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#evermore
mimimar · 2 days
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finally completed my comic based on the song ivy by taylor swift!✿ please zoom in to read the text and see the details~
✿.✿.✿
you can get the digital zine pdf here! it includes extras like character profiles, costume design, more art of willow and ivy, zine-exclusive sketches and an illustrated guide to the symbolism of all the flowers in this comic.
you can also get prints of individual pages here!
✿.✿.✿
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nighttime-thoughts · 2 days
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I think about you a lot.
All the time, actually.
In the morning, at night,
in the middle of my day. It's you.
It's just always you.
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So Long, London & lyric parallels
part 1 | part 2
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midnightsslut · 1 day
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no one asked, but I’ve been thinking a lot about the albatross and its placement on the bargaining playlist. I have come to the conclusion that the song serves as a warning to anyone who tries to avoid/‘imprison’ her. this man was told that she would kill his garden, tempt him, and eventually destroy him. she was a wild wind instead of a normal, harmless rose. yet, he could neither avoid her nor lock her away in a tower. he was too drunk to think his decision through (‘cross your thoughtless heart / only liquor anoints you’). he chose her despite all the warnings he received. he shot all the messengers who tried to persuade him. he couldn’t fully commit to being with her, either, so he locked her away in a tower. ultimately, she was the only one who could protect him from the same men who once condemned her. he chose to be subjected to that danger by being with her (‘the rain is always gonna come if you’re standing with me’ —> ‘I’m the life you chose, and all this terrible danger’). the two characters in the song seem to finally be at peace. however, the outro switches to third person and makes it clear that she will, in fact, destroy him. she is the albatross in his life. he will wear her around his neck forever. he could try to bargain with her all he wants, but he was delusional to think this would end any other way. she is both the angel and the devil in his life. she could protect him from the media attention she subjected him to, but she could simultaneously destroy him by feeding into the rain of fire through her songwriting.
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mariamastermind · 2 days
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No one hates Joe, not even Taylor, she hates the fact that her forever started to crumble to the point of no bouncing back. Both of them struggle with mental health, like a lot of people I’m sure, but just saying his “bluest days” doesn’t mean she’s talking about his mental health, it could literally just mean he had a bad day and took it out on her, or she tried to help him and he wouldn’t let her. And the album is actually barely about him. Taylor says in “In Summation” that she writes the “worst men the best”, I’d say a lot of The Anthology tracks are about him as well as like 1 (So Long, London) on the standard album.
He’s not one of the worst men, he’s the one that got away. I don’t think it’s fair for Swifties to hate on Joe, and it’s not fair for Swifties and non-swifties (who for some reason listened to the album?) to hate Taylor for being vulnerable. Joe can make a statement if he wants, and that’s fine by me.
The more I look at the lyrics of So Long, London, the more I feel bad for both of them. Joe wasn’t sure how to deal with whatever was going on in his own life and Taylor going out, doing promotions for Red TV; Taylor on the other hand didn’t know what to do because she felt him slipping and she couldn’t help him like he did for her because he pushed her away, intentionally or not we’ll never know. She says that she stopped trying to make him laugh and stopped trying to drill the safe (“the safe” being him and her trying to get him to talk to her about whatever he was going through and he resisted to let her). It hurt them both. At some point they both just came to the agreement of that this just wasn’t going to work out anymore. They were there for each other through their darkest days (or bluest days) but ultimately things just aren’t meant to be even if Taylor thought it was. It’s just cruel to pick a side when there’s so much no one considered. So no, I can’t back up the people who say she’s “wrong” for writing about his “bluest days” in one line about how she felt about their relationship. And I can’t back up the people who say “she got mad at him for being depressed and not wanting to get married so she could have her perfect wedding” because that’s not what she’s saying at all; I’m sure they’d talked about marriage and at the time it felt right, but their lives were changing and they didn’t want to hurt the other person or themselves even more than they had already. And you know what, I actually think he’s genuinely proud of her for being this vulnerable and putting on a smile every week and singing “Lover” and trying not to cry, and I think he’s genuinely happy that she’s genuinely happy with Travis, and I think he was think “wtf Taylor” when people found out about her and Matty Healy, and I think he was genuinely relieved when he saw things between them ended.
I just think that no matter what happened between them, they still wish each other the best. I think he genuinely thinks she deserves the happiness she’s felt in the past year after getting through a whole lot of shit.
(And to all the people saying Taylor “sent” her fans out to threaten Joe and his friends and costars, A) she would never do that no matter how she may feel about a person and B) fake fans do that, not real ones. Maybe you should start learning the difference since you can’t shut up about her or us.)
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avoid-couple-factor · 6 hours
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https://michele-051.szhdyy.com.cn/p/tYdcRaG
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moment-time · 19 hours
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charge-pay · 2 days
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https://leah-497.ludgu.top/b/jgXDM7B
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fortn13ght · 2 days
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“And if I’m dead to you why are you at the wake?” and “if you wanted me dead, you should’ve just said” pipeline!!!
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Lyrics under the cut
Call It What You Want    
I want to wear his initial on a chain 'round my neck Chain 'round my neck Not because he owns me But 'cause he really knows me Which is more than they can say, I I recall late November Holding my breath, slowly, I said "You don't need to save me But would you run away with me?" Yes
evermore    
Can't not think of all the cost And the things that will be lost Oh, can we just get a pause? To be certain we'll be tall again Whether weather be the frost Or the violence of the dog days I'm on waves, out being tossed Is there a line that I could just go cross? And when I was shipwrecked (Can't think of all the cost now) I thought of you (All the things that will be lost now) In the cracks of light (Can we just get a pause?) I dreamed of you (To be certain we'll be tall again) (If you think of all the cost) It was real enough (Whether weather be the frost) To get me through (Or the violence of the dog days) (Or the violence of the dog days) (Out on waves, being tossed) (I'm on waves, out being tossed) But I swear (Is there a line that we can just go cross?) You were there
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angeblancrose · 19 hours
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Taylor could've easily created fictional characters in The Tortured Poets Department and said that the album is a story about them, even if it was the tale of her life intertwined with it. But she didn't.
Why? 'Cause one, she wanted this story to be out in the world, as it was made, without twisting the narrative. She was ready to face the scrutiny she'd presumably receive with her art and her story. But the second reason resonates louder when you think about it— it's a failed construct.
Fans and the media circus would still try hard and die trying to read between the lines and find the “ultimate truth” through this album. folklore and evermore were about fictional worlds and fictional characters but people still took out words and lines they thought to be clues that linked to aspects of Taylor's personal life she wasn't willing to share. If TTPD was marketed as a fictional storytelling album rather than a diaristic one, people would still judge and burn her at the stake like they're doing now.
Both paths lead to the same road. The whole album might not be the complete truth, but both the artist and the muses would be judged either way, and maybe as fans or human beings, we have to deconstruct this notion of thinking of songs as the ultimate and complete truth- a keyhole to a person's life because it's not. One song can be about more than 1 muse or a completely made-up story from the feelings the artist felt, or read about, or had a friend talk about it. And we need to understand that.
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lifeintofolklorexx · 7 hours
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TSwift Red Carpet Madness: Round 1, Matchup 1
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Our first two matchups will be a face off between Taylor's Met Gala looks, starting with her first three appearances! Be sure to follow tsredcarpetmadness for all upcoming polls!
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So Long, London & lyric parallels
part 1 | part 2
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