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Bothersome beast, comforting friend
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A story within a story where a mother sits her rowdy children down and tells them a story about a the world's sweetest, kindest mother who never lost her temper, never cursed and never yelled at her children, no matter how rowdy they could get. She would only gently, kindly told them to not do the dangerous things. One day she sweetly, kindly told her children to not go play at the riverbank, because it's dangerous and they might slip on the rocks, fall into the water, and die. Her children do not listen. They go play at the riverbank, where they slip on the rocks, fall into the water, and die.
And the sweet perfect mother of the story comes to the riverbank, sees that all her children drowned, and starts crying so bitterly that angels overhear her, and the angels say to each other, "she does not deserve this, this woman has never done anything wrong in her life, this should not have happened to her", and feeling great pity for her, bring her children back to life, and after that they always listened to their mother and lived happily ever after.
And the storyteller's children, who at this point are familiar with the concept that these stories are supposed to have some sort of a moral or lesson in them, interject to point out that their mother hasn't always done everything perfectly, she isn't always sweet, curses a lot, and as a matter of fact loses her shit at her kids all the time. She isn't like the mother of the story at all.
And their mother agrees: Her children are correct. She is not a perfect mother who has never done anything wrong. Angels will not have pity on her, and they will not bring her little shits back to life if they go to the river and die. So they better fucking not go get themselves killed in the first place.
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can you imagine how pissed luke would be if he learned that yoda used to do thousands of space samurai super backflips and chose to teach him how to fight in a boring way instead
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I'm so excited to present the COVER REVEAL for my debut graphic novel, SN_33P'sCoolZine.pdf! It's the story of a spunky little AI who is making a punk zine to cope with grief for its creator. It's Adventure Time meets I Have No Mouth, And I Must Scream!
You can pre-order it here: https://fifthwheelpress.myshopify.com/products/sn_33pscoolzine-pdf-by-tenacity-plys
And if you want to support me and my small indie press, reblog me so the whole world can meet SN_33P!
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I'm so excited to present the COVER REVEAL for my debut graphic novel, SN_33P'sCoolZine.pdf! It's the story of a spunky little AI who is making a punk zine to cope with grief for its creator. It's Adventure Time meets I Have No Mouth, And I Must Scream!
You can pre-order it here: https://fifthwheelpress.myshopify.com/products/sn_33pscoolzine-pdf-by-tenacity-plys
And if you want to support me and my small indie press, reblog me so the whole world can meet SN_33P!
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let's go back to a time where everything was okay
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“If a society puts half its children into short skirts and warns them not to move in ways that reveal their panties, while putting the other half into jeans and overalls and encouraging them to climb trees, play ball, and participate in other vigorous outdoor games; if later, during adolescence, the children who have been wearing trousers are urged to “eat like growing boys,” while the children in skirts are warned to watch their weight and not get fat; if the half in jeans runs around in sneakers or boots, while the half in skirts totters about on spike heels, then these two groups of people will be biologically as well as socially different. Their muscles will be different, as will their reflexes, posture, arms, legs and feet, hand-eye coordination, and so on. Similarly, people who spend eight hours a day in an office working at a typewriter or a visual display terminal will be biologically different from those who work on construction jobs. There is no way to sort the biological and social components that produce these differences. We cannot sort nature from nurture when we confront group differences in societies in which people from different races, classes, and sexes do not have equal access to resources and power, and therefore live in different environments. Sex-typed generalizations, such as that men are heavier, taller, or stronger than women, obscure the diversity among women and among men and the extensive overlaps between them… Most women and men fall within the same range of heights, weights, and strengths, three variables that depend a great deal on how we have grown up and live. We all know that first-generation Americans, on average, are taller than their immigrant parents and that men who do physical labor, on average, are stronger than male college professors. But we forget to look for the obvious reasons for differences when confronted with assertions like ‘Men are stronger than women.’ We should be asking: ‘Which men?’ and ‘What do they do?’ There may be biologically based average differences between women and men, but these are interwoven with a host of social differences from which we cannot disentangle them.”
— Ruth Hubbard, “The Political Nature of ‘Human Nature’“ (via gothhabiba)
Yes.
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Evil or redemption, I can’t get over the idea that Gortash was the first person Durge ever loved and it inevitably triggers the demise of the Dead Three.
Just based on how Bhaal treats redemption Durge, it seems likely he made Durge kill anyone he had soft feelings for. It started with his foster family when he came of age, and it probably never stopped. In an almost Pavlovian way, Durge eventually must have felt revulsion, anger at himself for caring about anyone and letting them live. Bhaal had him well-trained. But then Enver Gortash came along.
He saw Durge— he liked Durge, and Durge clearly liked him back. Normally Durge would have killed him for that without Bhaal even having to tell him to, but he couldn’t, and Bhaal knew he couldn’t. Not this time. Gortash was protected. He was the Chosen of Bane; he was necessary for the Absolute hoax to succeed so Durge could usurp it and end the world. Cue the overwhelming guilt and shame from Durge that gave us the miserable ‘prayer for forgiveness.’
Sarevok says Durge got cocky and that’s why he didn’t see Orin’s betrayal coming. I think he got distracted. He was really happy, for the first time since the Urge awoke, but the source of his happiness was also something he had to struggle with constantly. A knife to the brain was probably a fitting punishment for loving someone other than daddy, something other than murder and fear and blood.
But then Durge gets a second chance. He’s literally taken apart and put back together again, born anew out of his own ashes. With absolutely nothing in his head, Bhaal has the perfect chance to rebuild his Chosen exactly as he wishes from an utter tabula rasa… and yet. And yet.
Durge does it again. His body may remember—the body always does—but he doesn’t, and he lets himself fall in love again. He just can’t help himself. And this time, without the fear and obligation and guilt conditioned into him over decades, he doesn’t even try to escape it. Instead, he fights to overcome what his body is telling him, what Sceleritas is trying to remind him of, just to hold onto this precious thing he’s found.
He was crafted from Bhaal’s own gore to be the perfect, heartless murder machine, but even a god can’t stamp out a mortal’s propensity for love. And it’s such a tiny thing. Such a petty, common emotion. It shouldn’t matter.
But it does. There’s no way around it. The murder god’s favourite bespoke weapon will fall in love again and again and again, even across a thousand different universes.
And so it all unravels.
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me and the bad bitch i pulled by being a freak of nature
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This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.
PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level. 
“The Frolic” by Thomas Ligotti, 1989
“Button, Button” by Richard Matheson, 1970
“89.1 FM” by Jimmy Juliano, 2015
“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892
“Death at 421 Stockholm Street“ by C.K. Walker, 2016
“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973
“An Empty Prison” by Matt Dymerski, 2018
“A Suspicious Gift” by Algernon Blackwood, 1906
CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.
“How Spoilers Bleed” by Clive Barker, 1991
“A Warning to the Curious” by M.R. James, 1925
“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010
“The Road Virus Heads North” by Stephen King, 1999
“Ring Once for Death” by Robert Arthur, 1954
“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016
“The Monkey’s Paw” by W.W. Jacobs, 1902
MONSTERS: tales of ghouls, creeps, and everything in between.
“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929 
“The Oddkids” by S.M. Piper, 2015
“Nightmare at 20,000 Feet” by Richard Matheson
“The Graveyard Rats” by Henry Kuttner, 1936
“Tall Man” by C.K. Walker, 2016 
“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967
“The Showers” by Dylan Sindelar, 2012
CLASSICS: terrifying fiction written by innovators of literary horror. 
“The Tell-Tale Heart” by Edgar Allan Poe, 1843
“The Interlopers” by Saki, 1919 
“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920
“The Damned Thing” by Ambrose Pierce, 1893
“The Legend of Sleepy Hollow” by Washington Irving, 1820 
“August Heat” by W.F. Harvey, 1910
“The Black Cat” by Edgar Allan Poe, 1843
SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief. 
“Nora’s Visitor” by Russell R. James, 2011
“The Pale Man” by Julius Long, 1934
“A Collapse of Horses” by Brian Evenson, 2013
“The Jigsaw Puzzle” by J.B. Stamper, 1977 
“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013
“The Night Wire” by H.F. Arnold, 1926 
“Postcards from Natalie” by Carrie Laben, 2016
UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.  
“Survivor Type” by Stephen King, 1982
“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018
“In the Hills, the Cities” by Clive Barker, 1984
“The New Fish” by T.W. Grim, 2013
“The Screwfly Solution” by Racoona Sheldon, 1977
“In the Darkness of the Fields” by Ho_Jun, 2015 
“The October Game” by Ray Bradbury, 1948
“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967 
HAPPY READING, HORROR FANS!
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The thing about Timmy Chalamet is that he’s truly a great actor and he even has good taste in projects and he’s not even overexposed when you calibrate for how overexposed all that group of 25-30 year old big stars are……however something is still off. any time he gets cast in something it feels like that movie instantly turns into a parody of a movie. I cannot explain this
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The building of rage
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Asking BG3 characters to pick you up pads
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Anyway keep up the good work everybody
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Honestly, the longer I live, the less respect I have for being ~as nature intended~ in any way whatsoever. Like I legit do not even give a shit about whether I have a valid medical reason to fuck with any part of my biological construction, I'm literally just doing that because I'm allowed to and nobody's stopped me.
I'm on stimulants to improve my cognitive function and two antidepressants to fuck with my brain chemical levels, I had plastic surgery and I'm taking hormones to keep my body in the shape I want it to be, I get chemical treatments on my skin and put vasodilator ointments on my scalp to keep my skin nice and my hairline from receding. And if I start developing the facial features that my mother always complained about as I get older, I will not hesitate to get my family resemblance surgically removed.
Call me Frankenstein for I am both the monster and the maker. I owe it to no god to remain as nature intended.
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Oh no, oh no, he is seducing me with his deep passion for his field of study and his genuine joy at teaching people about it
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