oh!!! also!!! do you have a preference for type of prompt? like 1 juicy word and a character and you interpret how you like, or one of those single sentences of dialogue that you build around, or more of an "imagine" situation that you can bring to life, or a general plot laid out that you can build off of?
line of dialogue: "who did this to you", "where did you find that", "were you really spying on me", etc. + 2(+) characters
"imagine" situation or a headcanon: "character A is going on a lovely stroll thru the park with character B, holding hands while it rains. suddenly character A's phone rings and they have to leave. while saying goodbye they hug character B, who accidentally hugs them too hard and squishes them till they pop and then teabags their corpse lol" or "i headcanon that [character] really likes soft cuddles but is too shy to say anything about it", "[character] has an irrationally strong fear of bees", etc.
general prompt: "character A gets shank down to miniature size and [other character(s)] have to take care of them until the spell wears off", "what really happened 7 years ago", "can you write some character A and character B dynamic where they cook", "human!au where xyz happens", "the crew throw a party", etc.
I donât really care at this point Iâm desperate to write requests cus I cant think of anything else
HI OMFG DO YOU SRSLY TAKE REQUESTS!!!@! okayyy um first of all do you have any tropes/topics/dynamics that you prefer? so I can make sure u will like writing it đ and what sort of word count are we thinking here, so I can know how specific to make it AGAIN YOURE THE BEST ALL HAZBIN WRITERS ARE GOLD BUT HAZBIN WRITERS WHO TAKE FREE REQUESTS?!?!?!?!?!?!?!??? by golly i hope u have a very soft week, you deserve it â¤ď¸â¤ď¸
HII THANK YOUU FOR ASKING
So I actually l like writing the topics of angst,smut(Iâm new to writing smut),idk anything like that
I donât really prefer anything as long as Iâm comfortable with it Iâll write it
So um I can write some rare pairs and the vâs I can do poly or separate
catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, windedÂ
whats up?? would you mind giving prompts for âmovementâ? take for example: âShe walks over to the boyâ. Instead of saying âShe walksâ, i would like something more creative?
Synonyms for "Walk"
stroll
saunter
amble
trudge
plod
march
stride
wander
ramble
advance
make one's way
traipse
prowl
skip
Synonyms for "run"
dart
sprint
rush
dash
hurry
scurry
scuttle
charge
gallop
bound
fly
scamper
sprint
race
jog
trot
I hope this helps! Let me know if I got what you wanted :)
If a scene feels flat and you can't figure it out, ask yourself:
⢠What can MC smell? Is there an ocean breeze, sweat, a cinnamon roll fresh out the oven?
⢠What can MC hear, besides the dialogue? Is a bird singing, river flowing, a car speeding, clock ticking?
⢠Can they taste something, even if they're not eating? Previously drunk alcohol or juice, aftertaste of a cigarette, smog, too instense perfume?
⢠Can they feel something on their skin? Rough clothes or delicate material, blowing wind, an allergy or a rash, grass that theyre laying on?
⢠What does the character see, besides other characters? Is the room dark or is sunlight coming in nicely? Are the colours vibrant or dull? Are there any plants?
⢠What's the weather? Is it snowing and the cold is making goosebumps appear on their arms? Is it hot and sweaty and clothes are clinging to their body?
⢠HOW DOES IT MAKE THEM FEEL? To any of the above.
Do they like the smell of cinnamon rolls or are they weirdos (I'm a weirdo, I don't fit in).
Does the clock ticking calm them down or annoy them?
Do they enjoy the aftertaste of a cig and like how dirty it makes them feel?
Are they sensitive to touch and how their clothing feels on their skin or are they indifferent?
Would they enjoy the scenery more if it was more sunny out, because they're afraid of the darkness?
Do they like it snowy or are they always cold and hate winter?
Come on, give them persoanlity, likes and dislikes, don't be scared to make them people and not only likeable characters.
Requested by: Anonymous
Request: âheey! i love your prompts and i was wondering if you could write fluff/romantic prompts about a long lasting/established relationshipâÂ
âSo⌠Do you actually like meââ âWe have been together for seven years. Weâre getting married next year. What the hell do you think?â
âYou⌠You learned to cook my favourite meal?âÂ
âYou always know the exact temperature I like my baths at.âÂ
âItâs weird that you know me better than I know myself.â
âLife would suck complete testicles if it werenât for you.â âOh love, I really wish you werenât always so vulgar when expressing your affections.â
âSo⌠I heard from the grapevine that Iâm the best thing thatâs ever happened to you.â âStupid, you hear that from me every day.âÂ
âTell me how you fell in love with me.â ââŚI literally told you that again yesterdayââ âI donât care, I wanna hear it again. Plus, I like hearing you speak.â
Picking up little quirks from each other over the years.Â
âMy love, why donât you just use the whole closet instead of three quarters of it?âÂ
Whatâs Character Aâs is also Character Bâs, and vice versa. Sharing isnât caring, sharing is the norm.Â
Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.
Here are some strategies to smoothly transition between different pacing levels:
Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.
Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.
Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.
Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.
Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.
Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.
Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.
Okay you guys! I mentioned this in a past post, but when it comes to family, some of ya'll are just... not creative. And don't get me wrong, having deceased parents is deep, dark, and hard, but at this point, a lot of readers simply overlook that because it's just that common. Not to mention, a lot of you guys aren't doing nearly enough with that information! So, for this post, I'll give some new examples relating to "family struggles!"
>> Neglect: Neglectful parents often don't give their child enough attention, time, or care. They don't always hate their kid; quite the opposite, really, they can still love their offspring and are simply unaware that they are being neglectful. This happens for a multitude of reasons: all their attention is focused on a different child, they're busy, or they're just uninterested in their kid's activities.
>> Abuse: Abuse is rather straightforward; it can be physical, mental, or even both. Even if it's only physical abuse, it can heavily damage the child's mental health and make them question their self-worth.
>> Fighting: I think that a lot of us have endured our parents fighting, and I'm fully confident that none of us enjoyed it. It's incredibly difficult for a kid to listen to their parents fight without knowing how to stop it, being stuck in the middle, and even worse, being the center of the argument. As it escalates, the child may even feel neglected, because their parents are only focused on each other.
>> Absence: Like neglect, these parents don't devote nearly enough attention and time to their child. However, this is because they are hardly present in the household to begin with. Normally, it's their career that keeps them away, leaving their kid to raise themselves.
>> Controlling: Oftentimes, controlling parents are found in, believe it or not, more successful households. Kids who have parents that own a successful business or are powerful in general are sometimes raised to follow those footsteps regardless if they want to or not. If they don't want to, as a result, they are kept on a tight leash. Controlling parents can also be found in stricter households.
>> Toxicity: Toxicity, a form of emotional abuse, can come in many forms, gaslighting, demeaning words, constant criticism, comparison, etc. Frequently, the child is unaware that their parents are being toxic until a third party points it out to them. This is because they've only known their parents acting in toxic manners; thus, it becomes their norm. However, it's also entirely possible for the parent to be oblivious to the fact that they're being toxic.
>> Distant: Being distant doesn't always have to be because of some crazy reason; they might've been a very happy and close family once, but as time passes on, they just simply start drifting in their separate ways. It's not the same as neglect or an absence; the child is usually able to adjust to it easier, and it might've even been their choice to be distanced from their parents.
>> Child Responsibility: This is a scenario where the kid acts more like a parental figure--they have to take care of both themselves and their family. In some situations, they also have to work in order to supply their family with enough money to be able to pay for life necessities. This normally happens when a/the parent(s) are out of commission and struggle to provide for their family. If the household is poor, the child might be working alongside their parents in an attempt to make their lives easier.
Did I miss anything? Let me know what you guys think about these substitutes!
catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, windedÂ
This is not including all the children who are lifeless underneath the rubble and not including the ones that were obliterated to the point where they cannot be identified. Free Palestine