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whats-a-terrarium · 7 hours
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netflix should add a feature that lets you peel breaking bad like an orange and crawl inside and hug jesse pinkman whenever u freaking want
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whats-a-terrarium · 7 hours
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Dont forget Palestinian students
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whats-a-terrarium · 9 hours
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Vean_ima
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whats-a-terrarium · 9 hours
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My favourite example of the domino effect
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whats-a-terrarium · 9 hours
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I am christlike in my capacity for forgiveness and grace (has friends who are swifties)
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whats-a-terrarium · 10 hours
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Awesome party, I’m so glad I came. DUN DUN DUN
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whats-a-terrarium · 10 hours
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I know "60s housewives who invented slash fanfiction" has taken on a life of its own as a phrase, but Kirk/Spock didn't really exist until the 70s and THOSE WOMEN HAD JOBS. They were teachers and librarians and bookkeepers and scientists and they damn well spent their own money going to conventions, printing zines, buying fanart and making fandom happen. Put some respect on their names.
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whats-a-terrarium · 11 hours
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Columbia University students at the Gaza solidarity encampment reading Wisam Rafeedie's The Trinity of Fundamentals and Ghassan Kanafani's The Revolution of 1936–1939 in Palestine (ph. Ian Bartlett).
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whats-a-terrarium · 11 hours
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google search how to stop experiencing anticipatory grief when this world has taken so much from me already
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whats-a-terrarium · 16 hours
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whats-a-terrarium · 17 hours
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Miss Congeniality (2000) dir. Donald Petrie
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whats-a-terrarium · 17 hours
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"It's just a TV show" maybe to you. I absorbed it into my soul though.
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Hey everyone, please consider buying the 2024 itch.io Palestinian Relief Bundle- it's 373 games, game-making assets, tabletop roleplaying games, zines, and comics for a minimum of just 8 USD! They have a goal of 100,000 USD, and as of the time I'm writing this post, they have 8 more days to reach it.
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Link will be in the reblog!
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sometimes……….not letting a franchise die at its natural conclusion………………..is worse
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butterfly ray skeleton
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I hate how very specifically British colonialism overshadows all other imperialism.
Nobody talks about the Ottoman empire, the various shenanigans the Indian and Chinese rulers were up to, the Russian Empire (Russia is still a colonial Empire, btw) hell, even the shit Spain or Portugal did are swept under the rug. Nobody remembers French colonies in Africa or how much of a menace the Dutch used to be.
No, it's all Britain, all the time, baby. The only colonial Empire to ever exist, I guess.
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In the aftermath of my big post about censorship, multiple people have left comments that boil down to, "it's okay to show heavy topics in fiction as long as they're portrayed as bad."
Let's take a quick look at an excerpt from the full ext of the Hays Code, shall we?
No picture should lower the moral standards of those who see it. This is done: (a) When evil is made to appear attractive, and good is made to appear unattractive. (b) When the sympathy of the audience is thrown on the side of crime, wrong-doing, evil, sin.The same thing is true of a film that would throw sympathy against goodness, honor, innocence, purity, honesty. note: Sympathy with a person who sins, is not the same as sympathy with the sin or crime of which he is guilty. We may feel sorry for the plight of the murderer or even understand the circumstances which led him to his crime; we may not feel sympathy with the wrong which he has done. The presentation of evil is often essential for art, or fiction, or drama. This in itself is not wrong, provided: (a) That evil is not presented alluringly. Even if later on the evil is condemned or punished, it must not be allowed to appear so attractive that the emotions are drawn to desire or approve so strongly that later they forget the condemnation and remember only the apparent joy of the sin. (b) That thruout the presentation, evil and good are never confused and that evil is always recognized clearly as evil. (c) That in the end the audience feels that evil is wrong and good is right
This is the same Hays Code that supported Nazis. This is the same Hays Code that forced Jewish artists out of Hollywood. This is the same Hays Code that targeted artists of color, queer artists, female artists, any artist who deviated from the white American Catholic ideal. And it was explicitly Catholic, which I explained in further depth here.
The idea that art has to have a clear moral, which lines up with the dominant morals of white American Christianity, is foundational to the Hays Code. If you sound like the Hays Code, you need to re-evaluate.
Censorship and moral codes enforced on art are never used for anything other than oppression. The second you try to dictate what is and isn't allowable in art, you side with people who will enforce those rules on marginalized people with no mercy and no hesitation.
Censorship does not create healthy relationships with media, even the censorship you might be tempted to think of as "good censorship."
(And, as usual, being an independent censorship researcher does very little to pay my bills. Kick me a tip on Ko-Fi or pledge to me on Patreon if you want to support my work! <3)
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