#Rodrigo Cassel

[coldraindropsss]

Rodrigo Cassel , Donella Hornwood 🤍🩶

#Rodrigo Cassel #Donella Hornwood #digitalart #asoiaf #asoiaffanart #got #gotfanart #hotd #housetargaryen #housetargaryen🐲 #valyrianscrolls #asongoficeandfire #asoif fanart #asoif/got #a song of ice and fire #house manderly

[taylorswift]

When I was writing the Fortnight music video, I wanted to show you the worlds I saw in my head that served as the backdrop for making this music.  Pretty much everything in it is a metaphor or a reference to one corner of the album or another. For me, this video turned out to be the perfect visual representation of this record and the stories I tell in it. Post Malone blew me away on set as our tortured tragic hero and I’m so grateful to him for everything he put into this collaboration. I’m still laughing from getting to work with the coolest guys on earth, Ethan Hawke and Josh Charles (tortured poets, meet your colleagues from down the hall, the dead poets). I still can’t believe I get to work with the unfathomably brilliant Rodrigo Prieto on cinematography and my team of dream collaborators: Ethan Tobman (production design), Chancler Haynes (editor), Anthony Dimino (1st AD), Jil Hardin (producer) and Dom Thomas (executive producer). Parliament aced the VFX as always. Joseph Cassell, Lorrie Turk and Jemma Muradian made these tortured looks come to life. The entire crew made this a dream to shoot. Thank you to everyone involved and everyone who has watched it!! https://taylor.lnk.to/FortnightMV

[notdavidfincher]

Every game has its rules. We just need to know how to break them.

The Winter Line | Westworld dir. Richard J. Lewis

#westworldedit #userfrancis #userananda #westworld #maeve millay #thandie newton #bernard lowe #jeffrey wright #vincent cassel #simon quarterman #rodrigo santoro #it was so nice seeing lee and hector again rip my dumb boys #myedits

[movies-tv-more]

WESTWORLD 3x02 “The Winter Line” airs tonight at 9pm on HBO

#westworld #on tv tonight #thandie newton #jeffrey wright #vincent cassel #rodrigo santoro #westworld 3x02 #westworld season 3 #hbo #science fiction #new episode #spring tv #sunday tv

[akamatthewmurdock]

Your world. WESTWORLD III | MARCH 15

#WESTWORLD III #WESTWORLD #Evan Rachel Wood #Aaron Paul #Thandie Newton #Jeffrey Wright #Vincent Cassel #Tessa Thompson #Luke Hemsworth #Rodrigo Santoro #Westworlddaily

[bonobochick]

Westworld | Official Season 3 Trailer | HBO

#Westworld #HBO #westworld hbo #maeve millay #dolores abernathy #thandie newton #evan rachel wood #tessa thompson #vincent cassel #bernard lowe #jeffrey wright #ed harris #charlotte hale #rodrigo santoro

[taylorswifthongkong]

willow music video

starring taylor swift taeok lee indiana cheairs samuel silver yoe apolinario maria wada jazz smith gracie stewart jake landgrebe nolan padilla mark villaver robert green mason cutler sienna lyons

directed by taylor swift

director of photography rodrigo prieto ASC, AMC

producer jil hardin

editor chancler haynes

production designers ethan tobman regina fernandez

stylists joseph cassell sunshine madsen

first ad joe “oz” osborne

co-first ad ev salomon

visual effects ingenuity studios grant miller  david lebensfeld jumanah shaheen   executive producer rebecca skinner

co-producer kathy palmer

gaffer manny tapia

key grip “pie” alexander griffiths

storyboards vincent lucido

the song written by taylor swift and aaron dessner produced by aaron dessner recorded by jonathan low and aaron dessner mixed by jonathan low orchestration by bryce dessner mastered by greg calbi and steve fallone drum machine programming, percussion, keyboards, synthesizers, piano and electric, bass and acoustic guitars by aaron dessner synthesizers and drum machine programming by james mcalister percussion and drum machine programming by bryan devendorf violin by yuki numata resnick electric guitar by josh kaufman cello by clarice jensen glockenspiel by jason treuting flute by alex sopp french horn by cj camerieri keyboard and synthesizers by thomas bartlett intro music modular synth by benjamin lanz

A special thank you to our on set medics, COVID-19 compliance personnel and the crew for operating under the strictest guidelines including wearing PPE, practicing thorough sanitization and respecting social distancing during the video shoot. (x)

#willow #willow mv #evermore

[rhianna]

The Great Sieges of History by William Robson

https://www.gutenberg.org/ebooks/59093  

AuthorRobson, William, 1785-1863 IllustratorGilbert, John, 1817-1897 TitleThe Great Sieges of History ContentsBactra -- Aï -- Thebes, in Bœotia -- Thebes, Palestine -- Troy -- Jerusalem -- Samaria -- Rome -- Nineveh -- Azoth -- Tyre -- Sardis -- Babylon -- Corioli -- Veii -- Falerii -- Platææ -- Byblos -- Athens -- Syracuse -- Agrigentum -- Byzantium -- Rhodes -- Lyons -- Gaza -- Persepolis -- Lacedæmon -- Argos -- Messina -- Corinth -- Tarentum -- Tunis -- Carthagena -- Utica -- Abydos -- Cremona -- Carthage -- Toulouse -- Sinope -- Paris -- Rimini -- Marseilles -- Alexandria -- Palmyra -- Milan -- Tournai -- Orleans -- Pavia -- Ravenna -- Antioch -- Naples -- Edessa -- Kaibar -- Weinsberg -- Damascus -- Lisbon -- St. Jean d'Acre -- Dover -- Bagdad -- Cassel -- Romorantin -- La Rochelle -- Cassovia -- Troyes -- Belgrade -- Castillon -- Liége -- Beauvais -- Grenada -- Vienna -- Algiers -- Valenciennes -- Leyden -- Livron -- Cahors -- Mæestricht -- Antwerp -- Malta -- Vachtendonck -- Ostend -- Bergen-op-Zoom -- Magdeburg -- Turin -- Arras -- Verchères -- Stralsund -- Frederikshall -- Schweidnitz -- Ismaïl -- Bommel -- Barcelona -- Gibraltar -- Seringapatam -- Saragossa -- Badajos -- Constantinople -- Ciudad Rodrigo -- Castle of Burgos -- St. Sebastian -- Sebastopol. LanguageEnglish LoC ClassD: History: General and Eastern Hemisphere Subject:  Sieges CategoryText EBook-No.59093 Release DateMar 19, 2019 Copyright StatusPublic domain in the USA.

#seiges #marseilles #project gutenberg

[kisafilms]

Underwater (2020) Review

Time: 95 Minutes Age Rating: Violence, horror scenes & offensive language Cast: Kristen Stewart as Norah Price Vincent Cassel as W. Lucien Mamoudou Athie as Rodrigo Nagenda T.J. Miller as Paul Abel John Gallagher Jr. as Liam Smith Jessica Henwick as Emily Haversham Director: William Eubank Disaster strikes more than six miles below the ocean […]Underwater (2020) Review

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#underwater

[moonlightmadnessreviews]

Underwater (2020): A deep sea horror that tugs at the feet of your greatest aquatic fears

Much has been said about our inherent human fear of the oceans dark depths. It seems that, from the moment we were first able to set sail on the ocean, we began telling tales of the horrifying creatures that dwelled below us, awaiting the perfect moment to breach the surface and drag us under. What better way to set the scene for William Eubank’s Underwater.

Written by Brian Duffield and Adam Cozad, this film was a pleasant surprise! Eubank’s two previous efforts Love (2011) and The Signal (2014) were a sci-fi drama and sci-fi thriller, so it was only a matter of time before he dipped his toes into some sci-fi horror. The film centers around a team aboard a deep sea drilling rig trying to make it back to the surface after a series of tremors leaves the rig in dire conditions. They’re forced to race against time, and a depleting oxygen supply, in order to make it out of the rig only to be forced to walk the ocean floor itself. As they soon find though, those are the least of their worries!

Over the films opening credits, we see reports of deep sea drilling, research on the effects of prolonged isolation and reports of odd sightings during the construction of the rig. It’s a great way to get some exposition out of the way and let us get right into things. We are first introduced to Norah (Kristen Stewart), as she surveys the long halls of the rig. A panning POV shot shows her following flickering lights and strange creaking noises as we can tell shes beginning to feel more and more concerned. In a stunning opening set piece, we see the walls of the rig rip open as they succumb to the pressure of the ocean floor! It’s certainly an exciting way to open a film and let’s us known what kind of stakes they film is setting up for us. Our team of survivors is rounded out by Captain Lucien (Vincent Cassel), Paul (T.J. Miller, who starred in 2008’s Cloverfield) Emily (Jessica Henwick), Smith (John Gallagher Jr, who, hey would ya look at that, starred in 10 Cloverfield Ln) and Rodrigo (Mamoudou Athie).

Cinematographer Bojan Bazelli gives the film a wonderfully mechanical look inside each deep sea station and the mech suits the team uses, and scenes that take place out in the water itself look incredibly murky and menacing. Instead of bathing the ocean floor in deep blues and letting us see everything nice and clear, the debris and darkness help to make the vastness of the ocean floor terribly claustrophobic. In addition, many shots are from inside our survivors helmets, so we feel just as trapped as they do. Composers Marco Beltrami and Brandon Roberts give us a score that takes on the feel of a ticking clock at times, reminding us just how little time this crew has if they hope to make it out of this situation. Their pieces are integral in ramping up the tension when it needs to be.

I quite enjoyed the dynamic between most of the crew. T.J. Miller is wonderful as the comic relief of the film, though not all of his lines land. This may have a bit more to do with the script than Miller’s delivery itself. Stewart and Cassel have a great dynamic together, with Cassel’s charm helping to balance out Stewart’s expected dryness. Screen time be damned, Athie made a real impact with his performance and is integral to the message of the film. The dynamic that works the least for me is between Henwick and Gallagher Jr. I pin this again more on the script than the actors portrayals, but their relationship seems more like puppy love than the grand romance the film would have you think it is; a real shame considering how important it winds up being to the story. I have a feeling the film makers realized this too, as they dedicate a few scenes to prove to us just how in love Emily and Smith are.

I have to be honest, my hat goes off to Kristen Stewart in this role. As Norah, Stewart finds a way to use her style of acting to her advantage. Rather than coming off as mechanical, Norah seems calculating, a realist who will not sugar coat the dire situation, not even for herself. Rather than feeling dry, her delivery is that or someone who wants to come off as reassuring and whose past traumas have made them somewhat cold. It doesn’t work 100% of the time, I could have done without her voiceovers, but when she really hits the mark it’s on target and effective every time. I was extremely impressed.

“Now there was going to be mention of the deep sea monsters in your deep, uh, deep sea monster movie review, right Jon?” Alright there Doctor Malcolm, I’m getting to it. Though fully CGI, the decision to keep the monsters hidden by way of deep sea debris and darkness made them all the more terrifying to me. A set of eyes staring back at us from the darkness just sends a tingle down my spine! We don’t see too much of them and we don’t see them often, so just like in Jaws, when we do get spooked by them it’s incredibly effective! The movie did have one big surprise in store which worked well for me and helped to satisfy that corner of my brain that loves a good Lovecraftian beast. The movie also had a good deal of gore that I really wasn’t expecting to see, but which was much appreciated. In my eyes, where there’s a diving helmet involved, there should be some amount of blood filling said helmet! Also, I will have to consider this movie my own personal Cloverfield film for 2020, as there are enough connections to Tagruato’s deep sea drilling from the original film’s ARG to connect the two in my head. Just let me have this guys, please!

The movie did leave a few questions unanswered for me which, though I’d love a solid answer and further exploration, I don’t think it would warrant another film, prequel or otherwise. I like that we get just enough to formulate our own ideas about certain characters and how that colors our view of them come the end credits. Honestly, I’d say where the film suffers most is in its pacing. The film does lull a bit between big set pieces and, though I wasn’t bored, I did feel myself getting impatient with some of the dialogue. Where it was felt most was in the films need to get us to really buy into Emily and Smith’s relationship.

I remember seeing the previews for Underwater and being really excited. As it had a January release, I didn’t want to get my hopes up too high. In spite of some dragging between set pieces, a somewhat forced love story, and a few jokes that didn’t really land well, the movie really made for a fun experience! Im sure there will be comparisons to a certain space aged thriller, but don’t let this sway you one way or the other and do your best to go in fresh. We get some real dread when it’s needed, scares that are set up well, and a performance from Kristen Stewart I was not expecting to work as well as it did! If a sinking cinematic affair is what you fear, rest assured matey! Underwater is sure to keep your interests in deep sea monsters and sci-fi thrills afloat!

Rating: 3.5 Full Moons out of 5 🌕🌕🌕🌗

#underwater #underwater movie #kristen stewart #vincent cassel #deep sea horror #aquatic horror #william eubank #horror movies #horror movie reviews #film reviews #horror reviews #moonlight madness #moonlight madness reviews

[adamwatchesmovies]

Underwater (2020)

Underwater is a derivative of several films meaning ultimately, I doubt it'll earn many rewatches. While it lasts, however, it gets key details right. The cast is strong, the pace keeps you invested even as the characters are picked off one at a time and the ending certainly offers something new.

At the bottom of the Mariana Trench, the crew of the Kepler 822 Station is drilling for resources when an earthquake hits. Large sections of the facility collapse. Mechanical engineer Norah Price (Kristen Stewart) and any survivors she encounters make their way to the escape pod bay only to discover none are left. With Captain Lucien (Vincent Cassel) leading them, their only hope is to don pressurized suits and walk across the ocean floor to the nearest station. Unfortunately, something deep underwater has awakened.

Take Alien or The Descent, set it beneath the sea and you’ve got Underwater. At least it's taking notes from the greats. There are not a lot of characters to keep track of, meaning you get to know Norah, Captain Lucien, Paul (T.J. Miller), Emily (Jessica Henpeck), Liam (John Gallagher Jr.), Rodrigo (Mamoudou Athie) and Lee (Gunner Wright) well enough for you to get emotional when the film wants you to be. The actors who take the material seriously help. The nervous levity keeps what’s happening natural. You also see the dread and tension building inside everyone as bad turns to worse and then gets even more dire from there.

At least the picture knows we've seen this before so it has the courtesy of writing characters whose actions are logical. They arm themselves, stay focused on the task at hand and press on even when someone gets bumped off. The danger comes in many forms in Underwater. Drowning, the immense pressure of the outside, the collapsing structure and debris that accompanies it, and the creatures that lurk in the dark.

The monsters are where the film is at its weakest. More often than not, they appear suddenly and are accompanied by loud noises or roars (not sure how or why an underwater creature would communicate verbally). Sometimes it feels earned. In complete darkness, the only time you'd see the beasts coming is when they're right in front of you but there are many times when you’ll find yourself resenting the picture for using cheap tactics. At least the creature designs are pretty cool. We see too much of them and considering how many toys the movie has to play with, they’re in it too much but just when you think Underwater has gone bankrupt, it hits you with a gonzo ending. I like getting surprised.

I wouldn’t call Underwater a knockoff of other, better-known claustrophobic sci-fi horrors (even though it kinda is); I’d call it a one-time substitute. If you like the setup and premise or you like Kristen Stewart - she's reliable - I'll give it a minor recommendation. (Theatrical version on the big screen, January 11, 2020)

#underwater #underwatermovie #movies #films #reviews #movie reviews #film reviews #william eubank #horror movies #horror films #brian duffield #adam cozad #kristen stewart #vincent cassel #jessica henwick #john gallagher jr. #mamoudou athie #t.j. miller #2020 movies #2020 films

[thisguyatthemovies]

Watery fun

Title: “Underwater”

Release date: In theaters Jan. 10, 2020; on disc/streaming April 14, 2020

Starring: Kristen Stewart, Vincent Cassell, Jessica Henwick, John Gallagher Jr., Mamoudou Athie, T.J. Miller, Gunner Wright

Directed by: William Eubank

Run time: 1 hour, 35 minutes

Rated: PG-13

What it’s about: A crew of underwater researchers must leave their station and walk along the ocean floor after what is thought to be an earthquake hits, but they discover something much more menacing during their journey.

How I saw it: “Underwater” wears its influences on its sleeves and does so enthusiastically. “Alien,” “The Abyss,” “20,000 Leagues Under the Sea,” “The Poseidon Adventure,” “Godzilla,” H.P. Lovecraft, “Alice in Wonderland” – they’re all there in plain sight. “Underwater” was not made to reinvent the watery disaster/sci-fi monster movie. Instead, it serves up pure, visually stylistic, familiar, easily digested and quickly forgotten entertainment.

Kristen Stewart stars as Norah Price, a young woman who presumably has lived in an underwater station, the Kepler, for many years – though we are told that all sense of time disappears in a place as dark as the bottom of the ocean. She is the facility’s mechanical engineer and is carrying a heavy heart, having lost her fiancé in an underwater accident. She spends much of the movie working while wearing undergarments.

William Eubank, a veteran cinematographer directing his third feature film, wastes no time introducing the action in “Underwater.” Price has just finished, in voiceover narrative, telling us what life is like underwater and is preparing for another routine day when the station springs a leak -- not good given the immense pressure six miles below the ocean’s surface. Soon the station is imploding, and Price and colleague Rodrigo Nagenda (Mamoudou Athie) race to a safe place, then embark on a mission to find other survivors. Turns out four others besides themselves have lived, and they are stock movie characters – Athie’s Nagenda is the sensitive, calming presence; Vincent Cassell plays the captain, who is tough but fair; Jessica Henwick is Emily Haversham, a biologist’s assistant who seems overwhelmed and scared; John Gallagher Jr. is Liam Smith, a tough-guy engineer who is romantically involved with Haversham; and T.J. Miller is Paul Abel, who is the requisite comic relief in movies like this and carries with him a stuffed bunny (one of many “Alice in Wonderland” references).

Despite being given too-familiar characters to work with, the cast is strong, especially as the action amps up. The captain convinces them their only chance of survival is to leave the station, go all the way to the ocean floor and walk along a pipeline that will lead to the headquarters of oil drilling operation, the Roebuck. Their biggest concern, at least at first, is having enough oxygen to make the journey. As they soon learn (it was already obvious to the audience), it was more than an earthquake that rocked the Kepler. Underwater creatures, apparently riled up by humans destroying their habitat, stand in their way. The nature of the film is such that we know not all (if any) of the crew will make it to their destination alive.

Though it can be difficult to decipher what is happening at times in the murky waters, the action clearly is the strong suit in “Underwater.” Eubank and cinematographer Bojan Bazelli filmed it on dry land, in a former grocery store in New Orleans. Water was added digitally afterwards. The actors got help recreating the slowed movements underwater by wearing suits that reportedly weighed 100 pounds each. We are introduced to the creatures slowly; we don’t get a good look at a fully grown one until an hour into the film, and we don’t see the alpha creature (based on H.P. Lovecraft’s Cthulhu) until the climactic scene. While the visuals are impressive, so too is the sound, which helps build the terror when it is not visually apparent.

The weak part of “Underwater” is the dialogue, though that is to be expected in a film like this. No one watches a sci-fi movie to hear Shakespearean prose. It is chock full of clichés and catch phrases, of course. Since the action starts immediately, the audience is slowly given bits of characters’ backstories; some of it connects, much of it does not. Haversham gives the prerequisite speech about man upsetting nature, and we have heard it all before many times over in the “Godzilla” movies. Haversham is the strongest character, though, because she realizes during the journey that she is capable of much more than she thought. She and Price, as the females in the group, form a strong bond during their quest. Miller is an acquired taste, to put it lightly. Most of his lines here don’t land (his style worked much better in the “Deadpool” movies), and they are either just quick toss-of profanity (like “f**k our lives”) or weirdly awkward (like when he calls Stewart’s character a “sweet, flat-chested elven creature”). It’s hard to imagine that latter line having been in the script, especially given reported accusations of inappropriate behavior by Miller in real life.

“Underwater” lasts just a shade over 90 minutes, making it more economical than similar movies. It is decent enough entertainment, derivative but mostly engaging, with some suitably scary creatures. It’s not Oscars material, but if you don’t ask too much of “Underwater,” you might not be let down.

My score: 59 out of 100

Should you watch it? It and some popcorn would suffice for a night of decent fun at home.

#movies #movie review #underwater #kristen stewart #sci-fi #horror #monster movie

[edharrisdaily]

‘Westworld’ Gets Season 3 Premiere Date On HBO

HBO has set Sunday, March 15 at 9 PM for the release of the eight-episode third season of its Emmy-winning drama series Westworld.

Returning cast include Evan Rachel Wood as Dolores, Thandie Newton as Maeve, Ed Harris as the Man in Black, Jeffrey Wright as Bernard, Tessa Thompson as Charlotte, Luke Hemsworth as Stubbs, Simon Quarterman as Lee Sizemore and Rodrigo Santoro as Hector Escaton.

New cast members this season include Aaron Paul, Vincent Cassel, Lena Waithe, Scott Mescudi, Marshawn Lynch, John Gallagher Jr., and Michael and Tommy Flanagan.

Created for television by Jonathan Nolan and Lisa Joy, and based on the film written by Michael Crichton, Westworld is a dark odyssey about the dawn of artificial consciousness and the birth of a new form of life on Earth.

The theme for the new season is “New World” and at Comic-Con in July, Nolan said one of the inspirations for the new season was Blade Runner, though he noted he wanted to do it differently.

Nolan said they went out in the world to find some beautiful places to shoot to capture the show’s future. “Dystopia can look pretty beautiful in the world. Just because the world is corrupt inside, doesn’t mean it can’t be smothered over and pretty. We wanted to find a version of dystopia that we hadn’t seen before,” Nolan said at Comic-Con.

Nolan and Joy executive produce the series with J.J. Abrams, Athena Wickham, Richard J. Lewis, Ben Stephenson and Denise Thé. Kilter Films and Bad Robot Productions produce in association with Warner Bros Television.

The first two seasons of Westworld received a combined 42 Emmy nominations. The second season’s 20 noms resulted in three wins, including: Outstanding Supporting Actress in a Drama Series for Newton, Outstanding Makeup for a Single-Camera Series (Non-Prosthetic) and Outstanding Hairstyling for a Single-Camera Series.

#evan rachel wood #ed harris #thandie newton #jeffrey wright #aaron paul #tessa thompson #news #television news #westworld

[japaneze-hdrip-eudeuuhh-blog]

Underwater Mejor HD 1080p | Pelicula Completa (2020)

Repelis de Underwater Ver Pelicula Completa en Español Latino Ver Underwater Pelicula Completa en Español Latino Gratis

Ver : https://bit.ly/2OaZD5P

1h 35min / Acción, Suspense, Ciencia ficción Dirigida por William Eubank Reparto Kristen Stewart, T.J. Miller, Jessica Henwick País Americana

Una instalación de investigación submarina a 11 mil metros bajo el mar. Allí se encuentra el equipo de investigadores acuáticos formado por Norah (Kristen Stewart), Paul (T.J. Miller), Rodrigo (Mamoudou Athie), Emily (Jessica Henwick) y el capitán (Vincent Cassel) de todos ellos. Después de ser devastados por un terremoto, la tripulación tiene que decidir cómo sobrevivir. Deciden caminar por el fondo del océano hasta llegar a una lejana estación. Pero a medida que avanzan se dan cuenta de que unos extraños depredadores marinos están decididos a matarles.

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[guardaunderwaterfilmcompletoita]

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▶ UNDERWATER GUARDA ORA QUI

Thriller, Azione, Horror / Regista: William Eubank Attori: Kristen Stewart, Jessica Henwick, T.J. Miller, Vincent Cassel, John Gallagher Jr., Mamoudou Athie, Gunner Wright

Underwater, film diretto da William Eubank, racconta la storia di un gruppo di ricercatori incaricati di perforare il fondo della Fossa delle Marianne alla ricerca di risorse. Mentre si trovano in una base sottomarina, situata sul fondo dell'oceano a sette miglia di profondità vengono colpiti da un forte terremoto, che causa una breccia nella stazione. Norah (Kristen Stewart), Rodrigo (Mamoudou Athie) e Paul (T.J. Miller) a riescono a salvarsi e insieme al capitano Lucien (Vincent Cassel) raggiungono la base di controllo, dove trovano la biologa Emily (Jessica Henwick) e l'ingegnere Liam (John Gallagher Jr).

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PANORAMICA SU UNDERWATER Una base di ricerca sul fondo dell'oceano. Un terremoto che sconquassa i fondali e i ricercatori. Una misteriosa minaccia che pare essere uscita dalle profondità della Terra. Chiunque abbia visto un po' di film, o anche solo dei documentari sulle profondità abissali fatti bene, lo sa: stare in fondo a mare è un po' come stare nello spazio profondo. Non è allora solo per i capelli cortissimi (e biondissimi) della protagonista Kristen Stewart che sulla carta e sul trailer Underwater sembri richiamare vagamente la saga di Alien. Soggetto e sceneggiatura di questo thriller fantascientifico sono firmati da Brian Duffield, uno che ha all'attico i copioni di The Divergent Series: Insurgent, del western al femminile con Natalie Portman Jane Got A Gun, e dell'horror Netflix La Babysitter. Alla regia, invece, c'è William Eubank, uno che già nel 2014 aveva diretto un altro thriller sci-fi intitolato The Signal. Kristen Stewart e i suoi colleghi di set (che sono Vincent Cassel, Jessica Henwick, John Gallagher Jr., Mamoudou Athie, T.J. Miller e Gunner Wright) hanno girato il film nel marzo e nell'aprile del 2017. Le lunghe operazioni di post-produzione, e l'acquisto della 20th Century Fox (lo Studio che lo ha prodotto) da parte della Disney, hanno fatto slittare l'uscita di Underwater fino al 2020. Tra gli altri film che più o meno recentemente hanno raccontato storie in qualche modo simili a quella di Underwater sono da ricordare The Abyss di James Cameron, Leviathan di George P. Cosmatos, Sfera di Barry Levinson, Deep Rising - Presenze dal profondo di Stephen Sommers e Creatura degli abissi di Sean S. Cunningham.

#Underwater Film Completo Italiano #Underwater streaming ita

[filmstoodio]

Watch Underwater (2020) Online Free Streaming

Watch Underwater (2020) Online Free Movie Download

Title: Underwater

Year: 2020

Duration: 1h 35m

Rating: 5.8

Genres: Action, Sci-Fi, Horror

Click to Watch

Summary Underwater (2020)

A crew of oceanic researchers working for a deep sea drilling company try to get to safety after a mysterious earthquake devastates their deepwater research and drilling facility located at the bottom of the Mariana Trench.

An unknown, massive earthquake happens in a drilling station in the bottom of the Marianna Trench. A scientific crew must find their way across the ocean floor into another station under the threats of deep pressure, dark water, dangerous deep-sea creatures, and a constant lack of oxygen.

Synopsis Underwater (2020)

The film begins with images of the Mariana Trench and describing Tian Industries' intention to drill seven miles to the bottom for resources. Norah Price (Kristen Stewart), a mechanical engineer at the Keppler 822 Station, is brushing her teeth when the ceiling starts to trickle water. A large earthquake hits, and the Keppler starts to suffer catastrophic breach from the pressure. Price tries to wake everyone up but only she and another worker named Rodrigo (Mamoudou Athie) are able to escape the area and close it off, preventing further damage to the Keppler. Trying to find a way off the Keppler via escape pods, they encounter Paul (T.J. Miller) under the rubble and crawl through an access point to reach the escape pod bay. All of the escape pods have already been deployed, with Captain Lucien (Vincent Cassel) being the only person in the area when the three arrive. The surviving crew reaches a control base and find biologist Emily Haversham (Jessica Henwick) and engineer Liam Smith (John Gallagher Jr.). Trying to reach out via radio, they are unsuccessful in making contact with the surface. Lucien then recommends that they put on pressurized suits and walk one mile across the ocean floor to the Roebuck Station 641. They start to emerge from the station into a cargo elevator, but Rodrigo's helmet is faulty and cracks from the pressure, killing him instantly. The surviving crew see a distress beacon from one of the escape pods below, and Smith and Paul go outside to investigate. As Smith and Paul arrive at the location, the pod has been ripped open and a body lies in the rubble. Paul inspects the body, only for a hatchling creature to emerge from it and attack him. Smith is able to shoot and kill it with a bolt gun, and they bring it inside. Studying the creature's body, Haversham realizes it is a part of a previously undiscovered species. The five begin to set out towards the Roebuck Station, but as they are walking, the Keppler explodes, causing debris to fly towards them. Smith is hit by the debris, but Price and Lucien manage to save him and bring him inside. They are able to make it to the meet-point station by taking an access tunnel, allowing them to charge and clean their suits, but find that Smith's oxygen source is badly damaged from the debris. As they make their way through the access tunnel, Paul is attacked by a creature and is dragged underwater before being ripped out of his suit and killed. Before leaving the access tunnel, the team discover that Smith's damaged oxygen pod will cause him to have to breathe in toxic fumes from the explosion. Unwilling to leave another crew member behind, Price, Lucien and Haversham agree to help him walk, dragging him if they have to. The remaining four crew members press on and start their walk across the ocean floor, but another creature appears, dragging Smith into a cave. Lucien manages to pull Smith out, but then tries to go for Smith's bolt gun, allowing the creature an opportunity to drag Lucien up through the water and away from the other three. Price follows the creature and Lucien and is able to free him, but Lucien sacrifices himself so that Price may escape the increasing change in pressure. Price ends up at the abandoned Sheppard Station and finds that Lucien worked there beforehand, causing suspicion as to what Lucien really knew about these creatures and their involvement with the drilling stations. Price tries to make contact with Smith and Haversham, but to no avail. She then gets a new pressurized suit and leaves the Sheppard, continuing toward the Roebuck. Walking along the ocean floor, Price reunites with Haversham, dragging Smith towards the Roebuck Station, and proceeds to help. As they enter the station, they notice that there is a nest of creatures hanging from the ceiling and try to sneak by, but Haversham's suit, low on oxygen, begins to make noise, causing one of them to wake up and attack Price. Price is partially swallowed by the creature, but is able to kill it and break free, allowing them to continue their way into the Roebuck. The three are able to reach the escape pod bay, but Price discovers that only two work, with a third being damaged and unusable. Price and Haversham manage to get an ailing but still alive Smith into one of the pods, and Price eventually convinces Haversham to take the last one. As this is happening, a gigantic version of the creature that attacked them emerges from around the Roebuck, surrounded by even more creatures. The creatures start to follow the two escape pods, while the gigantic one begins to attack the Roebuck. Price, knowing she is already going to die, raises the energy levels of the core engines so that they may explode, killing all the creatures in the vicinity and allowing the escape pods to reach the surface safely. The film ends with images of newspaper articles depicting Tian Industries and their attempts to cover up the incident, silencing Haversham and Smith. The company goes on to say that they intend to expand their drilling efforts.

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#Action #Sci-Fi #Horror