๐๐๐ฅ ๐ด๐ ๐กโ๐ ๐ธ๐ฅ๐โ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ก๐ข๐๐ ๐ผ๐๐๐๐๐๐๐ก๐๐๐
๐๐๐๐๐๐ ๐๐๐ค๐๐๐๐๐ฆ ๐กโ๐ ๐ ๐๐๐๐๐ก๐ข๐๐ ๐๐๐ก๐ข๐๐ ๐๐ ๐ ๐๐ฅ ๐๐ ๐๐ ๐๐ก ๐๐ ๐'๐ก ๐๐๐ก๐๐๐๐๐๐ฆ ๐ข๐ ๐๐ ๐ก๐ ๐๐๐๐๐๐๐๐๐๐ก๐ ๐ ๐๐๐๐๐ก๐ข๐๐ ๐๐๐๐๐๐ ๐๐๐ก๐ ๐กโ๐ ๐โ๐ฆ๐ ๐๐๐๐ ๐๐๐๐๐.
๐โ๐ ๐๐ข๐๐๐๐ก๐ฆ ๐๐ ๐๐๐ฆ ๐ ๐๐ฅ๐ข๐๐ ๐๐ฅ๐โ๐๐๐๐ ๐๐๐๐๐๐๐ โ๐๐๐ฃ๐๐๐ฆ ๐๐ ๐กโ๐ ๐ ๐๐๐๐๐ก๐ข๐๐ ๐๐๐๐๐ก๐๐๐๐๐๐ ๐๐ ๐๐๐โ ๐๐๐๐๐ฃ๐๐๐ข๐๐ (๐คโ๐๐โ ๐๐ ๐ก๐ข๐๐ ๐๐๐๐๐๐ก๐ ๐กโ๐๐๐ ๐๐๐๐ก๐๐, ๐๐๐๐ก๐๐๐๐๐, ๐๐๐ ๐โ๐ฆ๐ ๐๐๐๐ ๐๐๐๐๐ก๐๐๐๐๐๐).
๐โ๐๐๐ ๐๐๐ ๐๐๐๐ฆ ๐๐๐๐๐ ๐ข๐ ๐๐ ๐ก๐ ๐๐๐ ๐๐๐๐๐ ๐กโ๐ ๐๐๐๐๐๐ฆ ๐๐๐๐ค ๐ค๐๐กโ๐๐ ๐กโ๐ ๐๐๐๐ฆ, ๐๐ข๐ก ๐กโ๐ ๐ถโ๐๐๐๐ ๐๐ฆ๐ ๐ก๐๐ ๐๐ ๐๐๐๐ก๐ก๐ฆ ๐ค๐๐๐-๐๐๐๐ค๐ ๐ก๐๐๐๐๐๐๐๐๐๐ฆ
๐๐ โ๐๐ฃ๐ ๐๐ ๐๐ฃ๐๐๐ฃ๐๐ 9-๐โ๐๐๐๐ ๐ ๐ฆ๐ ๐ก๐๐.
๐ธ๐๐โ ๐โ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ก๐๐๐ ๐๐ก'๐ ๐๐ค๐ ๐๐๐-๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ข๐ ๐๐๐ ๐ ; ๐๐๐๐๐๐๐ ๐ฆ๐๐ข ๐๐๐ โ๐๐ฃ๐ "3๐๐ ๐๐ฆ๐ ๐๐๐๐ ๐๐๐๐ข๐ ๐๐๐ ๐ " (๐๐๐๐ ๐โ๐๐๐๐) ๐๐๐ ๐ ๐๐๐๐๐๐๐ก๐๐๐ฆ ๐๐๐๐๐๐ ๐ข๐ ๐ ๐๐๐๐ ๐๐๐๐ฅ๐ข๐ ๐โ๐๐๐๐.
๐๐๐ฅ, ๐๐ ๐ ๐๐๐ ๐ ๐๐๐ฃ๐๐ ๐๐ ๐๐ฅ๐๐๐๐๐๐๐๐๐ ๐กโ๐๐ข ๐กโ๐ ๐
๐๐๐ก (๐๐ข๐๐ฃ๐๐ฃ๐๐) ๐๐๐ ๐๐๐๐๐๐ ๐โ๐๐๐๐๐ (๐ถ๐๐๐๐ก๐๐๐/๐๐๐๐๐ ๐ข๐๐).
๐ต๐ข๐ก ๐๐ก ๐๐๐ ๐ ๐๐๐๐ก๐๐๐๐ ๐กโ๐ ๐๐๐๐๐๐ฆ *๐๐ ๐๐๐๐ ๐กโ๐๐๐๐๐* ๐๐ ๐กโ๐ ๐๐๐๐๐๐๐๐๐ ๐โ๐๐๐๐๐ .
๐๐๐๐ก๐ข๐๐๐๐ฆ ๐๐๐ ๐ ๐๐๐ก๐๐๐๐ก ๐๐๐๐๐๐ ๐ข๐๐๐๐๐ ๐ก๐๐๐ ๐ ๐ข๐๐ฃ๐๐ฃ๐๐ ๐๐๐๐ ๐๐๐๐ข๐ ๐๐๐ ๐ . ๐ธ๐ฃ๐๐๐ฆ๐กโ๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐-๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐ก๐ โ๐ข๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ข๐๐ ๐ก๐ ๐๐๐๐ฃ๐๐๐ก ๐๐ฅ๐ก๐๐๐๐ก๐๐๐.
๐๐๐ก, ๐๐๐ก ๐๐๐ ๐๐๐๐๐๐ ๐ข๐ ๐ ๐ ๐๐ฅ ๐๐๐ ๐๐๐๐๐ ๐ข๐๐.
๐โ๐ ๐๐๐๐๐๐ก๐ฆ ๐ก๐ โ๐๐ฃ๐ ๐๐ข๐๐ก๐-๐โ๐๐๐๐ ๐ ๐๐ฅ ๐๐๐๐๐ ๐ข๐ ๐ ๐๐๐๐คโ๐๐ก ๐ข๐๐๐๐ข๐.
๐ด๐๐ ๐๐ก'๐ ๐๐๐๐๐๐ก๐๐๐ก ๐กโ๐๐ก ๐ฆ๐๐ข ๐๐๐'๐ก ๐๐๐๐๐๐๐ โ ๐ฆ๐๐ข๐ ๐คโ๐๐๐ 9-๐โ๐๐๐๐ ๐๐๐๐๐ (๐กโ๐๐ก ๐๐๐ ๐ ๐ ๐๐๐๐ ๐๐๐ก๐๐๐๐ก๐ ๐๐๐๐๐๐๐ก๐๐๐) ๐๐๐ค๐ ๐ก๐ ๐๐ข๐ ๐ก ๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐ข๐๐.
๐โ๐๐๐ ๐๐๐ ๐ฃ๐๐๐ก๐ข๐๐๐๐ฆ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐กโ๐๐ก ๐๐๐ ๐๐๐ฃ๐ ๐ฆ๐๐ข ๐ ๐๐ฅ๐ข๐๐ ๐๐๐๐๐ ๐ข๐๐.
๐ต๐ข๐ก ๐๐๐ก ๐๐ฃ๐๐๐ฆ๐๐๐ ๐๐๐ ๐ก๐๐ ๐๐๐ก๐ ๐ฆ๐๐ข๐ ๐๐๐ก๐ข๐๐ก๐๐๐, ๐๐๐๐๐๐๐ก ๐ก๐ ๐ฆ๐๐ข๐ ๐๐๐๐, ๐๐๐ ๐ ๐ฆ๐๐ข๐ ๐ฃ๐ข๐๐๐๐๐๐๐๐๐๐ก๐๐๐ , ๐๐๐๐๐ค๐๐ ๐ฆ๐๐ข๐ ๐๐๐๐โ๐ฆ๐ ๐๐๐๐ ๐๐๐๐๐, ๐๐ ๐๐ ๐ก๐ข๐๐ ๐ค๐๐กโ ๐ฆ๐๐ข๐ ๐๐๐๐ก๐๐๐๐ , ๐๐ก๐.
7-, 8-, ๐๐๐ 9-๐โ๐๐๐๐ ๐ ๐๐ฅ ๐๐๐๐ข๐๐๐ ๐ ๐ก๐๐ก๐๐๐๐ฆ ๐๐๐๐๐๐๐๐๐ก ๐๐๐ฃ๐๐ ๐๐ ๐ค๐๐๐ โ๐๐.
๐ด๐๐ ๐๐ก ๐๐๐ก๐ข๐๐๐๐ฆ ๐๐๐ก๐๐๐ ๐๐๐๐๐ ๐กโ๐ ๐ ๐๐๐๐๐ ๐๐๐๐๐๐ฆ/๐๐๐๐๐ ๐ข๐๐.
๐โ๐๐ ๐๐ โ๐๐ค ๐๐๐๐ ๐๐ข๐๐๐ ๐กโ๐๐๐ ๐๐๐๐๐๐๐๐ .
๐๐๐กโ ๐๐๐ก๐๐๐ก๐๐๐, ๐๐๐๐ข๐ , ๐๐๐ฃ๐, ๐๐๐๐๐๐ก๐ฆ, ๐๐๐ ๐๐๐๐๐๐ก๐๐๐.
๐ถ๐๐๐๐ข๐๐๐ ๐๐๐ ๐ ๐๐๐๐๐ก๐๐ ๐โ๐๐๐๐ ๐๐๐๐๐ ๐ค๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ข๐ ๐๐ ๐๐ ๐ต๐๐ผ๐ฟ๐ท๐ผ๐๐บ ๐๐ ๐กโ๐๐ ๐ค๐๐ฆ.
๐๐๐๐๐๐๐ ๐ค๐๐๐ก๐๐๐ ๐ก๐ ๐๐ข๐๐ ๐ฆ๐๐ข ๐๐ ๐๐๐ก ๐ ๐๐๐๐๐๐๐๐๐๐ก.
๐โ๐๐ก โ๐๐ฃ๐ ๐กโ๐๐ฆ ๐๐ข๐๐๐ก ๐๐๐ ๐กโ๐๐๐ ๐๐๐ฃ๐๐ ?๐โ๐๐ก โ๐๐ฃ๐ ๐กโ๐๐ฆ ๐๐ข๐๐๐ก ๐๐๐ ๐๐กโ๐๐๐ ?๐ป๐๐ค ๐๐ ๐กโ๐๐ฆ ๐๐๐๐๐ฆ ๐กโ๐๐๐ ๐๐๐ฃ๐๐ ?๐โ๐๐ก ๐๐๐๐๐๐๐๐ ๐๐ ๐กโ๐๐ฆ ๐๐๐๐๐ ๐ก๐ ๐กโ๐ ๐ก๐๐๐๐?๐ด๐๐ ๐กโ๐๐ฆ ๐๐ฅ๐๐๐๐๐๐๐ ๐๐๐ ๐๐ฃ๐๐๐ฃ๐๐๐?๐๐ ๐๐๐ ๐กโ๐๐ฆ ๐ ๐ก๐๐๐๐๐๐ก ๐๐๐ ๐๐๐๐๐๐๐๐๐๐ก?๐ป๐๐ค ๐๐ ๐กโ๐๐ฆ ๐ก๐๐๐๐ก ๐๐๐๐๐๐?๐ป๐๐ค ๐๐ ๐กโ๐๐ฆ ๐ก๐๐๐๐ก ๐กโ๐๐๐ ๐๐๐ฃ๐๐ ?
๐ต๐๐๐๐ข๐ ๐ ๐กโ๐๐ก'๐ ๐กโ๐ ๐ ๐๐๐ ๐๐๐๐๐๐ฆ ๐กโ๐๐ฆ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐ก๐ ๐๐๐ฆ๐กโ๐๐๐ ๐ฆ๐๐ข ๐๐ข๐๐๐ ๐ก๐๐๐๐กโ๐๐.
๐๐๐๐๐๐๐ ๐คโ๐ ๐๐ ๐ ๐๐๐-๐๐๐ ๐ก๐๐ข๐๐ก๐๐ฃ๐ ๐ค๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐ก๐๐ข๐๐ก๐๐๐ ๐๐๐ก๐ ๐ฆ๐๐ข๐ ๐๐๐๐.
๐๐๐๐๐๐๐ ๐คโ๐ ๐๐๐ค๐๐ฆ๐ โ๐๐ ๐๐๐ ๐๐๐ค๐ ๐ค๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐ค๐ ๐๐๐ก๐ ๐ฆ๐๐ข๐ ๐๐๐๐.
๐๐๐๐๐๐๐ ๐คโ๐ โ๐๐ ๐ข๐โ๐๐๐๐๐ ๐ก๐๐๐ข๐๐๐ ๐ค๐๐๐ ๐๐๐๐๐ ๐ข๐โ๐๐๐๐๐ ๐ก๐๐๐ข๐๐ ๐๐๐ก๐ ๐ฆ๐๐ข๐ ๐๐๐๐.
๐๐๐๐ฆ ๐๐ฅ๐โ๐๐๐๐ ๐๐๐๐๐๐ก๐ ๐๐ ๐๐๐๐๐ ๐ข๐๐ ๐๐๐ ๐๐๐ ๐ข๐ ๐ก๐๐ฆ๐๐๐ ๐ก๐ ๐๐ข๐๐๐ ๐ ๐๐๐๐๐๐๐ ๐ค๐๐กโ ๐ ๐๐๐ข๐๐ก ๐๐๐ ๐ก๐๐.
๐โ๐๐๐ ๐๐ ๐๐ ๐๐๐๐ข๐๐ก ๐๐ ๐ ๐๐๐๐๐ ๐๐ ๐๐๐ฃ๐๐๐๐๐๐๐ก ๐๐๐๐๐๐ ๐กโ๐๐ก ๐๐๐ ๐๐๐๐ ๐ข๐ ๐๐๐ ๐ ๐๐๐๐ ๐๐ ๐๐ธ๐ฟ๐น-๐บ๐๐๐ธ๐
๐๐ด๐๐ถ๐ธ.
๐๐๐ข ๐๐๐ ๐กโ๐ ๐ถ๐
๐ธ๐ด๐๐๐
๐๐ ๐ฆ๐๐ข๐ ๐๐ค๐ ๐๐๐๐๐๐ก๐ฆ.
๐๐๐ข โ๐๐ฃ๐ ๐ก๐ ๐ต๐๐ผ๐ฟ๐ท ๐ค๐๐กโ ๐๐๐ก๐๐๐ก๐๐๐.
๐๐ข๐ ๐ ๐๐ฅ๐ข๐๐๐๐ฆ ๐๐๐ ๐ก๐๐ข๐๐ก๐๐ฃ๐ ๐ ๐๐๐๐๐ก๐ฆ ๐๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐ , ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐ก๐ข๐๐๐ก๐ฆ.
๐ธ๐ฅ๐โ๐๐๐๐๐๐ ๐ค๐๐กโ ๐กโ๐๐ ๐ ๐คโ๐ ๐๐๐ ๐๐๐ก ๐ฆ๐๐ข๐ ๐๐๐ข๐๐๐ ๐๐ ๐ ๐๐๐๐๐ก, ๐๐๐๐ฆ ๐๐๐๐๐ ๐ฆ๐๐ข๐ ๐๐๐๐๐๐ฆ ๐๐๐ฃ๐๐๐ ๐๐๐ค๐.
๐ผ๐ ๐ค๐ ๐ก๐๐ข๐๐ฆ ๐ข๐๐๐๐๐ ๐ก๐๐๐ ๐กโ๐ ๐๐๐๐๐๐ก๐๐๐๐ ๐๐ ๐ ๐๐ฅ, ๐ค๐'๐ ๐ต๐๐ผ๐ฟ๐ท ๐๐ ๐ ๐๐๐๐๐๐๐ก๐๐๐ฆ ๐๐๐๐๐๐๐๐๐ก ๐๐๐๐๐๐.
๐๐'๐ ๐๐๐ฃ๐๐๐ ๐๐ข๐๐ ๐๐๐ฃ๐๐ ๐ก๐ ๐๐๐๐๐๐ ๐กโ๐ ๐โ๐๐๐๐ ๐๐๐ ๐ก๐๐๐ ๐๐ ๐ค๐๐๐ก๐๐๐ ๐๐๐ ๐โ๐๐๐๐ ๐ก๐ ๐๐๐๐.
๐ต๐ข๐ก ๐๐๐ ๐ก ๐๐๐๐๐๐ ๐ค๐๐๐ ๐ก๐๐๐ ๐ฆ๐๐ข ๐กโ๐๐ก ๐ ๐๐ฅ ๐๐ ๐'๐ก ๐กโ๐๐ก ๐๐๐๐.
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Blue Nudeย is of a woman laying nude with one leg over the other and arm bent against her head. The strokes that were used while painting this piece were somewhat sketch like and you can see the process of applying paint to the canvas through this. Some of the most noticeable places that you can see this type of application is the shading on the inner side of her left breast and the dark lines around her thighs and face. This is a feature that falls into the category of avant-garde because it goes against the smooth soft lines that the academy strived for and was much more sketch like. The reason that they appreciated a more smooth finish to paintings is to give them a stronger sense of realism. This painting is very much the opposite of real. The color used to represent shadows and details on this woman are unusual and unrealistic. Along with this, some features were not portrayed in perfect detail such as her toes and fingers-again against the academy and more along the lines of avant-garde. The painting style being more sketch like and the subject not being in perfect detail is a bit unconventional as well. Another way that this painting portrays the avant-garde style is its depiction of the female nude. Rather than displaying a very stylized and soft image of a nude woman, Matisse created a much different and rougher portrayal. Her anatomy is also different than many of the nudes that we normally see. She seems to have definite muscle and this also takes away from the softness. There is a somewhat abstract feel to this piece because of the use of color along with the faint detail in the background. Many of these features fall into primitivism as well. The sketch like strokes may seem simpler and abstract background also add a simple feel to this piece. This is a characteristic of primitivism along with the abstraction that Matisse uses. Though we can guess that the background is of plants and flowers, it is hard to make out specific details and know for sure. Another feature that is more primitive is the exaggerated quality of this woman's body. She is fit and has muscle that is defined by dark blue and black lines that make them look very established. Though this is possible for women to look like, it is more common to see a softer shape.
Blue Nudeย seems to have angered a lot of people. After all, it was burned in effigy when the 1913 Armory Show moved to Chicago, a place that should have appreciated what Carl Sandburg called "broad shoulders" and other exaggerations of the flesh.
Some art critics relateย Blue Nudeย to one of Gauguin'sย Nevermore. The reason that it is easy to see similarities in these two pieces is not only because they are both of nude women but because of their use of rich colors and some dark outlines. Both pieces are somewhat rustic and also simple. Matisse has used a more sketch like stroke andย Gauguinย has included more detail though some is also abstract like Matisse's.
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