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Come on 2024

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Thierry Mugler spring/summer 1999

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Tony Ward Haute Couture Fall Winter 2023-24

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Jeremy Scott Fall 2001 RTW

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100 posts!

#100 posts #tumblr milestone

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big white button up agenda

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Cosmopoli girl

A woman who’s lifestyle consists of independence, leisure, society and self indulgence. As a 21 century woman, she is free of mind and curates relationships and hobbies to advance HER lifestyle and career. If she’s not interested in “settling down” men are tokens of filler to add to her usual nights of entertainment, develop new experiences or add to her financial security. She loves travel, arts, humanities, cultures and the rewards that comes with developing new adventures and relationships that drives her sophistication and worldly personality.

#cosmogirl #cosmopolitan

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DOJA CAT for the 64th Annual Grammy Awards

#doja cat #grammys

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This would be accurate if Lu apologised for being racist and releasing a sextape of Nadia to the whole school lmfaoo

The whole “friendship” was so offensive and unrealistic.

okay so im a slut for the enemies to best friends trope but i find it really frustrating when it's poorly written, because it comes off extremely unrealistic and ooc. while i was watching elite, i was really scared of what would happen between lu and nadia, because i knew they would try to make them friends and despite being into the idea, i thought they would rush into it and dismiss both of their character arcs.

but i think it worked pretty well! especially because of the omander and malick storyline (which i absolutely hated because omar would never cheat on ander but ok).

i think lu saw some of herself in nadia. when she realised malick was cheating on nadia, she saw herself in the guzman situation. and instead of becoming bitter, she actually helped nadia deal with it in a healthy way. it all connected to her journey on realizing her true self worth and wanting to become a better person. by helping nadia and by letting go of that repressed anger, she was finally free and completed her character arc.

lu's development was one of the best things in elite and i will die on this hill.

#elite #netflix #danna paola #lu montesinos #guzman nunier #ander munoz #lu x nadia #nadia elite #nadia x guzman #omander #elite cast #ester exposito #itzan escamilla #arón piper #miguel hernández #jorge lopez #elite analysis #polo benavent

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Tbh Lu knew she could get away with never apologising to Nadia because Guzman got away with the same thing…yikes

I mean she called Nadia all types of racial slurs in s2 and Guzman did nothing 😭

the fact that Nadia apologized for being with Guzman while he was with Lu (even though if I remember correctly that’s not even how it happened) but Lu didn’t apologize for all the racist remarks and all the shit she put Nadia through is such bullshit.

And so is the fact that yall are eating this ridiculous friendship up.

#elite #guznadia #elite2

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I’m reading of old Elite post and reviews and I don’t understand why Guzman and Nadia fans criticised Omar in that scene in the restaurant with Lucrecia. They alleged he “bitched” with Lu about Nadia, but he just said she was an ice queen. Omar was never aware of her Lu’s bullying towards his sister. Nadia never even tells him.

Yeh Lu was bitching about Nadia and Omar owes Nadia loyalty as her brother but don’t people see Guzman was there too?

Guzman knows about Lu’s bullying, disrespect, and racism of Nadia and does nothing.

Where’s Nadia’s self esteem?

Nadia makes him a better person but when she’s not around her he doesn’t care to defend her…

Very weird.

#guznadia #nadia x guzman #guzman x nadia #elite #nuzman #omar shanaa #omander #lucrecia montesinos

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Rip Faye 🕊

Lithofayne Pridgon: Jimi Hendrix’s original ‘foxy lady’

She was the woman he could never quite date exclusively, because she was too free spirited to be tied to one man; Hendrix’s frustration at loving her alongside singers Sam Cooke and Little Willie John inspired “Foxy Lady.”

It was the 1960s, and Pridgon was dating both Little Willie John and Cooke while running with other musicians, hustlers, drug dealers and, later, “fun fun cops” who shook down people to bring her the leftover pharmaceuticals. At a party in 1962 thrown by Jack “Fat Man” Taylor, a big Harlem drug player, she met Jimi Hendrix, a struggling guitarist.  She and Hendrix had a one-night stand of sorts at Fat Man’s party and then ran into each other again outside of the Apollo one year later; Pridgon was there to see Cooke, and Hendrix was trying to get a job. But in that moment, the two began their torrid and frustrating love affair—while she was still seeing Willie John and Cooke, of course.

But Jimi, she says, so young and in love, was also “insanely jealous”. She has an extraordinary collection of love letters from him, written in florid, lyrical prose – the same style later evident in his lyrics – that prove without a shadow of a doubt the intensity of his infatuation; an intensity that scared her. “As I write more and more, I feel myself grow so very weak under the power of you,” he wrote in one.

For all her talk of being a “loose lady”, Lithofayne is clearly a romantic at heart; one who sought from the men she knew a love that was pure and uncomplicated by jealousy, disaffection and possessiveness; a love that swept her off her feet, but also a love that left her to be free. “I wanted to continue seeing Jackie and Sam and Willie,” she says. “I didn’t think about it in terms of, ‘I’m your old lady.’ I wasn’t anybody’s old lady.” She loved them all equally and unreservedly. “That was the problem,” she says. Jimi couldn’t handle that.

“He adored her, to the point of distraction,” Winona Williams says of Hendrix. “You always want what you can’t have. And he had her but he didn’t have her exclusively, and that drove him up the wall.”

One time Lithofayne recalls, he even said to her, albeit jokingly: “I’d like to freeze you in a cake of ice, thaw you out when I want to, if that was possible, huh?” “Stop talkin’, crazy,” she replied. “He talked crazy.”

Hendrix left the US in September 1966 for England, where he would find a recording contract, recognition and fame. But he made a point of tracking Lithofayne down whenever he came back to New York, and she remained very much on his mind. His deep, abiding love for her never faltered, seemingly finding form in a song he recorded in London for his debut album, “Foxy Lady”.

She tells a story that illuminates where the title may have come from. “He used to call every pet we had ‘Foxy’,” she says. One time, they found a kitten on the street and took it in; Jimi immediately named it Foxy. Later on, they bought a poodle; he named that Foxy, too. He was also in the habit of using the word in other ways: “He used to like to refer to good-looking girls as foxy. Or if I put on certain things, he’d say, ‘Wow, you look foxy in that.’”

So wrapped up was she in her own story with Jimi, she never thought for a minute the songs with which he found fame could be about her. She thinks it would make her sound “cocky” if she claimed they were now. “He was always saying: ‘This is about you. I wrote this about you,’” she says. “I just thought it was cute.”

“Jimi would have settled down with Fayne,” says Williams. “I don’t see any other woman that he’d have settled down with – but Fayne was not about to settle down. If Fayne had said: ‘Look, I want you to leave all of these women alone and we’re going to do this,’ he would have done it.”

“Well, he might have,” Lithofayne laughs, “but that would have been dumb.”

Williams is adamant that Lithofayne, the only constant in his life from the time he first hit New York in 1963 through the seven years until he died, was the one person among his circle of intimates who superseded all others. “All of these girls that think they had a part of this man’s heart need to know that his whole heart belonged to Lithofayne Pridgon,” she says. “But he couldn’t get it.” 

Her time with Hendrix, in particular, weighs heavily on her, sometimes too heavily. Over the years, friends and acquaintances have suggested things might have turned out different if only she had acceded to his demands. “In other words, if I had stopped being me and become somebody else,” she says. “Oh my God, that’s too much responsibility.” But she believes in her heart that “‘ole coulda-shoulda-woulda shit” is just a losing game.

(Read the full article via The Guardian)

#jimi hendrix #foxeylady

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meagan good | biker boyz (2003)

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Anybody gonna talk about how during the break-up in 4.05, Omar just shattering and saying “it’s me, it’s me” over and over again is because ever since s1, he’s always thought there was something wrong with him and unlovable about him? That through everything, he’s been afraid that there’s something broken and flawed about him? Because he’s always craved some kind of love, even if it was just a temporary shadow of it. And that’s why Ander pushing him away was so painful and why he hooked up with Malick and Patrick and probably why he was hooking up with guys on the Grindr-like app even in s1. And when Ander broke up with him, it just confirmed for him what he always feared, which was that he’s the reason no one can love him, that there’s something wrong with him that he can never be truly understood or wanted or loved, no matter how much he loves and how hard he tries. I really wish Omar Ayuso wasn’t such a good actor, because you can just feel the conclusion hit Omar and it’s so fucking heartbreaking.