any suggestions for roles or reboots that would fit 30+ muses well? either existing or new ones!
we would love more older muses around here. some ideas for older muses in existing reboots are listed under the cut since it's quite a long list. however some other reboots that could definitely fit 30+ muses are : 13 going on 30, legally blonde, american psycho, mamma mia, how i met your mother, the office & desperate housewives !!
the vampire diaries: alaric saltzman, jenna sommers, john gilbert, meredith fell, sybil, liz forbes, lillian salvatore, josette laughlin, isobel flemming, carol lockwood, abby bennett, pearl, mikael mikaelson, zach salvatore & esther mikaelson.
the oc: alex kelly, sandy cohen, kirsten cohen, julie cooper, jimmy cooper
one tree hill: dan scott, keith scott, deb scott, karen roe, quinn james.
sons of anarchy: jax teller, opie winston, donna winston, gemma teller-morrow, clay morrow, tara knowles, juice ortiz, tig trager, chibs telford, happy, wendy case, half-sack epps.
gilmore girls: sookie st. james, christopher hayden, emily gilmore, richard gilmore, max medina, michel gerard, mrs. kim.
pretty little liars: ezra fitz, melissa hastings, wren kingston, ashley marin, meredith sorenson, veronica hastings, ella montgomery, byron montgomery, ian thomas, tom marin.
sex and the city: samantha jones, charlotte york, miranda hobbes, mr. bing, aiden shaw.
supernatural: dean winchester, sam winchester, jo harvelle, bobby singer, john winchester, mary winchester, ruby, lilith, castiel, ellen harvelle, jessica moore.
friends: phoebe buffay, ross geller (ross gang), janice hosenstein, gunther, mike hannigan, carol willick, emily waltham, susan bunch, kathy, jill green, amy green.
criminal minds: spencer reid, derek morgan, penelope garcia, emily prentiss, hotch hotchner, jason gideon, david rossi, elle greenaway.
grey's anatomy: lexie grey, mark sloan, derek shepherd, amelia shepherd, izzie stevens, george o'malley, cristina yang, alex karev, miranda bailey, callie torres, arizona robbins, april kepner, jackson avery, owen hunt, addison montgomery.
true blood: bill compton, eric northman, lafayette reynolds, sam merlotte, tara thorton, pam, alcide heveraux.
jennifers body: nikolai wolff
resident evil: chris redfield, albert walker, jill valentine, ada wong, barry burton, rebecca chambers, ashley graham.
Cast: Joan Fontaine, Patric Knowles, Herbert Marshall, Richard Ney, Cedric Hardwicke, Lucile Watson, Sara Allgood, Henry Stephenson, Rosalind Ivan, Lilian Fontaine, Molly Lamont, Una O'Connor, Isobel Elsom, Alan Napier. Screenplay: Charles Bennett, based on a novel by Marie Belloc Lowndes. Cinematography: Russell Metty. Art direction: Richard H. Riedel. Film editing: Ralph Dawson. Music: Daniele Amfitheatrof.
Ivy is a fair-to-middling melodrama made memorable by its production design and cinematography, which evokes Edwardian London as a place of contrasts, from the ornately affluent milieu to which Ivy (Joan Fontaine) aspires to the sparse and gloomy world which she tries to escape. Russell Metty's images are filled with shadows and Expressionist angles even when they're showing us the gilded life of the privileged classes. The nominal art director is Richard H. Riedel, but he was working for a producer better known today as a production designer, William Cameron Menzies. Ivy is stuck in a marriage to the feckless Jervis Lexton (Richard Ney) but is carrying on an affair with a doctor, Roger Gretorex (Patric Knowles), who has chosen to work among the city's poor. So when she catches the eye of the wealthy Miles Rushworth (Herbert Marshall), she sees the chance to make it big if she can escape from her current entanglements. The doctor has poisons in his lab, so the rest is obvious. But Ivy has the bad luck to run up against one of those impossibly intuitive Scotland Yard detectives (Cedric Hardwicke), who manages to riddle through the motives, means, and opportunity, and to do so at a crucial moment. Director Sam Wood isn't very skilled at building suspense, preferring to let the screenplay do it on its own, so Ivy doesn't have the tension and snap that it needs. The story comes from a novel by Marie Belloc Lowndes, who is better known as the author of The Lodger, which helped Alfred Hitchcock make his name when he filmed it as a silent in 1927 and gave Laird Cregar a memorable role in John Brahm's 1944 film. Ivy, unfortunately, isn't in the league of either of those films.
Textile artist Cat Rabbit continues to create many different croissant-headed spindly-legged felt creatures, all made by hand in her Melbourne studio. A number of the pieces found here are special commissions, and several characters also make appearances in storybooks known asSoft Stories cooperation with Isobel Knowles. You can see more Cat Rabbit goodness on Etsy and in her store.
below is a complete list of my muses, even though i haven’t finished my muses pages yet.
if you’d like a starter, please like ( or reblog ) this post and comment below which muse / fandom you’d like!
asoue muses!
beatrice baudelaire
beatrice baudelaire ii
bertrand baudelaire
dewey denouement
duncan quagmire
ellington feint
ernest denouement
frank denouement
friday caliban
isadora quagmire
jacques snicket
kit snicket
klaus baudelaire
lemony snicket
uncle monty
moxie mallahan
quigley quagmire
sunny baudelaire
violet baudelaire
marvel muses!
alex wilder
alexi shostakov
amadeus cho
america chavez
anya corazon
anya lishkeva ( oc )
brock rumlow
carol danvers
cassie lang
chase stein
curtis hoyle
feliks castle ( oc )
frank castle
gert yorkes
hope van dyne
james barnes
james rhodes
jane foster
jemma simmons
kamala khan
karolina dean
kate bishop
leo fitz
lily fitzsimmons ( oc )
lorna dane
luke fitzsimmons ( oc )
mapone romanova
marcos diaz
melinda may
molly hernandez
monica rambeau
morgan stark
nedezhda shostakova ( oc )
nadia pym
nico minoru
nina gurzsky
phil coulson
sam wilson
scott lang
shuri
sif
t’challa
viktor romanov ( kinda oc )
cassandra clare muses!
alastair carstairs
alec lightwood
alexei de quincy
aline penhallow
amélie pontmercy ( oc )
anna lightwood
annika kreigsmesser ( oc )
beatriz mendoza
cameron ashdown
cecily herondale
celia whitelaw ( oc )
charles buford fairchild
charlotte fairchild
christopher lightwood
clarissa “clary” fairchild
cordelia carstairs
daniel highsmith ( oc )
diego rosales
eoin leifssen ( oc )
erec kingsson
fenya kreigsmesser ( oc )
freja carsmith ( oc )
freida kreigsmesser ( oc )
gabriel lightwood
gaia erdersen ( oc )
gideon lightwood
grace blackthorn
henry branwell
isabelle lightwood
isobel konigsson ( oc )
jace herondale
jaime rosales
james “jem” carstairs
james herondale
jeremy starkweather ( oc )
jessamine lovelace
jesse blackthorn
jessica beausejours
jocelyn fairchild
jordan kyle
josiah kreigsmesser ( oc )
josiane pontmercy ( oc )
kaelie whitewillow
katherine whitelaw ( oc )
kieran kingsson
lina kreigsmesser ( oc )
louis pontmercy ( oc )
lucas whitelaw ( oc )
lucie herondale
luke garroway
luna starkweather ( oc )
lydia crews ( oc )
maia roberts
marisol ( rojes ) garza solcedo
matthew fairchild
max lightwood
oscar kreigsmesser ( oc )
rachel haynes ( oc )
rafael lightwood-bane
raphael santiago
raven ( oc )
reinhardt kreigsmesser ( oc )
robin ( oc )
saul highsmith ( oc )
sebastian verlac ( not jonathan morgernstern )
solomon highsmith ( oc )
sophie collins
sparrow ( oc )
tatiana blackthorn
tessa gray
william herondale
wren ( oc )
various muses!
abigail dudley ( the haunting of hill house )
akkarin ( magician’s guild trilogy )
aleksis kaidonovsky ( pacific rim )
allison hargreeves ( the umbrella academy )
amara namani ( pacific rim )
beatrice “tris” prior ( divergent )
ben hargreeves ( the umbrella academy )
cameron weiss ( sense8 oc )
carmen cortez ( spy kids )
ceryni ( magician’s guild / traitor spy )
coraline jones ( coraline )
cosima neihaus ( orphan black )
dannyl ( magician’s guild triology )
diego hargreeves ( the umbrella academy )
eleanor crain-vance ( the haunting of hill house )
Projection Activations for Leaps and Bounds from Centre for Projection Art on Vimeo.
Earlier in July, Centre for Projection Art produced three vibrant artworks with artists Krystal Schultheiss, Isobel Knowles, and Kate Geck. Due to Melbourne's 6th Lockdown and the postponed Leaps and Bounds Music Festival, the playful public projections activated Brunswick Street Fitzroy for hyper-locals to enjoy on their evening walks.
Special thanks to artists Krystal Schultheiss, Isobel Knowles, and Kate Geck!
Music: Matter by Elle Shimada, Abbey Howlett, Moses Carr, and Nick Herrera.
What’s on your mind? is a collaborative project between Bendigo Art Gallery, Yorta Yorta and Gunditjmara artist Josh Muir, digital animator Isobel Knowles and Art Processors. The eight-piece installation combined elements of audio, animation and graphic design—taking the viewer on an augmented reality journey through the artist’s mind. https://ift.tt/2NSQmPj
Cat Rabbit and Isobel Knowles - See you in the soup. Such detail in each scene along with quirky animations to watch. On now @craftvictoria #seeyouinthesoup #craftvic #softtoys #craft #animation #creativemelbourne #softstories (at Craft) https://www.instagram.com/p/B0iH_mMgIG5/?igshid=18n516fsrsznn
Former child actor Spencer Breslin released a 2012 album recorded by Gary Olsen of Elephant 6 fame and featuring Kevin Barker (Joanna Newsom, Vetiver, and Antony and the Johnsons), Isobel Knowles (Architecture in Helsinki), Kyle Forester (Crystal Stilts), and Eric Farber (Ladybug Transistor) (yes, I cut and pasted the wikipedia page for this album). If you like landfill indie music of the last decade and Disney films of the decade before that, this is your lucky day! The album also features a spoken word cameo from Jesse Eisenberg.
Tobi Tella: 2020 BB (Before B): Loose, playful, and catchy in all the right ways; reappropriation by 14 year olds on TikTok shouldn't count against a song's value. 2020 ABB (After Big B): Still in shock, probably the peak of music. I'm tempted to move to Houston right now.
[9]
Thomas Inskeep: Last month I said that the original version of "Savage" "commit[s] murder," and then Beyoncé came on board? I don't care who wrote her verses, because I love love love when Mrs. Carter raps -- she has flow. That said, Megan has even more flow; she's fast becoming a superstar (in part) because she deserves to be a superstar. The simple beat of "Savage" complements both Megan and Beyoncé's lines just so, and in their hands this becomes an awesome tribute to H-Town (the city, not, well, H-Town). Savage indeed.
[9]
Wayne Weizhen Zhang: The mere existence of this article and this tweet alone merits this remix at least a [7].
[7]
Leah Isobel: Beyoncé said sex worker rights.
[9]
Alex Clifton: Megan brings enough swagger to kill a horse, and Beyoncé is her usual grand self -- she doesn't even need to bring the swagger when her name is goddamn Beyoncé Knowles Carter. To score a Beyoncé feature before dropping your first real album is quite the accomplishment, and she's great here, turning the volume up to 11 and keeping time with Megan's rap game quite easily. I've listened to both versions at least fifteen times, and I'm still very much into it. Hell, I've tried to learn the TikTok dance for this, which is difficult as I normally dance like Lorde. (The only bit I can consistently get right is the hands on my head "acting stupid" movement.) A weird-ass quarantine meme to be sure, but it's the kind of fun I need right now.
[8]
Alfred Soto: An excuse, no more or less, for a demonstration of above average rapping given by a charming outsized personality. Beyoncé, who contributes nothing of note, acknowledges the prowess on display.
[7]
Nortey Dowuona: Beyoncé smoothly glides into the jump rope synths and Pringle can drums mixed in.... {here the writer trails off to watch Bey jump to fit her jeans on}. Megan keeps leaping back and forth with Bey while Bey just loops around each fiber and lifts Megan into the heavens with each priceless trill and vocal fill.
[10]
Jacob Sujin Kuppermann: Every time Beyoncé raps we are given to speculate as to her skill -- is she better than her duet partners? Her husband? Migos? These discussions miss the point entirely -- Beyoncé's goal while rapping is not to be good at rap but to be good at being Beyoncé, to envelop the rest of the track with her energy. On "Savage," she does this with tactical excellence: she's here at least three times, chiming in with verses in different styles and adlibs throughout. Part of the appeal, of course, is hearing Bey, who has mostly been playing towards timeless legacy and high art, reference OnlyFans and Demon Time. But even beyond that incongruity she still sounds commanding. And yet the "Savage" remix isn't as triumphant as it could be. The song, once a spare exercise in Megan's charisma, feels overstuffed as a duet. It's fun, but it feels a little too mandatory to be that fun.
[7]
Will Adams: The original's charm was its simplicity: just an A+ hook with knocking bass and two clustered chromatic chords. Sacrificing an ounce of that in favor of additional elements would seem egregious were it done by anyone other than Beyoncé. She's in classic form on this remix, so full of ideas -- a cooed "okay!" hook; memorable lines by the dozen -- and more than adept at deploying them. That means there are some misses -- the melodic contributions, in particular, clash at times -- but overall this is a top entry for Song of the Summer That Never Was.
[7]
Nina Lea: Even in these dark times, nothing gets a girl going like the first real contender for Song of the Summer. Megan Thee Stallion and Beyoncé have given us a dream collab, the kind of fantasy pairing that makes sense on such a fundamental level that it feels like the goddess on high cracked open the skies to drop this track into our laps. The original "Savage" was catchy, punchy, and viral, but the reworking propels it to another stratosphere. Beyoncé sounds like she's having the time of her life, tossing in winking references to Tik Tok, Demon Time and OnlyFans, shouting out her mother, and floating sweet harmonies over everything. Fellow Texan Megan Thee Stallion's new verses prove that she can hold her own. We might be heading into Our Pandemic Summer, but that doesn't mean it can't be Hot Girl Summer 2.0 at the same time.
[9]