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#Daredevil vol. 1
daresplaining · 2 months
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Daredevil vol. 1 #354 by Karl Kesel, Cary Nord, Rick Leonardi, Christie Scheele, Matt Ryan, Ul Higgins, and Jim Novak
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bookoftheironfist · 5 months
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Daredevil vol. 1 #206 by Denny O'Neil, David Mazzucchelli, Christie Scheele, Danny Bulanadi, and Joe Rosen
Matt Murdock invites Luke and Danny to his holiday party, but sadly*, they can't come.
*Sadly because the party devolves into a massive fight, and Luke and Danny love fights.
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"DO YOU SEE, DAREDEVIL, HOW IMMENSE EVIL IS?"
PIC INFO: Spotlight on a splash page of Mephisto looking like a hideous cross between a demonic bird, a creepy lizard, and Larry Fine of the Three Stooges, from the pages of "Daredevil" Vol. 1 #266. May, 1989. Marvel Comics.
Writer: Ann Nocenti
Artist: John Romita, Jr.
Inker: Al Williamson
Colorist: Gregory Wright
Letterer: Joe Rosen
Source: https://forums.spacebattles.com/threads/marvel-general-three.544120/page-908.
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theodore-sallis · 1 year
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“Death Stalks the City!” Daredevil (Vol. 1/1964), #115.
Writer: Steve Gerber; Penciler: William Robert Brown; Inker: Vince Colletta; Colorist: Petra Goldberg; Letterer: Charlotte Jetter
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froggynelson · 1 year
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have a happy "matt gets told to go back to the kitchen" women's day from this blog!
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comic is daredevil vol 1 #274 written by ann nocenti and penciled by john romita jr.
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xycuro-illuminati · 28 days
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I'm so glad Foggy got to curse out Matt for his bs but why is he so skinny and blonde WHO IS THAT!!!!!!
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murdockmeta · 8 months
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Nocenti really understood his personality.
Image ID [Comic panel of a man swinging his fist at Daredevil. Rubble is flying everywhere and the man's fist breaks the brick wall he's swing at, indicating considerable strength. Daredevil in ducking, starting to run forward, and his head is turned back to his attacker, who says, "How ya doing, redman?" Daredevil replies, "Oh just swell, thanks. But mind telling me-- why are you attacking me?" The attacker says, "Becuase you exist." And Daredevil follows up with, "Because I exist. Uh-huh. Okay."] End ID.
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counsellormurdock · 2 years
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grumpy grumpy.
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wintersoldier2005 · 2 years
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you guys hate mattelektra because you are BORING and you HATE THE CORRUPTION OF THE INNOCENT THROUGH THEIR OWN FAITH and you DO NOT UNDERSTAND UNWAVERING DEVOTION TO THE SINFUL IN THE FACE OF GOD. btw.
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daresplaining · 4 months
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Karen: "Don't push it, Matt--I wanna keep some distance between us, okay? A table's fine." Matt: "Table's fine. Not pushing anything." Daredevil vol. 1 #297 by D.G. Chichester, Lee Weeks, Christie "Max" Scheele, Al Williamson, and Jack Morelli
I love that Matt chose to attend this reconciliatory not-a-date wearing the tightest shirt imaginable.
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bookoftheironfist · 3 months
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Danny: "It worked! Using a yoga trance-- suppressing my breathing and slowing my life signs until I looked dead-- was the only way I could think of luring Boris in close enough to do-- this!" Power Man and Iron Fist vol. 1 #77 by Mary Jo Duffy, Kerry Gammill, Ricardo Villamonte, Bob Sharen, and Jim Novak
I love this scene. As a martial arts comic (rather than a superhero comic with martial arts, which is a distinction worth making; Danny, like Shang-Chi, is not a superhero who uses martial arts, he is a martial artist who happens to operate in the superhero arena), Iron Fist has a long tradition of creative teams placing particular emphasis on feats of physical prowess like these, and on detailed fight scenes in general. Though this issue takes place after the character had begun veering more into the superhero space, it retains that attention to detail and prioritizing of Danny's technical skills and badassery as a kung-fu practitioner that are so vital to his character. One specific detail I love here is the choice by penciller Kerry Gammill to have Danny pivot and go up on the toes of his supporting foot when kicking Boris in the chin in that bottom middle panel, to allow him more reach and flexibility.
This is not the first time we see Danny make use of his ability to slow down his pulse and breathing. He did the same thing back in Iron Fist volume 1 #14, when he and Colleen were stuck out in the deadly cold and needed to suppress their vitals to stay alive. But what's particularly cool about it in this issue is the presence of Daredevil as a witness, whose heightened senses give him a unique perspective on the situation and allow him to comment on what, exactly, Danny is doing. It's a clever and astute decision by writer Mary Jo Duffy to have Danny pull off a technique that so perfectly suits this team-up, and as a Daredevil nerd as well as an Iron Fist nerd, it makes me really happy.
And finally, it's worth noting that Danny does not use the Iron Fist once in this scene-- or in fact, in the entire issue. As much as I always love a fight that builds to that big moment where he decides it's time for a little dragon chi action, it's also very important to be reminded of how incredibly skilled a fighter Danny is, and of the fact that everything the chi of Shou-Lao lets him do is just an added bonus on top of his many years of intense combat training. He only whips out the Iron Fist when he needs it, and here-- though faced with a formidable enemy in super-strong Boris-- he does not need it.
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ZAPPA & THE MOTHERS LOOKING FOR NEW CONVERTS IN THE PAGES OF MARVEL COMICS.
PIC(S) INFO: Spotlight on a record ad for THE MOTHERS OF INVENTION then newly-released third studio album, "We're Only in it for the Money" (released March 1968 on Verve Records), from the pages of "Daredevil" Vol. 1 #38. March, 1968. Marvel Comics.
Cover art by Gene Colan (✝), story/script by Stan "The Man" Lee (✝). Resolution for "Daredevil" cover at 1102x1599.
OVERVIEW: "In March 1968, the Mothers of Invention unleashed their third mind-bending cultural intervention, known to all and sundry as "We’re Only in it for the Money." In a curious move, Verve Records, no doubt directed by Zappa himself, apparently selected the pre-teen comic book audience to be one of the target demographics to promote the album to. Specifically, "Daredevil" Vol. 1 #38, which came out the same month as the album, and featured a remarkable full-page ad promoting the record.
The ad was about as psychedelic as the rest of 1968, touting the Mothers’ first two albums, "Freak Out!" and "Absolutely Free," and promising “thrilling free fun!”
I’m sure the "Daredevil" demographic just couldn’t wait to check out a concept album dedicated to skewering hippies. In Verve’s defense, the album was part of Zappa’s “No Commercial Potential” project. Then again maybe Frank was fully aware that much of his audience were horny, pimply-faced adolescent boys. Maybe it was a good ad buy after all."
-- DANGEROUS MINDS, "Groovy 1968 Frank Zappa Advertisement from MARVEL Comics’ "DAREDEVIL" #38
Source: www.flickr.com/photos/53568131@N00/9483961752.
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theodore-sallis · 1 year
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“Death Stalks the City!” Daredevil (Vol. 1/1964), #115.
Writer: Steve Gerber; Penciler: William Robert Brown; Inker: Vince Colletta; Colorist: Petra Goldberg; Letterer: Charlotte Jetter
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age-of-moonknight · 2 years
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“The Cream of the Jest,” Moon Knight (Vol. 1/1980), #13.
Writer: Doug Moench; Penciler and Inker: Bill Sienkiewicz; Colorist: Christie Scheele; Letterer: Joe Rosen
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froggynelson · 2 years
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Foggy in the very early issues of silver age DD was barely formed as the character we know in the comics nowadays, however they did start with one of his core character traits: being a jealous and petty little freak. i love it
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xycuro-illuminati · 3 months
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Willie Lincoln is the type of guy to show up and be like "Good morning everyone!" and the audience cheers and claps and goes wild because he's the best but we can't have that because Daredevil writers doesn't want Matt to have blind friends because what the FUCK HEY WHERE IS HE?? WHERE IS WILLIE I MISS HIM SO MUCH HE'S THEIR FRIEND!! HE'S FRIENDS WITH MATT AND FOGGY AND NOW HE'S JUST GONE?? WHERE IS HE!!!!!!!
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