of
or laying on top of
very long black hair
that goes past feet,
a braid hanging from outside image
along or in front of left leg
which morphs into skeletal structure
of the foot over or inside of left foot
Page 4
background is solid white
Image
simple, black, clip art styled radio tower
with concentric circles coming out of top
representing air waves;
base of clipping morphs into
black, rectangular poem image
Poem #4
white writing against black,
top center of page,
sans serif type, embedded in a black rectangle
in the center of the page,
spanning bottom half of page,
a piece of right side torn
and jutting off to the side;
three white-out stripes at the top
before poem starts, a blacked out
part on the top left which
is harder to make out:
"Don't be ridiculous, I
don't want to hunt you,
I don't want to hurt
you, I want to purple you,
pocket you, take you home,
vinegar and spoil you,
I want to flower you,
it's just that some floras
have evolved acid bath
anatomies for dissolving
and drinking their catches."
Page 5
Background Image
entire page:
image spans this page and next,
wide, enormous, leafless
and maybe dead tree
in the center of this and next page spread
sitting in the grasslands;
a man who's mounted the left side of the tree
looks to be climbing down;
trunk of this tree alone is about
four or five of him tall and two wide
Poem #5
black writing against white,
block cut-out in bottom left of page,
sans serif type:
"we pluck a ripened darkness
and sip, spitting what seeds
can't be swallowed;
we discuss the equinox
and walk and know
that our walking
is a discussion about spat seeds
between our toes and arches
and what's paved
and what's not"
Page 6
Background Image
entire page:
image spans previous page and this one,
wide, enormous, leafless
and maybe dead tree
in the center of two page spread
sitting in the grasslands
Poem #6
black writing against white,
block cut-out flush with right side of the page
a little off-center,
sans serif type:
"Autumn is a contemplation engine.
Enjoy with blankets and drink.
Listen to her voice, especially her laugh,
and her undressing hold on a wine glass.
Love bodies the way bodies look.
Don't make play lists, make grab bags
and be made up by the next song
whatever the next song is.
Drive when you need to,
but walk when you can;
lay down, lay with her leaning toward night.
Love moments the way moments move."
Back Page
Background Image
entire page:
cute, cartoonish depiction of bees
circle their beehive
cut off by bottom and right edges
and which hangs
from a tree branch at the top of the page
Blurb
black writing against white,
at the top left the page,
handwritten print which matches title and subtitle handwriting on the front page:
"TUMBLR:
weird-fleshy-
heart-forge"
#poetry#contemporary poetry#full moon poems#poems to the moon#full moon devotional#October full moon#harvest moon#hunters moon#weird fleshy heart forge#zine#Indianapolis#every wall#different word#before the paint went up#impossible to interpret#gaps#what color#swans#ghosts or more swans#don't be ridiculous#don't want to hunt you or hurt you#purple you#vinegar and spoil you#flower you#evolved floras#acid bath anatomies#dissolving catches#drinking#pluck#ripened darkness
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