He’s singing to Queen.
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I just love drawing people singing in their underwear.
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What would’ve happened if Sargent sketched the Ineffables? Since his quicker works had more of a casual & intimate tone, I suppose he would’ve probably just let them chat away and captured the moment when Crowley said something that really amused Aziraphale.
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Season three prediction? Please?
Freedom to Love
sequel to this art i made a few months back
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I can’t tell if this aged like wine or like milk.
Betty #46
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While I loved working on the official Queen’s Thief character lineup, I worked on it over a year and a half ago, so as Return of the Thief’s release drew closer, I knew I wanted to do a newer piece to celebrate. I wanted to include Pheris in this one, and explore a more dynamic composition, and saturate it with symbolism. So without further ado, here it is:
It’s the longest I’ve ever spent on a single piece— about eight weeks, altogether, and I’m really pleased with how everyone came out. I’m going to put all the symbolism below the cut, but here are closeups so you can play I Spy:
Keep reading
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I really love these, especially the ones where women with disabilities are featured for reasons besides their disabilities. I hope the artist does one about autism!
Source
“Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
“It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
“I see those situations I portray every day,” she wrote. “I lived some of them myself.”
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
“I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
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"had to"
Today Crowley had to reassure the Bentley that the only reason they were taking the train was because Aziraphale loved trains, and in-turn, that Aziraphale did not love trains more than the Bentley, they just both believed it should get to have a break once in a while.
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I love Emily’s version of this scene, couldn’t help but draw it myself too :’)
one of the best scenes
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I know I'm mostly a Good Omens blog these days, but Gravity Falls still has a beautiful place in my heart.
They keep teasing new content, Bill's backstory, blah blah blah. All I want is Mabel and Ford, hanging out and bonding!
Do you hear me, People That Control These Things? Give me Mabel and Ford! Complete the final arm of the Pines Family bonding matrix!
they’re judging you so hard kathy omg
bonus:
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"i would die for you" this, "i'd walk through fire for you that"
what about "i'd live for you" romances? what about "i never thought i'd be worth the work it would take to piece myself together"?
what about "i don't believe i'm worth it, but for you i'll try"
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