#But the important definition here is that some 'white' people aren't seen as white

[enekorre]

Love seeing an American be racist on my years old post about racism in Europe and then block me. If I didn't have emails turned on I would never even have seen the comment. Fucking racist moron 🤪

#M #Me years ago 'Americans think racism is black and white and do not realize their definitions do not work in the rest of the world' #American racist who went back 5000 pages on my blog 'actually we Americans are always correct' #Like i dont know how many times i have to say this but literally the rest of the world doesn't work like America #And it's fucking insane to tell Europeans that they don't know how things work in Europe #Official news and states use the term 'racism against Italians' and equal things all the time #People are rasist against polish people too and they tend to br paler than the person being racist! #Yes racism against non-white people happen all the time here. #But the important definition here is that some 'white' people aren't seen as white #Southern and Eastern Europeans mainly #Fucking racist Americans seem to have forgotten their own 'no blacks no Italians no Irish past' #You had this racism too! You just became 'white' and forgot about it!!!

[hollowtones]

first yiik impressions?

Hi. Thanks for your message. I've been thinking about this for days. I wrote paragraphs. Here you go!

Everyone talks up how the game is bad, but I've never looked into it much myself, so I went in with an expectation along the lines of "people whose opinions I often agree with think it was an awful mess, I'll likely think something similar". Expectations were low. Even then I wasn't really ready.

"YIIK" is a game of tedium. I don't think it's a game about tedium, that's something different (though it could be, if it was a different video game altogether; "what if the world was made of pudding" etc). To some degree I think the tedium is by design but I'm not really sure what it's in service of.

I don't think tedium in a video game is a bad thing. "Morrowind" and "Breath of the Wild" are two video games I like very much, and some of my favourite memories of those games are of slowly wandering through empty expanses, or having to suddenly deal with equipment degrading or supplies dwindling because I forgot to prepare. Moments like that feel thoughtful! They're interesting moments of reprieve or of tension that feel thoughtfully and intentionally designed! "YIIK" feels like trudging through chest-deep molasses so it can shout "hey did you know you're stuck in my molasses right now? that's weird, why are you stuck in my molasses right now? did you notice?" directly into your ear.

You'll notice this is a pattern.

Combat is turn-based and involves completing little minigames, timing button prompts or hitting targets or some such. It's a cute idea that wears out its welcome when you start realizing how long every single one takes to resolve, especially when you have multiple party members, and sometimes multiple enemies (I'm told this part specifically gets more egregious as the game goes on). I don't think it's awful or unsalvageable but I'm not super into it as of the point we're at.

This is a pattern.

Leveling up is a manual process that you have to unlock, and it involves going to a save point (any save point? we didn't check), to enter the Mind Dungeon, to enter the actual Mind Dungeon, to walk down a set of stairs and enter individual doors one-by-one, so that you can choose how you want to allocate stat increases, so that you can walk down a different set of stairs to commit your choices and spend your banked experience to level up. I think "you can only power up at specific points / times / locations" and the granularity of stat growth are interesting ideas, and the environment they made for it are a charming idea, and I don't think it needed to be a "Hotel Mario" level that you had to slowly walk through. It could have been a menu. They could have used the resources for a nice background or backdrop for a menu that accomplishes the same thing.

This is a pattern.

I haven't really mentioned anything about the story or writing yet. The protagonist's name is Alex and he's a very self-important nerdy misanthropic dickhead white man (a very specific kind of guy that I've definitely met at least once or twice) who is obsessed with a paranormal message board populated by people like him and desperate to find out more about the disappearance of a woman he witnessed. (The woman & her disappearance are based on the real life death of Elisa Lam & aren't handled with a whole lot of tact, IMO, but other people have put this into better words than I can right now. It sucks. It keeps coming up and it makes me bristle every time.) Alex is a bad person. I know he is. You know he is. The game knows he is. I've seen some reviews say a negative point of the game is "the main characters aren't likeable", which I don't really get, because that's the point of the characters, as far as I can tell. The issue, then, is how much time the game takes to exposit at you how bad the characters are. It's exhausting. Every time Alex has a monologue, it feels like it sums up to 10 minutes of "I am a bad person. I am a bad person. Alex is a bad person. This character is a bad person. Do you get it? He's a bad person. Alex is a bad person. Do you understand yet, player? Alex is a bad person. You should know that he's a bad person. Do you get it?"

This is a pattern.

(I don't know how interested I am in bringing up the game's lead writer right now, if at all, but there's a well-known anecdote where he talks about wanting to write a story about a bad person who is forced to grapple with himself and do better, and how the reason why his game wasn't well-received was because people who play video games didn't get it & weren't ready for a story like that. I dunno. I can understand being upset about negative reception to something you poured time and sweat into, and saying something hasty because of it. "Final Fantasy 4" is a beloved RPG classic, though, and "Disco Elysium" came out the same year to overwhelming praise. I haven't played either of these yet, though, so I'll admit maybe I'm off the mark here.)

The characters we've met so far (i.e. the ones that aren't unnamed NPCs) are… well. There's a smarmy younger kid who idolizes(?) Alex & also made the aforementioned paranormal website. So far it seems like he mostly exists to go "hey fuck you Alex, you dickhead" and immediately say something even more insensitive. There's the insensitive based-on-a-real=ass-dead-woman elevator woman, who immediately disappeared from the narrative while still being an essential part of the narrative. There was a dead(?) robot in a bedroom, who had a choir of ominous hooded people monologue about how weird and sad and strange and uncanny the scene is. What the!? There's a woman who works at the arcade and has Powers. Her design's cute. (I feel like, generally, the game's visuals are Fine. The audio, too. That all ranges from Just Fine to Surprisingly Neat. I don't really have much issue with those aspects of the game, but I don't have much to say about them either.) Alex and Kid Whose Name I Didn't Care To Remember are constantly very uncomfortable to her, because she's a woman and because she isn't white, in the 15 or so minutes we've seen her on-screen, and she gets to tell them off, but then immediately kind of goes "well whatever I can smile and put up with this and hang out with you". It feels misogynistic. I know to some degree Alex is misogynistic on purpose, because the game is bludgeoning your skull in and yelling "ALEX IS SHITTY TO WOMEN! AND PEOPLE OF COLOUR! DO YOU GET IT? HE'S SELF ABSORBED IN A SHITTY WAY! DO YOU GET IT, PLAYER? YOU UNDERSTAND THAT ALEX SUCKS ASS YET? MAYBE 10 MORE MINUTES OF THIS WILL MAKE IT CLICK?" But for a woman of colour (the only one we've seen so far who isn't Probably Just Dead) to finally tell him off for being a shithead, only to turn around and go "well it's ok, you're cool now, let's hang out now because it's narratively convenient and you're the protagonist" is pretty damn egregious!

This is a pattern.

Writing in general feels stilted and long-winded. Most of the main characters feel like they don't talk like people do. Alex gets to feel like a person but that's mostly because he gets to talk to himself so damn much. Most of his monologues feel like overly flowery prose, like someone padded it out with identical adjectives to meet a school essay word count. There's an interesting idea or premise or setpiece every now and then. There's a spark. A glint of something compelling. Every single time this has happened so far I find it immediately snuffed out by an over-blown "oh my god!!!!!!! how weird!!!!!!', or a very long plot dump, or a Joss Whedon-ass quip. There can be no small moment of joy. No story element or visual element can stand on its own legs. There can be no room for ideas to breathe. No space for the player to wonder, to dream, to play in the space. The narrative is compelled to suffocate iself on itself, to take up all space, to swallow itself whole in its making. One very minor (so far?) side character has some interesting dialogue in this one dream world, and I think "oh that's neat", and then I learn they're lines taken wholesale from a book (and I think that's fine, reference is fine, but I have a bit of a chuckle over the fact that this character is the reason why the game has a giant REFERENCES option in the main menu). The literal first minute of the game is a bird telling you "oh my god, the title of this game, right? why'd they spell it like that? so fucking dumb, am I right!" It feels insecure. It reads like the writing has no confidence in itself. It has to make a comment about how silly and video-gamey it is, roll its eyes at itself, mock itself for the thing it's doing while continuing to do it without addressing it or discussing it or doing anything with it.

This is a pattern.

There's a specific part of "YIIK", at this early point in the game (we're only around the start[?] of chapter 2), that feels emblematic of the thing as a whole up to this point. Alex is getting phone calls from a stranger. They're confusing and weird and sound a little like something you might hear in a dream. They make references to some shared past, some childhood, some understanding of Alex, or maybe of you, the player. They've come up a few times. Every single time, I'm left thinking about what it could mean, how it fits in with everything we've seen so far & what the game seems to be talking about, with regards to connecting to other people and to yourself. It's a neat little thing. It's a neat idea. I'm charmed by it. As much as my thoughts on this game are largely negative, I still try to look at it fairly, to understand it, to talk about it, to let myself be surprised by it. As soon as I find myself thinking about this, my thoughts are immediately drowned out by Alex telling me how weird the phone call is, how random and uncanny and dumb this is, and how he's rolling his proverbial eyes about it, in spite of all the other paranormal happenings around him, for another period of Just Too Long. And I am sapped of all strength and I crumble to dust.

I'm genuinely transfixed. I'm transfixed! Maybe the fact that I wrote Paragraphs about the 4-or-5 hours I've seen of the game can tell you as much, even if you skip everything I wrote in them.

I can't wait to see more.

This, too, is a pattern.

[genderkoolaid]

Hello! Non binary here. I'm trying to genuinely understand how saying bi lesbians are a thing are not harmful to the trans, lesbian and bi community. I saw some of the bi lesbians history and this label seems to be something they used to say to identify that they felt mostly attraction to women but could eventually like a man / people that liked men in the past but now go as lesbians. On the first example, Isn't it just bisexuality with a preference to women? and in the second, lesbians with comphet. I understand the need to use those labels in the past, but now it seems harmful to use bi lesbian because lesbians are not attracted men and bisexuals are not lesbians. I have also seen that the use of bi lesbian was a reactionary push to the TERF movement of excluding men from queer spaces as in a way to "purify" women

While someone in either of the groups you described might identify as a bi lesbian, that is certainly not the extent of bi lesbianism.

I think the problem emerges for many people because they are viewing the definitions of queer terms as objective descriptions we discovered. From this perspective, people used to use lesbian in a more expansive sense essentially because they didn't know any better. But I dislike that; our foreparents were not identifying how they did because they didn't know better, their constructions of gender and sexuality are just as valid. And it's important to understand why those definitions formed instead of going “well it's different now so stop it.”

I'm not sure if you are saying you've heard TERFs came up with the term bi lesbian. I wouldn't be surprised, since it's a fairly common rumor. But it's very wrong. To give a very general history, “bi lesbian” came about to describe people who identified with lesbianism– in the sense that they identified with being queer, having some personal relationship with womanhood and loved or desired women– who also were multisexual in some way. “Lesbian” emphasized your love/desire for women as an important part of your identity, and “bisexual” gave nuance to that, creating visibility for bi people within the community. The outrage against bi lesbians came from the same source as the hatred for trans lesbians (of all kinds): radical feminist beliefs in political lesbianism, the insistence that being a lesbian is a political choice to end all personal relationships with men & manhood.

The idea that “lesbians, universally, aren't attracted to men” largely comes out of this shift. You cannot separate the idea that “bi lesbians” don't/shouldn't exist and the legacy of transphobic radical feminism which encourage black-and-white thinking and hostility towards Bad Queers who dared to love or desire men, be men, dress like men, or fuck like men (anything from BDSM to using a strap-on). This divide is artificial and we do not need to just accept it. Bi lesbians are not the source of harm, the ideology that insists on their exclusion is. On top of this, in many physical queer communities bi lesbians & other people with complicated identities are very easily accepted; the idea that it's somehow impossible for these identities to be safely normalized is just queer conservatism.

There are many reasons someone might enjoy the bi lesbian label: personally, I'm multigender and using a single sexuality label doesn't accurately express my sexuality. A lot of times I see people who counter reasons for bi lesbian identity by saying “but that's just being a lesbian/bisexual!” which is another product of this black-and-white thinking. The idea that someone else with a similar experience using a different label than you– or someone with a different experience using the same label– is somehow a threat to your identity is very reminiscent of the way radical feminism relies on patriarchal ideas that everyone in a gender group must self-police that group to ensure homogeneity. Someone with a totally “normal” bisexual experience may still identify as a bi lesbian, or use both bisexual and lesbian in varying contexts, because they feel it accurately expresses their personal sexuality & relationship to queer communities.

There's famously an Alison Bechdel strip about a character being a bi lesbian, but I think my favorite piece of bi lesbian art is this poem by Dajenya. It's a very defiant and wholehearted response to anti-bi-lesbian sentiment and how it harms people within the community far more than bi lesbian identity does. this site is a collection of primary resources on bi lesbianism, including a few interviews from bi lesbians which might be helpful for you.

#m. #ask box

[samwisethewitch]

REVIEW: Old Style Conjure by Starr Casas

There's some controversy around this book, mostly because Starr Casas is a white woman writing about hoodoo. (Or at least white passing -- Casas does not disclose her ancestry in this book, and I never want to assume based on appearances. Some of the memoir content in this book makes me think she may be from a mixed family.) I avoided this book for a long time because of that controversy, so I want to address it before I move into pros and cons.

When people accuse Casas of cultural appropriation, if they're not talking about her appearance they'll typically bring up this line from a FAQ section in this book: "Q. Can white folks do conjure work? Yes, they can, as long as they honor the ancestors of this work. Those ancestors are the folks who were kidnapped and sold into slavery. They brought this work here and deserve to be honored. And who better to honor them than the white folks who at one time enslaved them?"

I think this line is phrased poorly in a way that makes it easy to take it out of context as giving blanket permission for cultural appropriation. But after reading the entire book, I feel confident that wasn't what Casas was trying to communicate here. Casas is very aware of the legacy of slavery in the South, and she seems to believe very firmly that white folks need to reckon with the atrocity of the slave trade. It's our responsibility to do what we can to make amends for the evils of our ancestors. It's basically the same message other authors, like Aaron Oberon, have phrased better and been praised for.

It is also important to note that Casas isn't claiming to speak for all hoodoo practitioners -- this book is about her family's folk magic tradition, which is influenced by African American practices. She's very clear that other practitioners may do things a different way. She's also very clear about the importance of acknowledging and honoring the African roots of many Southern folk practices, something I personally agree with. The reality is, you'd be hard pressed to find a folk magic tradition in the South with NO African influences, and I appreciate what Casas is trying to do here by explicitly honoring those influences.

(On personal note, struggling to navigate the legacy of white supremacy while honoring Black and indigenous ancestors is something I personally relate to as a white person from a mixed-race family. There are no easy answers here.)

This book, its tone, and the language it uses reminds me a lot of my grandparents. They mean well, and they're remarkably antiracist for older folks in the rural south, but they aren't familiar with all the language and terminology activists use today. They're imperfect in their allyship, but they ARE trying to be allies. It's up to you whether that's a deal breaker for you.

Anyways, with that out of the way, here are my thoughts on the actual book and its content:

Pros:

This is definitely "old style conjure." Everything here feels very authentic and traditional.

I liked the emphasis on using what you have and working with what is available to you. This is not a book that will have you running out to buy that one specific crystal you just have to have for a spell.

I also liked the emphasis on doing things yourself, including making your own oils and powders instead of buying from someone else. This DIY spirit is a big part of southern folk magic as I was taught.

Casas gives very clear, easily followed instructions and does her best to explain the "why" behind what's included in a work.

Great section on throwing bones!

The most comprehensive breakdown of the uses of dirt of any book I've found so far.

This book genuinely contains information I had learned from oral traditions but had not seen written down anywhere.

This book reminded me so much of the women who have taught me what I know of a Southern folk magic. It took me back to sitting at the kitchen table, watching my mentor do an egg cleanse for someone with holy water she had blessed herself.

Cons:

Like I said, reading this book is a lot like a conversation with a Southern grandparent. That wasn't off-putting for me, but I can see how it might bother some readers.

I think Casas is from a slightly warmer climate than where I currently live. Some of the ingredients she uses in works, like olive leaves, are much harder to find in Southern Appalachia. Again, not a huge issue, but just know you'll have to make substitutions if you're not from a very warm climate.

Casas's practice is very heavily focused on working with ancestors and saints, which is not true for every Southern folk magic practitioner. I think she does sometimes give the impression that everyone has to work as closely with ancestors and saints as she does. You don't.

There's definitely a generational difference here with regards to how things like race, class, gender, etc. are discussed. I'm a younger millenial/elder Gen Z, and some of the language used in this book made me cringe a bit. Nothing as bad as slurs or open racism, but more like using outdated language that is considered poor manners but not quite offensive by younger generations.

Overall Rating: 3/5 stars

Would I recommend it?

Despite everything, yes I would. I think there really is some excellent information here, including things that are in danger of being lost. Casas says she wrote this book as a response to the rise of Internet witchcraft and that her goal is to preserve old style folk practices, and she absolutely accomplishes that goal.

This is definitely one I'd recommend checking out from the library before you decide whether to spend money on it, and it isn't without its flaws, but books about pure Southern folk magic with no New Age or neopagan influences are hard to find, so I wanted to spotlight this one. I got this from the library and am glad I did.

(And of course, if you're interested in African American folk magic, you should read books by African American authors. Luisah Teish and Stephanie Rose Bird are two of my personal favs.)

#book review #southern folk magic #southern folk witchcraft #folk magic #conjure #books #witchy books #witch #witchblr #starr casas

[bagel-boy-sama]

Astarion Baldurs Gate 3 Isn't A TumblrSexyMan™, He's Just A SexyMan™

I've seen a large number of people, most of whom are in the Astarion Disliker/"I don't get it" camp most who are not on this particular hell site, cite Astarion as Tumblr's latest sexyman. Today, I will be explaining why I do not believe that to be the case. That instead, as the title states, he's just a sexyman.

No real knowledge of the hell site is required, I'll explain things for the new people.

Setting The Definitions

First, definitions because this is now Intro to Writing and Rhetoric. A sexyman would be anyone, usually masc or a man, who is concidered sexy by a wide range of people. Fascinating.

A Tumblr Sexyman, on the other hand, is a thing - usually fictional entity - that is incredibly popular on Tumblr.com to the degree it escapes it's fandom sometimes, in the most extreme of cases, becoming far more popular than it's original fandom. It is characterized by a few major characteristics. Ranging from Twinkism* (be it the character or fan interpretation), generally unconventionally/perceived to be unconventionally attractive in a non physical sense (character traits that wouldn't otherwise be desirable, like absurd behavior or generally evilness), to impeccable drip (either in the original media/design, or done by fans in fanart).

*note: Twinkism (which I did just throw in on the spot this is entirely bullshit for my own amusement) is the phenomenon of skinny, young looking, pretty/feminine white boys who are within media. This is different from twinks, who are understood to be young and skinny - being pretty, popular, or white is not connected. All those who participate in Twinkism are Twinks, but not all Twinks participate in Twinkism.

Does Astarion Baldurs Gate 3 Fit The Definition?

First rule: must be at least a twink. Is he?

No. Yes. Kinda. In a way. Many people would describe Astarion as someone who's gone through "Twink Death". No this is not because he's literally undead. Twink Death, in it's simplest form, is when a twink no longer looks young and/or feminine. Astarion has aged. His crows feet and laugh lines, while beautiful, do not make him look 18. For some this would disqualify him from being a Twink. So perhaps he has failed at the first step.

I, however, am not satisfied with that. Moving on, is Astarion - or would Astarion - actually be considered conventionally unattractive in any way that is disconnected from his appearance? I argue no. Vampires are considered very well, normal to lust after. They're right below succubus on the "This isn't considered weird to find attractive" scale. You aren't romancing The Emperor here. Outside of that he's well groomed, shown to be muscular in game (headcanon does often disagree and while I wish it was true we are working with facts for this specific discussion), and an elf. In personality, while not for everyone, he's the pretty standard fruity sarcastic gay who's a bit selfish. We all know a fruity sarcastic gay who's a bit selfish, and they get laid. So it can't be considered that bad. Probably.

I feel important to note here that I am aroace and have no idea what I'm talking about right now. This is an educated guess.

Astarion has lost now, two for two. He's barely a twink, even going off of his model he's more a twunk. He definitely doesn't fit the Twinkism phenomenon. He's not weird to find attractive, I assume, so what else is there? His drip? I'm sorry, but his base outfit is a bit well Goofy to say the least. Much fanart leaves him in this outfit or a simpler version because drawing ruffles is enough to make anyone want to willingly jump headfirst into the underdark, so he fails the drip test as well.

His final hurtle: is his popularity Tumblr™. In this context Tumblr™ is different from Tumblr. Tumblr™ is the fandom side, where a sexyman would flourish and find their own fandom. Importantly, this fandom needs to be very insular to the site. It's a *Tumblr* sexyman after all. So that begs the question, is Astarion highly liked by mostly or purely Tumblr people/those who have the vibes of a Tumblr user? No.

Astarion is well loved by many people of various vibes. He has affected (previously) straight men on Reddit. Few can escape him and his 10 charisma.

Conclusion

Astarion is just a sexyman. He's just a fictional character that many think is neat and attractive for a variety of reasons. He's the Ryan Reynolds of crpgs. He's some dude, who's generally considered attractive by a lot of people who you both would and wouldn't expect to find him attractive.

#This only matters because when he's inevitably included in a Tumblr sexyman thing that's probably not even on here I'll know that I spent #30 minutes writing a weird essay thing about why he isn't really a Tumblr sexyman #look forward to receiving this link poor souls who decided to be my friend. ive converted all of you to Astarion fans so actually youll like #it probably. im such a good influence #astarion #bg3 #baldurs gate 3 #baldurs gate 3 spoilers #purely because i mentioned the emperor #astarion ancunin #baldurs gate posting #im so sorry to anyone who actually read this genuinely why. if this gets more than 2 notes im going to be homicidal #also F for my followers who dont care about bg3 sorry besties.

[shoggothkisses]

The Narzissenkreuz Adventure: Initial Thoughts

I want to make sure I write these down before I forget them, so please don't consider this post an "in depth" lore rant so much as some preliminary thoughts I hope to delve into later!

SPOILERS FOR FONTAINE UNDER THE CUT

First: names. Oh my god. Friends will attest that I've been screaming in Discord for the last few weeks, "WHY IS THE FROG NAMED JAK!?," with no context. Now I finally have an answer, and I am sated (for now). While the names of the actual water constructs aren't inherently important - they even say so themselves - we can now conclude that Mary-Ann / Ann pulled the names of people who lived and worked around her at the Narzissenkreuz Institute for the characters in her children's stories. We have Jak(ob Ingold), Al(ain Guillotine), Rene, Kate (possibly Karl??) and Petit Chou (this one is a stretch, but since Chou and Basil Elton are both named after vegetation, I think that's who Chou is supposed to be.)

Also I love that they decided to make Mary-Ann a direct reference to Alice in Wonderland (Mary-Ann is the name of the housekeeper the White Rabbit mistakes Alice for; and the Narzissenkreuz Mary-Ann is a caretaker and governess for the children).

Platonism has SO much weight in Fontaine, and especially here. Ashikai made a video recently that references the Veluriyam Mirage and Plato's Allegory of the Cave, and this time around we have characters who blatantly announce that their physical forms and names have nothing to do with their essence. In their minds, their "purpose" in the story is who they are. This is highly likely to be a reference to Aristotle and Plato's believe in animism and essentialism - all things have souls and the soul is the true form of the self.

JUNGIAN ARCHETYPES!!! This made me extremely excited. The Adventure Team says that "our purposes are our essences," which feels very archetypal. Kate is not Kate, but The Battle Hardened General. Narcissus is not Narcissus, or even an Oceanid, but The Dragon. Ann is not Ann, but The Hero. The repetition of certain archetypes in every single nation we've been to has made me spin in circles the whole time I've been observing it. There have been MANY archetypes that have repeated themselves in each nation (a Dragon, a Dragon-Slayer, a Holy Bird, a Big Tree, etc.) - and if things like archetypes and the collective unconscious are real and have a real effect on the events of Teyvat, it brings up two more questions: which of these archetypes were the "first," and how many times will they keep repeating?

"THE RULE OF THREE IS AN ANCIENT PRINCIPLE" DO I NEED TO SAY MORE? yes. yes i do. SO. despite poking through BOTH Aristotle's Rhetoric and his Poetics, while he loves listing his premises and theories in groups of three, he doesn't actually mention WHY he uses the number three so often. It's more likely thanks to our buddy Pythagoras that the number three is considered a Special™️ number, because he thought that (since it's the sum of all numbers beneath it - 1 + 2), he believed to be a "noble" number representing unity and harmony. Hence, why it's shown up everywhere from Christianity to neopaganism to writing to business marketing (!?) since.

THE NARZISSENKREUZ DOMAIN IS AN ENDLESS DOWNWARD SPIRAL WITH EACH LEVEL ON TOP OF ONE ANOTHER AND THAT, MY FRIENDS, IS GOING TO BE A LONG TOPIC FOR ANOTHER DAY

The only other time we've seen Paimon have such a strong response to a domain was under The Chasm - which was also a time loop of sorts. We've also seen (especially via the Sabzeruz Samsara) that she can't tell when we're stuck in a time loop. She can only feel its effects via fatigue and dizziness. This definitely has to be important.

So these are artifacts right. The pocket watch and the feather. These are symbols of aspects of Ann's story, so they're parts of an artifact set? They hold parts of her soul? We're all on the same page with that right!? RIGHT??

It's not given its proper name, but the Jabberwock's Holy Sword is quite obviously the Vorpal Blade, a well-recognized dragon-slaying sword from Lewis Carroll's poem "The Jabberwocky," which features in Through the Looking Glass.

Speaking of all the Alice references in this world quest - the final chapter of TtLG ("Who Dreamed It?") is a little unnerving in a Genshin context, since "what is life but a dream?" implies that, if whoever is dreaming of Teyvat(?) ever wakes up...well. Let's hope the collective unconscious thing is a more accurate representation for how Teyvat works, since then everyone would have to wake up for the universe to disappear.

EDIT: Ann mentions three cities/civilizations while we're in the Looking Glass Domain: Yith, Arcadia, and Hyperborea. I've posted an explanation about Yith in my Lovecraft References post but I want to mention the other two really quick! In Greek mythology, Arcadia was supposed to be an unspoiled paradise outside of human civilization, where the god Pan lived alongside a bunch of nature spirits (dryads, nymphs etc.). Hyperborea, meanwhile, was a city "beyond the reach of Boreas (the North Wind)," inhabited by people who worshipped and were beloved by Apollo (god of being Booked and Busy, apparently). The former wasn't so much a utopia as a place where supernatural entities could chill away from humans (which reminds me of the lost kingdom of the Seelie?), while the latter was a maybe-real, maybe-not utopia inhabited by 10-foot-tall blondes.

THAT'S ALL I'VE GOT FOR NOW BUT. but if you want to chat about things that happened in Narzissenkreuz, my ask box is open!!

#genshin impact #genshin lore #genshin spoilers #fontaine #lore rant

[blood-and-poetry]

Hot take I'm seeing quite a few posts confused over why Deadloch isn't trending or much more popular on tumblr because "tumblr is so gay and so feminist". And I am sorry to say this but tumblr isn't the "lesbian website" or the "feminist website". Tumblr loves men just as much as the rest of society does, its user base just loves them in a very online way which makes it look a bit different at times. It has always been this way, starting with shipping every two white dudes in close proximity to each other, over worshipping old male Hollywood actors to downright MRA and anti-feminist talking points in the recent past in "progressive leftist" spaces on here. All done in very uwu political correct tumblr speak of course.

And it's really that simple. Media with two (often times white) guys standing close to each other will always be more popular on here than anything women- or lesbian centric, no matter how many theoretical tumblr approval boxes said media ticks. There is a reason why lesbian shows get canceled left and right. Even if lesbian shows are trending for one or two days there is just no genuine interest from a majority of people (on tumblr and anywhere else). Men overall are rarely interested if it isn't made with the male gaze in mind or focusses on men, straight women aren't interested, even many bi women (don't come at me I am bi) aren't interested because they don't see other women (and often times themselves) as complete and potentially interesting people/characters (how often I've seen women on here saying something along the lines of "my favourite characters are all men but it's just because these characters are so good! Pure coincidence. I would definitely love a female character but I just have never found one I am that obsessed with. Not my fault, they are all written in a bad/boring way").

Doesn't matter how often the word "queer" is thrown around here, all of this has always been the same and it won't change. Which is.. fine? I have never expected it to be something else. A website that isn't specifically designed for lesbians but only attracts lesbians would be magical. But a website thats designed for nerdy people and especially women of that kind will attract.. nerdy people/women. Consisting of the same groups of people that exist in real life, including lots of women attracted to men. I have my little bubble here in which I mainly see lesbian content but the things on my dashboard rarely reflect what's trending or the content of popular posts.

I am not bitter about this because it has never been different (here or anywhere else) but I am surprised that people are still thinking that this website would worship a lesbian-lead and female-centric show when it would be entirely out of character for tumblr as a whole to do so. I mean maybe this is all about the show being australian. Maybe people don't like Australia. I also get that crime shows aren't THAT popular either but I guarantee you, if Dulcie and Eddie were dudes this show would be trending so hard.

Deadloch is a fantastic show. It looks amazing, has fantastic humor, the drama is great, the plot is great, there is a good message behind everything and the show also sprinkles in some of tumblrs top ten greatest political correct catch phrases. The main two characters are played by lesbians, another actress from the main cast is bisexual. One of the main characters is a lesbian and there are several other lesbian characters in the show. The other main character is a woman of color (who SHOULD be same sex attracted but sadly seemingly is not which makes me cry). Almost all important characters are women. Amazingly written by the way. There are plenty of women of color, indigenous women especially, playing important roles. All female characters are complex and nuanced people and their suffering isn't used for shock value or to push forward the plot. The two main female characters are both over 40 years old! What the show doesn't have is the same two decent looking men standing in close proximity to each other. And there really isn't any arguing against my little rant here because the only thing I accept as proving me wrong is a lot of people watching Deadloch or overall more women centric and lesbian centric stuff :) Thank you :)

#mp

[witchthewriter]

I hope this isn't a weird question but do you have a list of sjm characters that you headcanon as poc? Because I want to see what you think and if they line up with my own. I had never seen manon fan casted as asian, but im in love with it!!

I love this question! I've been re-reading the three series, getting ready for CC3 to come out. I have so many things to say, but I'll leave all that to another post - also thank you for this question, it's awesome. Please comment how you feel/what you think in the comments xx

𝐀𝐂𝐎𝐓𝐀𝐑

First of all, the Bat Boys are NOT white. If I see another person fancast Matthew Daddario as Ariel, I will implode! I know it's difficult getting the perfect cast for a story we all adore.

Another point, the Bat Boys are Illyrian, and they are actual real people. Their usual features are tan skin, brown eyes and brown/black hair.

Also, Lucien - who I have fancasted in the past with Martin Sensmeier. I thought it was an interesting idea for a Native American to have that role.

And Amren is MOST DEFINITELY Asian. Without a doubt. There is no ifs, buts or maybes about it. She is most definitely Asian, and I will take offense if someone thinks otherwise.

Also, I don't want the Archerons to be so conventionally pretty, or petite. That's why Alycia Debnam-Carey is my Feyre, Dagmara Bryzek as Elain and Jessica Brown-Findlay as Nesta. I want women who aren't models!

The Valkyries;l Emerie is described as brown, as she is an Illyrian woman. And I'm completely fine with Gwen being red-haired, freckled and pale.

I'm curious about Mor, her physical features are fine - but her 'power' has yet to be revealed. Because it doesn't make sense???

𝐓𝐎𝐆

There are a lot more cultures in this series than the others. For me, it was so interesting because I'm desperate to know how different countries/continents, experience magic.

Learning about the Ruk's, with Nesryn and Sartaq, that was amazing.

I thought Manon was Asian, I always thought she was?! I mean from that link, that's how I imagined her. Whenever I see fanart where she isn't Asian, I just don't see them as Manon.

I definitely think the Cadre could be more than "tanned from hours of training in the sun." I think Lorcan could be a black man! And I def think Fenrys is half-black. Maybe with a white mother though. I hope I'm not coming off as insensitive! Please tell me if I am, because that isn't my intent.

Honestly, I don't care about what's 'canon,' I think there are way too many white characters in every part of literature. I know about history and when it comes down to fantasy worlds, I think black people should be allowed to indulge themselves as much as they want, without having to think about their awful history and what their culture has gone through.

𝐂𝐂

I actually thought Danika was black, it was a surprise to see fanart and she isn't??? For some reason, it doesn't sit right with me to have a white Danika.

Again, I feel like there aren't enough people of colour. We have little fire sprites, we have a lion-dog pet, a serpent queen, angels, and barely anyone who isn't beyond tan.

I don't think this series has a black character ... other than a few background characters that are only mentioned here and there ... if anyone wants to weigh in - I'm still learning about cc, I forget A LOT.

But in no way has SJM been as horrible as J.K. Rowling. Not only was she racist, but cliche', and a pick me. There was too much pick-me energy among the female characters. I'd like to think that at Hogwarts, the girls stick together no matter what (for me, female friendships are so important. It's sisterhood).

#anon #sjm #sjm poc #acotar #tog #cc #witchthewriter #headcanons #anon qs

[skaldish]

@promiseiwillwrite

It occurs to me that perhaps some of the nature of the folklore itself prevents it from even being acceptable to be seen in religious contexts. So much of American Folklore is either of indigenous origin or Imported due to slavery or immigration. I immediately think of John Henry as a singularly American story and direct product of imperial expansion. I think any folklore associated with BIPOC would have been dismissed out of hand during the early days of this country I can't speak for what has occurred in other parts of the world, but the US has seen HUGE concerted efforts at cultural erasure. And Folklore CANNOT by definition, be separated from culture, because People as a collective essentially ARE the stories they share. That is how cultural identity works. And we have to add another layer of complication regarding Indigenous folklore, because some native american traditions are closed. Some stories from these cultures simply aren't available to outsiders, whether you look at colonial time-frames or current time.

I didn't want to lose this in the replies because I think this is very important.

American is built on a legacy of colonization, a system that, amongst other things, operates through killing an established culture and inserting its own amongst the people.

The way the US is set up deliberately makes it hard for people to create, share, and pass down culture organically, including folklore, folk-practices, and oral stories.

BIPOC guard their cultures, practices, and folklore for this reason—to preserve it. Because as much as white Americans want to have all the trappings of an organic cultural identity, we don't actually think to create it. We just want to consume it.

And I think that comes from a few things:

General superstition and fear of taboos.

The fact that only organized religions have any cultural power. We can't take time off work for holidays otherwise.

The fact people are physically divided by large areas of land, promoting more isolation and less community interaction. The only time we may get regular community interaction is at school or at church.

The fact there are very few spaces for us to mingle and interact with one another that don't require us to spend money. Everything we do we do as a patron to so kind of establishment.

Rampant commercialization teaches us that "to have" is "to consume" and that there's no other way to acquire things (there is, by producing).

I'm interested in how Scandinavians think because I'm Heathen and that's where Heathenry comes from, but when I work with the beings and spirits of the land I'm not working with Scandinavian spirits. I'm working with ones that belong to America. And that requires care and discretion so I'm not working with anything Indigenous, but it's also something I can't ignore if I actually want to be in right relations with this land.

Idk I'm running out of braincells so I'll just throw this out here and y'all can bring in your $0.02.

#replies

[alatismeni-theitsa]

Hello Theitsa, new follower here who just made an account to share my input on a past question about the term 'wog'. I'm a Greek-Australian in my early 20's and wog is a word I've heard used my whole life to describe Australians with Mediterranean/Balkan/Arab backgrounds. but I'd say it's mostly geared towards Greeks and Italians as they were the top 2 ethnic immigrant groups 60 years ago. I remember as a kid in the early 2000's wog was used as a way to derogatorily describe people like me due to the way we looked, dressed, languages we spoke, the food we ate, or the traditions we practiced that were different to the 'white-Anglo' norms. A common question when I was younger was "what is your background?", or "where are you from?" this was asked because me and my family don't 'look Australian', but thankfully now this sort of question is a lot rarer to hear. Back then I was somewhat ashamed of the way I spoke and made an effort to try and speak more 'proper' (an example of this is the youtube channel Superwog if you're curious who do comedy sketches exaggerating scenarios and the 'wog accent'). Nowadays I'm a lot more comfortable with my culture and identity and have embraced the unique way I speak. Mostly in the last 20 years the term wog has been used more and more by wogs as a way to connect with our shared culture and less and less by people using the word with a negative connotation. While I do sometimes hear it being used by non-wogs in a negative way, it's much more commonly used by us. I use the word freely and casually, and have no problems when my anglo or asian friends use it around me. Now it's mainly the intent behind the use of the word, generally not offensive, but it can be used offensively. On the note of experiencing racism as a Greek in Australia I will say that it does happen, definitely not to the same degree as Indigenous or Asian people. Me and my family have experience it in some form, from my yiayiades and papoudes, to my parents, to me and my siblings. Most often you'll hear something about Greeks being shady with money, poor, cheap, lazy, or gay, which is the most basic and surface level type of insult (the first my family experienced plenty owning and working in a cafe). A different example would be my sister and her friends at (a Christian) school being told that Greek's aren't Christian because they worship idols (eikones).

Another similar note would be to look into the Cronulla Riots from 2005, as a very public incident of racism towards wogs. Often groups of young wogs are seen as 'thuggish' or hooligans due to being loud or being into car culture (loud, modded cars). For these reasons wogs are usually targeted a lot more by police especially while driving, I personally feel a lot more at risk of being pulled over while driving around compared to my non-wog friends, not to the extreme of fearing for my life like what many Black Americans experience, but enough that I don't feel completely safe. Sorry for the length but this topic really interests me for obvious reasons, I wanted to share a little of my personal experience as a Greek-Australian and a proud wog. Identity is quite important to me and something I've struggled with for a long time as someone who feels not 100% Greek when I'm in Greece, and not 100% Australian when I'm in Australia, I'm proud of my Greek culture and heritage, and I'm also proud of the country me and my parents grew up in and call home.

Γειαααα! Ευχαριστώ πολύ που έκανες λογαριασμό για να μας εξηγήσεις - και για το follow φυσικά 💙 Πρέπει να είμαστε σε επικοινωνία οι Έλληνες από όλο τον κόσμο 💙

#greeks in Australia #Greek diaspora #wog #answered #greek speaks #Greek Australian

[twilightguardian]

Well well. Looks like Lil is still up to her incoherent screaming. Let's take a look, shall we?

I gotta wonder what she means by 'absolutely nothing'. Like by definition 'absolutely nothing' would mean that there has been nothing going on. At all. The equivalent of sitting at a desk, not even twiddling your pencil between your fingers because twiddling would be something.

Episode 2 continues on from episode 1 with what Ruby bought at the festival, revealing them to be friendship bracelets for WBY, establishing how happy she is that not only her team, but her friends are back.

Qrow is still drunk, and unlike in the show, it's becoming actually debilitating for those around him, with Jaune and Ruby having to carry him to the station.

Blake says goodbye to her parents, Sun and Ilia just like in canon. (But I guess since Lilith thinks that's absolutely nothing, we can count that as nothing of worth to canon, either.)

There's also brief mention about the White Fang going to help Vale's recovery.

First episode we saw Roman and Neo pickpocketing people at the festival, and that got paid off when they got into first class on the train.

Mercury and Emerald have a discussion about Cinder and their differing views on her and parenthood.

Cardin and Russell replace Dee and Dudley both as characters we care about and filling in some exposition about the status in Vale.

Brief comedic scene where Yang tells Neptune the truth about 'Jane', because why keep friends in the dark about such things.

That's 8 'nothings' that have happened in the episode. So if you want to break it down into the most important things, we can say establishing RWBY as rekindling their bond, Cardin and Russel's cameo, Emercury's discussion and Qrow's drunkenness as being the core elements.

Ooof. You've never actually read fanfiction, have you, Lilith? You should join the Tundra discord server and join us for bad fanfiction night. Because all this tells me is that you don't know what incompetence is.

Actually, I have no idea if you even read. That's not an insult, that's just a general statement of fact. I've never seen any mention of books on your blogs, and I don't know you as a person.

Why would Cardin's return make you want to watch Fixing RWBY unless you had the expectation that Cardin, who you think only abuses women for some reason, would abuse a woman. Is abusing women something you like to see? People generally avoid things they don't like, you know. That's pretty dang weird.

Emphasizing again that Cardin isn't an abuser of women, specifically. He was a general bully in canon and a rather toothless one at that. He more went after Jaune in canon. Raymond gave him some teeth and his ass was still humbled for it. Now he knows better. When was the last time we've seen Cardin 'abuse' a woman?

Casually insulting all fanfic writers while trying to shit on one guy you have a hateboner for. Nice. You know there's not a single thing you said here that also can't also apply to your average fanfic author. Authors that may like a male character for whatever reason and may want to focus on that male character. Fanfic authors in general create derivative works that aren't 'their own' and many take from each other based on common fanfic tropes, themes and scenarios. The point of Fixing RWBY is to keep as close to the original as possible while also not being afraid to cut unnecessary fat and rearrange things. There isn't a single thing done to Fixing RWBY that one could say impacts the story in any substantially detrimental way. Oscar not being around doesn't matter because Ozpin still has a host. Expanding Menagerie's arc still resulted in Blake meeting up with everyone at the school.

lol

And she wonders why I have no faith in her ability to write when she doesn't seem to understand the concept of foreshadowing and Chekhov's Gun. No, he didn't do the Apathy Arc in V4. It was establishing when the backstory that Maria read in that book took place.

Also prove that the Apathy Arc is going to be 'all about Roman Torchwick' because you're just pulling that out of your ass with no basis other than you want it to be that way. You know, criticism comes after something you disagree with happens, not before.

I don't mind if you think that the first two episodes are slow. That's perfectly fine as valid criticism as not everyone is going to feel the same. Doesn't make it bad, it just means that's your preference. But that doesn't mean you get to pull shit out of your ass like you're fucking Jillian Epperly.

I don't understand this criticism. Are you saying that because Adam has a bike that Yang doesn't have her bike? Or that Yang owning a bike gets diminished because Adam has one because only one person is allowed to own a bike at a time?

Hey @iamafanofcartoons, hello, we haven't formally met yet. I've actually been very interested in talking to you at some point, and I'm sure this might wreck that a bit. But permit me to ask you what this even means lol

When has Raymond ever said that CardinxVelvet is going to for sure be canon in FRWBY? Because like... there's a difference between shipping a ship and then making that ship canon in the story you're working on. And really, obsession? How is Raymond obsessed with men who harass women? Because so far the one who talks the most about Shiloh is you.

And I wouldn't even say that either Shiloh or Shay D. 'harassed' Yang. The dude was drunk and tried to flirt. She wasn't interested and while touching her could have been assault, she was the one that touched him first to hit him instead of moving out of the way and verbally telling him off. Harassment actually deals with continued intimidation and threats. Yang was never threatened by Shay/Shiloh in either version. Yang was not a victim of harassment. So I would appreciate it if you would not infantilize Yang by saying such an innocuous altercation was harassment as it really makes out real harassment out to be not that bad if that's the comparison.

Yeah. I can't wait to see him prove you wrong because you're saying this with no proof.

#rwby #rwde #lilith fairen #frwby #fixing rwby #canonseeker #iamafanofcartoons

[fleshing-out-fodlan]

Ingrid's Relationship with Food

Ingrid grew up in an impoverished territory that had many agricultural struggles. While she herself was by no means malnourished, she definitely grew up knowing food was not something that was guaranteed. This caused her to develop a somewhat complicated relationship with food, to the point where she almost views it as sacred.

To Ingrid, food is something you should always be grateful for and never take for granted, as can be seen in her Share a Meal dialogues.

Obviously, she would react to a meal she likes with excitement, so we don't need to focus on that too much, but even when eating a meal she's neutral to, she expresses great joy at being able to eat it. She describes the experience as "wonderful" and remarks particularly on being able to eat goof quality food everyday. Ingrid was not a malnourished child, we know this from how she talks about the sacrifices her father made so she could eat. But, compared to other nobles, she certainly did not eat particularly well. In her Yuri support, she comments on the food of Faerghus not being as "elegant" as Adrestian or Leicester food but still being "delicious" (interestingly, this does seem to contradict a quote form her Byleth support where she says she ate "extravagant" meals while her father simply ate "meager portions and watered down soup." My interpretation of this is that Ingrid's meals were, in actuality, not all that extravagant but they just seemed extravagant to her as a young girl who didn't have much else to compare her the food to). Building off of that, I want to look at one of Ingrid's White Cloud explore dialogues.

Here, Ingrid again emphasizes the beauty of how they are able to get food "every day," similarly to her neutral meal dialogue. I think the constant emphasis on the consistency of high quality food shows how Ingrid isn't used to this kind of luxury. She is definitely acutely aware of the situation in her territory and likely knows that many people there aren't able to eat everyday. Let's look back at her dialogue for when she dislikes the meal, commenting on how she was remembering the famine. Even when eating something she doesn't like, she is still aware that the experience of just eating the food is a privilege in and of itself. Therefore, she does not complain about the quality of the food, simply reminds herself of those who are less fortunate and forces herself to finish it anyways. Now I want to shift focus to one of her advice options.

This emphasizes how Ingrid believes you should always be grateful for the food you have. Having access to both meats and vegetables would seem pretty luxurious to someone who experienced a famine. She saw her people making many sacrifices and likely subsisting off of meals that were significantly lower quality than anything people eat at the monastery, so the idea that the monastery food still isn't good enough for some people would drive her crazy. This also seems to point at a dislike for picky eaters from her dislike for the second advice option. Being picky is a luxury, it's a privilege, and Ingrid doesn't like seeing people's privileged attitudes towards food. Food is something special to her and it therefore deserves to be treated with respect, and we can see this in her support with Raphael.

Here, Raphael behaves in a very slobbish and carefree manner in regards to his food. The whole C support shows Ingrid getting mad at him for the various ways he is being improper, so you can look there for more examples, I just wanted to choose a short snippet that I felt really represented Ingrid's frustration at the idea. While it is definitely possible to chalk Ingrid's frustration up to her more proper manner, which I'm sure plays into this exchange, I think it's also important to point out just how frustrated Ingrid gets over Raphael's lack of manners when eating, which brings me back to the point I made earlier with Ingrid almost viewing food as sacred. When something is sacred, the way it is treated is very important. If we had an alternate support chain, where a non religious character had poor manners in the cathedral like Raphael currently displays and a religious character berated him similarly to how Ingrid is berating Raphael, that support would make sense. This therefore indicates that Ingrid believes food is worthy of respect and, when you eat it improperly, that indicates a lack of respect and that you are not enjoying the food to its fullest. This high respect for food also believes Ingrid to view food as a more communal experience.

I think this viewpoint is likely influenced by the culture in her territory. Due to the scarcity of food, good quality meals (or at least good quality meals relative to what the Galatea citizens are used to) are likely only experienced on special occasions, with friends and family. Ingrid would likely have internalized this food and viewed sharing good meals as something very special (this is especially true because, when making a meal for someone during a famine, you are spending your limited resources on them when you could instead use them to take care of yourself, showing that you care deeply for the other person). Another part of Galatea territory's culture surrounding food shows up in her working dialogue with Sylvain.

To my knowledge, we don't see other noble characters indicating that food is something you have to earn. The closest we get is Petra talking about hunting for food, but I'm sure if Petra had an unsuccessful hunt she still would've been fed. Ingrid here views food very clearly as a reward, it is not a right it is something you're given after a hard days work. The fact that she holds this viewpoint indicates that this isn't just a reality for the commoners in Galatea territory, but also for her noble family. If the limited food their territory has is being spent on you, you are expected to use the energy you get from it to benefit the territory. After all, if you're somebody who is just going to sit around and do nothing all day, why should they waste their limited resources on you? This attitude likely instilled Ingrid's respect for food at a young age. In well off areas, food is something your parents just give you as a child so it's easy to take it for granted. But Ingrid, if Ingrid has had to work for her food from a young age, she would've been made aware of its value very early on.

Ingrid also utilizes food as a source of comfort, as can be seen below.

Time for a little confession, I gathered all these quotes before writing this analysis and didn't write down where I got them from because I thought I'd just remember. Well, I don't remember where I got the first picture from here, so when I was going back to find context for this quote I wasn't able to find it, oops. So this section is not going to have as much context as I wanted but oh well I think it still makes my point.

In both these instances, Ingrid is dealing with something difficult. In the first quote, she had just started opening up to somebody about her struggles and in the second picture takes place post time skip, meaning she is in the midst of a war. In both these moments, she uses food as a source of joy, as a distraction from whatever she is currently dealing with. This can again tie into the sacredness of food in Ingrid's perspective. Many religious people will use their religion as a source of comfort in difficult times. We can see this in Fodlan with Marianne's character, who often prays when she is feeling stressed or upset. Ingrid's tendency to turn to food during difficult times how she holds food in high regard.

Bonus quote I wasn't able to naturally fit into the flow of my analysis but is still relevant and interesting

#fe3h #fe3h analysis #ingrid galatea #fe3h ingrid

[sundial-girl]

Hi! Would you like to explain how my portrayal of vsynths contrasts with Heron? I personally can’t figure out what makes it so interesting, since when I make Heron interact with other vsynths I rarely have a good idea of how they’ll work in mind, and just wing it.

hihi! i'd been meaning to get to this, so sure thing! for now i'll only focus on a few main ones that came to mind (i don't have a lot of brainpower atm 😔✌️) but i hope this is alright

mild disclaimer that some of this is based off information in older posts so i am aware that those prior details contained in them may no longer be canon. also again this just how i thought of/interpreted certain things, i'm obv not the og creator (you) so ultimately feel free to take this w/ a grain of salt since this might've not been the og intention.

also this is all under this cut here b/c it ended up being rly fckin long, sorry in advance if my explanations aren't very good 😭

so lets start w/ fukase; some of his character traits in your portrayal of him do seem to line up with some popular interpretations of him: silly guy/wisecracker who makes a lot of jokes, sometimes at the expense of others. also a he's a bit overdramatic ahdksjg. despite his sorta skewed goals, though, and behind that sassy attitude, he does really seem to care about people important to him. they're both very expressive characters (well in general everyone is depicted as very expressive in your art but thats an aside) but i think the way that is conveyed makes for an interesting contrast. fukase seems to show a lot more of his personality through his speech, while heron's personality is shown more through some of his actions. that's not to say heron is completely silent, but he does seem to save his words for more important occasions (or if he just really really feels like speaking his mind); whether that's because he's still a bit shy and/or just a quiet person in general, i'm not sure, but a lot more things with him seem to be conveyed through thoughts or external third-person commentary rather than him outright saying it. its definitely the opposite of fukase, who seems way more chatty and social. visually too there's a pretty neat contrast between them: aside from the height difference that sets them apart, both have limited color palettes that combine some neutral colors (fukase's off-white, black, and brown, heron's greys, muted teal, and tans) with a brighter color to pop out (fukase's bright red, heron's aqua seen on his collar + headphones).

flower and heron's relationship has previously been described as somewhat sibling-like, and it does definitely come off that way: there might be disagreements and rivalry but there's some calm nice/silly moments and genuine care & concern. they share a lot of similarities, but one could note how their relationship parallels that of heron & makarov's - flower occasionally takes on the more cheery and bubbly role in comparison to heron sometimes being the more serious and quiet one, which is seen reversed with the brothers. in spite of quarreling over small, petty little things sometimes, heron and flower seem to make up much easier and not hold any long-lasting resentment towards each other. i ofc know the heron & makarov situation is more complicated and it would make sense for it to be more strained given all that's happened, even in spite of heron forgiving his brother. but i do also wonder if it's been difficult for flower to try and calm heron down on certain occasions, seeing how he's also prone to spirals of his own thoughts that are hard to pull him out of, in a way very similar to his own brother. something sorta ironic there maybe

piko's interesting, pretty much the wild card here. his characterization does seem to vary quite a bit: he can be very playful and cutesy but also kind of a downer, as well as an angry little guy and a bit more ominous/spooky at times. there was a noteworthy point mentioned in this post though regarding how piko sees heron: heron reminds him of his younger self and wants to spare him of the pain that comes with getting your naive dreams of fame and popularity crushed. they're both very similar to each other, from the moodiness to being drawn—sometimes together—in a lot of pieces w/ similar subject matter (both have a fair share of lighthearted doodles as well as darker ones, more so in specific comparison with other characters), and taking the previously mentioned piko thoughts on heron, makes things a little bit sadder... maybe piko's current passive-aggressive and somewhat angry attitude is a mask he's developed over the years to protect himself from getting hurt more, though you can get to his nicer side if he trusts you enough. heron sometimes seems like a slight, cruel opposite of this: being nice and trusting others a bit too easily, but then breaking down emotionally in realizing his choices and impulsive actions, which might scare some people away. i want them to be happy kajhskj but i do wonder if, in spite of how much heron might look up to him, piko really feels the same way. i'm sure he does care about him, but... feelings is complicated. also i wasn't gonna touch on too much of this since i'm aware its not canon, but there's also the whole tall piko thing and how that version of piko specifically interacts with heron. that relationship in particular seems to represent an idealization: some sort of true happiness that'll come once there's an acceptance of the self, and a real willingness to accept help and be vulnerable to allow oneself to be healed... but again that's not canon and might not ever happen so, rip

and of course... there's len. i touched upon this in that original headcanon post but i did still wanna bring it up a little here. something i thought was interesting in looking back at a lot of your art was that most times, len is depicted in group settings; he's rarely seen alone and almost always interacting with someone else in some way. and generally he seems quite concerned, even more so in his interactions w/ heron. aside from the obvious fear of getting mauled to death probably lmao, he also seems to genuinely care about heron and worries about him. i think its worth noting that len is the first person heron sees after "waking up" here, and how he's the only one actually putting a hand on heron there in second-to-last panel. but again, even if len does have good intentions it is clear heron doesn't seem to be on the best terms with him. this piece has always been particularly intriguing to me, pairing what we see happening with the title. makes me think heron's blaming len for what happened to him, that it's len's fault somehow he ended up like this. a big thing also that's part of the len getting mauled thing is... len getting dismembered and eaten. i'm not gonna say too too much b/c i'm sure nobody wants to hear my cannibalism rambling but symbolically... "you are what you eat" yk? as mentioned with piko, heron seems to look up to a lot of the well-known vsynths and wants to achieve a status like them. and ofc len's arguably one of the most popular vocaloids with lot of fame and recognition. heron's design itself is said to take some inspo from len's outfit, and in general (like i mentioned in the original hc post), just wanting to be so much like someone, wanting what they have but not getting it, that might understandably drive someone to rage, and the mauling/dismembering/eating is the violent culmination of those feelings of envy. one last bonus point in terms of visuals too: yellow is the complimentary color to blue (ok ik heron's blues lean more towards blue-grey or aqua but shhhh), the literal opposite of it on the color wheel.

overall i feel heron honestly fits right in with the memesquad; everyone's personalities sort of compliment and mesh well with each other, which creates a fun dynamic that's really sweet to see. i think its really cool how you managed to make him fit in so well and how a lot of his interactions with the others make a lot of sense and are interesting to see, in happy moments as well as more serious/sad ones. sometimes i do really forget he's not a vsynth [yet?] so its surreal. ur doing a really good job tho, keep heronposting we love to see it

#ask #sorry this took so long to answer shkjghskjg 😭😭 a lot has been going on lately #i realize now this is more character relationships/comparisons and stuff rather than contrasts necessarily... oops. #i apologize in general if this makes like no fuckin sense 😭😭😭 my lit analysis shit always sounds better in my head than irl #there's more i could've put here but i was already struggling on how to phrase certain things properly so we'll leave it here for now #tho tbh: fucking around and not really knowing what youre doing will honestly lead you to some of the greatest shit youve made #<- thats a really weird fucking art/writing tip that ive learned over the years and it still fucks me up everytime but fr sometimes. #some of the best shit ppl have come up w/ was born purely out of messing around and improvising so. winging it is a solid development tip

[writer-sedai]

Why the Wondergirls might be back in the Tower at the beginning of season 3

I've seen a lot of spec assuming that the girls won't return to the White Tower at all next season (with plenty of very sound reasoning!) However, I can't quite convince myself that this is the route the show's going to take, so I wanted to take a closer look at the White Tower's role in book 3 leading into book 4, and how some of these elements can or can't be handled in a different way.

(Major spoilers for The Dragon Reborn and The Shadow Rising below!)

1. Missing character links

There are three characters originally introduced* at the White Tower who have not yet been seen on screen yet: Galad, Gawyn, and of course Elaida.

(*Rand meets both Gawyn and Elaida in Caemlyn but as neither interact with him again for a very long time, it doesn't really count for the moment.)

In the books, Galad, Gawyn, Elaida and Elayne all arrive at the Tower together; this is how Egwene and Nynaeve meet them. Additionally, Min being at the Tower is how she and Elayne meet.

Obviously, this impacts future relationships, most significantly Egwene's relationship with Gawyn (tbh, I think Elayne and Min could meet much later on after they've both fallen for Rand without it impacting their dynamic much).

But GAWYN - if he hasn't met Egwene yet and we haven't seen his relationship with Elayne, how are we supposed to understand the side he picks during the coup? Why should we care? His storyline would lose so much of its point - that he makes decisions that he thinks are best for Elayne/Egwene, but that actually put him in direct opposition to them.

2. Missing training

Less significantly, Galad being a Whitecloak next time he sees Elayne and Nynaeve near Salidar will have less effect on them - since Nynaeve wouldn't have met him at all yet. (Again I think Elayne could probably carry this on her own, but the difference doesn't hit as much if we never see their relationship before.)

Also important here is that the White Tower conflict will probably be a major plot point in season 3, and if the girls aren't at the Tower we wouldn't have any existing POV characters to introduce it to us (Verin and Alanna will be in the Two Rivers, Moiraine is banished, and neither Min nor Suian have had sufficient screen time so far). It's possible to introduce the conflict without the girls of course, especially if Siuan is elevated to a main character, but it might be harder to invest people in from the get go with only new characters and secondary characters holding it up.

It's frequently joked about how little time the Wondergirls spend at the Tower in the books - if they never go back there in the show, then this time would be even shorter (Elayne has only been there for a handful of weeks!). However, some of their knowledge gap could be filled in with training from Moiraine.

Obviously if they don't go back, then Elayne and Egwene won't be raised Accepted. This would mean that they spend the next 3 books pretending to be full sisters while barely being able to control their power - in the books the fact that this deception was successful was already a bit unbelievable and this would only make it moreso.

It would also mean that Egwene becomes Aes Sedai without ever becoming Accepted and then that she also raises Elayne straight to Aes Sedai without becoming Accepted, which stinks even more of favoritism.

And lastly, Egwene's Acceptance test is important - both to my Randgwene heart but also to foreshadow her future and show how tightly she and Rand are bound together. (I've seen spec that this scene could instead happen at Rhuidean, which is definitely possible if Egwene also goes through the silver rings with Aviendha and Moiraine).

I do think the show might run into issues from a visual medium perspective to repeat the Acceptance test the way Nynaeve undertook it, in which case it might make more sense to move the experience away from the tower.

3. Missing tools

This one is by far the easiest one to rectify, I think. Egwene is originally given the twisted ring by Verin at the White Tower, and it's how she and Elayne/Nynaeve meet in tel'aran'rhiod while separated so it will have to come into play eventually (along with a bigger introduction to angreal and ter'angreal).

I think @butterflydm was the first one I saw mention Turak's "room of curiosities" replacing the storeroom in Tear - in which case, it could also easily stand double for the Tower's store cache as well. The girls could easily find the ring in Falme (or be given it).

They could also be given the charge to hunt down the Black Ajah in Falme as well (this is where I'd love to see Ryma come back into play as a communication link to the Tower, potential teacher, etc), with Egwene only choosing not to participate in the hunt when Amys invites her to the Waste.

Problems with returning to the Tower

The biggest one here is time - I think there will probably be a time jump somewhere at the beginning of S3 since there was a jump between both TGH-TDR and TDR-TSR, but even with a jump of a month and quick travel via the ways it means sacrificing bonding/group time in Falme (Egwene and Elayne bonding with Aviendha, Egwene and Rand sorting out their relationship, Nynaeve and Lan being in the same place) in order to fit the Tower in.

Egwene could bond with Aviendha and break up with Rand while in the Waste , but I'll miss Aviendha constantly describing how beautiful Elayne is to Rand! (Although I've seen spec that Elayne and Rand won't be developed until later on - which would make sense - so that opportunity has probably already been lost, rip 😭)

The second major thing I can think of right now is getting Egwene to the Waste - if Rand, Mat, and Moiraine all leave from Falme it seems kinda silly for her to leave from the Tower to meet up with them there. (Though it could be explained as a ta'varen twist of chance! In the books, Rand, Mat, and Egwene all have very different reasons for going to the Waste.)

And finally - depending on the current state of instability in the Tower, it might not make sense for the girls to go back. We've already received several hints that Suian's grip is not as strong as she would like, and all three girls would have to be out of the Tower before the coup happens to avoid being swept up in it.

— In conclusion:

From a streamlining perspective it might make a lot of sense to skip returning to the White Tower, but I worry about how several important story beats and character arcs would be handled without the girls there to serve as an initial anchor.

#wheel of time #wot on prime #wot book spoilers #this is less spec and more following several trains of thought

[astralartefact]

Voice of Cards: The Beasts of Burden Spoiler Post

Thoughts, Speculation, the juicy stuff you might want to know about if you don't plan on buying it...

So first of all before I get into it, short review: I think I liked FM more, that one did more cool stuff, but I liked BoB's Soundtrack better.

As with all VoC games, it's important to note that there is no lore, just vibes, so who's to say. Characters that look the same might be the same, but they also might not (I personally think they aren't). That being said.

BoB is set in a world without night (like Automata) that is built on top of the ruins of giant cities (filled with YoRHa merch) and our protagonist (who looks like Zero) can use Nier DNA magic to capture monsters (some of which we have already seen before). Which kind of implies that it is in the far future of the far future. And I guess that also means that YoRHa had a merch division...

(Thought I just had: What if Yorha was just a brand name before it turned into the 2B factory, but that part was forgotten and these are just relics from before that time…?)

But that's not all! A big part of the game ends up being Al'e's ancestor, who's also the superboss of the game (which means I don't have his card yet and I'm too lazy to grind for it, so if any of you guys beat him feel free to tell me about what his card says)

And he also might be Brother Nier? (Don't worry, I'm only going to get more unhinged from here)

The base of his silhouette is a white haired boy with an iron pipe and he fights black and yellow monsters, who are man-made bioweapons that went out of control. To combat them he invented a medicine that alters a human's dna (Nier Magic Alarm) and it turns out that the beings that were blamed for everything bad are actually *gasp* humans themselves.

Now, of course that doesn't match Replicant 100%, but it lines up with it pretty well. (Also this was revealed in a movie which might be some degree of fake, so who knows.)

Honestly at first I really wasn't vibing with BoB doing the cycle of violence again, because at this point it's been done a million times, I don't think "I will do atrocities because you killed my [insert person i care about here], but maybe... doing atrocities is actually wrong, because we are the same??" is interesting enough to be redone as much as it already is, especially since drakenier already had at least one game about the cycle of violence (i guess they all are...? kind of?) but then they kind of acknowledge and point out that Yes. We have done this story already. That's the point of cycle of violence stories. It happens again and again and again. Maybe for different reasons, but it seems like we never learn.

And suddenly "Could this guy be Brother Nier?" makes it even more "Yeah. We have done this a lot haven't we. And yet."

Anyways, now to the juicy speculation portion I promised:

So the big bad of the game turns out to be Pulche's mom Mizara, who wanted to understand monsters against the scorn of her people, only to learn that monsters are actually humans. Since the atrocities against them are even wronger than what she initially believed, she turns against humanity and wants to turn everybody into monsters instead.

So. In the german script the monsters refer to her as Mama.

There was a moment where I thought "Wait... It's not... that Mama, right?", but since Mama is just the german word for Mom it's the most logical word for a german script to use here, and since I would trust the impeccable german localization with my life I just accepted that and moved on.

I also wasn't smart enought to just listen if Yui Ishikawa said Mama or not... so if you could tell me how they refer to her in other languages, feel free to do so, because if they also call her Mama...

But then we get to her final final form.

And I realized

that she's sitting in a cage...

(Well kind of, it's definitely a stretch, but I have long arms let me be delusional)

So what if she is that Mama...

While everybody else is ripped in half when they die, she just evaporates after she drank the monster potion and was defeated. And the cards for the three beasts paint a picture that they really deeply cared about their "Mama" and of course she's also Pulche's mom, too. So maybe she woke up as Mama in the cage, because that was what she was remembered as...

(No, don't worry, probably not. But as long as we don't have Mama backstory, we might as well pretend. And listen, playing Voice of Cards with a nier-lore conspiracy board makes it so much more entertaining, I highly recommend it.)

btw, Mizara being mainly driven by the lore reveals of a movie is so funny to me for some reason? Like, what if the movie is an entertainment movie and entirely made up, but nobody knows what movies are so everybody thinks that's the truth.

#Voice of Cards #Beasts of Burden #nier reincarnation #yoko taro #yorha

[buddiebeginz]

I just watched Red, White, and Royal Blue for the first time the other day, loved it. I think I've watched it at least 10 times since then. 😝 Haven’t read the book yet so as usual I’m behind everyone else. But I wanted to make this post because I’ve seen numerous comments on social media criticizing the movie for not having lgbtq actors playing the main roles.

As someone who is bi I’m really frustrated that this continues to be an issue the lgbtq community is pushing. I've seen it happen with other movies and shows where actors have been harassed on their social media because they've taken queer roles and they're straight or straight presenting to the world.

I definitely believe we should push for better and more representation for lgbtq actors (especially poc and trans people) in Hollywood but that doesn’t have to mean every lgbtq role needs to go to an lgbtq actor.

For me as a queer person what matters most is that our stories are told by people doing it with the most care and authenticity possible.

One of my favorite shows of all time is Queer as Folk (the original US version from the early 2000's). The cast included a few lgbtq actors (and had lgbtq creators at the helm) but was mostly made up of straight actors. The show isn't without it's faults especially for the time period it was made in but for me personally it's one I most identify with. I never felt like the cast was just doing their job and the relationships especially within the main group felt real and relatable. The show also never shied away from showing true intimacy between their characters. At a time when gay sex was not a thing in media at all let alone on tv QAF was not afraid to be as raw and vulnerable with their characters as possible. No matter where the show took things the cast whether gay or straight always came off as people invested in the scene. You could also tell their commitment to the show when they did interviews back then and again years later when they've done reunions etc.

You can see the same kind of commitment to the story with Taylor and Nick in RWRB. You can see it in the movie and in some of the interviews we've been able to see when they've talked about their roles or working with each other and how much working on this has meant to them.

I get why people want to see queer parts go to queer actors when they don't get cast as much as they should and as I said that needs to change but I think we can push for changes while still praising important moments like this movie being made. I also don't think that actors should be pigeonholed into being hired solely based on their sexuality. The more society pushes for this it won't be helping rather it will hurt lgbtq actors who already have a hard time getting roles that aren't specifically for queer people. Gay men in particular are often passed over for leading man roles because it's a long running stereotype of Hollywood that no one wants to see a gay man as a straight romantic lead or an action hero.

The other problem here is I think we need to stop with this obsession of needing to know celebrities sexuality. Just because a character is lgbtq doesn't mean we need to verify that the actor is too especially if that's not something the actor wants to talk about it.

I think that Nicholas and Taylor deserve every bit of praise for the job they did. I don't think their sexuality matters here whatever that is because at the end of the day they both put their all into telling Alex and Henry's love story. Just as much as they would have if they were acting with someone of the opposite sex more so in some ways I'd argue. You can tell they felt the gravity of what they were making and and how important this story already was to so many people.

#rwrb #rwrb! #rwrb*