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Do I feel bad about how mean some of the Watcher comments are? Ah, sort of.
But mainly when I see people posting things like 'I no longer have to pretend that anything they did on Watcher was as good as Unsolved' I'm struck by how it just shows that people followed them, and stuck with them, out of love, loyalty and respect. So when the illusion of those feelings being mutual was shattered well, this is basically post-divorce honesty hour. It's the paraosocial relationship break up equivalent of 'I never really liked your apple pie.'
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Petition to give Goatman back his bridge
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Wu Guanzhong (Chinese, 1919-2010), Cooking Smokes from Houses, 1963. Oil on board, 61 x 46 cm.
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for-that-cotton-candy · 2 months
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Magical Moment at Fallen Leaf Lake, 2015.
Phyllis Shafer, (Buffalo, N.Y, b. 1958)
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for-that-cotton-candy · 2 months
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for-that-cotton-candy · 2 months
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push the button, Frank
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for-that-cotton-candy · 3 months
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Akiyoshi Terashima, from Photographers Index 1 (1985)
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for-that-cotton-candy · 4 months
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for-that-cotton-candy · 4 months
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also never posted this photo study from like 2021 i think?
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for-that-cotton-candy · 5 months
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Léon Spilliaert (Belgian, 1881-1946), Etang en automne [Pond in autumn], 1929. Watercolour on paper, 22 x 29 cm.
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for-that-cotton-candy · 5 months
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BTVS + text posts
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Jesus... pt 2, pt 3, pt 4, pt 5, pt 6
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for-that-cotton-candy · 5 months
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for-that-cotton-candy · 5 months
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Salvo (Italian, 1947-2015), Il Mattino [The Morning], 1994. Oil on canvas, 205 x 327 cm.
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for-that-cotton-candy · 5 months
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for-that-cotton-candy · 5 months
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for-that-cotton-candy · 5 months
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Sidney Nolan (Australian, 1917-1992), Desert Bird, 1948. Enamel paint on composition board, 90.2 x 120.7 cm.
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