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#Analog Junkie Studio
trevlad-sounds · 7 months
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The Meld Well 002 1 Kim's Spirit / DupSys Vow 00:00 Animism Muzan Editions 2 Beyond Our Galaxy Elegy 04:47 Surface Analysis Cyclical Dreams 3 Liwi Sprites 10:26 Compilation vol. 1 Ambient Curation 4 Mort Garson Cathedral of Pleasure 13:10 Music from Patch Cord Productions Sacred Bones Records 5 Warm Binary Solipsism 19:08 Decay Mystery Circles 6 Ogle Robotheme 19:53 Cascade Preston Capes, Woodford Halse 7 King Gizzard & The Lizard Wizard Dreams - Yu Su Instrumental Mix 26:16 Butterfly 3001 King Gizzard & The Lizard Wizard 8 Harald Grosskopf Emphasis 27:19 CV Vision: Bureau B Favorites Bureau B 9 Dohnavùr Cloudback 32:08 Pristine Environments Werra Foxma 10 Burt Orange Kiwi Coconut 37:06 Selections from the Produce Section Analog Junkie Studio 11 E Ruscha V Tree Ring Circus 40:13 And The Only Thingz, Too Secret Circuit 12 Future Children Unplug the Medicine 44:57 Twelve Summer Stories Future Children 13 Amorphous Androgynous Goodbye Sky - Reprise 48:55 The Isness The Amorphous Androgynous 14 Nico Georis Love 49:52 Nicasio Synth Tapes (2012) Milky Way Radio 15 Field Lines Cartographer Rain Clouds Descending 53:54 Moonbuilding Autumn Collection Moonbuilding, Castles In Space
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audio-luddite · 1 month
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Oldie but Goodie
Err I guess all of my stuff is old.
Right now I have the Cowboy Junkies Trinity Session LP spinning. Actually it is a two disk gourmet issue but only 33.333...
I have not run through this front to back for ages. I usually do that horrible audiophile habit of jumping to specific tracks. Not today. Forced rest after a thing that took a lot out of me. So lay back and let her spin.
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This is originally an early digital recording listed as an R-Dat in 1987. Famously with a single Calrec Ambisonic Microphone. First released on CD (Got it) and it earned praise from artists and audio geeks. The LP is very good. I do not care for the purists who get all weird about analog dogma. It sounds really good. It ticks all the audio boxes.
And the music is excellent. Bluesy country simple honest cut back to the basics. No fancy studio or studio effects. It was recorded in a church space with natural reverb. No equalization , no compression, nada. What the microphone heard is what you get.
Lead singer is Margo Timmins. Occasionally one of her brothers sings backup. There are many little things on each track for a detail geek to tease out. There is the quite count-in on "Sweet Jane". The air conditioner on the first track. I am at Sweet Jane right now and the high hats are right there clean and sharp.
Oh now one of my favourite bits the foot tapping on "postcard blues". Deep bass but no drum. The guitar joins in for a bit. Then.....there is that harmonica! Ringing all around the big church it is. Played into one of those old microphones. Old School!
Even though the recording was through one mike the band set up their gear just like in a club with Amps and PA. So this is what you hear. Just another gig. History making though.
And I am hearing a lot of little things not noticed before. Yes those cool ARC textures, but even some other things. I hear a quiet comment by one of the band and a previously lost few guitar chords.
You get great sound on the CD, but my LP front end is much better.
This was good.
It is why I have this system. Give a good recording the playback it deserves.
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renellmedrano · 2 months
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In the land of the blind the naked man (or woman) is king (or queen) and when said residents are also repulsive and moronic as fuck, their disgusting and nasty ass worship of Renell Medrano is by far problematic and obnoxious. Renell is simply a shitty, ignorant and shady photographer who's been laundering money while hiding behind the facade of a phantom studio owner together wither her hideous goblin faced looking partner in crime, Jess Moloney. If you've been wondering where the hell did these bozos come out all of a sudden, then why don't you search them on this fucking site or on Google. Yeah, that's a good Y/N. You're in to find a wide variety of raving mad, totally demented & completely unhinged dug up on dirt on them. And all of this is real. All rumors are indeed real. Are you doubting your reality yet? If you aren't, you should. What are you waiting for then? The answer is wholly, fully, aggressively and vigourously staring in your face. Stop praising and worshiping worthless celebrities. Are you so into this kind of fucked up degradation? You'd be way better off drinking from a public restroom. Just quit dragging your feet on rusty, broken nails already!
Renell's shots are redundant. And boring at best. She's got zero technique. They look as if they were totally taken by someone else or someone else had dialed before the settings on her camera making it easy for her just so that she just needs to press a simple button.
Yet. Still. Renell. Won. The ICP Award. And she's sharing it with Moloney as if it was some rich old fuck's STD ridden deflated penis. Oh wait. Maybe that's how they got all that fame. Nothing new. Move along, nothing to see here.
Why is she always keen on showing her underwear in the least sexual contexts that could possiby exist?
I'm not MAGA, a centrist edge or some type of conservative. But why would you sexualize yourself for the male gaze so much?
Didn't she know in the United States it is estimated that around 70% of photographers are male and 30% are female? Didn't she know this imbalance is also reflected in the gender breakdown of photographers featured in galleries, exhibitions, and publications. Why is she sabotaging ongoing efforts to promote gender equality in the field of photography?
When was the last time a man dressed up like that to an award show or during a photo session?
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ICP Awards screenshot by https://jess-moloney.tumblr.com/ or https://jmoloney1.tumblr.com
FUUUUUUUCK those hideous hoes. With their phantom photo studios and all their stinking threesome shit. Fake ass ghetto hoes. I've never ever read about Renell discussing in detail about all the high end pro photo gear she's supposed to have used during her A list celebrity photo shoots. In her interviews for famous magazines are totally she gives cookie cutter instagram influencer answers to questions only somebody who was paid to interview her would ask her. She did not tag any camera, lens, brand, lighting equipment in any of her photos. She never even managed to get a camera brand sponsorship deal. She never spoke about what kind of backdrops, tripods, stands, props, accesories, reflectors, diffusers, blah blah blah she has been using in any of the Ice Studios sketchy physical locations that look like some junkies' rat infested derelict gathering dens. ffs. Her knowledge about photography lingo, history and styles is equal to fucking zero. There's photos of Renell with some analog cameras ( vintage medium format Mamiya RZ67 / unknown lens, vintage full frame Canon AE-1 with its famous f/1.8 50 mm prime lens, an unknown camera – which might be digital – with a Carl Zeiss Planar prime lens mounted on it, and probably a vintage Rolleiflex ) & 1 Canon full frame DSLR (not mirrorless) with an unknown lens. And that's about it. I'm not even going to mention her piss poor point and shoot that she was holding while wearing thong pants.......
Jess' bozo beauty ad interview is faker than a cheap Tijuana whore's feelings. It's been already debunked & you just have to search for it on Tumblr and Youtube.
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Renell's website is as lousy as the Lice, I mean the Ice Studios one. I don't know what the fuck that is, but that cannot be named a website. https://icestudios.shop/
It's infuriating how now this hypocritical bitch believes she's the illest shit in skincare regimens at the moment. When you have shit for brains and connections to various available erections you think everybody is falling for your shtick. Well guess what broke ass fake bitches? Y'all ain't gonna see what's coming and when it's gonna hit ya. When ya least expect it. I've had enough of you! All you've ever done will be de-fucking-bunked. Now go back to schmuck sucking. The next one that ya'll be feeling in the back of your throats will be the IRSchlong.
Nonetheless, their dumbass fans know that and are foaming at the mouth while banging their crap filled heads against shitloads of walls. Yet they still haven't been able to convince anyone otherwise. They have an obvious masochistic stupid wish of being proven wrong for the 100th time. Relenlessly. Poor delusional and empty brained halfwits. Yes, all this really is very stupid and tremendously dumb. But they should rest assured they're gonna have their asses kicked and will now be therefore permanently wrecked. It'd be better for them to stop screaming from their top of their lungs so much insane batshit stereotypical influencer crap. And listen to the ones who are indeed irrefutable authorities on this subject. Renell's fans make me throw up. They need a serious beating with an iron crowbar over their empty heads. How else are they going to wake up to reality then? How else will they stop bloody beating their minced up meat around a heavily thorned bush? The hands that feed her hide deadly and dangerous long, sharp claws.
Renell doesn't assume the slightest shit of responsability for what she is supposed to be doing. She's been thoroughly brainwashed to believe everybody is a mindless and unschooled hoodrat whose minuscule mind is less worthy than a recycled garbage bin. Guess what, bitch? With her opening the door to everything here and beyond, she should've been ready to expect the unexpected when they invited us in. Now we're flooding her worthless being with facts rabidly biting her face, chewing on her pieces & spitting them out. Poor Renell and Jess! Looks like their only option is letting us stay and brutally dismantle their convoluted but fickle web of lies. My advice for her is go whine and cry at another table! Her and Jess' work doesn't even amount to a shitstain, maybe they should've tried to get hired as prison garbage sorters. Go hide under a rock while you still can.
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I've seen much more believable and intelligent triple x-rated casting videos than this shit.
No bitch, STFU, just because you're using a notoriously overpriced and overhyped gadget gimmick that got the worst reviews it could get (the Kodak Super8 flop) doesn't make you an intellectually and morally superior artsy fartsy 10/10 honest gram photographer or videographer influencer switch. Fuck, I hate switching swish swish bitches. Pull your head out of your ass already, wannabe fucker! You're one utterly sad incompetent mistress of fuckconnery. An impostor.
It's so vile and so offensive to think she is a high-profile photographer with craploads of top of the top A-list celebrity photo sessions as hallmarks of her portfolio. No photographer would ever dare say such unbelievably ridiculous shit. Ever!
“I always get a thrill [out] of showing new stuff on Instagram, or whatever social platform, just because I feel like the people that appreciate my work have been supporters since day one. I’m not scared to put out new work, I kind of get this high from it. If I don’t get that from a photo, then I’m doing something wrong.”
"So most of these photos were taken on this Canon A E1, um, that I stole from my dad in a yard sale when I was. like 12. Um, and it has a 50 millimeter lens on it. And I always shoot on portrait of 400 film by Kodak."
"Why," you might be asking yourself. 'Cause FUCK YOU! That's why! Fuck you, you brain rotting fanatics, you cangrenous tissue, necrotizing flesh, you mangled up cells . You'll forever be in debt to everyone right from toes till up your neck until you start explaining why you're selling fake and contrived dreams to young, naive and innocent people online, why you want them to munch on your butt while you're play pretending to be a manager, model, fashion designer, photographer, writer, therapist, why you're lying about your past and real abilities, why you're evading taxes, why you stole money from guillible individuals when they needed it most, why you gaslight and deceitfully manipulate your friends, why there's so much controversy around you, why your actions don't mach your words. Why you'll never tell the truth even if it were to lethally strangle you. Why having connections for better or for worse and bragging about them (as if she was the only one in the world with connections) to fuck knows who and what doesn't turn you into a no morals somebody from a nobody. Why you're covering for a bunch of nefarious repulsive death penalty worthy MOB asshats who deserve to be hammered, slammed, smashed and whacked, battered, pounded and pummeled to microscopic pieces untill not even the best coroner in the world can identify them by their contaminated DNA.
Even if they were to beg for attention crawling on the dirtiest carpet, even if they became the laughing stock of social media, even if they pleaded for forgiveness 24/7 7/7 28/28 29/29 30/30 31/31 365/365 366/366 till they kicked the bucket, what Jess, Renell and the others have done will not be erased from history.
Equal give and take my ass. STFU. Why are they even allowed to have a say in basically everything right now? They shouldn't. Nobody asked for their opinions. Nobody wants to hear them talk. Nobody gives two shits about them. Their ramblings are as useful as a torn apart leaking urinal. If I wanted to hear Renell and Jess talk I'd not waste my time in them, I'd go listen on Youtube how clogged toilets sound. But I don't. I'm not interested in hearing anything remorely similar to those two wet farts. I don't want to stoop at their level. They can go fuck themselves with a splinter full wooden toilet plunger. And then film their deed with the lousiest, fakest, pro camera Chinese counterfeit knock off.
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Just because she's holding some random ass cameras doesn't fucking mean she knows anything about photography. Who the fuck holds their cameras in such a careless way as if they were a cheap model who were told to play pretend they're this greatly awewome celebrity photographer? A camera should be firmly held while tightly strapped so it doesn't fall on the fucking ground and makes a mess out of itself while permanently damaging the sensor, its lens + its external flash. Most cameras do weigh a lot, so why would she be dangling it around like a pair of thongs?
She admitted she's doing for the gram. And doesn't know how to tell the difference between niche photography and her pseudo commercial and editorial bullshit. What is so special about her that celebrities flock like silly, stupid geese to her in order to have their photo taken with this thing when other photographers in the game spend thousands of dollars on their gear?
They're roughly 150-200 bucks per piece(camera + lens). Dirt cheap. About the same price a celebrity pays for their designer underwear.
The estimate for a comprehensive professional camera setup in a situation like this ranges from $10,000 to $30,000 or more. Additional expenses could raise the total cost to $50,000 or more.
Who the heck even post-processes her photos? Oh wait, it's the infamous non-existent legally dubious Ice Studios. She'd have been more credible if she at least wore that "I shoot RAW" tshirt all wannabe photographers wear to impress people left and right lol. And to think she's never been seen wearing her shop's clothes.....
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Compare how scam photographer Renell is carelessly holding her expensive gear vs how real photographers actually do it.
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Who the fuck gets paid to shoot spoiled ass rich clients without having a legally registered business? Why exactly her? Who' been paying for her to be featured in magazine interviews? What makes her so frikkin' special than the tons of others so similar to her? How did she earn all that fame and appreciation? Who the fuck even allowed Renell to speak when she's doing nothing but excellenting at wasting precious seconds away from the listeners' attention span. Who the fuck uses such a small bag for carrying around their camera when a decent looking photographer's bag must contain at least 3 or 4 of the following: additional batteries & charger, additional bodies and lenses & straps and harnesses, lens caps, lens hoods, lens filters, lens pouches, external flash or speedlight, portable ssd drive, portable light source, protective waterproof cover, remote shutter release, additional sd cards, ultrabook, lens cleaning kits or wipes. She and Jess are pretending to do whatever they're clearly failing to pretend at. Fucking lousy decrepit wankers.
No serious photographer crams any of the following in such a way their bag is indististinguishable from a sack of potatoes.
I can't believe their work is so terribly uninteresting and so unoriginal. If it hadn't been for their. They need to be thrown ASAP in a huge giant shipping container with this label on it:"Don't open till Rapture comes. Destination: Timbuktu or bust." The earlier, the better. Do they expect people won't take a harsh stand against this incredibly scheming waste of time duo? Do they think they can go on and on living their miserable life with their series of snake oil salesmen tactics? Do they think nobody's going to take a stand and put an end to their con?
And what about Jamie Campbell Bower's role in this? Is he a voluntary participant in this fraud or is he being coerced?
They who dig a pit will fall into it.
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moRoney & mudranoOB as cars vs a car cruSher
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lyremetrics · 1 year
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New Rhodes Plug-In!
     Analog instruments have a unique sound and texture that makes them desirable to have in any studio set-up. The downside is their cost, as they can be thousands of dollars and not everyone has that. The Rhodes Mk8 is an example of a great electric piano/piece of analog gear that replicates an acoustic piano feel. It has a number of pros that make it a great choice for musicians and music producers.
     Firstly, it has a realistic sound. The MK8 electric piano is designed to produce a realistic and authentic sound that is similar to an acoustic piano. This is achieved through high-quality sampling, which captures the sound of each individual key. Secondly, it’s Versatility. The MK8 can be used for a wide range of musical genres and has a variety of voices and sounds, including: pianos, electric pianos, organs, and more. Its effects such as built in reverbs and delay can be used to enhance the sound and create different musical textures. The Mk8’s biggest downside however, is its Cost. Compared to acoustic pianos, which can be expensive to purchase and maintain, the MK8 electric piano is even more expensive than some cheaper pianos; and goes for $13,495. 
     An “analog” plug-in is a cheaper alternative that strives to replicate that “analog sound” that many music producers want in their tracks. Rhodes V8 is designed to replicate the sound of the Mk8, but for only $150. 
     Gear Junkies writes the article “Rhodes announces plug-in version of their flagship MK8 electric piano” to inform those looking for a realistic sounding plug-in that can emulate the Mk8 or even other Rhodes-style pianos. Hurk states that the V8 has captured, “all the nuance and character of the flagship electric piano within 30,000 samples across 100 velocity layers.” With immense time going into the sampling, the sound of the V8 should have a very similar sound to the Mk8. The V8 doesn’t stop there, and has many parameters that can be changed in its preamp. For example, it has an Eq, panning effects, and even allows for tuning adjustments, like a real piano. Also Hurk says that there’s envelopes, filter’s, and audio rate modulation, which allows for more control through deeper sound design. 
All these features for a fraction of the Mk8’s cost, make it a solid alternative if you’re looking for one of the best analog plug-ins out right now! Overall, the V8 electric piano is a great choice for musicians and music producers who can't afford analog gear, or want a great Rhodes piano sounding plug-in. 
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soundrooms · 6 years
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J U N K I E   X L   |   Massive Modular Wall
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iimanga · 3 years
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The Whole Marvelous Super Ultra Cosmic Magical Comic Book Universe
The produce of imagination and business that was Marvel Comics was a synchronic harmony sounded by Stan Lee and Jack Kirby and Steve Ditko and every one of the creators and craftsmen and inkers and colorists who worked there. Everything began during the mid 1960's the point at which the Fantastic Four and Spider-man and the X-men (The Uncanny X-Men) were framed from the creative mind of Stan Lee and Jack Kirby.
X-men was a film industry crush the previous summer. I'm certain you additionally recall the profoundly effective Hulk TV show.
The most punctual X-men comprised of Jean (Marvel Girl) Gray (who later turned into the amazingly well known Phoenix), Professor X (Xavier), Cyclops (Scott Summers), the insightful Beast (Hank McCoy), and Iceman (Bobbie). Freaks brought into the world with exceptional "super-freak" capacities.
Later came the New Mutants with more youthful characters having freak controls that occasionally appeared to have them (the main sort of comic book story I don't care for).
These characters from X-men including (Nightcrawler, Wolverine, Storm, Banshee, Kitty) advanced with the appearance of the imagination of John Byrne (beginning in issue #108 of X-men) and Chris Claremont (Giant Sized X-men #1 and Uncanny X-men #94 now esteemed at $500. up in "mint" condition. The most famous person was the principle star in the X-men film- - Wolverine. There makes certain to be a continuation for this film industry crush.
X-men Comics instructed kids that bias is shrewd. Individuals who live in dread and in this way eagerness attempt to annihilate what they don't comprehend.
Fascinating that both the latest Star Wars film and X-men film truly investigated lawmakers (Congress). In the event that force undermines totally is it conceivable our framework is totally bad? The Senator in the X-men film took in his example somewhat late.
Insect man- - the new Marvel film in progress - is about a typical young child anxiety (menaces thumping him, not getting any darlings, skin break out, etc is gentle stuff contrasted with the present school encounters -, for example, not having chance and killed while going to or going to the everyday schedule lured by a destructive medication or tainted by a stellar infection) is only nibbled by a radioactive bug (revolutionary stuff for the mid 1960's).
This gives Peter Parker super powers- - creepy crawly controls - whenever intensified a man could lift a truck and convey it 20 miles as insects do. (Try not to get me going discussing Henry Pym the Antman who became Giant Man in the Marvel's Avengers ((Capt. America, Thor the Thunder God etc.))). Add to that Peter Parker was likewise a splendid understudy who had the option to concoct a web shooter and other extraordinary innovations. What's more, Spider-man was brought into the world as a bi-result of the bi-item known as radioactive material (which Science actually doesn't have the foggiest idea how to dispose of). (Take a stab at telling that to the Bush organization). Everything is energy! Recall Tesla curls.
However, Marvel was not by any means the only spot strutting superpowered characters.
D.C. Funnies (Time Warner), as well, used folklore and accounts of Biblical extents to entrain, invigorate and energize ages of youngsters, children and grown-ups from the 1940's to introduce.
A few characters like Superman, Atom, Flash, Batman, Green Lantern, JLA and others and even D.C's. adaptation of Capt. Wonder might have been propelled by profound writing which recounted Hindu Gods and Goddesses and surprisingly Biblical personages who could remain in fire and so forth
Contents and Wit
Superheroes: starting through human creative mind and from writing, folklore, religion.
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However most likely comic makers just made up their wondrous stories.
When I talked with Gerry Conway for the Comics Journal he conceded to me that he had investigated a portion of the funnies he composed. Conway's companion accomplice Roy Thomas no question investigated Conan and Thor and other material while author and supervisor at Marvel. They cooperated on the incredible enlivened Fire and Ice film. (Ralph Bakshi/Frank Frazetta).
Also, at first Thomas got the Conan property over to Marvel from Edgar Rice Burroughs in Tarzana, CA. (Tarzana- - Tarzan...get it? That's right, it also is a comic.)
More seasoned society know and love the endless Films and TV shows and serials highlighting these and other most loved brilliant characters: Buck Rogers, Flash Gordon, Commander Cody (which might have enlivened the Rocketeer comic and film).
COMIC BOOKS - Born by the sheer exhurberance of the actual Universe through the vehicle of the Human Being!
The Comic Industry is an analogy forever. An inestimable dramatization unfurling. In any case, not to place old wine into new containers: Many occasions in the past Marvel and D.C. have joined to do specials that helps the play of imagination. I initially met Stan Lee while I was the administrator of a Comic Book Store in Studio City, California in the 1970's.
Or then again, more precisely, I met him through his works at Marvel Comics - his exceptional contents and mind in 1961.
Exceptionally astute association with the fans through clubs and letter sections in bygone times caused one to feel like one was a piece of something. With Merry Marvel "we had a place."
Stan Lee's accounts contained genuine person's, finished with issues and the start of incredible groundbreaking thoughts and standards for carrying on with a decent life.
As when Spider-man didn't stop a Burglar - a similar Burglar who later killed his caring Uncle- - Peter Parker (Spider-man) got the message - serve humankind. With extraordinary force comes liability.
Furthermore, obligation is the capacity to react.
Energizing anecdotal stories loaded with experience and energy with ethics. Outlined lavishly.
Wonder Super characters were at first looked on by society as trouble makers. Even subsequent to saving human butt large number of times.
J. Jonah Jameson (modest Editor of the Daily Bugle paper) has abhorred Spider-person for more than 30 years. Jameson really attempted to annihilate Spider-man by turning into a super reprobate.
Adrenaline junkie (blind Attorney yet Batman-esque in capacities and actual strength and spryness - however with uplifted faculties) the Man unafraid was regularly marked a scalawag too from the start.
Similar to the always well known Incredible Hulk - first deified as a comic book during the 1960's. Who went from dull and idiotic to approach virtuoso relying upon the decade where this suffering person is perused.
What we dread we regularly view as shrewd.
Funnies have attempted to instruct us that the means are pretty much as significant as the finishes they produce.
What we do en route decides the outcome we will get. Funnies are distributed in light of the fact that a word sounds great to the distributer. However, a portion of these new youthful free distributers need to find out about the significance inside these words (thus do their clients). However, more capacity to these ambitious youths.
What is Yoga, Meditation, Tai Chi, Mantra? What is Zen? (One youthful upstart distributer of "Harmony - intergalactic Ninja" had never known about Alan Watts - incredible advertiser of Zen until I let him know Alan Watts was a renowned and famous scholar turned maverick Philosopher and Author (one of many) liable for acquainting Eastern Religions with the profoundly starved West- - frequently heard on KPFK radio. Alan Watts is potentially the chief advertiser of Zen. Watts' book " The Wisdom of Insecurity," specifies, for goodness' sake, Comic Books. What are Chakras? The Tao implies what? When children grow up and find out with regards to Meditation will they be spoiled by our ineptitude and insatiability?
Trendy expressions ordinarily lower cognizance and create turmoil. Obviously when I use to distribute stuff as a young person I made up names that sounded great however had almost no significance, for example, Beyond Infinity, مانجا لاند, Eon the Magazine of Graphic Illusions. I know less now than I did then, at that point. What is make, craftsmanship, Love, Truth?
I held a few signature parties with Stan Lee and Jack Kirby in the 1970's and 1980's. I tossed more than 50 effective signature parties with numerous awesome comic book specialists and authors. I'd have the occasion, give rewards, do all the publicizing, realistic workmanship, official statements, and so forth It was an invigorating encounter. It was enjoyable to cooperate with professionals and fans. I parted with a ton of free promotion stuff.
10th Nebula's first signature party was held with Stan Lee, distributer of Marvel Comics. For a considerable length of time my shop suffered in North Hollywood, CA nearby to the world's most seasoned Science Fiction Club (an inherent crowd of companions and fans and PC monsters).
The Stan Lee occasion evoked long queues of Comic Book devotees of any age slobbering for Stan's mark on the sprinkle page of their old and new funnies. These days experts sign funnies on the front of their title en mass which I don't support. (Yet, who pays attention to me).
Funnies structures are frequently manhandled by hopeful youthful distributers who utilize a few pointless full page sprinkles when the impact could be accomplished in a minuscule board - misuse of cash, ink and paper if you were to ask me. Not at all like bygone times when Steve Ditko gave us our best possible value as around 6 boards for each page - he in his manner resembled a Zen Master - the accuracy of his work matched the craft of Chinese Calligraphy (see his one of a kind style in old Atlas Comics from the 1950's). A portion of the new experimentation's by Frank Miller and different gifts have all accomplished outstandingly imaginative work as well.
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architectnews · 2 years
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Commenter suggests Notre-Dame cathedral is "turned into a discotheque"
In this week's comments update, readers are debating a proposal to give Notre-Dame a tourist-friendly makeover and discussing other top stories.
Plans to restore Notre-Dame cathedral in Paris have emerged, including replacing confessional boxes, altars and classical sculptures with modern art murals.
According to the Daily Telegraph, new light and sound effects designed to create "emotional spaces" could also be added, alongside a "discovery trail" through themed chapels, including one with a strong environmental focus.
Quotes from the Bible would also be projected onto chapel walls in various languages, including Mandarin.
"The cathedral is a World Heritage Monument"
Commenters have had a mixed response. "Can it turn into a discotheque at night?" asked Limelight USA.
Pavarreon was less keen: "The cathedral is a World Heritage Monument. It is also a religious institutionalised structure dedicated to cult and worship – certainly not a tourist's facility. Would we accept St Paul's Cathedral in London, St Peter's Basilica in Rome or La Sagrada Familia in Barcelona to become circuses? Shame on them."
Chris D replied: "Are the freestanding art pieces and sound and light effects all removable? Yes. Will the actual cathedral fabric be restored as it was? Yes. Problem? No."
"Thanks for putting this all in perspective," concluded Frank. "I bet zero per cent of the people screaming about this know that the golden cross at the high altar of Notre Dame was designed, constructed, and installed in the 1990s."
How do you feel? Join the discussion ›
"World's first" unisex condom created by Wondaleaf
Commenter claims creator of unisex condom "forgot that sex is about sexiness"
Readers aren't convinced by Malaysian gynecologist John Tang's design for a condom that can be worn by both males and females during sex.
"Someone forgot that sex is also about sexiness," said Andrew. "It is not just a binary reproduction or non-reproduction issue. Wrapping a thin plastic bag around your reproductive organs doesn't look very appealing."
"Would be a good product to stop the spread of STDs," replied Ken Steffes. "That should be the focus of new products like this, not the act of having sex."
"Should be called the Innie Outie," concluded Design Junkie.
Are readers missing the point? Join the discussion ›
Stadium in giant tent completes ahead of World Cup in Qatar
Reader says FIFA 2022 World Cup stadium's analogy "doesn't really hold up" 
Commenters are debating Dar Al-Handasah's 60,000-seat Al Bayt Stadium in the Qatari city of Al Khor. The tent-like structure was created for the 2022 World Cup and named after the historic bayt al sha'ar tents that were used by nomadic people.
"Shame the tent shape is not visible internally," said Steve Leo.
Alfred Hitchcock disagreed: "The tent analogy doesn't really hold up when you see that it needs a motorway for access and it's surrounded in concrete and a sea of parking."
"Modernist dogma demands the outside form be reflected on the inside, demands form be abstract and not representational, and demands dissenters be ridiculed," replied JB. "The vast majority don't care and will simply recognise this form as culturally relevant and pleasing to look at."
Are you keen on the Al Bayt Stadium? Join the discussion ›
ODDO Architects builds TH House on tiny infill plot in Hanoi
Commenter says "projects like this are what architecture is about"
Readers are wowed by Vietnamese studio ODDO Architects' design for a five-storey family home in Hanoi. The plot measures just four metres wide and six metres deep.
"Yet more Vietnamese magic," said Think. "There must be something in the water."
Marius agreed: "Not the first good project from ODDO Architects. Young practice with accomplishments. A fine house, clever execution, commendable."
"Projects like this are what architecture is about for me," concluded Zea Newland. "This is yet another exciting structure from Vietnam. I love the focus on functionality – and boy what an interesting site to build on."
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blogoffshore304 · 3 years
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Mega Samples Vol***100 For Mac
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Mega Samples Vol 95
File NameDescription ABI01.abi Sample trace file in ABI file format. Chloroplast_Martin.meg Protein coding genes from chloroplast genome of nine species. Contigs.meg Human and Chimp contigs for genes/domains tutorial. Crab_rRNA.meg Sequences for gene encoding mitochondrial large-subunit ribosomal RNA. D-loop_Vigilant.meg Human mtDNA data from D-loop region. Distance_Data.meg Sample distance data file generated for six groups using Tamura-Nei model. Drosophila_Adh.meg Adh sequence data from eleven fruit fly species. HLA-3Seq.meg Nucleotide sequences of three human class I HLA-A alleles. hsp20.meg Unaligned HSP20 sequence data for four species. Hum_Dist.meg Genetic distance data from 15 human populations. NewickTree.nwk A sample tree topology in Newick file format. mtCDNA.zip Data files for the timetree tutorial (or download them individually below). mtCDNA.meg Sequence data for the timetree tutorial. mtCDNA.nwk Topology for the timetree tutorial. mtCDNACalibration.txt A sample calibration constraints file, used for the timetree tutorial. mtCDNACalibrationDensities.txt A sample calibration constraints file of calibrations using statistical distributions. See Tao et al. (2020). gene_dup_inference.zip Data files for the gene duplication inference tutorial (or download them individually below). gene_tree.nwk A gene tree for the gene duplication inference tutorial. species_tree.nwk A trusted species tree for the gene duplication inference tutorial. taxa_to_species_map.txt A sample file for mapping taxon names to species names, for the gene duplication inference tutorial. NeiKumar2000.zip Example files from the book, Molecular Evolution and Phylogenetics, Nei and Kumar (2000)rtdt_alignment.meg Alignment of temporally sampled data for using RelTime with Dated Tips (RTDT) to estimate times of divergence. rtdt_outgroup.txt List of outgroup taxa for running the RTDT example. rtdt_sample_times.txt Tip date calibrations for running the RTDT example. rtdt_tree.nwk Topology for running the RTDT example.
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epickmovie · 3 years
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MOVIE REVIEW: “Justice League”
Watch free movies and TV shows online - Since 2008, the Marvel Cinematic Universe has shrewdly enacted and methodically executed what this website has long referred to as a purposeful blueprint of interconnection and common goals. Save for fair calls of repetitiveness, their route has been a smashing success of safe simplicity. Warner Brothers’ DC Extended Universe might be drawing its plans with an Etch A Sketch when compared to the MCU blueprint. Good and bad comes from that.
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Creating a work of art on an Etch A Sketch is challenging and risky. Choosing to be different by turning their dark and brooding drawing knobs, DC operates with a commendable boldness not to play it safe. In the words of a certain ocean demigod to be mentioned later, “I dig it.” However, the screenwriters, filmmakers, and execs involved do not have Buddy the Elf’s skill on the Etch-a-Sketch. Like the rest of us on that tricky toy, screw-ups and errors happen often and stick around until the artist gives up and shakes it clear.
Sticking with that analogy, Justice League comes across like attempted course correction done on that Etch A Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch A Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.
A world without Superman following the events of Batman v. Superman: Dawn of Justice has devolved into a hotbed of escalated global terrorism and cold fog of international mourning. The Batman (Ben Affleck) has encountered a winged Parademon scout of the returning warmonger Steppenwolf (performance capture by Ciaran Hinds) while continuing the good fight on the streets and rooftops of Gotham City. The ax-wielding agent of Apokolips feeds on fear is in search of unifying the planet-purging power of three Mother Boxes found on Earth that eluded his grasp ages ago after being cast out by a unified army of men, gods, demigods, Lanterns, Amazons, and Atlanteans.
Carrying their own regret from the loss of the Man of Steel, Bruce Wayne and the returning Wonder Woman (Gal Gadot) take the arriving forces as an call to activate their plans of putting an alliance together to combat the threat. A globe-trotting first act performs expositional shorthand to introduce and bring together Barry Allen’s spectrum-pinging speedster The Flash (Ezra Miller) who can apparently only be addressed with speed puns, Arthur Curry’s rough and belligerent Aquaman and heir to the Atlantean throne (Jason Momoa), and Victor Stones’ conflicted and connected Cyborg (Ray Fisher). Supported from the sidelines by the likes of Alfred Pennyworth (Jeremy Irons), Lois Lane (Amy Adams), and Commissioner Gordon (J.K. Simmons), this crew of champions is outmatched and searching for leadership.
LESSON #1: TAKING ON LEADERSHIP — Batman is not a leader. He’s a loner working in the shadows as a vigilante for twenty years. Wonder Woman could be a leader. She is a heartsick and untapped symbol that has hid from public view for a century. In the absence of Superman’s exemplar figure and shouldered strength, both are thrust into a leadership role and the associated burdens that come with that role weigh on them. Both have to step up and the two lean on each other in an effectively aware relationship conveyed by Affleck and Gadot.
On many levels, it is plain to see that public backlash from Suicide Squad and Batman v. Superman: Dawn of Justice filled studio ears, leading the WB to throw a home improvement warehouse’s worth of kitchen sinks to attempt to lighten up the bleak and brash trajectory of the existing DCEU. The Flash, Aquaman, and Cyborg constitute reinforcements for that cause, yet deserve greater establishment than they receive here to endear themselves as equals to DC’s Big Three. Each brings a unique, but thin, character dynamic of quirk. Only Momoa’s Aquaman carries a slight amount of stature worth exploring in a future solo film (coming from horror director James Wan in 2018). The real Hulk-level showstopper, scene-stealer, and main event gamechanger for Justice League is Henry Cavill’s reinvigorated and worst-kept character resurrection secret.
Young cinematographer Fabian Wagner (Victor Frankenstein) turns up the dimmer on the camera’s colors and veteran composer Danny Elfman (Batman, Spider-Man) returns to the world of superheroes with a boost of musical sprite from the previous heavy operatics done by Hans Zimmer. Though appreciated in their attempts, when combined with egregiously substandard special effects for a film of this importance and budget, the aesthetic elements of Justice League feel like a step down from previous polish. They add to the Etch A Sketch’s messy lines.
The course correction slant continues into film’s narrative swings from the serious to the silly. For reasoning, look no further than the well-documented behind-the-scenes challenges of emergency substitution and reshoots. The concoction of styles between credited director Zack Snyder and his fill-in and credited co-writer of Joss Whedon might as well be steak sauce poured on ice cream. The flavors of Snyder’s meaty machismo for explosive bangs do not mesh well with Whedon’s penchant for playfulness. Their respective stamps on scenes are incredibly obvious and even obnoxious. Heroic frivolity was needed but too much of Justice League is discombobulated.
The substantial saving grace for Justice League is the fun factor. No matter how scattered the Etch A Sketch gets, the film moves well and spreads out its action pacing choices. The film hits on some truly shining moments of giddiness for the action junkies and fan service crowd. Snyder’s overused slo-mo was traded out for few more spinning displays of Whedon’s kinetic teamwork. Without the clunky dialogue in the way, that’s the one aspect where the directorial blend works to complement the talents.
LESSON #2: HOORAY FOR TEAMWORK — In terms of conflict and resolution, nothing too abstract or complex looms over Justice League. This is a rallying call for good old-fashioned teamwork for a greater cause. These heroes are stronger together and better for the shared experiences than standing alone, nothing more and nothing less. Simplicity aside, there is a dearth here for something more dauntless and audacious that resonated the cores of Man of Steel, Wonder Woman, and Batman v. Superman: Dawn of Justice.
One has to wonder what a straight Snyder film of all steak or a straight Whedon version of all ice cream would look like for Justice League. The results would be very different with Snyder’s take furthering the established boldness and Whedon’s representing shaking clear the Etch A Sketch. Each would work in their way and be films well worth seeing. Chopped and combined though, it’s a bit of an entertaining mess that will divide astute and casual audiences to a sizable degree. The almighty dollar will decide the final question of whether the DCEU will stay the course or look at their outdated Etch-a-Sketch, give up on the doodles, shake it clear all the way, or even cast it aside to upgrade to a new toy altogether.
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Lord of War (2005)  (☆☆)
Writer: Andrew Niccol
Director: Andrew Niccol 
Lord of War follows the career of Yuri Orlov, an international arms dealer played by Nicolas Cage. Orlov's life, both professional and personal, begins to feel the strain as he gets unwanted attention from zealous Interpol agents and African warlords alike. It is an entertaining film and worth watching for many reasons. As usual, I’ll stick more to where it could have been better.
The films zips along for its 2 hour runtime. It’s fast paced and the soundtrack gets your toes tapping. There are at least three visually impressive scenes that I’ll quickly talk about before getting under its skin. The opening credits follow the making of a bullet and its journey from the factory to an unsuspecting brain. There is something wonderfully astute about this depiction. On the surface we’re shown that this is a truly global operation, with the bullet jumping from continent to continent; like drugs, a bullet is a product which is class-neutral, traversing all social boundaries. On a deeper level it sets the film's tone, never to be bettered, that moral responsibility is unavoidable when we work in manufacturing or trafficking of weapons. We see the bullet as it is: a soulless, purposeless object that moves only with human action. It travels to the country’s we choose, it’s shot where we choose to shoot it. The camera cleverly stays on the bullet's perspective to show how this lifeless object is given life by us. It also deftly points out how consequential the whole process is. The supply chain can be followed precisely, and with it the responsibility for the destruction it causes. 
Another scene I like is when Yuri’s pursued plane makes an emergency landing onto a dirt road in Africa. The plane is then stripped to its bones by the locals within 24 hours of landing. A  time lapse shows the plane being dismantled by people much like an elephant is decomposed my maggots. Indeed, Orlov talks about the plane “going back to the earth”. Here we see the opportunism of the people Yuri’s dealing with, driven to take the metal for a reason Yuri fails to comprehend from his Western perspective. The scene where Yuri is drunk not long after is also well done on a technical level. When you’re drunk it can feel like the environment is spinning and fluid, but the people and situations you meet are incongruously static, or spring up as if from nowhere. Lord of War manages to replicate that same feeling.
The writing has a split personality. The film is narrated by Yuri and the result is two different dialogical styles weaving together. The dialogue written for Yuri on screen has a tendency to be predictable, while the thoughts he gives over the narration crackle with wit: "I supplied every army but the Salvation Army. I sold Israeli-model Uzis to Muslims. I sold Communist-made bullets to Fascist”. The narration also includes maxims that could appear in any film: "There are two types of tragedies in life. One is not getting what you want, the other is getting it”. The interesting narration weaves in and out of uninteresting dialogue. This is lazy – and it’s dangerous for the film. All of the film’s most remembered lines, bar a few, come from the narration. (Check IMDB for the quotes. Before every popular line you will see: Yuri Orlov: [narrating]). Narration should be used in a film, if at all, to explain essential parts of the plot or to supplement the character with thoughts that couldn’t be expressed on screen; this narration has the effect of creating two Orlov’s in the audience’s mind, the insightful and the bland. There is a clear disjunct between the two, even though they need to be a cohesive whole. And apart from the closing scenes, much of Yuri's moral reflection is delivered through the narration. This is a shame. The intention of the writer/director is to impute into the scene a sense of Yuri’s guilt, but the guilt is slapped on top of a scene, usually at the end, and often the scene itself did not have the structure to evoke the sentiment which is eventually narrated, hence the disjunct.
Imagine it this way. I’m sitting on a bench at lunchtime with no money, hungry, and someone comes over to give me an apple. As I eat the apple you hear my voiceover, “there are two types of tragedies in life. One is not getting what you want, the other is getting it”. Strange, right? Not because it’s wrong, but because it’s too strong a sentiment to be possibly going through my head at this point. This faintly ridiculous analogy is how I felt with Yuri in some of the scenes of Lord of War. Cage just couldn’t express the internal conflict which the film needed him to have, so it’s jarring to hear it concurrently in his own voice. It would work better if you moved as many of the sharp lines into the dialogue as possible. The maxims which are used to express his growing disillusionment should be removed, and evoked within the scene by the actors. Aside from Cage being occasionally inert, the acting is largely good. The performances from Ethan Hawke as the Interpol agent and Eamonn Walker as the African warlord are convincing and entertaining. 
Another issue that stops this film becoming great is the lack of detail. Yuri begins this tale as a nobody from Brooklyn with religious parents and an aimless younger brother. He spends most of the film as the world’s biggest private arms dealer. There is enjoyment in watching someone start from nothing to become what they’re great at, even if it’s an arms dealer. Just as much enjoyment as watching the arms dealer operate or even fail. We expect to see why the young amateur is drawn to this dubious career path, how he learns his tricks, grows his network, builds his confidence. Films that do this well are Catch Me If You Can, Scarface and Wolf of Wall Street. In this film, it takes 5/10 minutes for him to go from kitchen chef to a self-assured, international virtuoso of death. The transition from one state to another is so sharp, and uses connections that are so tenuous, that it is hard to believe how he got there.
The details are lacking outside the narrative too. At the beginning of the film, Yuri is shot in the stomach with a .44 magnum as he wistfully explains in the voiceover that you “should never get shot with your own merchandise”. One scene later, and Yuri is in the car snorting cocaine after diagnosing himself as “fine”. This does nothing but make the film less effective. We know how serious such an injury would be, and we also know that our spouse would notice the scars of such a wound (alas, Yuri’s wife, who never knows her husband’s occupation, never stops to ask what that scar might be). I have a suspicion that audiences are much more intelligent than either they or movie studios expect them to be. You might not have consciously questioned this small detail, but subconsciously it has been registered. And once you lower your audience’s reality-meter like this, it’s gone – forever. The subsequent acts of violence have less effect because the previous act didn’t have the action/reaction which exists in the real world. A Cage film which presents violence as it is is Kick-Ass. Other great examples are No Country for Old Men and, recently, Joker.
The lack of detail even goes to the casting. I’ve already mentioned the brilliant Eamonn Walker as Andre Baptise Senior. Well, Andre Baptiste Senior has a son, and this son is played by an actor who looks about 10 years younger than his dad. Also consider the actors and the types of characters they’re playing. Ethan Hawke, famous for playing a cop in Training Day, plays a cop here. Jared Leto, who plays a junkie in Requiem for a Dream, plays a junkie here. This isn’t a particular gripe – actors have their qualities and casting directors use their qualities to produce a desired effect for their next film. This is nothing new, and most people don’t watch enough films to even know this is happening. What is does do, however, is leave your film with less identity than it might have had if you had casted less obviously. So in the moments where you’re watching Leto craving for another line of cocaine, your mind might drift to his similar role in Requiem for a Dream, and in that moment, some of the mystery of the film unravels. You’re consciously – or at least subconsciously – aware of the artifice and process behind how people get casted in Hollywood, and why he appears in the film at all. The film loses its identity as another film slides into your headspace and taints what should be a clear vision. 
A final note on the philosophy of the film. Yuri concedes at the end ‘They say, "Evil prevails when good men fail to act." What they ought to say is, "Evil prevails.”’.  And at the end credits we are further reminded that it’s our governments that sell the most weapons throughout the world. In fact, it’s our governments’ position that means Yuri goes free after his capture by Hawke’s character. If he is free to sell weapons to the enemies of the enemies of the USA, so the argument goes, then it’s in the interest of the US to keep him selling, to avoid a sticky paper trail and to keep their enemies suppressed. I didn’t like Yuri’s smug self-satisfaction with this result, mostly because I don’t think he’s justified. Your country's abhorrent intervention in global affairs does not give you a valid reason to play your part. Yuri might be right, and evil might always prevail even if good men act, but it doesn’t follow that you should reverse the situation to augment evil wherever it may lie. That is a broken philosophy. The degree to which “evil prevails”, and our parts in facilitating evil, should be considered as consequential, exactly how the opening credits show. This irked me because I felt that this was more the film’s position on the subject, rather than just the character of Yuri. This is open to your own interpretation. 
4/04/2020
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trevlad-sounds · 1 year
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I had a lot of fun making this. Drop by and give it a spin for its money… Although it’s free.
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audio-luddite · 4 months
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Got me thinking about CDs.
We had a brief exchange in the comments on an earlier post on how streaming is not that good, but there is high res available the rest is CD level or worse. So how good are CDs if they are a benchmark of being not good enough? That leads to the question are there any Audiophile Quality CDs?
I repeat my basic premise that there is no perfect system. There are flaws with every method. It is literally a "pick your poison" situation.
So are there any Audiophile CDs? Cut to the chase yes. Perfect no, of course not. I have one spinning right now it is excellent. Tiny details deep bass incredible ambience.
BACK STORY: Decades ago my system was an OP-Amp preamp, a very good Sony 2251 Turntable with a Shure V15 III, a pair of modified Dynaco MK III tube amps, and huge full range electrostatic speakers. I built the speakers, so do not ask what model. My CD player was a second generation Philips consumer model. Nothing to brag about there.
Even then I read reviews and stuff, but online was in the distant future. Real paper magazines. There was a review of an interconnect cable between a high end CD unit (don't recall which type) and his preamp. It came down to this one cable and only this one allowed the reviewer to hear this specific tiny obscure detail on this particular CD.
This was a key moment in my High End Audio education. Cuz I could hear that sound. I had that CD. If that sound was a benchmark in a high end system did that mean I had a high end system? And my CD player and preamp together cost less than this interconnect. I have no doubt he heard what he heard, as I could hear what I could hear. So it was not the wire was it?
That CD was Cowboy Junkies from Ontario Canada "Trinity Sessions" recorded in Toronto in a Church space copyright 1988.
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I am listening to it now and it has everything an honest audiophile needs. Tiny details, great bass, natural sound recorded in the most straightforward way. It has a deserved reputation and is celebrated as a good one. It is so good they issued 180 gram LPs of it decades later.
If you are familiar with the CD or the LP you have heard "the sound" if your system is worthy. It is way back in the soundstage on the first cut. Like I said if you have the recording you know what it is.
Of course the recording is not just that actually silly detail. The band was set up around an ambisonic 3d microphone (one mike!) on risers in the church. Much of the Bass is the really deep resonance of the musicians tapping their feet on the risers. The Drum is actually a higher pitch. It is a sonic candy store. There is no studio magic, the space is real. If there are digital artifacts I simply do not care.
One of my favourite test cuts is number 11) Post Card Blues. The voice incredible. The Harmonica backing is epic. The Bass is crazy deep without the drums. I honestly find myself swapping my attention between the simple sounds and the songs themselves.
One classic track is number 10) Sweet Jane. Lou Reed is on record as this being the best cover of his song ever. Talk about a document. It's playing right now. Great high hat in the drum kit.
OH yes I bought the LPs and love to play them. The sound is wonderful there too. The master is digital on to video tape as there were no computers fast enough back then. So if you got digital artifacts well there is no cure. Pure not analog.
I have other CDs this good. They all depend on the recording engineer and mastering to be correct.
My Player is not top tier, but I still get this stuff out. What does that actually mean then. Hmmmm.
Yes I prefer vinyl, I respect good recordings. Is the LP version better, errr yes to my ear. It is preference like a favourite flavour of ice cream. Either is worthy.
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likeachildlac · 4 years
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jessicakmatt · 5 years
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Home Studio Guide: How to Build a Home Recording Studio Setup
Home Studio Guide: How to Build a Home Recording Studio Setup: via LANDR Blog
Your home studio is your music creation hub. It’s the place where your inspiration and workflow meet and your tracks take shape.
Advances in technology and consumer electronics have made recording at home more accessible than ever before. 
The idea of making quality music cheaply at home and mixing it yourself used to be unthinkable. But today’s home studio recording equipment can sound fantastic. 
More and more musicians are choosing to record and produce at home, in their bedroom or garage rather than rent time at expensive studios—and you can too.
Computer
DAW
Audio Interface
Headphones
Studio Monitors
MIDI Controller
Microphone
Samples
Cables
First steps: home recording studio equipment essentials
A home studio is a collection of equipment for recording or producing music at home.
A basic home studio is made up of several pieces of equipment that function together to let you produce music.
Any home studio setup will need this recording equipment:
Laptop or Desktop Computer
DAW software
Audio interface
Headphones
Studio Monitors
Microphones
Samples
Cables
In this guide I’ll go through each in detail and lay out some good options producers of all skill levels.
Use the menu bar on the left to navigate between the sections of this guide.
1. Music Computer: Digital music production center
The majority of today’s music production takes place in the digital domain. To record digitally, you’ll need a computer.
But here’s the good news– Modern computers have plenty of processing power for audio tasks. You won’t need to buy a special, souped-up machine to start your home studio.
A laptop or desktop with decent specs has enough processing muscle to get you started. 
PC or Mac used to be a hot debate in the pro audio community, but in recent years the difference between the two platforms has diminished. 
Use whatever type you’re most comfortable with.
But if you already know you’re going to be putting your music production computer through its paces with lots of demanding plugins, here are the computer specs that matter most.
Processor speed
CPU processor speed is still one of the most significant factors when it comes to processing power for audio.
Look for more cores and faster clock speeds for a better overall processor.
Hard Drive
Running an SSD (solid state drive) as your system boot drive is one of the best upgrades you can make for your PC in general.
But it also helps for music production. Using an SSD makes your computer more responsive and quicker to start up.
You’ll see the benefits if your DAW and other music applications are installed on the extra fast SSD.
Adequate RAM
You may think you need to max out your computer’s RAM to get the best performance in your DAW.
This isn’t always true. 8 GB of RAM will handle basic audio tasks just fine.
But if you’re planning to run multiple instances of heavy multi-GB sample libraries at low buffer sizes, you may want to expand.
How to Reduce Annoying DAW Lag
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2. DAW: Studio recording software
DAW stands for Digital Audio Workstation. It’s the main computer program you use to record, edit, mix and arrange your music.
If your home setup was a traditional recording studio, your DAW would be the tape machine.
But modern DAWs can do so much more than that. DAWs allow you to record and edit MIDI as well as audio.
MIDI is the language that digital instruments like synthesizers and drum machines use to communicate with each other. It’s also how you input musical information to virtual instruments inside your DAW.
Choosing a DAW is a big decision, so we put together a guide to help you choose between the best options.
The 10 Best DAW Apps in the World Today
What is MIDI? Music’s Most Powerful Tool
Are You Getting the Most Out of your DAW?
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3. Audio Interface: Play and record audio with your computer
The next main item in your home studio is your audio interface.
Every sound that comes in or out of your DAW has to pass through your interface to get where it’s going.
An audio interface is the piece of gear that converts analog signals from your microphones or instrument to digital input you can record in your DAW.
But it also converts the digital signals in your DAW back into to audio you can hear with the your speakers or headphones.
That’s just as important. Hearing your tracks in full quality is essential for making informed mix decisions.
That’s what makes  your audio interface such an essential part of your home studio.
We put together the ultimate list of the 52 best audio interfaces and a detailed guide to picking the right one so you can find your perfect audio interface.
The 52 Best Audio Interfaces on the Market
How to Choose an Audio Interface for Your Home Studio
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4. Headphones: Hear your tracks properly
Next you’ll need some way to listen to the tracks you’re laying down in your DAW. 
You might prefer to use studio monitors for the majority of studio listening, but headphones are an essential tool in any home studio.
Your headphones will always be important for tasks like tracking and mix referencing.
And despite what many pro engineers say, it’s completely possible to mix music well on headphones.
If you’re working with a limited budget, starting off with a good pair of headphones is a good solution until you can afford a set of monitors.
The 25 Best Studio Headphones For Musicians
Why Mixing on Headphones Is Better Than You Think
Reference Tracks: How to Improve Your Sound With Mix Referencing
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5. Studio Monitors: Mix better with the right speakers
Headphones are important for any home studio, but mixing on them exclusively can be fatiguing during long sessions.
Most engineers do the majority of their work using near-field monitors.
Studio monitors are specially engineered speakers designed to sound clean, clear, flat and neutral.
Unlike consumer audio speakers, these listening tools are not designed to flatter the music or make it sound more pleasant.
In fact it’s almost the opposite.
Studio monitors reveal every flaw in a sound so you can address it in the mix. That extra detail is the insight you need to make your tracks sound great
Still, all studio monitors sound different and choosing the right ones is a highly personal decision.
Check out our guide to the best studio monitors to find your perfect pair.
The 40 Best Studio Monitors for Your Home Studio
How Do Speakers Work: Understanding Audio Reproduction
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6. MIDI Controller: Play virtual instruments in your DAW
MIDI stands for Musical Interface Digital Interface. It’s the language your digital music tools use to communicate with each other.
MIDI carries the information that tells synthesizers and virtual instruments which notes to play, when to play them and other types of musical gestures.
You can write MIDI manually using the mouse, but most producers find it easier to play the notes using a MIDI controller.
A MIDI controller is a hardware device used to input MIDI. MIDI controllers can have keys, pads, knobs, sliders or a combination of input types.
Most home studios include a MIDI controller. If you need help choosing one, check out our guide to the 50 best MIDI controllers available
The 50 Best MIDI Controllers in the World Today
The 10 Best Ableton Controllers Available Today
MIDI Editing: 6 Essential Tips for Better MIDI Tracks
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7. Plugins: Use audio effects in your DAW
Plugins are the software sound tools you use in your DAW for, mixing, synthesis, effects, sampling and more.
Most DAWs come with a capable set of built-in plugins that are more than enough to create a professional sounding track.
But third-party plugins are how you expand your sonic palette and make your sound your own.
Maybe you want to assemble the perfect virtual instrument rig with your synth plugins.
Or maybe you’re an effects junkie always on the hunt for a new reverb plugin.
Whatever your niche, plugins can be incredibly inspiring.
They’re a huge part of what makes producing music so exciting.
The 200 Best Free VST Plugins of All Time
The 11 Best Delay Plugins for Every Mix Situation
The 15 Best EQ Plugins to Shape Your Mix
The 15 Best Reverb Plugins for Every Mix Situation
The 14 Best Modulation Plugins for Adding Movement to Your Mix
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8. Microphones: Record your vocals and more
Unless you’re making music exclusively with VSTs or samples, you’ll need to capture your sounds with a microphone to bring them into your DAW.
There’s an enormous number of microphones out there—and not all of them are well-suited to every task.
We put together a special guide for choosing a microphone based on which source you’ll be recording.
But if you just want to get an idea of what’s out there, check out our list of the 30 best microphones.
When it comes to microphones, we know there’s one source that’s on everyone’s mind: vocals.
There’s no easy to way to recommend the perfect mic for every singer, but matching your mic to your singing style is a good way to start.
The 30 Best Microphones on the Market Today
Buying Your First Mic: The 4 Step Guide
Microphone Types: How to Choose The Right Mic 
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 9. Samples: Sounds to use in your music
Samples are the perfect way to start with music. 
A well-rounded sample library is a helpful home studio staple.
The raw material for samples can be found anywhere there’s audio. But be careful.
Using copyrighted material in your songs can result in getting rejected by digital distribution services or worse—being sued for copyright infringement.
The best way to work with samples is to get access to a library of pre-cleared samples that are ready to use in your music right way.
Check out LANDR Samples for the best samples, packs and loops—curated by AI.
The 10 Best Sample Packs on LANDR Samples
How to Use Selector to Find the Right Sample Faster
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10. Audio Cables: Connect your gear together
With all this gear in your studio you’ll need the correct cables to connect it all up.
There are many different audio cables types but they all have a purpose in studio context.
Your audio interface, microphones, instruments and monitor speakers may all need a different type of cable to connect properly.
If you need a refresher on the different types of cables that are out there, use this guide to find out how to make your routing work for you
Everything Musicians Need to Know About Audio Cable Types
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Home sweet home studio
No matter how humble the component parts may seem, a collection of gear for producing music makes up a home studio.
Putting one together is one of the most exciting parts of being a musician.
Use this guide to take the stress out of buying the right gear for your home studio.
The post Home Studio Guide: How to Build a Home Recording Studio Setup appeared first on LANDR Blog.
from LANDR Blog https://blog.landr.com/home-studio-guide/ via https://www.youtube.com/user/corporatethief/playlists from Steve Hart https://stevehartcom.tumblr.com/post/188109294799
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thedunwells · 7 years
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Flamenco Props And Accessories
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tune-collective · 7 years
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Learn the Ins & Outs of Film Scoring With Junkie XL's Tom Holkenborg: Watch
Learn the Ins & Outs of Film Scoring With Junkie XL's Tom Holkenborg: Watch
If you’re like most adult moviegoers in America, you loved Deadpool. You also might have loved Mad Max: Fury Road, Black Mass and Justice League. You know what all those movies have in common? Tom Holkenborg, aka seasoned producer Junkie XL.
Holkenborg scored all those films, and he’s become one of Hollywood’s most sought-after composers. Lucky for you, he’s a man who likes to share the wealth, and he’s returning to YouTube for a second season of his eye-opening “Studio Time” vlog series.
Over the course of 20 episodes, Holkenborg will tackle strings, analog synths, drum machines, plug-ins, guitars and performance. You also get an intimate look at the life of a creative machine. Season 2 of “Studio Time” kicks off with episode 1, “Composing for Strings.” Check it out below, and follow Junkie XL on YouTube to keep up with the free know-how.
https://www.youtube.com/watch?v=mdHbWSYm3f0
This article originally appeared on Billboard.
https://tunecollective.com/2017/04/07/learn-ins-outs-film-scoring-junkie-xls-tom-holkenborg-watch/
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