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#bumi deserved better
sapphic-agent · 15 days
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Rewriting the Gaang in LOK
Basically how I would have written the adult Gaang. Pretend the comics as they are don't exist.
Katara: Breaks up with Aang sometime post-finale to do some soul-searching. Travels the world on her own and sees how people are struggling after the war. After talking (beating) some sense into a few government officials, she realizes that the best way to help people post-war is through politics. She becomes an (unofficial) ambassador, helping and negotiating aid for small villages that tend to get overlooked and does this for a number of years. She joins up with Zuko and Aang after they found the United Republic of Nations and becomes Councilwoman Katara, representative of the Southern Water Tribe. She eventually gets voted chairwoman due to her passion to improve the lives of the citizens (and because her fellow council members are too scared to vote against her). She heals on the side when she needs to, but only out of obligation since she can't stand to see people suffer; she puts much more effort into getting raising funds for a hospital full of healers. A few years later, Haru moves to Republic City and is just as awestruck by her as he was the day they met (the pornstache has been removed by divine intervention). They meet up a couple of times; for drinks after work, walks around the city, and they even attend a few galas together. They eventually start dating and get married two years later. They have their first daughter Kya (who's an earthbender), a son- Tyro (who's a nonbender), and another daughter Suma (who's a waterbender). They live a happy, peaceful (if you could call Katara stopping the occasional criminal before the police peaceful) life together where their children are well-loved and as part of the Southern Water Tribe as they are the Earth Kingdom. Aang's death hits their family hard, but they all come together and support each other. Katara personally mentors Korra, even convincing her family move to Republic City so that the Avatar knows the people she's meant to protect (the White Lotus protests, they fail❤️). She teaches Korra Waterbending, but also teaches her empathy and appreciation for other cultures (and that sometimes, selfish world leaders need a good punch to the face, a lesson Korra took to heart even though she absolutely wasn't supposed to see it).
Aang: Is torn up after Katara breaks up with him. He's hurt and confused and doesn't know what to do with himself. He retreats to Ba Sing Se where he talks with Iroh and learns that he unfairly pushed his feelings onto Katara. Wracked with guilt at hurting someone he cares about so much, Aang realizes that he has a lot of growing up to do. He focuses on his job as the Avatar, working closely with Zuko, Kuei, and the other leaders to heal the world after the war. The first time he sees Katara again is when she arrives to help with the United Republic of Nations. He apologizes to her and Katara forgives him, promising they'll always be best friends. His role in Republic City is more or less the same, though at some point he develops feelings for Toph. But he fears doing to her what he had done to Katara, so he tries to ignore them. But Toph, never one to beat around the bush, point-blank asks him if he's ever gonna man-up and confess to her. They start dating, and Lin comes a few months later as a surprise. They have their hiccups- Aang especially needing to reconcile with the fact that there's a chance she might not be an Airbender- but they manage to resolve them. Lin is an Earthender, of course, but Aang loves his little girl to pieces (which is good, because Toph would kill him if she suspected otherwise). Tenzin is born three years later, an Airbender, and Su Yin is born two years after that as an Earthbender. Lastly there's Bumi, a nonbender. There's always the urge to favor Tenzin, but Aang knows he can't. They're all his children and they deserve to be treated as such. So he teaches them all about their culture, takes them all on trips. The kids fight, but Aang is always quick to help resolve it (as it turns out, getting Lin and Su to stop fighting is a lot harder than getting the four nations to get along, go figure). Aang loves his wife and kids and wouldn't trade any of them for the world. He dies peacefully at age 66, surrounded by his children and the love of his life.
Sokka: Fucking hates politics. He'll leave the negotiating and speeches to his sister, thank you very much. If the room of government officials isn't a war room, he wants no part in it. After the war, he spends most of his time in the Southern Water Tribe. He works with his father to rebuild and relearn their culture, and writes frequent letters to his sister. Though, something about his life in the south is unfulfilling. Maybe he misses Suki, but there's something about inventing that calls to him. He can't do much of that in the south pole, so he leaves for the Earth Kingdom, helping villages struggling with heat, agriculture, transportation, etc. In the United Republic of Nations, he becomes lead engineer of the city, utilizing bending to make quick technological advances. He and Suki reunite in Republic City where Suki becomes the police chief. They get back together and have a daughter, Lian. The three of them live a simple life together, until Suki gets gravely injured in the line of duty when Lian is twenty. They decide to retire to the Southern Water Tribe where Sokka takes over for Hakoda as chief and prepares Lian to take over for him.
Toph: When Toph hears that Twinkle Toes and Sparky finally started that fancy new city, she thinks it's the perfect opportunity to cause a little chaos. Closing her metalbending school, she decides to relive her days as the Blind Bandit by founding pro-bending (thanks @ecoterrorist-katara for the idea!). Zuko's a hater and tries to shut it down because "safety," but finds no help in Aang who really, really loves the idea. He goes to every one of her matches and Toph feels both smug pride and... Something else. But she tells herself it would never happen, Twinkle Toes likes girls like Sugar Queen and she was the furthest thing from that. But she isn't totally oblivious, she can feel his heartbeat pick up when he's around her and how he's started to stutter when he's talking to her. So she bites the bullet and they start happily dating. But the arrival of Lin uncovers issues she didn't even know were there. Lin cries loudly and for Toph who relies heavily on her sense of hearing, it's hell. She was also unprepared for how much her body would change. She finds herself not wanting to be around her daughter. But Aang realizes this and urges her to talk to someone. After some arguing, she does. Aang is attentive, so Toph can take breaks when she needs to and Katara and Suki are always ready to get her out of the house when she's overwhelmed. Things with Lin get better and when Tenzin comes around she doesn't suffer nearly as much. Su Yin is similar. It's hard with Bumi because she's older, but Aang and her friends are there to support her. Toph can be distant with her children- her closely monitored childhood always present in her mind- but sees how Aang can be doting and allow their kids freedom. She follows by his example, trying to find a balance between hovering and absence. Aang's death is the worst day of her life- she was there, she felt his heart stop- and she retreats into the swamp for a while to grieve. But she returns to Republic City when Katara begins to mentor the new Avatar. Not to be outdone by Sugar Queen, she becomes Korra's second teacher. It's hard to be around Korra sometimes, but she likes the girl's spunk and attitude, even if she is a brat.
Zuko: Zuko struggles after the war. The obligations of the Fire Lord are crushing and daunting and the fear of turning into his father feels like it's constantly looming over his head. Mai doesn't understand why he's struggling so much and he can't figure out how to explain it to her, so they break up. She goes to Kyoshi Island to spend time with Ty Lee and figure out what she wants in life. Stressed, burnt-out, and heartbroken, Zuko asks Aang to kill him if he ever starts to act like Ozai, but Aang steadfastly refuses, berating him for even suggesting it. Aang assures him that he'll never turn into his father and that he has his friends to rely on. He follows after Aang to Ba Sing Se, working in his uncle's tea shop as a much needed break. He opens up to Iroh about his fears and Iroh affirms that even having these worries proves that he'll never be Ozai. He spends time in Ba Sing Se working in the tea shop and negotiating with the Earth King when he meets Jin again. She's as carefree as she was back then and Zuko is both envious and in awe of it. But he knows he can't have a relationship with her, he can't burden her with his problems. But Jin is gently persistent, lending an ear when he needs one and assuring him that he isn't burdening her. When she asks him if he wants to be with her, he confesses that he does- more than anything- but also admits that he has no idea how it'll work. She tells him that if they want to be together no one should stop them. A year later, they're married and she's crowned Fire Lady Jin. There are some protests to their relationship from traditionalists, but Ambassador Katara (Zuko is so sure that she was never actually given that title, but he can't prove it) is quick to shut them down citing that the Fire Lord marrying an Earth Kingdom girl is a sign of unity. They have their daughter, Izumi, and she's Zuko's entire world. Zuko's greatest fear is that his children will end up like him and Azula, so he refrains from having more kids. Jin respects this, but urges him to talk to Azula. So he does; his sister curses him out, but seems to enjoy his company in her own way. They'll never have a good relationship, but Zuko doesn't want her to feel alone so he makes time at least once a week. It's shortly after Aang's death that Zuko relinquishes the title of Fire Lord to Izumi, his grief over his lifetime friend far too painful. Eventually, though, Katara and Toph bully him into training the new Avatar. It's not a role for a retired Fire Lord, but Zuko knows that the world needs Korra to be strong and it's his responsibility to make that happen as much as he can. And so, he becomes Avatar Korra's third teacher (if you told him 60 years ago that he'd become the Avatar's most sane instructor, he'd think you were high on cactus juice. But with Katara punching dictators in the face and Toph breaking every rule ever written, someone has to be a good influence).
Occupations if you missed them:
Katara: (Unofficial/Self-proclaimed) Ambassador of the Southern Water Tribe, United Republic of Nations Councilwoman and later Chairwoman, Healer (on the side), Waterbending Master to the Avatar
Aang: Avatar, United Republic of Nations Councilman
Sokka: Engineer and Inventor, Chief of the Southern Water Tribe
Toph: Pro-Bender, Manager of the Pro-Bending Arena, Earthbending Master to the Avatar
Zuko: Fire Lord, Firebending Master to the Avatar
Suki: Police Chief of Republic City (I'm sorry I didn't make a detailed background for her I got lazy, I promise I don't love her any less😭)
Defending my ship choices:
Harutara: Come on, y'all know what I'm about at this point. They're my everything, how could I not have them together? Plus, there's something really poetic about Haru falling for her as an adult the way he did as a teenager: watching her inspire those around her. I headcanon that he's enamoured with the sound of her voice because it's the voice that liberated him and his people and he attends all her speeches
Taang: I actually wasn't sure about this one. I'm not an active Taang shipper, but I do think they'd really balance each other out. Toph is the hard ass Aang needs to challenge him and Aang would bring out the softer side in her. Toph would never let Aang favor one kid over the other and Aang wouldn't let Toph neglect their kids. So looking at it like that, I felt them being together would be best for the story
Sukka: It's not as perfect in canon as people make it out to be, but I still love them. I wouldn't want any different for them
Jinko: This one actually made more sense than I would have thought. Jin is very different from Mai, so I can really see her being what Zuko needs considering where he would be mentally. I like Mai, but I feel Maiko really made her way more one dimensional so her living with Ty Lee and finding herself feels like a better end for her (and if they start dating, that's no one's business). And we've already seen Zuko go out of his way to make Jin happy so it's not like we're getting another Kataang situation. I'm happy with this for them
The Kids:
Yes, I purposely made Kya an Earthbender. And yes, Katara still gives her her mother's necklace. Because that's her firstborn daughter no matter what element she does (or doesn't) bend. One thing I hate is that Bryke made the Kataang kids primarily part of the culture that they bend. That's such a slap in the face to biracial kids, not to mention poor Bumi who doesn't seem to belong to either for some reason until he ends up an Airbender. So yeah, all of the Harutara kids are part of the EK and SWT. Suma is a name I made up because it sounded pretty
I know it's weird to think of Lin and Tenzin as siblings, I felt so odd writing it. But I love them both so I couldn't just not write them. I made Bumi the youngest so he could be spoiled because he deserved better in canon. Su and Lin have a better relationship, but they still butt heads because they feel the need to one-up each other due to them both being Earthbenders (and later Metalbenders). Lin still becomes a cop, but their big fight never happened because Su was never neglected to the point of becoming a criminal. All four kids are taught Air Nomad culture and traditions and taken on trips because Aang is a decent father
I named Lian partly after Yue, since Yuèliàng means moon in Chinese. One of my gripes with LOK is that Katara and Sokka's family are meant to be the leaders of the SWT. Kya or Bumi should be the chief in canon, but Bryke just... Didn't do that for some reason. So fuck it, Sokka's daughter is chief now
Nothing really changes about Izumi, although I'd say she's a little friendlier. I contemplated giving Zuko more kids, but I actually think his decision not to have more kids was one of Bryke's better choices. It makes sense, so I didn't feel the need to change it
Other notes:
The Gaang teaching/helping raise baby Korra is something I live for
The Red Lotus is swiftly dealt with by Katara, Toph, Zuko, Suki, and Sokka when Korra is a kid. They never stood a chance. I was actually going to have Sokka still die during the attack in the SWT and Suki kill Zaheer in revenge, but eh I decided not to off Sokka
The Civil War still happens, but differently. I don't have the patience to go into that, just know that Katara is HEAVILY involved
Welp, that's everything in my brain
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fanfic-lover-girl · 8 months
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Make Rohan a Bender but NOT an AIRBENDER
I know Pema wants Rohan to be a non-bender like her. But what would be cool is if he turned out to be a WATERBENDER.
Imagine how happy Katara would be! Kya it seems will never settle down and give Katara a grandkid. And Bumi became an airbender due to that dumb harmonic convergence crap (screw Korra btw). Rohan being a waterbender would force Tenzin to acknowledge the water tribe part of his heritage for once! Also maybe Katara could teach Rohan too :). Katara deserves to have a waterbending grandkid damnit and to be more involved in her own freaking family! Give LOK Katara some love please!
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shifuaang · 2 months
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vehemently against NATLA existing 😤 but wildly protective over and incredibly charmed by Gordon, Kiawentiio, and Dallas ❤️
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saijspellhart · 2 months
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Things I liked about the Netflix ATLA and some critiques:
Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.
They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.
Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.
Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.
Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.
Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.
The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.
Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.
King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.
I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.
Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.
They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.
Emotional points in the show are now more intense and brought me to tears.
Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.
Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.
We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.
The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.
The shirshu looks fucking phemonal.
Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)
The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.
We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.
They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.
I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.
Some Critiques:
They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.
Katara starts off bland in the first episode and it takes a bit for her to grow into the character.
The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.
Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.
There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.
Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.
I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.
I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.
In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.
I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.
Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.
I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.
PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.
This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.
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dalekofchaos · 1 month
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Ways Legend Of Korra could've paid tribute to Suki instead of acting like she never existed
Suki is the cop, not Toph. Suki would have formed the Republic City Police, in this case. The Republic City Kyoshi Guard. Suki enforcing the rules and law makes way more sense than Toph. Lin would be Sokka and Suki’s daughter and would have a brother named Hakoda in honor of Sokka’s father and both would be in charge of the police after Suki’s retirement. Lin always wears the Kyoshi Warrior make up to honor her mother and Hakoda inherits his father’s boomerang and cunning mind. Toph “fuck the rules” Beifong would never in a million lifetimes EVER be a cop. I find it hard to believe Toph, the rebel who hates rules would become the very institution she despised, if anything Toph would be the Founder of Pro-Bending or a nomad Earthbending/Metalbending master and a hermit. Suyin would be her daughter and The Duke or Teo would be the father.
Suki leads a new generation of Kyoshi Warriors that helps train Korra non-bending techniques to counter the Equalists Chi-Blocking techniques.
Just giving Suki a statue in Republic City. Literally anywhere.
One little mention to her existence. Bumi mentioning he was trained by uncle Sokka and aunt Suki would've been enough.
In The Red Lotus Society's attempt to steal Korra, Sokka and Suki died protecting the Avatar
I came up with 5 near perfect scenarios that could've paid tribute to Suki. All Bryke did was act like she never existed or didn't matter. Fuck you, Suki deserved better.
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ecoterrorist-katara · 17 days
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You know, I was thinking. I don't mind Toph being a cop but I can see why others do. What would have been better for her? Maybe becoming a pro bender? She was the Blind Bandit. They could have even made it so that she was the one who started pro bending in Republic City since she already had a history of it
You’re so correct!! Tbh nobody will ever convince me that Toph didn’t start pro-bending. Especially with the Bei Fong fortune? What’s she gonna do with all that money? Funnel it into pro-bending, obviously, only to win it all back lmao
My headcanon is that Toph goes back to Earth Rumble right after the war, only to be hopelessly bored. She was already the greatest earthbender in the world before she left, and now she’s so unparalleled it’s not even funny. She starts pro-bending because she misses sparring with her friends. Zuko and Aang are busy, but Katara’s got a couple of years before starting the political career she deserves, so Toph talks Katara into joining her pro-bending team. They look for a firebender to add to their roster, and a redeemed Azula doesn’t want to help her brother do paperwork so she decides to join Toph and Katara’s team. To drum up interest, they talk Pakku, Bumi, and Iroh into a match. They have to rebuild the entire arena afterwards, but it was legendary.
Soon, Azula, Toph, and Katara are making bank and wiping the floor with all the other pro-bending teams. People start complaining that two of the Avatar’s masters shouldn’t be on the same team, especially not with the direct relative of the Avatar’s other master, so they split up. Katara picks up Haru, who’s been languishing in obscurity in the Earth Kingdom. Toph and Azula both pick up Northern waterbenders and beat the sexism out of them. Sometimes Aang fills in, since he knows all three elements, though he’s only allowed to use one. Toph gets Zuko to join her team for a special fight against his sister (Katara is banned from participating in this one).
Even after Toph establishes her metalbending academy, she offers classes on pro-bending and funnels her students into the arena. Azula, not to be outdone, starts a firebending academy and does the same. Katara leaves after a few years to pursue a career in politics, but she drops by once a year, and if she invites all the foreign dignitaries to her matches, well, it’s because it’s the polite thing to do and definitely not because she’s trying to intimidate them before negotiations.
In conclusion: Toph would absolutely start pro-bending, Azula would join, and it would be chaos all the way down. Republic City would have to find somebody else to be the head cop.
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wilcze-kudly · 3 months
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Tlok Lord of the rings au because i'm squishing my hyperfixations together like a crazy lil 5 year old.
Korra- I'd say dwarf... she matches the stereotypical dwarf personality to a T. Notoriously stubborn, loyal and hardy. The most resistant to the corruption of evil as well. Also, controversial opinion... out of the Krew, Korra deserves a beard most. Also. Give her an axe. Or a sledgehammer. Let her wreak havoc. I think her family would come from Khazad-dûm and be directly related to the line of Durin. Though I feel like she'd reside in the Blue Mountains and unlike most of her kin, she'd have an appreciation for water and the sea.
Asami- Elf. Elf. With her glorious hair and agility??? Hell yeah. She'd be descended from the Avari and live in Mirkwood. I think the moral ambiguity and hostility of the Mirkwood elves touches nicely on Asami's original role as a villain. Also coming from such a combative area would have her learning combat as well, if even better, than her canon counterpart.
Also korrasami would be super cute as a dwarf/elf relationship lol. Korra's already canon shortie. And it would replicate their little rivalry in season 1. Just instead of fighting over Mako, they're fighting over centuries of mutual racial animosity.
Bolin and Mako - ok. Im getting real controversial here. Hobbits. Fucking hobbits. Now. Hear me out. More Brandybuck/Took coded hobbits I'd say. Probably grown up in Bree... tiny orphans in a big world. So sad.
Bolin is an easy pick. Although he's pretty big and bulky, his character has a lot in common with typical hobbits. Not a coincidence that my two fave characters are him and Samwise Gamgee... I love my dirt himbos. Bolin has that gentle, cheerful hobbit vibes. And he likes food too lol.
Mako also has hobbit vibes, I'd argue. However he has a lot of that hobbit typical caution ans suspicion towards the outside world. I could see him valuing a home and prosperity...give this man a hobbit hole He's so stressed he deserves it.
Tenzin, Kya and Bumi. - half elves, Rivendel. Tenzin is basically Elrond, ok? Bumi chose humanity good for him. Kai is the scruffy human they adopted à la Aragorn.
Lin and the Beifongs- honestly was stumped at this one... but I kinda think humans, particularly Dúnedain of Arnor. A noble people, now acting as Rangers, protectors of the land... matches Lin, our favourite chief of police, huh?
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ariihen · 2 months
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some thoughts on netflix's adaptation of atla:
kiawentiio was done dirty cause she has so much of katara's bite and sass in her interviews
u can really tell the writing is the series' weakest point because the actors have what it takes to bring those characters to life but they'll only be able to do so much with the script and direction they're given
the wigs are SO ugly. yue had it the worst imo. she deserved better
suki was perfect
LET SOKKA WEAR DRAG U COWARDS
why the fuck are ppl just bending without bending forms and stances. why is aang able to fly without needing to lose his earthly tethers
why are they randomly cutting and pasting scenes in weird places
why is the swamp scene combined with the spirit world????? that was important in setting up toph's introduction????
the fact that the writers knew it made no sense for katara and sokka to end up in the spirit world with aang so even the characters said it and they just handwaved it bc plot lol
so much exposition. clearly the mark of a good story is when the character have to TELL u everything that's happening 🫠
the writers are such big kyoshi stans
like why is she taking other characters' roles
why is gran gran doing katara's intro
iroh and zuko are cute
zuko's choreo is so good
zhao is still a dumbass
his death is unsatisfying. what happened to getting fucked by the spirit world if u fuck with it. where's the ocean spirit dragging his ass to its demise. why is iroh providing his sentence
mai and ty lee are doing nothing but have terrible wigs and give exposition on ozai's motives that they somehow knoe about
aang: *gets told there's no easy way out in being the avatar*
also aang: *gets told everything he needs to know*
badgermoles are empaths now????
bumi they nerfed u
aang they nerfed u
gyatso u deserved a cooler fight to the death they really nerfed u
it's so fucking stupid that aang has to be in shrines to talk to his past lives
kinda cool they go into more detail of the past avatars' lives ig. even if only slightly
katara vs pakku was so lackluster
these bending fights are so lackluster unless ur zuko ig
no srsly how are some ppl just bending without forms. like sozin in episode 1 roasting that dude by just holding him
jun exists only to flirt w the dragon of the west and good on her, me too girl
what's the point of sokka getting suki's fan if he's not even gonna use it...
there's no stronger relationship than sokka x momo
oma and shu are gay i think. love that for them
why tf did aang spend this entire story not even trying to pick up another element. katara literally offers to learn with him a few times and he just didn't feel like it lol
OG azula was impressive and scary. netflix azula feels more like the eldest asian daughter trying rly hard to get her parents' approval. idk she's just alright
so much expositions
ok sure let's have time sensitive plot A not conclude in one episode, have it stretch to the next episode, and still only rush in concluding it at the very end in the backburner of plot B. let's just handwave the fact that those people definitely should've died in like the three days it takes them to resolve plot B
the cabbage merchant is cabbage merchanting
effects are good
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shewhotellsstories · 3 months
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Say you don't like the writing choice, say you like Aang despite his flaws, but don't pretend that favoring the only child of yours who shares your bending abilities isn't bad parenting and a recipe for pain and resentment. Favoritism poisons sibling relationships and Kya and Bumi deserved better.
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yell0wsalt · 4 months
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🔀 Linzin
Feel better soon!
Them! Thanks for the prompt :)
It was a Friday night and Tenzin with his brother Bumi and a few other friends convinced him to get out, let loose, and have some fun. Dressed to the nines with narrowed eyes in suspicion, he relented and let them handle how the night would go. What he didn’t anticipate was for them to take him to one of the burlesque shows downtown. 
Should have known better, though.
Spirits, he felt like a fish out of water walking into the venue. But a few shots in, he started to relax and began to enjoy the show. There were a few groups that he enjoyed well enough, but one group, rather a person in said group, to be more specific caught his eye. 
Eyes widened he could not break his focus from her form. The way she commanded the group from the left to the right, the woman stood center stage as if she owned it.
Remembering where he was and trying his damndest to not look completely dumbstruck, he contained himself. Studying her technique. Yes. Certainly not how her golden fringe dress fell on her. 
Not how her curves filled it out deliciously. 
Not how she moved her body and hips with sensual appeal. 
And definitely not how her jade green eyes locked with his on occasion. 
He shifted a bit in his seat.
Suddenly he noticed there was a point in their routine when her eyes didn’t break his.
Oh, shit. She was coming closer to him.
From his periphery, Tenzin noticed the woman and the few other ladies in her group stepped down from the stage to find other men in the audience to dance for.
And she picked him.
Receiving a more personal dance from the woman, Tenzin was wholly sucked in by her figure and sweet scent. He wanted to touch her and experience her. But even he knew better not to. Hands off was the biggest rule.
When the song was over, it was then that she leaned into his ear whispering to meet him in one of the back rooms.
He agreed.
When the show closed out, Bumi and his friends were about to leave for the night; but Tenzin made a half-hearted promise to catch up to them later.
Carrying himself to the back room the woman told him about, he was greeted by her propped on the couch. A sexually inviting look in her eyes.
He swallowed thickly, choking out a polite hello which she returned.
“I caught you staring,” she began while making her way over to him. “And thought a guy like you deserved their own private show.”
He worried about there being an additional cost, a fear she assuaged. This was for more personal gains.
His heart climbed into his chest asking for her name first, before they got any further.
“Lin,” she replied.
He liked how light and musical her name sounded and felt. “Tenzin.”
A few steps closer they were nearly sharing breaths. No longer bound by the rules of only looking and no touching, he let his hands begin to roam as he desired. 
And Lin, the same.
From the neck, shoulders, waist, to travel down and around they explored each other’s bodies and taste.
Little words were needed for the rest of the night.
****
The devil's on my shoulder // Uh, nasty is my guilty pleasure // Ah, if you give this ass a squeeze // It's pretty how I'll give you pleasure // Once you get me piped up, baby, I won't stop // I won't stop 'til you say you had enough // Ride it like a rodeo when I'm on top // I'll get you stuck // Stuck in my love // Stuck in my honey
🔀 and a pairing
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atlararepairbigbang · 9 months
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Sneak Peek - “Ghost of Weddings”
A metal cable flung across the air as Lin finally found the creature that was talking to her. Floating above the ground, was a terribly adorable looking fox-rabbit. Except, fox-rabbits couldn’t fly and they didn’t have tiny wings on their backs. They also weren’t colored in shades of lilac. This one also had green spots all over its fur with two antenna-like appendages on top of its head. The ends of these antennae were poofy, like daffodils, and it made Lin want to blow this irksome little being away from her.
“How do you have your cables without your uniform?” it asked with surprise, dodging the wire.
To that, Lin replied with a smug grin as the cable snapped back into the little band around her wrist. “I always accessorize.”
“Even at weddings?” it gasped.
“You never know when inconveniences strike,” she replied, emphasizing the word as she eyed the being.
“While being at a wedding alone does sound sad, I don’t see how it’s an inconvenience,” it commented.
Lin rolled her eyes as she put her shoes back on. She decided that there was merit in simply not engaging here. The loud wedding party looked far more enticing than— spirits, even waking up in bed beside Bumi was better than whatever this was.
“You could have asked Bumi to be your date,” it said, following her.
Now Lin was a little more scared and a little less cocky. How did this thing know?
“That’s none of your business,” she replied, hiding her surprise at being caught.
“Oh, but it is,” the being continued, scurrying past her to appear right in front of her face. “I’m the spirit of weddings and you’re unmarried.”
“Not sure if your invite got lost in the mail but,” she scoffed, pushing it aside with one hand to continue on her way, “this isn’t my wedding.”
“I didn’t receive an invite!” The spirit argued, “I’m here because—”
“No invite, no wedding. That’s your cue to leave,” Lin said matter-of-factly as she hopped over the wire fence.
“But I’m supposed to be here for you—”
“Go find someone else to haunt,” she said, shunning it with the back of her hand, striding forward.
“Haunt? I’m a spirit—”
“I don’t believe in that mumbo-jumbo,” she countered.
“But you believe in ghosts?” The spirit chortled. “You’re one of those, huh?”
“Oh, shut it!” Lin huffed, rolling her eyes as she turned around.
“You need me!” The spirit wallowed after her.
“I need you to shut it—”
The spirit colored her vision suddenly, appearing glaringly close to her face. Lin’s eyes widened to their fullest, almost hypnotized by the gleaming being. It was shining, nearly shimmering golden through the translucent lilac surface.
“I have a duty and I am here to fulfill it!” The spirit began, “You’re Lin Beifong and you may be a lot of things in this land of mortals, but to me, you’re an unfinished responsibility.”
“Excuse me?!”
Now Lin was glowering.
“I owe you the love you deserve.”
Lin raised her eyebrows, face blank with stupor.
“There’s a soul out there that is kindred with yours. And I have to bring you together.”
“And if you don’t?”
Lin eyed the party behind her curiously. She wasn’t being missed over there. Nobody was wondering where she must’ve run off to. This spirit didn’t know its top from its bottom. She had nobody to be brought to. Nobody except maybe—
Interested in seeing more? Posting begins August 8th, and writer identities will be revealed August 22nd!
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something that really sucks about pakku being so poorly written is that when we meet the white lotus at the end of the show, it's clear that they're meant to parallel the gaang - toph & bumi the eccentric earthbenders, zuko & jeong jeong the angsty firebenders, sokka & piandao the creative nonbenders, aang & iroh the spiritual leaders. but katara, one of the show's protagonists, a wonderful nuanced character full of hope and of rage at injustice - all she has in common with her adult parallel is that they're both waterbenders. atla is usually such a well-constructed show with set-ups and payoffs and narrative parallels and foils but with pakku they just dropped the ball and it's deeply unfair to katara who deserves better
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akiizayoi4869 · 1 year
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Master Meta post (updating)
The Last Agni Kai
Azula's family does indeed owe her
Zuko at age 13 vs Azula at age 14
Azula fanfics that make her stand trial for war crimes
The most tragic character of the show is Aang, not Zuko
If Kuvira can be redeemed, so can Azula
The dumb letter in The Search
Zuko did not realize that Azula was abused
Zuko only asks Azula what's wrong with her one time in The Search
On the topic of Azula, Ozai, and Abuse
Zuko and Ozai in The Promise
The Search: a story about abuse, abuse apologism, and ableism
Smoke and Shadow: "Trust is for fools! Fear is the only reliable way!" On steroids
Stealing food: Suki Alone vs Smoke and Shadow
Comics! Zuko and Comics! Ursa don't care about Azula
Azula brought Zuko home with her because it's what Ursa would have wanted
Azula redemption circle jerk
Azula and Zuko in the Crystal Catacombs
Azula and Zuko in the first half of Book 3
Azula and Zuko headcanon
Zuko's fever dream
Ursa and Azula: "What is wrong with that child?"
Azula and Ursa: A complicated mother daughter relationship
Commentary from The Search and Smoke and Shadow
The Search commentary
Aang killing Ozai dies send a powerful message
"Azula should be blamed for everything wrong in Zuko's life"
Azula did not think that Zuko would join her in Ba Sing Se
Jet had every right to be suspicious of Zuko and Iroh
My thoughts on Uncle Iroh
Zuko and Mai in Nightmares and Daydreams
Mai and Zuko in The Beach
The Family Portrait
"I just asked if you were cold, not for your whole life story."
Aang hate in fandom
Azula in Nightmares and Daydreams
Who cares if Azula did bad things? She's not real.
Why Azula killing Aang does not mean that she is evil and irredeemable
The Invasion Plan
Zuko and Jin's date
Zuko apologizing to Iroh
Why Zuko's arc falls flat for me
Most horrific Mai and Ty Lee take I've ever heard
Zuko doesn't know what's wrong with Azula in The Search
"She was right, of course, but it still hurt."
Azula did not hold power over Zuko
The bedroom scene
Aang when Appa gets stolen
Zuko needs to forgive Azula in order to move on and let go of the anger and resentment that he has towards her
The Infamous Smirk
The Southern Air Temple
Azula is not irredeemable
Zuko's redemption arc deserved better writing
Unpopular opinion: Aang understood Katara's pain better than Zuko did
Azula in The Storm flashback
King Bumi
Original cover art for The Search
Zuko and Azula both get undeserved hate
Why doesn't Zuko's crew know about his scar
Azula is not a feral animal or a bumbling crazy person
Azula was abused in the asylum
Book 3 should not have been the last season
Azula saying "I am about to celebrate becoming an only child!" to Zuko is not abuse
Little Azula eating mochi
Gene Yang's favorite panel in The Search
Yang forgot all of the bad things Zuko did when he wrote the comics
Azula and the doll
Azula and the sandcastle
Azula in the spirit temple
"I think we should take they're precious hope, and they're land, and burn it all to the ground"
Azula and the mirror scene
Iroh not wanting to fight Ozai
Azula calling Zuko "Zuzu" is not abusive
"Dad's going to kill you."
Tumblr ask: "Why do you think that so much of the ATLA fandom just violently hates Aang?"
Tumblr ask: The WORST Azula take ever(probably)
The Fire Nation and genocide
New(?) Unpopular Takes
Tumblr ask: Would you mind explaining the mirror scene?
Azula is not an irredeemable spawn of Satan
Part 2 of Azula is not an irredeemable spawn of Satan
Azula and war crimes list from villains wiki
Ghost Azula AU idea
Why the theory that Azula brought Zuko home to use him as a scapegoat makes no sense
Azula defeated herself before her agni kai with Zuko happened
Kya and the Southern Raiders
Iroh encouraging the toxic sibling rivalry between Zuko and Azula
Suki Alone
Sokka's trauma
Zuko was a willing participant in the sibling rivalry between him and Azula
Iroh never told Zuko what the "correct way" was
Azula sketch
Stop downplaying Sokka
Azula the mochi thief: wanted dead or alive
DOBS Kataang kiss
Tumblr ask: Azula slept her way to the top🤮
Sokka training the children of the Southern Water Tribe
Azula and Zuko in the Lost Adventures comics
Azula did not force Mai to join her in Omashu
Atla fandumb thinks that Azula should not have told Ursa what she overheard that night
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atla movie/atla natla thoughts from my adhd scrambled brains
I think it's silly to say the atla 2010 movie doesn't exist though I can't be mad at the silly memes that come with it. but it has a great zhao death.. and some good aang/gyatso flashbacks i mean aang made him the amulet? thats precious as shit.. tho them burying gyaso in natla is agood additon.
NATLA is not horrible or great it's simply.
OKAY..
it has a interesting tone.. going from Grim as shit to DisneyCornball vibes.. it def got me to think about how many died in the north during Zhaos attack silly me thought everyone lived
I do wish katara and aang hugged in the end it seemed like they were afraid to let the kids hugs and i dunno whyyyy...
but is it terrible? no it just.. Expostion, boring, clunky, Dallas was very good, Sokka got a few good lines, i hate that the trio kept getting seperated. aang/sokka are suppose to meet jet/bumi at the same time.. everyone was doing solo missions and it felt off.
avatar aang cgi was super uncanny valley goofy to me.
Momo was cute/Appa was fluffy i'd love to see em more esp momo.
Yues wig in the movie was better
Jet is hot
hmmm... Ozai burning zukos face was metal as fuck like brutal man. And dallas crying when ozai comes to say he's banishing. s2 zuko is gonna be sooooo goooood.. Dallas brought his A game
Gordons goofyside is wasted i hate that they deny it to us but maybe will see it in s2
I can agree that aang in the animated series going from finding gyaso body to playing on kyosih island tone is rather jarring.. so the idea of aang grieving /not being in a super good mood makes sense but really it doesn't help when all the dang avatars tell him to be friendless..
Kyoshi was the worse her characzation suckkkkeed.
Bumi i could understand on some aspect wehre he was coming from even if he annoyed me. at least him being sore/broken down from the war /being mad at aang makes sense. Kyoshi had no reason to blame aang when she knows its on Roku the war started
anyway i dont think it deserves super hate nor do i think its super great its just. okay... i get it i aws angry at it for a bit but the more i thought of it the more i thought there are bits i liked .. like dallas/Ian /momo/ so there was a bit of savalage stuff for me..
so if people love its that cool. i see zero issue or a reason why we need to be BUT acuatlly to people who loved honestly that's great. Let em love it thecast worked hard on the show. people are free to enjoy things we don't it doesn't make us better than them it just a matter of opinion
but atla fandom oh you love love.. not letting people have opinions that don't agree to yours. this fandom is so.. toxic.. critsizing is good but don't be mean to fans who enjoy things..
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linnorabeifong · 4 months
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🥹🤡 🦅✨ for the emojis!
🥺 Is there a certain type of moment or common interaction between your characters that never fails to put you in your feels?
All of them. Any hurt and comfort. Any interactions between Asami and Lin make me want to cry. Happy tears of course. Lin offering Asami physical affection makes me so emotional . I know she doesn’t like hugs and sappy shit but she’s willing to make an exception to make her feel better.
🤡 What's a line, scene, or exchange you've written that made you laugh?
All of them.  Here are a few of my faves 
Lin Beifong out of her uniform for once, willingly sitting in Tenzin’s dining room and smiling ? Was this a fever dream ? Not only that, she was carrying on a conversation with Ikki.
A slightly buzzed Bumi telling Jinora a not-so-age-appropriate story about his time with the United Forces.
“Good, we can put those detective skills of yours to work then,” Opal said.
“The damn frying pan, the little one…I can’t find it…All I can find is baking shit” A very frustrated Kya huffed.
“Aunt Kya, that would be because you’re looking in the baking cabinet, here” Asami said, locating the mysterious pan in a matter of seconds in the adjacent cabinet.
Then she turned to the left “this is the restroom” Kya said pointing at the door, “and this” she said gesturing to the last door, “this” she repeated dramatically leaning against the door
“ is where the magic happens,” she said.
“Kya seriously ?” Lin growled from the dining room. Kya cackled.
Asami blushed when she realized that was the same room she had walked into last time she was over.
“Thank you, for the tour,” Asami said, still blushing.
🦅 Do you outline fics or fly by the seat of your pants?
Both I have every chapter of happy birthday to me I guess outlined and the endgame of I’ll be waiting is already decided. I write backwards a lot. “It’s A Long Long Way Back to You”(collection of stories)  is written backwards. I wrote “Life is Beautiful” (the very end) first and then “The Wedding” which is its prequel. Heels and She Hates Her Body happen in the story decades before these but I wrote them afterwards. I have the rough drafts of “she hates her body” posted still because of this process.
✨ Give you and your writing a compliment. Go on now. You know you deserve it. 😉
I use scent a lot as metaphor/ foreshadowing and that's kind of interesting and uncommon.
tysm
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silversoul713 · 2 months
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Please, God, let episode four be this show's Great Divide, that shit was hard to watch.
Good ideas, poor execution, overall Bumi deserved better, and Iroh, the hippies and the cabbage man carried the whole thing.
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