noisulliroloc

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#meme #storyboard meme #florida meme #funny #funny memes

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Masterlist

DO IT

10 OBJECTS

50 ARTISTS (1, 2, 3, 4, 5, 6, 7, 8, 9, 10)

POP (1, 2, 3, 4, 5)

EVERYDAY MONUMENTS: PROCESS DOCUMENTATION (1, 2, 3, 4, 5, 6, 7, 8, 9, 10)

EVERYDAY MONUMENTS: FINAL DOCUMENTATION

EVERYDAY MONUMENTS: IN THE WORLD (1, 2, 3)

WEIGHT OF A BODY: SOURCE

WEIGHT OF A BODY: ARRANGE AND SUPPORT

THE FOREST: PROCESS DOCUMENTATION

THE FOREST: FINAL DOCUMENTATION (1, 2)

FRAMING THE BODY: HOMEDEPOT AS SITE

FRAMING THE BODY: PROCESS DOCUMENTATION (1, 2)

FRAMING THE BODY: FINAL DOCUMENTATION

OBJECT TRANSFORMATION: OUT OF PLACE (1, 2)

OBJECT TRANSFORMATION: PROCESS DOCUMENTATION

OBJECT TRANSFORMATION: ARTISTS (1, 2, 3, 4, 5)

OBJECT TRANSFORMATION: FINAL DOCUMENTATION

OBJECT TRANSFORMATION: IN-PLACE

THINGS THAT PERFORM: PROCESS

THINGS THAT PERFORM: FINAL DOCUMENTATION

THINGS THAT PERFORM: PERFORMING IN THE World (1, 2)

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Project 5: In public (pt. 2)

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Project 5: In public (pt. 1)

Thoughts: Walking around in public with the costume on was a little difficult and nerve racking mostly because the suit was slowly falling off my shoulders despite pinning it so it wouldn't and I had ended up making the eye holes a little too far apart so I can really only see in front of me with one eye with my head turned to the side. I was worried that people would stare at me but turns out college students don't really care and would hardly stare. In fact, some of the people that we had asked to act normal (the girls on the floor in the library and the cashier) were willing to go along with it and were happy to help.

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Project 5: Finished Product (360 view)

Thoughts: The project was not too difficult but rather required a lot of time. I decided to go with something traditional to me (my Puerto Rican heritage) and also continued the concept of my 2d series that were photographs of my childhood recreated in different media. This costume is called a Vejigante. It is a demon that people dress as in Carnaval in Puerto Rico. The mask vary in colors and forms (some have more horns, others have larger teeth, others have no beak, etc.). I went with one of two traditional color schemes: red, green, and yellow. I thought that this costume would bring more thought onto the viewers on the concept of religion and heritage, how in Latin countries, Carnaval would not be complete with people dressed as demons despite most of the population being religious and hating demons and anything relating to the Devil. The costume serves as a question to whether there is a line between religion and tradition (much like how Duchamp had his viewers question whether a urinal can be considered as art or what defined art).

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Project 5: Costume

Objective: Creating a costume that covers the body.

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Project 4: In it's element

Thoughts: There are only a few places in which this piece is a part of and that is only for what it emphasized, holding my materials.

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Project 4: In a mutual background.

Thoughts: Using the stool from Stool Days, I decided to emphasize its usage to me which was holding my art materials as I used them. Since I had left over materials from previous projects, I decided to use those to not waste the materials or buy new ones. The project was more lighthearted and didn't cause a lot of stress. It was more relaxing as it was recycled materials that hardly needed too much alteration. I also went extra and added a drawer to the table. If I had more time I probably would have tried making more shelves for the other available spaces but decided that it's use wouldn't last too long anyways and decided against it.

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Project 4: Progression

Objective: Turn a piece of furniture into a different form.

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Ai Weiwei

Weiwei is a contemporary artist and activist born on 28 August 1957 in Beijing, China.

Watermelon, 2009

Glazed porcelain

16 1/2 × 16 1/2 × 16 1/2 in

41.9 × 41.9 × 41.9 cm

Last Ashes of the Smoking Generation, 1986

Cigarette ashes on cardboard

5 9/10 × 5 9/10 in

15 × 15 cm

Coca Cola Vase, 2013

Han Dynasty vase (206 BC-220 AD) and paint

14 3/5 × 11 4/5 × 11 4/5 in

37 × 30 × 30 cm

Serpentine Gallery Pavillon , 2012

Screenprint

33 1/10 × 33 1/10 in

84 × 84 cm

Thinline, 2017

Acrylic-display case with a PMMA mirror as backdrop. Glass fibre light line. 220 V.

19 7/10 × 19 7/10 × 9 4/5 in

50 × 50 × 25 cm

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Tracy Emin

Tracey was born in 1963 in Croydon, Surrey, England. She studied in Medway College of Design, Maidstone College of Art, Royal College of Art, and Birkbeck University of London. She is part of the Young British Artists movement.

The Kiss Was Beautiful , 2016

Limited Edition print on 250 GSM Silk Finished Paper. Hand Signed. Unframed.

27 1/2 × 19 3/5 in

69.9 × 49.8 cm

Love is What You Want (new in Emin International tube), 2015

Limited Edition Offset lithograph in colors on 250 gsm silk finish paper (Hand Signed)

27 1/2 × 19 7/10 in

69.9 × 50 cm

You Touch Me, 2008

Red neon

28 × 82 × 4 in

71.1 × 208.3 × 10.2 cm

You Loved me Like A Distant Star, 2016

Offset lithograph in colours on 250 gsm silk finish paper

27 3/5 × 19 7/10 in

70 × 50 cm

My Heart Is WIth You Always, 2015

Offset lithograph in colours on 50 gsm silk finish paper

27 3/5 × 19 7/10 in

70 × 50 cm

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Willie Cole

Cole was born in 1955 in Newark, New Jersey and is a contemporary sculptor, printer, and visual and conceptual artist. He earned a Bachelor's degree of Fine Arts from the School of Visual Arts in New York. He won the 2016 David C. Driskell Prize.

Work Animal 1, 2014

Bicycle parts

51 × 27 1/2 × 30 in

129.5 × 69.9 × 76.2 cm

Mother and Child, 2012

Bronze with black paint

26 × 8 × 17 in

66 × 20.3 × 43.2 cm

The Smile that Bites (TSTB), 2018

Shoes, wire, and screws

19 × 20 3/4 × 10 1/2 in

48.3 × 52.7 × 26.7 cm

Shoonufu Female Figure, 2013

Bronze

25 × 9 1/2 × 13 in

63.5 × 24.1 × 33 cm

Street Dragon I, 2018

Shoes, wire and screws

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Chris Burden

Burden was born in April 11, 1946 in Boston, Massachusetts and died on May 10, 2015 in Topanga Canyon, California. He worked in sculpture, installation, and performance. He studied in Pomona College University of California.

Submarine, 1987

Cardboard and metal

2 4/5 × 8 3/10 × 2 in

7 × 21 × 5 cm

Draw Bridges, 2000

Color photogravure with spit bite aquatint and aquatint

Curved Bridge, 2003

Stainless steel reproduction Mysto type I Erector parts, wood base

96 1/10 × 389 4/5 × 57 1/10 in

244 × 990 × 145 cm

Indo-China Bridge, 2003

Stainless steel reproduction Mysto type I Erector parts

15 2/5 × 45 3/10 × 8 7/10 in

39 × 115 × 22 cm

Arch Bridges, 2000

Color photogravure with spit bite aquatint and aquatint

185 1/2 × 220 1/2 in

471.2 × 560.1 cm

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Janine Antoni

Janine Antonio was born on January 19, 1964 in Freeport, Bahamas. She is a contemporary artist who creates performance art, photography, and sculpture. She studied in Sarah Lawrence College and Rhode Island School of Design. She also earned the MacArthur Genius Grant award.

Mary, 2013

Pit fired ceramic

14 × 7 in

35.6 × 17.8 cm

Hearth , 2014

Set of three pit fired ceramic vessels, dimensions variable

Rosa, 2014

Pit fired ceramic

18 × 13 1/2 in

45.7 × 34.3 cm

Umbilical, 2000

Sterling silver cast of family silverware and negative impression of artist's mouth and mother's hand

8 × 3 × 3 in

20.3 × 7.6 × 7.6 cm

Lick and Lather, 1993-1994

Chocolate and soap

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Stool Day Part 2

After playing around, I went to the gym. These bars ain't gonna be strong just by having people sit on me.

But I needed to do my aerobics too so . . . to the pool we went!

I look real cool here. Wish they had some stool su glasses.

Ended the day with some laughs and fun!

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Stool Day Part 1

Heading out. I'm driving.

So . . . my human says that it's best I don't drive . . . and then she put me in the back . . . Like, why couldn't I even go to the backseat rather than the trunk? This is abuse.

We decided to play some games. Mostly hide and seek. I think my place was great . . .

My next hiding spot wasn't so great tho . . .

But my stupid human made it worse.

Why did she even have to take a close up picture!? That's just mean!

So then I went for a different spot. I blended in perfectly. (And I was high up but whatever.)