#and then I’ve just had to let that go | Explore Tumblr Posts and Blogs

flowercrowngods · 7 months

Text

shattered on the cliff’s edge, trapped by the tides

part 1 / 7 | or: read on ao3

The fog rolls in like a heavy cloud that morning, leaving the city in eerie darkness as Steve hurries toward the heavy door to the steel manufactory, scarf wound tightly around his neck to keep out the cold so uncommon for late September.

“Thanks,” he mutters to the gruff, broad man who holds open the door for him. He sees him every morning but has never had the chance to ask about his name. The question is on the tip of his tongue when, with a nod and a touch to his sturdy-looking hat, the man walks down a different corridor than Steve.

Where outside the fog was so thick that all noise seemed dulled, like cotton in his ears, the manufactory is a cacophony of banging and clanging, hissing and whirring, and Steve needs a moment to breathe the polluted, heavy air that’s always just a tad too hot for his lungs.

He doesn’t mind the work, is good with his hands and enjoys the single-minded focus it provides on a good day, the deafening noise loud enough to drown out most of the comments the other workers throw his way; comments about his father, his upbringing, and his rather sudden downfall when Richard D. Harrington decided to disown his eldest son three years ago without rhyme or reason.

Steelwork, engineering, intricate cogs that work massive machinery — they fascinate him, they keep him busy fourteen hours a day, and they leave him dead to the world when the shift is over and graciously let him sleep through the dreams that have been haunting him ever since he can remember being haunted.

It’s always the same dream, in the fall more than in the spring. A lighthouse trapped in the sea, waves rolling and crashing, water rising so high that it might as well swallow the lighthouse whole. And through it all, a beacon. And through it all, a voice he cannot make out. And through it all, a ticking that echoes through his skull even long after he gasped awake with a lungful of water that Robin says might be Tuberculosis.

He blinks away the gloom that has laid over his heart like the fog over the city, shakes off the trancelike feeling that overtakes him every time he tries to think about the lighthouse when he is wide awake, and rubs away the headache that comes with sleep deprivation. It’s fall again, which means he spends his nights haunted by ghostly images of a lighthouse he’s not even sure exists, robbed of all chances at resting if he doesn’t work himself to the point of absolute exhaustion.

They are earlier this year, the night terrors. Everything is a little earlier this year.

A heavy hand lands on his shoulder as Emerson arrives behind him, leading him to their station with idle chatter about the weather and the horrible, horrible fog that Steve has not the patience to partake in today — which is just as well for Emerson and his sunny disposition, he’ll simply talk enough for the both of them. Steve is fond enough of him to let him be as he falls into the routine of working steel and breathing overheated, coal-stained air.

They work in unison until noon, the headache dull enough as long as he keeps busy, but almost blinding when he stops for even a second. A booming voice makes him look up from his station, though, as he is being summoned to the office.

It’s never a good sign, and Steve can feel the blood draining from his face, pulling the ache with it as it travels down his spine and settles in his centre in a pit of nausea.

“Oh no,” Emerson murmurs under his breath, even managing to sound genuine about it. “What did you do?”

Images assault his mind. Prison, if he’s lucky. Asylum and electroshock therapy if he’s not; if his father changed his mind about making it public that his eldest son and heir deserves punishment, or treatment for moral insanity. Steve tries not to think of that too often, tries not to look at men like that anymore — tries not to look at anyone anymore until the public forgets about him.

But every time he is reminded that he exists is another time of fear. Fear of being found out.

“I… have no idea,” Steve says after a while, looking up to where the door to the office looms above all of them, leaving them to feel like prisoners in a panopticon.

“Better not keep ‘em waiting, then. Probably too late to run, eh?”

“Probably,” Steve says, dazed, not really listening to Emerson as he kicks into motion and walks briskly up the stairs, pretending not to feel everyone’s eyes on his back.

It is out of a nervous habit that he pulls the watch from his pocket, its silver chain linked to his vest. It springs open in his hands as he takes the steps one by one, providing comfort for no reason other than it’s his. It doesn’t show the time, never has, but after losing everything at his father’s whim, the pocket watch stayed with him.

“Keep it,” Richard had sneered. “The blasted thing isn’t worth a penny!”

The fingers only ever moved incrementally over the years, and backwards, but still there is something about the watch that makes him keep it close at all times. Collecting himself, he closes his hand around the light metal and filigree ornaments and mentally counts to three before putting it back in his pocket and knocking on the door.

“Ah, Harrington,” the superior manager says, his voice sounding like gravel as per usual. The man has a habit of competing with the steel manufactory’s chimneys, only he smokes cigars instead of coal dust like his workers. Steve remembers the smell of fine cigars, and this office smells like the best among them.

It only helps to strengthen his disdain for the man.

Still he nods and aims for a pleasant smile. “You asked for me, sir?”

“Yes, yes,” the man says, leaning back in his thick leather chair and motioning for Steve to take a seat at the sturdy, delicately engraved mahogany desk. “Sit down, sit down, time is money and I give you more of that than you deserve anyway. I have a proposition for you and you are in no position to decline, yes?”

“Yes?” Steve says dumbly, taking his time to sit down just to spite him.

The man, however, is not as easily perturbed. “That’s what I want to hear, I have to admire your morale, Harrington. Here,” he turns and reaches for a cabinet, rummaging around for a minute before—

The blood in Steve’s veins freezes, leaving him cold and too hot all at once.

Underneath the beefy hand, he makes out a photograph — or possibly a postcard — showing a stark white lighthouse trapped in the sea, gigantic waves crashing into it, threatening to tear it down and carry it along to wherever the tides lead. The beacon of light is steadfast and stubborn, guiding and pointing at something that’s out of the frame, but what Steve can only assume is absolute nothingness out in the open sea.

He slides it over the table to lie in front of Steve, and he fights every urge to recoil, only gripping the arm rest far too tightly.

“See, we got a telegram earlier today that they’re having problems with the lighthouse up north. They say it’s something with the generator, not fit enough to last in the cold, where the air is made of saltwater more than oxygen.”

Steve nods, though he is only halfway listening, his heart hammering in his chest at the picture of the lighthouse, etched onto the paper like it has no idea it is also etched on the very forefront of Steve’s mind — has been, for almost three decades now.

“And since you’re the only one here traditionally educated in reading and writing,” the man continues, either unaware of Steve’s dizziness or delighting in it, “and you know your way around a machine or two, fixing the generator and handling the light shouldn’t be a problem for you.”

It’s not a question. It’s not even an offer.

Steve wonders if maybe he fell down the stairs and hit his head, if maybe the sleep deprivation is finally leading to hallucinations like Robin keeps warning him.

“You want me to fix the lighthouse?”

“That is precisely what I want, yes. Stay there a while, find out what seems to be the problem.”

He’s getting up, walking over to a cabinet, pulling out a half-empty bottle of what Steve can only assume is whisky. A biting, earthy smell floats through the room, thick enough to cling to his clothes if he stays here much longer.

“You’ll find yourself familiar with the equipment, as it is us who supply them. In fact, you have built generators and fixtures and engines like that. You’re a bright spark, Harrington, I can admit that. You’re the best fit. And I’m not asking.”

His jaw clicks shut, his hands clenched into fists beneath the table as he meets those dark eyes head-on.

“When do I leave?”

An ugly grin spreads the man’s face, gaining too much joy from other people’s powerlessness down the food chain.

“Tomorrow. If I remember correctly, and I usually do, you do not have much business to attend to, and even fewer things to pack. I trust you will find your place at the train station at five tomorrow morning. Emerson will know to fill your shoes in your absence.”

How long will I be gone? he wants to ask, but is too afraid that the answer will only be another cruel smirk and a sip of whisky.

He gets up, certain that he is being dismissed, and getting no sign that he’s wrong.

“Oh, and Harrington.” He stops with his hand on the door already. “Perhaps this is a good time to mention that the lighthouse is without a keeper. I have offered your services for the time being, seeing as you will already be there. The salary, of course, will be thrice as much as your usual.”

The daze is back, smelling of saltwater air and whisky, rushing in his ears like waves bursting on the cliffs.

“What happened to the old keepers?” he dares to ask.

“That doesn’t concern you.”

“Yes, it does. What happened to the old keepers?”

“I think you shall find out soon enough.” A beat of silence — horrible, tidal silence. Then, “You’re dismissed.”

***

The train ride is blessedly pleasant, the first class ticket providing the luxury of comfortable seating and relative silence, the wheels occasionally clicking along the railway loud enough to drown out the near-deafening rushing of the ocean in his ears — or perhaps it’s not the ocean, perhaps it is his own blood, pumped with fear and apprehension.

The only upside to all of this is the telegram he’s been gripping tightly all morning so as not to lose it, not to forget about it, not to think it was a dream. A childish, hopeless dream, a longing for company to battle the fear of the dark.

I’ll meet you there. 3 days.

Signed: Robin Buckley. She never took his name, said she did not want to be associated with Richard and the Harrington wealth that came with the Napoleonic wars — never mind that they happened almost a century ago.

Blood money isn’t wealth, Steven, she’d said to him on many occasions, and he loved her for it all the more.

Maybe it will be fine if Robin is there with him. Maybe they won’t end up succumbing to madness like people are wont to do, subjected to the endless loneliness of lighthouse keeping. Confronted with a darkness so deep it needs human invention to remain habitable. Maybe, he wonders idly and with shortness of breath, the world will end if all its lights are gone. Maybe all that will remain is nothingness and the ruthless sea — maybe, until the sun rises again and the light returns. But up north, the sun doesn’t stay all that long. Up north, they say the darkness is different. They say it’s sentient. They say—

A servant offers him some tea or coffee if he pleases, ripping hit out of his obsessive spiral of apprehension and fear.

“Yes, thank you,” he breathes, miming quiet politeness to cover up the lack of air in his lungs. The servant nods, not at all perturbed by Steve’s rather horrific disposition, and moves along.

The tea helps a little. It’s hard to think horrible thoughts when there is a steaming cup in your hands smelling comfortingly of herbs and just a hint at something spicy. It feels almost primal, his fear of the lighthouse — but just as primal is the comfort he finds in the warmth spreading from his hands all the way through his body. The shaking stops after a minute, and breath has returned to his lungs in a way that doesn’t leave him scared to let it out.

It will be fine. The sea will lose its terror, and so will darkness. He will read, and fix what needs to be fixed, and laugh at it all with Robin by his side, who will teach him about birds they will never see, about authors that don’t live anymore, and about the stars they get to watch.

It will be fine. He will be fine. Always, with Robin.

***

He arrives at the seaside town just before nightfall, and the first thing he notices is not the rushing of the ocean, but the crispness of the air that feels vastly different in his lungs to the grey and brown, polluted city air. It’s like he’s a babe taking his first breath in this world; and just like a babe, he is overcome with the urge to cry. He doesn’t, only pinches the bridge of his nose and grabs his bags — two of them, filled only with clothes and books to pass the time.

The walk to the next inn is a long one, and by the time he arrives there — guttural laughter coming even through closed doors and windows — he is frozen to his bones. If he’d thought that fall was quick to arrive in the city, he might as well have entered an arctic winter up here. The half suspects, though, that the cold comes from his empty stomach and the bitterness that replaced the fear just as well as the actual, biting cold.

And to think it’s only just early September.

He pushes the door open and finds it blissfully warm, a large fire roaring in the fireplace and in the hearth, leaving the food steaming on the plates. Silence settles almost immediately, and Steve freezes on the spot. Being perceived in a situation he has no control over has never been his strong suit, and he wonders just what these people have heard about him. If they heard anything at all.

“Come in or get out, but leave the cold out there,” a large lady says from behind the bar, an apron wrapped around her skirt and a towel in her hand as she eyes him with wary but not unkind eyes.

“Forgive me,” Steve says, stepping further into the inn and letting the heavy door fall shut behind him.

��Ahh,” someone says from where he’s sitting on a round table with six other, quite burly men. Fishermen, Steve assumes, or harbour workers, if their sun-tanned skin and general muscular build are any indication. He places his jug of beer on the table and eyes Steve rather closely. “You’re the boy they sent. Who will fix the lighthouse, aye?”

“Aye,” Steve says stupidly, internally cringing at himself. Then, turning towards the woman, “Have you a room to spare?”

“Have you money to spare?” she retorts, clearly mocking him for his odd choice of words — it’s hard, laying down his aristocratic upbringing, especially in a town auch as this.

“Of course,” he says. “For food, drink, and someone to bring me to the lighthouse in three days.”

Another man of the group snorts loudly, shaking his head and studying his ale like it would tell him the future.

“No way, boy. Ain’t no one gettin’ close to that thing.”

“She’s haunted. Has a mind and a life of her own, and she’s made it clear that no one is welcome to get too close. ‘S what lighthouses are for, eh? No getting too close. You get too close, you die. Simple as that.”

Steve takes it in, the pale faces of the men all nodding along, the thousand yard stares they all have in common — and his fear is back. But greater than his fear is his annoyance with men who insist on calling him boy and decide to speak in riddles instead of making sense.

“Haunted?” he asks, taking one of two spare seats at the table, nodding at the woman in thanks as she brings him an ale that only barely smells like piss. “How?”

“Haven’t you heard?” a fourth man, the oldest of them, speaks up. “There’s a curse on the lighthouse. No one gets out alive. We only ever bring her new stock, like cattle to the slaughterhouse. She takes. She takes and takes, boy.”

“So you do bring them,” Steve points out, far too tired and irritated to listen to a ghost story before he’s even had a proper, warm dinner.

The men still, and Steve places a tower of money in the centre of the table.

“It’s yours,” he says, looking at each of them, one after the other, “if you take us there in three days. Four, if the weather decides to play.”

“Us?”

“My wife,” Steve says.

“Fine,” one of them, the one who first spoke to him, grumbles, reaching for the money. “Now go. This table is for grownups, boy.”

With an eye-roll and an air of arrogance, Steve gets up and finds a seat at another table closer to the fireplace. Soon after, fresh stew is placed before him and he dives in.

***

The lighthouse towers on top of the cliffs and Steve watches, mesmerised, as he makes out its shape even in the pitch black darkness. It’s eerie, the power it emanates, the myths and legends that weave around it and its kind. Legends that would be fascinating learning about them in the safety of one’s bed, but which are horrifying to remember days before the nameless fates could be one’s own.

The darkness of the night really is endless here without the lights of the city, and he can only imagine how the lighthouse would help, how it would bring back hope and security, a promise of safe passage. It’s brings him a sort of peace; a purpose, imagining this town in the lighthouse’s beacon. Safe for the night, safe until the sun comes back.

Still it doesn’t ease his night terrors, filled with whispers as they are, growing in urgency and almost clear enough to make out.

Three days pass. Four. Five. There is no sign of Robin. Anxiety grows within him, because Steve knows Robin was going to take the seaside route from the Cunningham estate — well, one of them, at least.

She has a mind of her own. She takes and takes, boy. She’s haunted. Has a mind and a life of her own, and she’s made it clear that no one is welcome to get too close.

What if…

No. No, there is simply no way. Haunted lighthouses taking lives. There’s no— no way. He won’t fall for their ghost stories.

Unfortunately, however, they don’t fall for his charm either, and on the seventh day, when the sea is calm and the sun steady above them, the man who took they money — Old John, apparently — approaches him.

“We’re leaving now,” he says, shoving Steve ahead of him, deaf to his protest that they have to wait, they have to wait. “Your sweetheart ain’t coming, kid. Don’t think she’ll be coming anywhere ever again if she really took the ship. They talk of a ship that got lost in the storm, burst on the cliffs because there was no light. I’m sorry, kid, but I won’t risk waiting any longer.”

A ship lost in the storm?

But… No. No!

“No,” he whispers, letting himself be shoved onto a tiny boat and rocked this way and that, feeling nauseous for more reasons than one.

He’s wrong, Steve knows; feels it in his very soul. Robin is not dead. She’ll come.

She… She will come. She won’t leave him alone, all alone, in this place that has been haunting him for years and years.

She’ll come.

The lighthouse towers above them, perched on top of cliffs that make Steve understand why nobody wanted take him here. There’s no safe way of getting close, let alone climbing up the stairs carved into the cliffs, leading up to the door with no railing, no rope to hold onto. One large wave crashing into him, and he’d belong to the ocean.

He wants to cry again. Wants to curl in on himself and weep as the reality of everything begins to settle in the deepest, darkest places of his heart.

If he leaves the boat, he’ll be trapped with no way of getting out, no way of contacting the land they’ve left far, far behind. Supplies are said to last several months, he knows, he studied the file he got. Several months without human interaction unless Robin magically, wonderfully appears in a few days after all.

“Good luck, kid,” is the last thing he’ll ever hear of Old John as he pulls himself onto the cliffs, reaching for his bags from the old man’s hands. The sea is deafening here as waves crash and burst relentlessly, and he can’t hear what else Old John is saying, but he thanks him and salutes, which the seaman returns with an air of melancholy.

Steve climbs the stairs, soaked to the bones by the splashing water, but somehow — miraculously — malign his way up. As he turns around, fog is starting to gather above the water, but he can make out the tiny silhouette of the boat.

He watches, and it’s meant as a last goodbye, one last glance at his one way out. But terror fills him as he watches, helplessly, powerlessly, as Old John’s boat keels over and disappears. He keeps his eyes fixed to the spot, not daring to look away until there’s proof of life. But Old John doesn’t break the surface again.

And Steve is left filled with horror and the absolute certainty that he might not make it out if he sets foot inside the lighthouse.

Behind him, the door opens with a horrible, terrifying creak, and the beating of his heart is too loud for any other noise to exist in Steve’s world right now.

🌊 part 2 (coming 26 October)

tagging (trading tags for kindness): @klausinamarink @vampeddie @steviesummer @sharpbutsoft @auroraplume

#steddie fic #steddie #steve harrington #eddie munson #steve x eddie #stranger things #stranger things fanfic #spooky lighthouse au #dio words #this is so long i’m so sorry 😭😭 i’ll try not to let the other parts be so extensive with exposition hdhdh #it will go up on ao3 when i’ve had the time to proofread this but as things are rn we just fuck around and ignore typos #*frantically scrambling* does any of this make sense so far???

150 notes · View notes

stinkypeanutbutter · 2 months

Text

img silly sbg art class headcanons for the folks !!!

Guess who’s first .

Ben , obvi . Who did you think ??? Aiden ?? Loser / j

BENNY BOY :

Actually enjoys art class the most out of his other classes

Usually turns things in on time , but forgets the little things though like those stupid papers that tell you to copy and draw a nose 3 times

likes using charcoal pencils !! It’s his favorite out of everything , but he dislikes how messy it gets because the charcoal always covers his hands and arms .

not the best at painting , but he’s well known of his complimentary colors and what looks good with what .

Usually listens to music while he’s drawing if Taylor is busy or gone from class . He likes taking instrumental recommendations from Ashlyn .

Takes a drawing class , obvi , along with Taylor because he didn’t really want to be alone . Plus , She’s a nice buddy to have !!

TAYLOR !! :

Takes a drawing class with Ben as said before !! Whenever they have to pick partners , they go for each other the most .

she’s not the BEST at drawing honestly , but she takes it so she can study in machinery , like drawing and mapping out designs .

She likes using those kids markers , whatever their called . She prefers using the marker FIRST then going over it with pencil to really pop out the design . Digital art also works out for her , it’s one of her favorites because there’s so many options ( sometimes )

uses google for inspo or to copy certain parts down cause Pinterest is blocked on the computers and drawing gears is hard to do ( real 😿 )

Draws little cats on her work when she’s bored or smiley faces on Bens work just cause she’s silly ( trademarked smiley — Aiden / j )

Doesn’t have photography , but she does join Logan after school to help out with certain camera functions or just take photos of eachother for her memory book ( she has one , cannot tell me otherwise )

Also uses highlighters just cause . I mean they’re fun so why not . Her and Aiden share a bunch of random stickers that he got on like eBay for customization 😼

A ;) DEN !!! :

I swear I won’t repeat the same “ Aiden is totally good at art “ headcanon but …….. 😅😅

Went into painting just so he can have fun with the colors and , sigh … he’s good at mixing them . ( he’s not allowed too , but he makes it work out . Sometimes )

RARELY gets things done in time , like he’ll be doing anything other then drawing in class , yet somehow turn it in . Well , after a few weeks past the due date .

becahse of that , no one really knows what he draws but the teacher is impressed so 🤷

I like to imagine he has one other hidden room in his house , filled with unfinished paintings , sketches , projects , puzzles , yadda . He hasn’t really shown anyone where it is , or let’s anyone inside but has let Ben check it out a few times cause he’s special 🫶

Always does his projects in his room . Why ? Cause it’s bigger , more room to work , duh . Also , so he can BLAST music because music just gives him ideas of what he can work on ( projection go hard 🤟🤟🤟 )

he doesn’t really care what he uses , but he hates charcoal , opposed to Ben . It gets everywhere ( in a bad way ) , it’s dull , he hates having to blend it with those stupid paper things because they sound and feel gross , yadda yadda yadda . Butttt he LOVES markers and crayons . Colored pencils work if he’s feeling slightly unmotivated .

uses giant AF canvas’s cause more room to work plus more detail . He loves detailing the most random stuff because it all had to blend correctly , right ? 😼☝️

likes pottery , but he doesn’t like the feeling of it drying on his hands . It’s gross and crusty . Plus he got in trouble once for throwing some of it around the class lol

Totally draws on his arms with sharpie ( ashlyn tells him no cause poisoning or something but pshhhh what does she know ? He’ll still doodle on his pants ) .

Probably does Rubix cube art when he’s feeling extra silly . Also glues and sticks whatever he can find onto what he’s working on for pizazz . But he doesn’t really like anything he’s made so 😿

also the reason why he has so many unfinished projects is because woopsy doo ADHD . It’s always “ oh I should work on this one “ but then there’s “ but this once looks funner to do “ but oh then there’s a “ which one would take me less time to do ? “ and “ if I do this first will I have time to do the other one ? “ and either ends up doing nothing or multitasking .

ASH TRAY !!! :

Takes painting with Aiden because she really didn’t want to go alone .

thought about pottery once , tried it , hated the feeling of it getting under her nails and it kept drying up and she had to wash her hands constantly and it kept getting in her hair and it was a bad experience . ( more projection )

painting really isn’t her favorite , but she likes the look of the colors mixing and it’s kinda like dancing to her , with the long , sometimes constant movements and new variations . Look it just puts her in a slight trance .

doesn’t do well with creativity coming into play , but she managed to find a way with turning art into dance , like referencing other dancers online and copying their moments onto a canvas to make it dramatic or something .

Prefers prismacolor pencils over most things , sometimes joins Taylor and Logan after school to try out photography .

Sometimes she and Aiden would share headphones and put on a shared playlist or a podcast on spotify . They always bicker about it though because ashlyn skips through songs often and Aiden can’t sit on a podcast unless it’s playing somewhere background ( still working on this one cause would that work ? Sharing headphones and listening to stuff or would that be too loud cause I’m not sure )

for once please can she see what Aiden has done like he’s always on his phone or playing with another puzzle from his backpack how do they fit in there anyway just Plsplslpsopls he has a good grade in this class how he’s so confusing sometimes double U - tea - eph

TIE - LER !! :

Joined because he already does baseball why not choose something to maybe help him relax

Bad choice , does not relax him ( most of the time ) , can’t understand color theory ( same ) , ended up getting put into the same class with Aiden ( remember when Aiden threw pottery ? Yeah . . Also ashlyn is there that’s cool but still )

He still likes hanging with Aiden , he just won’t admit it and it gets harder and harder too when he keeps writing and drawing on his work ( and him too 😡😡 )

Pretty fond of water coloring , it’s one of the few things that he enjoys doing in his pass time . . . But he’s not that good at keeping the water to a minimum so it ends up dripping everywhere .

He’s not that good at art either , but he’s pretty good at poses , specifically ones he can remember like the “ batter up ! “ stance in baseball or his signature “ crosses my arms and stares at you begrudgingly “ . He’s REALLY good at that one .

He teaches Ben Guitar , Ben teaches him easier ways to draw . Not a babyish style , but just a simplified way to do something without putting too much thought into it .

he and Taylor team up in art projects , but not in class , at home . Ash and Aiden usually partner up in class , and since he and Taylor have seperate classes there , who’s to say they can’t help eachother else where ? Twin telepathy ! ( I think , idk )

Just finishes quick and turns it in . He gave effort , and that’s good enough . If he really wants to try and ‘ finish ‘ finish it , he will . Trust .

DIALOG(an)UE !! :

Literally the only one in the group who really takes pottery ( he’s lonely someone help him )

dw Barron isnt there . He got kicked out for throwing clay at people ( mostly Logan )

Actually really likes taking pottery , it’s fun !!

He makes pots for the plants back home 💪😋

pretty good at using the utensils , one of the only people the teacher can trust to use them correctly

the pottery wheel isn’t his favorite favorite because sometimes it spins to fast and clay gets splattered everywhere , but it’s better then starting from scratch , and turns out really nice when he gets into the zone or something

made mugs for his grandparents !! ( and the gang , which they all used theirs for many different things . They love it )

not that good at coming up with particular designs , so he usually asks for help . Doesn’t matter who , he’s open to everyone’s ideas 😋☝️☝️

takes a littttllleee while to turn things in on time but he’s a good student so the teacher doesn’t mind

IM DONE !!! I DID IT !!! Praise me .

WHAT SHOULD I DO NEXT ?? HIT THAT LIKE AND SURBSCRIBE BUTTON

59 notes · View notes