— WHO IS LEE NOEL?
he’s a TWENTY-TWO year old wannabe, born AUGUST 9, 2000. he’s undecided regarding the companies and lives by the words “there is no secret ingredient.”
maybe you should learn more or ask him a question.
▶ PLAY THE CLIP [ harsh_critique.mp4 ]
for someone so obsessed with his own looks, it was quite funny how he disliked being in front of a camera. he was very confident in his looks, he had a handsome face, a fit body and he was tall, what was there to not like? still the only pictures of him were when his mother forced a family picture, or when friends randomly took photos of him without him knowing. of course he was very well aware of the fact that if he wanted to become an idol, then he couldn’t keep on disliking cameras. and maybe this was some sort of beginning to the journey of liking cameras. an audition tape, smart he supposes, it’ll be easier for them to look through more potential trainees, still though, he wished for an audition face to face rather than this. but in life you don’t get to pick everything, and for some reason he feels like he’s starting to get too old to become a trainee, even if he’s still only twenty-two. but he wants to debut, and in order to do that he must become a trainee, so, maybe this audition tape will be the one to get him in?
he presses the record then takes some steps back. his usual charming smile on his lips and then he bows to the camera. “hello i am lee wook! i’ll be showcasing dance, i’ve picked to perform lightspeed’s bad. thank you for being willing to watch this tape” he bows another time. it’s funny how formal and nice he acts when it comes to auditions, it’s rather rare to catch him this nice.
he steps out of frame for a second, just to turn on the music, and in a quick second he’s back in front of the camera and ready to dance. his movements are sharp, he focuses on his facial expressions too, and he gives it all the energy he has. when he’s finished he holds his breath, tries to breathe as casually as possible. he smiles to the camera then bows again, “thank you for watching, this was lee noel, more known by lee wook”. and stop. he presses the stop. he lets out a big breath of air. he’s not sure how well this is, he normally doesn’t perform in front of just a camera, but watching through it, he feels okay enough. he’ll send in the tape, then hope for the best.
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Especial KRP — Nomes masculinos coreanos
Chegou a vez dos rapazes. Vim trazer alguns nomes masculinos que eu, particularmente, não vejo muito em comunidades que podem te ajudar na hora de criar um novo personagem, juntamente com algumas variáveis e a pronúncia de forma abrasileirada.
Barom (바롬 - Barôm)
Beomsu, Bumsu, Beomsoo, Bumsoo (범수 - Bómssú)
Beomyeol, Bumyeol, Beomyul, Bumyul (범열 - Bomiól)
Boseung (보승 - Bosûng)
Byeongjun, Byungjun, Byeongjoon, Byungjoon (병준 - Bióngdjún)
Chani, Chanee, Chanyi (찬이 - Tchaní)
Deokgwan, Dukgwan, Deokkwan, Dukkwan, Deockgwan, Duckgwan, Deockkwan, Duckkwan (덕관 - Déoquán)
Doha (도하 - Dôrrá)
Dongjoo, Dongju (동주 - Dongdjú)
Doochan, Duchan (두찬 - Dutchán)
Euijoon, Euijun, Uijoon, Uijun (의준 - Ûidjún)
Gukchan, Gookchan, Guckchan, Goockchan, Kukchan, Kookchan, Kuckchan, Koockchan (국찬 - Guktchán)
Ganggyu, Gangkyu, Kanggyu, Gangkyu (강규 - Gankiú)
Haejoon, Haejun (해준 - Rédjún)
Heechan, Huichan (희찬 - Richán)
Hongkyu (홍규 - Ronquiú)
Hyunil, Hyeonil, Hyuneel, Hyeoneel (현일 - Rióníl)
Hyunwook, Hyeonwook, Hyunuk, Hyeonuk (현욱 - Riónúc)
Inho, Eenho, Yinho (인호 - Inô)
Jaewan (재완 - Djéuán)
Jangjoon, Jangjun (장준 - Djangdjún)
Jaejoon, Jaejun (재준 - Djéjún)
Jekyu, Jegyu (제규 - Djeguiú)
Jibom, Jeebom (지봄 - Jibôm)
Jicheol, Jichul, Jeecheol, Jeechul (지철 - Djitchól)
Jinhong, Jeenhong (진홍 - Djinông)
Jooyoung, Jooyeong, Juyoung, Juyeong (준영 - Djunióng)
Jongin, Jongeen (종인 - Djonguín)
Jongkook, Jongkuk (종국 - Djoncúc)
Junhong, Joonhong (준홍 - Djunông)
Kwanghwi, Gwanghwi (광휘 - Guangrruí)
Minhwan, Meenhwan (민환 - Minuán)
Minjoon, Minjun, Meenjoon, Meenjun (민준 - Mindjún)
Minjoong, Minjung, Meenjoong, Meenjung (민중 - Mindjúng)
Minwoong, Minwung, Minung, Minoong (민웅 - Minúng)
Moonsoo, Moonsu, Munsoo, Munsu (문수 - Munssú)
Sangmin, Sangmeen (상민 - Sangmín)
Seongho, Sungho (성호 - Sóngrrô)
Seongmin, Sungmin, Seongmeen, Sungmeen (성민 - Sóngmín)
Seongjong, Sungjong (성종 - Sóngdjông)
Seongyun, Seongyoon, Sungyun, Sungyoon (성윤 - Sónguiún)
Seoyong, Suyong (서용 - Sóiông)
Seungyeol, Seungyul (승열 - Sûnguiól)
Siha, Xiha (시하 - Xirrá)
Siwoo, Siwu, Siu, Xiwoo, Xiwu, Xiu (시우 - Xiú)
Songwoo, Songwu, Songu (송우 - Sôngú)
Taebin, Taevin (태빈 - Tébín)
Yonghyun, Yonghyeon (용현 - Iongrrión)
Yongkwon, Yonggwon (용권 - Ionkuón)
Youngdoo, Yeongdoo, Youngdu, Yeongdu (영두 - Ióngdú)
Youngwoo, Youngwu, Youngu, Youngoo, Yeongwoo, Yeongwu, Yeongu, Yeongoo (영우 - Ióngú)
Yuhwan, Yoohwan (유환 - Iurruán)
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Kdramas are popular in the west primarily because they've given us a genre of TV that doesn't exist here, like romcoms. We have romcom movies, but almost no romcom TV shows. If we have romance in TV at all, it's usually the subplot of a murder mystery, a police procedural, a medical drama, a law procedural, a fantasy, a sci fi, a teen coming of age dramedy, or a thriller. Romcom is simply not a tv genre in the west. It's at best a subplot. But kdramas? They give us plots that are romcoms first and medical dramas or murder mysteries or legal dramas or fantasy second.
That said, Extraordinary Attorney Woo, like most Netflix co-produced kdramas in the past few years, subverted most stereotypical kdrama norms. This is a character study first, a legal drama second, and a romance third. That's right. The romance is the C plot arc. That doesn't mean it isn't important, just that unlike most kdramas, it isn't the primary plot driver.
As such, the fact that we only get 5 minutes of Junho and Yeongwoo's romance arc per episode (at best), is not a deterrent. It's typical for the genre (a character study). Even the primary subgenre is a legal drama. So Yeongwoo's romance arc is a tertiary plot (subplot) at best. As such, it's pacing was positively PERFECT and completely typical. Very normal for western audiences, although a bit atypical of kdramas except for those produced outside normal Korean bounds (like Vincenzo or All of Us Are Dead).
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