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Julia Roberts and Richard Gere, Pretty Woman (1990)

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► Film Facts ➛ Pretty Woman ღ  Edward (Richard Gere) snapping the necklace case down on Vivian’s (Julia Roberts) fingers, was improvised by Gere, and Roberts’s reaction (laughter) was totally natural. The filmmakers liked it so much, they decided to leave it in.

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Outfits Julia Roberts wore in Pretty Woman (1990)

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Sixteen Candles (1984) dir. by John Hughes

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I want my life to be like an 80’s movie, preferably one with a really awesome musical number for no apparent reason.

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Now Sid, don’t you blame the movies. Movies don’t create psychos. Movies make psychos more creative!              SCREAM (1996) dir. Wes Craven🔪

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Behind the scenes of the beginning scene of Scream

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SCREAM (1996) dir. Wes Craven

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Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole saturday in detention for whatever it is we did wrong, but we think you’re crazy for making us write an essay telling you who we think we are. You see us as you want to see us, in the simplest terms, in the most convenient definitions. But what we found out, is that each one of us is a brain, and an athlete, and a basketcase, a princess, and a criminal. Does that answer your question?

 Sincerely yours, 

 The Breakfast Club.

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The Breakfast Club (1985)

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it’s a bittersweet symphony...

#cruelintentions #cruel intentions #bittersweet symphony #kathryn merteuil #sebastian valmont #annette hargrove #annette x Sebastian #endgame #sarah michelle gellar #ryan phillippe #reese witherspoon #90s #1999 #90s movies #aesthetic #giphy #sebastian’s journal #cecile caldwell #selma blair

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Sebastian Valmont

yOu AmAzE mE

#cruel intentions #cruelintentions #1999 #sarah michelle gellar #ryan phillippe #sebastian valmont #kathryn merteuil #Kathryn and Sebastian #bittersweet symphony #buffy #edit #tiktok #90s #90s aesthetic #bestmovieofalltime #deep end

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“Then this picture which I always thought this painting was sort of like making the movie, you know the pointillist style, which is very very close to it. You don’t have any idea what you’ve made until you step back from it. I used it in this context to see… he’s looking at that little girl which again is, you know, a mother and a child. The closer he looks at the child the less he sees, of course with the style of painting being really…but the more he looks at it there’s nothing there and I think he fears that the more you look at him the less you see there isn’t anything there. That’s him.” – John Hughes Commentary: The Museum Scene, FERRIS BUELLER’S DAY OFF (1986), dir. John Hughes.

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a CLASSIC!!!

Nobody puts Baby in a corner. DIRTY DANCING (1987) dir. Emile Ardolino

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Me? I’m scared of everything. I’m scared of what I saw, I’m scared of what I did, about who I am and most of all I’m scared of walkin’ out of this and never feelin’ the rest of my whole life the way I feel when I’m with you. Dirty Dancing (1987) dir. Emile Ardolino

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It’s a little childish and stupid, but then, so is high school.

FERRIS BUELLER’S DAY OFF (1986) dir. John Hughes

THEDREAMSTEAM 100 CELEBRATION →  ♡ for @noemistaboadas ↳ ferris bueller’s day off