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veneskaa · 8 months

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Ik music isn't my brand or anything but i thought id share this 8-minute piece by caleb burhans. It's a microtonal composition for cello octet and it's been stuck in my head for days now

#and while i don't post writing stuff on this blog i will say that if tstmats were ever a tv show THIS would be the main theme 100%#from minute one to minute done #and a great addition to writing playlists everywhere #music #caleb burhans #classical music #spotify #cello

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donospl · 1 year

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Co w jazzie piszczy [sezon 1 odcinek 8]

premierowa emisja 10 maja 2023 – 18:00 Graliśmy: Roser Monforte Trio “Antananarivo” z albumu “Landscape Songs” Ben Wendel (ft. Cécile Mclorin Salvant) “I Loves You Porgy” z albumu “All One” – Edition Records Mark Guiliana “Radio Carbon Dating App” z albumu “Mischief” – Edition Records Tilo Weber “In Rapture And Rubble” z albumu “Tesserae” – We Jazz Lauren Henderson “That Old Black…

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13melekradyo · 1 year

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Güncel modern kompozisyon kayıtlarından bir seçki // A selection of recent modern composition recordings. Download.

01 – Issei Herr – Aubade (The Farewell Is a Beginning) 02 – Dom La Nena – Février 03 – Thomas Bangalter – L'Accouchement 04 – Eydís Evensen – Tephra Horizon 05 – Jaime del Adarve – Ada 06 – Richard Carr & Caleb Burhans & Clarice Jensen – Sun Ritual 07 – Rob Grant – Setting Sail On A Distant Horizon 08 – Tom Adams – First Wave 09 – Alexandra Stréliski – Élégie 10 – Grandbrothers – Daybreak 11 – SkarWorX – So Why Are You Here 12 – Kaada – How To Construct A Time Machine

#modern kompozisyon #modern composition #yeni #new

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stilled · 5 months

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Caleb Burhans - Super Flumina Babylonis.

#Youtube

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lesser-known-composers · 9 months

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Donnacha Dennehy - "Keening" from "The Hunger"

Katherine Manley, soprano ; Iarla Ó Lionáird, sean nós singer

Performed by Alarm Will Sound:

Erin Lesser, flute Christa Robinson, oboe Bill Kalinkos, clarinet and saxophone Elisabeth Stimpert, clarinet Michael Harley, bassoon Tim Leopold, trumpet Michael Clayville, trombone Chris Thompson, percussion Matt Smallcomb, percussion John Orfe, piano Courtney Orlando, violin Caleb Burhans, violin Yuki Numata-Resnick, viola Stefan Freund, cello Miles Brown, bass Daniel Neumann, Sound Engineer Alan Pierson, conductor and Artistic Director

#Donnacha Dennehy #irish composer #Youtube

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hellocanticle · 3 years

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Das Lied von das Abstimmen: Michael Harrison's "Seven Sacred Names"

Das Lied von das Abstimmen: Michael Harrison’s “Seven Sacred Names”

Cantaloupe CA 21157 I first encountered the work of Michael Harrison (1958- ) while searching for Lou Harrison CDs. I came across the New Albion release, “From Ancient Worlds” (1992). It is a disc of short piano compositions played by the composer on an instrument of his own invention, The Harmonic Piano, which was conceived in 1979 and built by1986. Harrison was a student/apprentice of the…

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musicainextenso · 4 years

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I’m going to level with you all. I was never able to get into late 20th century music. I loved the pop music, sure. But no matter how hard I tried to find a home, musically and emotionally, in the “classical” works composed during my own lifetime, I seemed to fail over and over, falling back always into the earlier part of the century. I loved Prokofiev, Ravel—composers from my century, indeed, but also composers from before my time.

But things have finally changed. After years of feeling like I was just never going to connect as strongly with composers of my own era, I’ve begun to fall in love with music of the 21st century. Perhaps it’s the abandonment of relentless atonality or the more diverse landscape, but these days, when I click to listen to something written within the last 20 years, more often than not, I’m swept away.

That’s what happened when I first heard this recording of Caleb Burhans’s Contritus, played here by the incomparable JACK Quartet. This piece is a soundtrack for the mind—each moment feeling like a direct readout of my inner world. It’s a bit more peaceful than the inner world I’m experiencing through 2020, and perhaps that’s why it’s resonating so deeply for me just at the moment. I hope it can bring you a bit of peace today, too.

More to come tomorrow from our editor-in-chief as Random Contemporary Music wraps up for the week! - Melinda Beasi

#caleb burhans #contritus #chamber music #jack quartet #21st century #21st century music #classical music #random contemporary music #contemporary music #musica in extenso

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thebowerypresents · 5 years

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Medeski Martin & Wood – Brooklyn Steel – January 9, 2018

A Medeski Martin & Wood show always stands out on a concert calendar, but these days, seeing them live is a capital-E Event, not least for how rarely the seminal acid-jazz trio performs. And when it’s not only our beloved John, Billy and Chris in action together, but it also happens to be when enough scheduling gymnastics can lead to an onstage reunion with classical upstarts Alarm Will Sound? Well, champ, it’s time to drop everything and groove. MMW and AWS last got together onstage nearly four years ago in Denver. Part of the yield from those performances was the hypnotic album Omnisphere, which combines the groups as one collaborative ensemble. Remarkably, it doesn’t sound tentative or overcrowded: Neither MMW nor AWS fully dominate what we hear, but neither group sounds politely removed or reserved either. Entering a more formal, less improvisational format didn’t pen-in MMW, and loosening up a bit didn’t leave the more formally structured AWS sounding messy.

Live at Brooklyn Steel last night as part of Winter Jazzfest, the bands doubled down on the promise of those 2015 meetings, playing the bulk of Omnisphere’s seven compositions over two sets of audacious, layered and spooky music. These tunes sounded spectral and dark, suitable for January’s winter chill, sometimes like a haunted house or middle-of-the-night forest walk, sometimes like the cold of space, or an undersea cave. They’re inviting, but not warm. Rhythm wasn’t their primary focus, although they certainly moved—atmosphere was. “Kid Tao Mammal (Unworldliness Weirdo)” felt like a suite thanks to an aggressive, increasingly chaotic, bleating intro that slowed to a crawling, icy-cool conversation between strings and drums, and ramped back, gradually, toward snarling cacophony. The Martin-penned “Coral Sea” served dissonant strings, spectral keys and squiggly brass over spare percussion. “Eye of Ra,” which on the album is a 20-minute mind-scrape that seems to cover everything from echoing ambience to Spaghetti Western twang, here felt even more expansive, like an empty canvas gradually filled in by lines, then shapes, then figures, then details, then shading, then colors. And the noir-ish “Northern Lights,” which anchored set two, moved along at an eerie 7/4, for a time yielding to Medeski’s keys, which crawled all over it like sonic spiders.

Naturally some of the biggest cheers came for the familiar Medeski Martin & Wood tunes, artfully arranged by members of AWS: “End of the World Party,” sounding ever more like its title with more layers of creepy tonality, and “Anonymous Skulls,” a slow-grooving stroll through somewhere mysterious and inexact, save for the snapping instrumental voices hiding along its path. And when the M, the M and the W stripped down to their classic trio format for a handful of songs, they created yet another little world within a world. (It was their typical setup, though here snugly tucked stage left under spotlights while the members of Alarm Will Sound sat onstage watching in rapt fascination.) There are probably enough ideas between these two bands for 10 albums and hours upon hours more of performance. Maybe we do this again, team, and sooner than in four more years? —Chad Berndtson | @Cberndtson

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

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theretirementhome · 3 years

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String Noise - Caleb Burhans: Escape New York

Buy it here.

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zoeflake · 3 years

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Max Richter - Path 5 Delta

artists: Grace Davidson, Max Richter, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow

#max richter #path 5 delta #haunting #ethereal #soul-soothing #music videos #♥♥♥#goodnight

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songblr · 6 years

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#fifth house ensemble #caleb burhans #excelsior

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domesticflight · 6 years

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(via https://open.spotify.com/track/679TvUwIfLbD9lD0jX8DiR?si=hWKtqWzSQfmJLjWFJkCRRQ)

#max richter #ben russell #Yuki Numata Resnick #caleb burhans #brian snow #clarice jensen #space #sleep #ambent #experimental #coma #bliss

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therealandyhat · 7 years

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Delightful performance of Bach's Partita #1, each movement paired with a newly commissioned work (by Caleb Burhans, Clara Iannotta, Matt Marks, and Andrew Greenwald)

#big ears #yuki numata resnick #bach #caleb burhans #clara iannotta #matt marks #andrew greenwald

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albfreeman · 5 years

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Just added to my tracks on Spotify "Space 11 (Invisible Pages Over)" by Max Richter, Ben Russell, Yuki Numata Resnick, Caleb Burhans, Brian Snow, Clarice Jensen https://spoti.fi/2RLy31J

#IFTTT #Spotify

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johnjpuccio · 2 years

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Recent Releases, No. 28

Jóhannsson: Drone Mass. Paul Hiller, conductor; American Contemporary Music Ensemble (Clarice Jensen, artistic director and cello; Ben Russell, violin; Laura Lutzke, violin; Caleb Burhans, viola); Theatre of Voices (Else Torp, Kate Macoboy, Signe Asmussen, Iris Oja, Paul Bentley-Angell, Jakob Skjoldborg, Jakob Bloch Jespersen, Steffen Bruun). Deutsche Grammophon 483 7418.

Here we have another recording of music from the late Icelandic composer Jóhann Jóhannson (1987-2018), whose compositions have been reviewed several times before in Classical Candor. Jóhannson was a composer with a rich imagination who was fascinated with sounds, so you never quite knew what he might come up with next. As the liner notes characterize it, “Drone Mass is an electroacoustic oratorio. It can also be seen as an exercise in apophenia – the tendency of the human brain to draw connections between apparently unrelated things, to find patterns and meanings where none was intended. As the composer himself admitted, he was inspired by the musical concept of the drone, but he was also keenly aware of the drones that patrol our skies. ‘I have no specific thoughts about how these ideas relate to each other,’ he wrote, ‘but for me they have some kind of poetic resonance, which is usually enough for me.’ Despite its title Drone Mass is neither a setting of the Mass nor a piece that simply drones. In fact, much of it is full of movement.” Jóhannsson based his text on the so-called “Coptic Gospel of the Egyptians,” part of the Nag Hammadi library discovered in 1945, including a hymn described as consisting of “a seemingly meaningless series of vowels.” The work’s premier performance took place in 2015 at the Egyptian Temple of Dendur space in New York’s Metropolitan Museum of Art.

To read the full review, click here:

https://classicalcandor.blogspot.com/2022/04/recent-releases-no-28.html

Karl W. Nehring, Classica Candor

#Classical Music #Classical Music Reviews #Classical Music Albums #Classical Music Album Reviews #Music #Music Reviews #Music Albums #Music Album Reviews #CD #Compact Disc #DG #Haydn #Elgar #Bridge

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independentartistbuzz · 2 years

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Legendary NYC Rock Outfit URSA MINOR Reveals "Stardust" Video

Legendary NYC Rock n' Roll outfit Ursa Minor share their latest video for "Stardust," today.

Watch the video here:

https://www.youtube.com/watch?v=9h3V_LjpGC Ursa Minor originated in NYC in the late 90s, coming out of the fertile downtown scene of musicians transcending the usual boundaries of folk, rock and jazz. Michelle Casillas worked as a sound engineer in the late 1990s and early 2000s at Tonic, the now defunct home of New York’s underground music scene. As an artist she sang on scores of films by Elliot Sharp and productions by Anton Fier (Feelies, Golden Palominos) while playing sideman, collaborating and recording with other local artists. Inspired by the freedom and diversity of the music she was hearing, Michelle formed Ursa Minor with guitarist Tony Scherr (Bill Frisell, Feist, Willie Nelson, Lounge Lizards), drummer Robert DiPietro (Elysian Fields, Norah Jones), and bassist Rob Jost (Imogen Heap, Bjork). Ursa Minor’s debut LP Silent Moving Picture - a stark Fender Rhodes based record - was released by Sonic Youth’s Steve Shelley, on Smells Like Records. Their second album, Showface (Anthemusa), took a punchier rock turn with driving guitar rhythms and expansive arrangements. Ursa Minor’s current LP release, Sian Ka'an (Mayan, pronounced See-AHN KHAN, meaning “origin of the sky”) was inspired by a visit to the protected biosphere reserve on the Yucatán peninsula. Travels along the coast inspired a series of songs and photographs brought on by the raw intensity and untouched beauty of the region. The wonder of this place heavily influenced the writing and sound of the album. Sian Ka'an is a return to the barebones vulnerability of the first album, with new resolve, tranquility, ferocity. The band ranges from feral polyphony to hushed stillness; a ballad of the mystery of the natural world. Sian Ka’an was produced by Tony Scherr, recorded analog to Otari 8 track by Derek Neivergelt, mixed by New York musician/producer/engineer Mark Plati (Bowie), and features special guests violist Caleb Burhans (John Cale, Yoko Ono, Steve Reich, the National, Arcade Fire) and organist Todd Caldwell (Crosby, Stills, Nash). Find Ursa Minor via: Website www.ursaminor.info Facebook www.facebook.com/ursaminornyc Instagram www.instagram.com/michellecasillasnyc Twitter www.twitter.com/URSAMINORNYC

#ursa minor

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