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Legit how my dad (a proper botanist) identifies plants.

Also: "Idk, I know so-and-so called it this, but something just didn't feel right". Lo and behold, new subspecies lol

passively scrolling animal/plant/fungi ID subreddits for 9,537 hours will have you identifying organisms and not knowing how. i'll just be like carpet beetle inky cap northern flicker no i don't know how to tell

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February is also National Embroidery Month, and we’re excited to show you some cool items we have in the Special Collections. The first one is a hand-embroidered canvas book made by Candace Hicks who collects coincidences from the books she reads and gathers them in her artists’ books and installations.

Hicks created a variant series of hand-embroidered books, copying the form and design of dime-store "composition" books. In this volume, Hicks kept a record of coincidences in the books she was reading and noted every time the word “coincidence” occurred.

Common threads : Volume 28 Hicks, Candace [Austin, Tex. : C. Hicks,] 2011. English HOLLIS number: 990128839780203941

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girlie that's not a random headache u are dehydrated malnourished over caffeinated over stressed and sleep deprived

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Villa Hadrian, Roma, nov 23

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https://www.felissimo.co.jp/youmore/725795.html

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Guys.

Y’all.

I…

I just. I just… i have discovered something. And I have laughed too much. I have laughed every time I have tried to explain it to someone. I cannot get through this.

Look. Okay.

There are two things you need to know, here.

First: There’s a style of Greek pottery that was popular during the Hellenic period, for which most of the surviving examples are from southern Italy. We call them ‘fish plates’ because, well, they’re plates, and they’re decorated with fish (and other marine life).

Like this one, currently in the Met:

Or this one, currently in the Cleveland Museum of Art:

They’re very cool. We’re not 100% sure what they were for, because most of the surviving ones were found as grave goods, but that’s a different post.

The second thing you need to know is that when we (Classics/archaeology/whatever as a discipline) have a collection of artefacts, like vases, sculptures, paintings, etc. and we do not know the name of the artist, but we’re pretty sure one artist made X, Y and Z artefacts, we come up with a name for that artist. There are a whole bunch of things that could be the source for the name, e.g. where we found most of their work (The Dipylon Master) or the potter with whom they worked (the Amasis Painter), a favourite theme (The Athena Painter), the Museum that ended up with the most famous thing they did (The Berlin Painter) or a notable aspect of their style. Like, say, The Eyebrow Painter.

Guess what kind of pottery the Eyebrow Painter made?

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"Taco lover" art by Alison Friend

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If people were too mean to you when you were growing up, a newborn animal will materialize inside your brain and it’s so so scared and shivering and it will stay there for years. Decades, even. And whenever you say something kind of weird but true to your heart the animal will tell you “Noo! You can’t say that! If you say that, everyone will hate you!”. The animal means well. It’s so so small and everything is so scary for them and it’s just trying to protect you. But listen to me. Listen to me. Whenever this happens, you can’t do what the animal says. You can’t. If you do, you’ll become as scared as the animal. You have to keep saying weird shit. You have to keep doing things the animal wouldn’t approve of. If you do enough things that scare the animal, maybe one day it’ll go to sleep.

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20 Frescoes from Pompeii

In this gallery, we present 20 of the most striking frescoes found in the ancient Roman city of Pompeii in Italy. These frescoes were once buried under a thick carpet of volcanic ash from the Vesuvius eruption of 79 CE. Year after year, archaeologists continue to find such artistic treasures that never cease to fill us with wonder.

You can admire most of these superb frescoes at the National Archaeological Museum in Naples.

Roman wall paintings were created using a painstaking build up of various layers of material… First, a rough coat of mortar is applied to the surface, sometimes three layers thick and composed of lime and sand (or volcanic pozzolana). Next, a further three coats were added, this time using a mixture of lime and fine crushed marble to give a smoother finish and then glass, marble and cloth were used to polish the surface and prepare it for painting. Colours were added when the surface was still wet (fresco) but details might also be added to a dried surface (tempera).

Continue reading…

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no no see, domesticity IS hot. how intimate it is to make food with someone, to share a bed, to brush your teeth at the same sink, to shower and use the same towels and the same laundry soap, to grocery shop and hold hands through the aisles, to be cornered in the kitchen to make out while a pot of pasta boils over on the stove. to fall asleep and hear them snoring softly and laugh at the little trail of drool out of the corner of their mouth. to spend money together and share chores and pick on each other for your weird habits. it's not always perfect and beautiful, but it's comfortable and familiar and I just think it's neat.

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#hello im out of adhd medsssss

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#11pm tummy hurts time but this time for no discernible reason #my stomach just hates me i guess

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Josh Keyes

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there's actually a secret eighth deadly sin and it's exactly like gluttony except for textile projects

#:(

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.

#5am tummy hurty time #the loaded fries were worth it tho

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I will be honest guys, the Red portrait of king Charles is gorgeous asdfghjkl

it's a bad portrait. Like. Objectively. It does the opposite of what's intended. It looks like the painter is insulting him. If it was in a contemporary gallery with no context you would see it immediately as the ambivalent criticism of Charles's reign, how he fades into the overwhelming red background as a tiny little figure, small and insignificant, insufficient for the clothes he's wearing. It reminds my of Goya's portraits, how they were so 'realistic' that they ended up making these great figures look pathetic to the viewer. So these are our rulers?

the sheer novelty. the surprise and shock, the kinda cunt it's serving for no reason. I. I love it. It's an incredible portrait by Jonathan Yeo. By the sheer fact that Charles, the man, is impossible to portray as greater than man because he's just such a nothingburger of a dude. So a portrait made to make him look huge and interesting made him be swallowed in red brushstrokes. The butterfly, that reminded me immediately of " we will all laugh at guilded butterflies", draws more attention than him. It looks like an omen. It looks like a warning in all this red. Something is not right here.

This is the best royal portrait ever 10/10