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#can i ask you a question?
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i have always wondered what happened behind the scenes between the show and and the comics. in the show, while s3 definitely relegated her to trophy for the main character to win in the end, she still was competent and her own person. the comics though? the writers actively hated her and it always felt like a very personal 'fuck you' from the writers to the (female) katara fans. there is such a huge difference in how they treated her, it still breaks my heart. she deserved so much better.
I think it’s telling that so many Katara fans take her post-ATLA lobotomy arc very personally. So many young girls loved her, looked up to her, saw her as the epitome of Girl Power TM because when ATLA was airing, that was the pinnacle of pop culture feminism. And that’s great, honestly, because she’s an amazing role model.
Let’s not forget that ATLA, despite its all-ages appeal, is a franchise for children. Unlike adult media, children’s media should have morals, and role models, and aspirational narratives. Katara is more than a fictional character: she’s a fictional character carrying the burden of not only representation, but aspiration. We want girls to look up to Katara and relate to her and put themselves in her shoes (and that’s why I never got the “self insert” argument wrt Zutara — if girls relate enough to Katara that they want to be like her, and shipping Zutara is a manifestation of that, how is that a problem?). We want girls to stand up for what’s right, to be brave, to embrace their own power and their agency. Which is what happened in most of the original ATLA, like you said.
and that’s why Katara’s later arc is such a slap in the face, because here’s a fictional character that so many girls looked up to…and now the narrative is going to relegate her to, what, a girl who follows her bf around and never does anything of note? A woman whose biggest contributions to the world happened when she was fourteen? A woman who begins to inexplicably take the backseat, again and again, whether it’s supporting her friends or maintaining world peace or even just making sure some groupies don’t hit on her boyfriend?
To be clear, I don’t give a fuck about the “what about the children!!!!” argument for most media, because most of it is just pearl clutching and purity politics, but children’s media is the one place where actually, you should ask, what message are we sending to the children? And apparently the answer here is “fuck you girls, no matter how accomplished and cool you were, you get married and have children and never do anything of note again. Leading a country? Saving people? Forget about it!”
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question...? // t.s
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kimberly-spirits13 · 3 months
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Edit: I’ve gotten so many responses and yall- here’s a hug 🩷🩷🤧-
Okay okay okay I have a non judgmental question because I just want to understand yall. WHY- I mean WHY are yall into yandere? Like it’s violent yandere! Break the legs and kill the family and lokey rape type of yandere. Or even just the install hidden microphones and gift things with hidden cameras and stalk you kind of yandere. I want to know why yall consume that content? I’ve been stalked before multiple times and it’s TERRIFYING. Why do you consume that content? Seriously no judgement but I do not understand and I need a perspective even if I don’t agree with you on it
Follow up question, if the stalking and rape and stuff happened to you (a yandere lover) irl, how would you feel? Do you actually want someone obsessed with you this intensely?
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sorryiwasasleep · 7 months
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In honor of the trailer and them back as the Doctor and Donna enjoy this sketch that has lived rent free in my brain since I first saw it in approximately 2011.
youtube
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pricelessemotion · 1 year
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Starstruck and Metal | E.M.
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Summary: [4.3k] you meet eddie for the first time. it doesn't go quite like you expected.
Pairing: rockstar!eddie munson x fem!music journalist!reader
Warnings: none!
Notes: huge thank u to my bestie chuck for beta reading 🫶 also if you solve the crossword hint i love u
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InStereo magazine was not The Rolling Stones, but it was a start. The modest music magazine had a humble following, enough to earn some hums of recognition whenever someone made the mistake of asking what you did for a living. Most days, it’s great. You relish in the joy of working in a field some people only dream of entering. The leap from column writer to main article was a large one, but you insisted that you were ready. Your first assignment as a music journalist and of course you got stuck with Eddie fucking Munson. 
Any self-respecting music journalist, anyone with some skin in the game would have laughed in the face of their editor. But instead, you smiled. You nodded enthusiastically, mimicking the bobblehead that has since been removed from your desk. When you decided to become a music journalist, you wanted to write about people who were changing the field. Instead, you were being tasked with writing some puff piece being used to save a wannabe rock star’s reputation. God forbid you gain the reputation of being a difficult woman–in a male-dominated industry no less–by turning down such a great opportunity.  
Even if that opportunity included spending a day with Eddie fucking Munson. 
You paid out of pocket for the cassette of Corroded Coffin’s debut album that was currently underscoring your drive to West Hollywood. You refused to meet the frontman without having listened to their music beforehand. They were good. A little rough around the edges, but it was to be expected. Outside of the occasional headlines, you hadn’t heard much about Eddie or his band. Corroded Coffin was making ripples, not waves. Of course, no one really cared about the music when they could be reading about who and what their lead vocalist was doing. 
Still, you find yourself parking outside of a humble ranch-style home in a neighborhood full of similar housing that likely cost a fortune to live in. The modest proceeds from Corroded Coffin’s tour have obviously paid off, considering that nice area and affordable don’t usually exist in the same sentence when talking about LA housing. The June sun is beating down on the empty street, and you’re thankful that you decided to wear a T-shirt and jeans. You tell yourself that the sweat collecting on your brow is from the heat and not nerves. 
Double-checking that you have the right address, you slam the door shut on your sedan and take a deep breath. The air feels cleaner here, less smoggy. You’re not sure if it’s because of the altitude or the tax bracket of the people who live here. Probably both. You reach into your purse and feel around for what you already know is inside. Pen. Notepad. Tape recorder. The holy trinity for a music journalist. 
There were very few topics that Eddie wasn’t willing to talk about. You guess that when you’ve had your insides strewn across the pavement for everyone to see, you don’t bother trying to uphold any semblance of mystique. Beginning the daunting trek toward your assignment, you remind yourself of two things:
1) Don’t ask about his father 
2) Don’t ask about what happened in Hawkins, Indiana in 1986
The first rule seemed simple enough. As far as the public was concerned, Eddie Munson came to Hawkins at the age of 12 to live with his Uncle Wayne like how a fully formed Venus sprang up from sea foam. He wasn’t and then he was. End of story. The fact that Eddie’s management went out of the way to make sure his father wasn’t brought up only made you more curious. 
The second rule was a little harder to accept. Anyone who knew anything about Eddie Munson wanted to know about 1986. Despite the fact that his highly publicized murder charges and subsequent exoneration are part of what caused Corroded Coffin to skyrocket to fame, he’s remained very tight-lipped about the whole situation. He plays off every question about it in interviews with a smirk and a sly comment. Just charming enough to get away without answering. Just vague enough to keep people guessing. Maybe his publicist wasn’t such a waste after all. 
Eddie Munson opens the door a few moments after you ring the bell. Using a ringed hand to shield his eyes from the midday sun, he squints at you. A pair of sweatpants hang low on his hips. He has a severe case of bedhead despite the fact that the time on your watch indicates that it’s nearly two in the afternoon. The confusion that draws his brows together also indicates that he has absolutely no idea who you are. Resisting the urge to roll your eyes, you state your name and purpose before realization graces his features. 
“It’s you! Shit, yeah! You’re here for the– the thing!” He tosses a careless look over both of his shoulders before widening the opening. “Come on in.”
Eddie closes the door behind you and rushes down the hallway in order to put some real clothes on, leaving you standing in the empty living room. The inside is surprisingly clean for someone who’s gained the reputation of being a hot mess. It smells like cigarettes, weed, and lemon pledge. The lemon scent is strongest as if someone was trying–and failing–to use it to cover up the previous two. A record player is tucked into a corner, the vinyl still spinning. A line of electric guitars is propped up against the back wall, each of them no doubt costing more than your monthly rent. One of the stands is noticeably empty and you glance to your left to see a beat-up acoustic resting on the couch. On the coffee table, there are piles and piles of scrap sheets of paper. For most of them, the handwriting is too illegible to read or it’s been crossed out. Eddie seems to write lyrics like he lives his life: fast and all over the place.
Stepping closer, something along the upper corner catches your eye. Slyly lifting up a pile of paper, being sure not to disturb the configuration, you find that your suspicions are correct. Eddie received the same copy of Sub Rosa as you did. Obviously, it didn’t go over well. He’s used a pen to black out his eyes. Much to your amusement, you see he’s also drawn horns and a tail. The hand that’s flipping off the camera is illustrated to be holding a pitchfork. 
That’s not the full extent of Eddie’s doodling, though. On the bottom right-hand corner of the magazine, there’s a smaller picture of him standing next to a certain brown-eyed beauty. You’re quick to note that he’s drawn a crude halo and angel wings on his long-legged companion. They’ve been scribbled out as an afterthought, making the halo look more like a crown of thorns. 
So, you think to yourself, he’s a little immature. You can work with immaturity. Immaturity means that he won’t be as guarded as some of the other celebrities your coworkers have had the misery of meeting. In fact, from what little you know about Eddie, you wonder if he even has any guard at all. He did leave you alone here with stacks of potential songs for his band’s next album. If you were a better journalist and a worse person, you would probably take the time to decipher his chicken scratch and see if you could glean any insights into his creative process. But you don’t. Instead, you release the stack of papers and wait. 
For a moment, you don’t know what to do with yourself. You’ve never been inside of a famous person’s house before. You’re not sure if you should sit down and make yourself comfortable or if Eddie has something else planned for the two of you to do. The specifics of your assignment were intentionally vague, most likely to accommodate Eddie’s spontaneity. 
Venturing further into the living room, you come to stand in front of a shelf. Brushing your fingers across the collection of vinyl, you tilt your head to read the names along the spines. There are the usual suspects–Dio, Metallica, and Judas Priest–but what surprises you is that, in the midst of all the metal and hard rock, there’s an array of old-school country music. At the end of the lineup is the most surprising one of them all; Sentimentally Yours by Patsy Cline. It’s exceedingly worn, cracks and creases litter the empty sleeve. If you were a betting woman, you would say that the record is currently on the player across the room.
A muffled crash followed by a string of curse words breaks you out of your reverie. Eddie opens the bedroom door with the finesse of someone who is obviously used to being the center of attention. He’s traded his sweatpants and tank top for a pair of ripped black jeans and a v-neck. It felt reassuring to know that you hadn’t underdressed for the occasion. 
It also gives you a moment to drink in the blinding light that was Eddie Munson. He’s leaner in person. Though he always looked lithe in every photograph you saw of him, his frame seemed more imposing and large. Maybe all the stars just look that way when they’re so high above you. 
He was taller, too. The boots on his feet surely aided in that, given that the soles were at least an inch thick. Still, you didn’t anticipate how much you would have to tilt your head up just to look him in the eyes. 
There, standing in Eddie Munson’s rented living room, you realize something; You’re absolutely starstruck. 
Although you had turned up your nose at the prospect of interviewing him and regarded his reputation with the same disdain you reserved for bad drivers and shitty landlords, you were still a person after all. 
With all of the stars around, it’s easy to think of Los Angeles as the center of the universe. But you are not a star or anything even close to it. You’re some space debris, hopelessly floating and waiting for something bigger to come around and influence you with its gravitational pull. 
Eddie is a heavenly body. You can’t help being pulled into his orbit. 
“So, I see you’ve found my collection.” His voice is still rough with sleep. The sound makes you weak in the knees. 
“Sorry, I didn’t mean to snoop.” You mumble, tucking Patsy Cline back into the shelf. “You’ve got some really good stuff here.”
“Don’t worry about it. Actually, that reminds me, I have something for you.” He swiftly turns and stalks back towards what seems to be his bedroom, motioning for you to follow him. 
The blood rushes out of your cheeks. The terms of your interview suggested that you would have a lot of access, but this was different. This was up close and personal. Your feet seem to have a mind of their own because while you’re still wrapped up in the fact that you’re gonna see Eddie Munson’s bedroom, you’re already following him down the hallway and through the open door. 
It’s about as messy as you would expect. The furniture is all pale wood and earth tones, fitting the mid-century modern stylings of the rest of the house. You suspect that Eddie took the time to clean up a little while you were rifling through the stacks of paper. The bed is haphazardly made. There’s an ashtray on his bedside table, filled with the remains of a few cigarettes. 
“I’m not supposed to smoke inside. Shh.” He brings his index finger to his mouth, pink lips barely brushing the skull ring he’s wearing. “Don’t tell anyone.”
You let out an airy laugh. Being reprimanded for smoking inside is the least of Eddie’s worries and you both know it. 
Eddie’s nimble fingers skim the top of the dresser, brushing aside even more sheets of scrap paper. A couple of guitar picks plummet to the floor, but he pays no mind. 
“I heard that metal isn’t usually your thing.” He remarks, still sifting through the clutter. 
That much is true. While you dabbled in a little bit of everything, not only as part of your job but also as part of your interest in music, metal wasn’t usually the genre you gravitated towards. In fact, the most metal album that you had listened to recently was written and produced by the man standing in front of you. 
“It’s not, but I’m open to everything.”
“Aha! Here it is.” Eddie holds up the cassette like it’s the key to the universe. Handing it to you, you can see that the writing on the sides is reminiscent of what you saw in the living room, though slightly neater. You’re familiar with some of the bands listed, but the songs don’t ring a bell. “I thought I would broaden your musical horizons.”
You gawk at him. For someone whose job is about words, you can’t find any. He took the time to make you a mixtape? 
“Track five is a personal favorite.” Eddie says, leaning towards you and tapping the tracklist, obviously unshaken by your inability to form a coherent thought. 
“Thanks. I’ll give it a listen.” You manage to choke out, tucking the cassette into the front pocket of your purse. 
Looking around the room, you see that there’s a battered copy of The Lord of the Rings on his bedside table. The corners are frayed, and you’re certain that you could accidentally tear the cover off of the paperback if you’re not careful. Cautiously, you trace the spine with your finger, waiting for Eddie to say something. To tell you that it’s the one thing that’s off limits. But he doesn’t. He just stands there, watching you. Opening it, you can see Property of Eddie A. Munson written underneath the title in a childish scrawl. 
“You like books? I mean–you’re a writer, so of course you like books–I mean, have you read that one?” Eddie is visibly flustered, the words coming out of his mouth at an alarming rate. It almost makes up for the way he rendered you speechless moments ago. 
“I’m more of a Dune girl myself. But, I love The Lord of the Rings. My dad used to read it to me before bed every night.”
“Yeah?” A small smile tugs at his lips before he practically whispers his next words. “Mine too.” 
A flash of something you can’t quite decipher crosses Eddie’s face. 
“Right! Where are my manners? Would you like something to drink?” He shuffles out of the room like his life depends on it. You’re still reeling at the fact that he brought up his dad unprompted. Keeping a brisk pace, you put the book down and follow him into the kitchen.
“We have…” He trails off, opening the door to the refrigerator. “Nothing.”
He shuts the refrigerator and dashes to the table by the front door. He mumbles to himself before grabbing a few things, shrugging on a jacket, and finally turning to face you again. A pair of sunglasses covers the half of his face that isn’t plastered with a mischievous grin. From the tips of his fingers hangs a set of car keys.
“You hungry?”
You should’ve known that Eddie Munson would try to kill you within 20 minutes of meeting him. Lifting up the garage door, he reveals that the car keys were in fact, not car keys but keys to a motorcycle. The vehicle in question is an absolutely stunning deathtrap. It shines so beautifully that you can see your terrified face in the warped reflection. 
Putting his helmet on, Eddie straddles the bike and looks at you. 
“C’mon.” Eddie smiles wolfishly, tilting the spare helmet towards you. “I’m a safe driver. Promise.”
You’re still standing frozen. His wolfish grin melts into something more patient.
“Hey, if you don’t want to take the motorcycle, just say the word. I’m not gonna make you do anything you don’t wanna do.” 
Despite the sincerity in his voice, you can’t help but take the words as a challenge. 
“No, it’s fine. I’m fine.” You profess, though the shake in your voice is evident. Grabbing the helmet out of his hands, you ignore the way your face heats up when your fingers brush.
Eddie takes gross advantage of California’s lane-splitting laws, leaving you clinging to his leather-draped torso for dear life. Outside from the occasional shout of assurance that you can’t understand, the ride is quiet but for the roar of the bike and the wind in your ears. You’re vacillating between being absolutely terrified of crashing and secretly relieved at the fact that you didn’t have to make small talk on the drive from his place to wherever he was taking you. 
You were very close to liking Eddie Munson. Now, you were sure that he was sent as some kind of karmic punishment.
“Parking in L.A. is always a pain. That’s why I love this baby,” He gingerly pats the handles as he kicks the parking brake down. “She can fit basically anywhere.”
You hum in agreement, mostly just happy to have made it to your destination in one piece. While Eddie hops off the bike with ease, you have a little more trouble. Swinging your leg over, your toe catches on the fuel tank, causing you to stumble and nearly fall to the ground. Out of the corner of your eye, you can see that Eddie is biting back a smile. He offers a calloused hand out to you. You brush it away out of embarrassment, planting both feet firmly on the ground and taking in your surroundings. 
You had expected Eddie to take you to one of L.A.’s finer dining venues. Somewhere with fancy mood lighting and clientele with pockets so deep that they don’t even bother to put the prices on the menu. His management was footing the bill, after all. 
The building that sits before you is none of those things. The diner is old and slightly dilapidated. Graffiti mars the stucco that hasn’t already crumbled away. The neon sign that says Zazie’s! blinks drowsily, more of an eyesore than eye-catching. 
Eddie opens the door for you. As the bell above it jingles, you’re hit with a rush of conditioned air and canned nostalgia. The walls are covered in artifacts from a bygone era of poodle skirts and letterman jackets. A lonely jukebox sits in the corner, playing a soft hum to a Billie Holiday song you have long forgotten the name of. 
A plump woman sits behind the counter doing the crossword in the newspaper. Likely, the same one you were doing that morning. A thoughtful look is etched into her soft features, and you wonder if she’s also stuck on 57-down: Idle during the heist. The ten-letter space confounded you so much that you were almost late. Luckily, it doesn’t seem like Eddie is the type of person to care too much about punctuality.  At the sound of the bell, she looks up, squints, and smiles. 
“Is that you, Toto?” The glasses that sit on the tip of her nose are attached to a chain around her neck. She lets them fall to her chest, her voice bright and amiable. 
“You know it is, Dorothy!” Eddie gushed, an award-winning smile back on his face. 
They fall into easy conversation, making it obvious that he’s a regular here. You keep glancing at him trying to find hints of ingenuity but there are none. Eddie regards the woman with the warmth and respect that you would expect from a boy scout, not a rockstar. 
Sliding into a booth, Dorothy hands you both a menu and leaves to make a fresh pot of coffee. 
“You have to try the french toast, it’s divine.” Eddie barely steals a look at the laminated folder before folding it back up and putting it down on the table. 
“I’ve never really been a french toast person. I don’t know if I wanna risk it.”
Eddie gives you a pointed look, sunglasses slipping down the slope of his nose. “You rode a motorcycle. How much more risky is a plate of french toast?”
“Maybe that was all the risk-taking I had in me for one day.” You force yourself to shrug noncommittally. You don’t know why breakfast food is the hill you’ve chosen to die on, but you’re going down swinging.
“Well, you already trusted me with your life.” Eddie takes the sunglasses off and tucks his fist under his chin, forcing you to look into his deep brown eyes. “Think you can trust me with this?”
Suddenly, all of the fight in you disappears. There’s that sincerity in his voice again. You realize then that the best and worst thing about Eddie Munson is how genuine he always sounds.  
“Yeah, I do.”
The smile on his face is so bright that you feel compelled to look away. Eddie orders for both of you. It’s enough food to feed a small army, but it seems that Dorothy is used to it because she leaves the table with a wink and says if y’all need anything just holler! 
“Do you mind?” You say, pulling out the notepad and pen from your purse. 
Eddie freezes for a fraction of a second. It’s almost imperceptible. Almost. In the small amount of time you’ve known him, it has become abundantly clear that Eddie wears his heart on his sleeve. Recovering quickly, he gives you the go-ahead and smiles. For the first time today, his grin doesn’t quite reach his eyes. 
“So,” You begin, clicking the button on your ballpoint. “I have to ask. Toto?”
Eddie barks out a laugh. He goes on a whole spiel about how he was having a terrible day and walked into the diner feeling homesick and hungry. When he first came to L.A. he felt like Dorothy stepping into the technicolor world of Oz. Once the novelty wore off, he found himself missing when the world used to be so black and white. Upon telling the wise waitress, aptly named Dorothy, she lovingly told him, Toto, I’ve a feeling we’re not in Kansas anymore. The nickname stuck ever since.
The story almost sounds rehearsed. A perfect sound bite that shows how you can take the boy out of the Midwest, but you can’t take the Midwest out of the boy. And yet, you feel inclined to believe him. Eddie just seems to have that effect on people. 
The food finally arrives and you’re amazed to find that Eddie’s eyes are not bigger than his stomach. He talks about music and his band in between bites of pancakes and hashbrowns, both of them drowned in an inch of syrup. He speaks of his friends back in Indiana with a certain fondness, but you can’t help but notice how avoids naming his hometown. He also never refers to Hawkins as back home, instead saying where I’m from.
Conversation between the two of you flows as easily as the never-ending coffee from Dorothy’s pot. It’s almost too easy to forget that this is an interview. Remembering yourself, you take a moment to ask Eddie one of the harder-hitting questions you have in your back pocket.
“What about Evelyn Chau?”
Eddie winces. The open book that was sitting before you shuts tight with a resilient slam. The mouthful of pancakes and syrup seems to turn to sludge as his chewing slows. Despite having no regard for table manners earlier, he points at his lips and holds up a finger to indicate that he needs a minute to swallow. 
After taking a sip of coffee and wiping his mouth with a paper napkin, he slouches in his seat and crosses his arms defensively. 
“What about Evelyn Chau?” He repeats your question back to you but with an unmistakable air of forced nonchalance. 
You want to crumble under his pointed gaze, but you don’t. You steel yourself with the reminder that asking uncomfortable questions is part of your job description. Besides, it would raise many more alarms if you didn’t ask about the raven-haired model spotted painting the town with him than if you did. 
“Everyone wants to know if you’re together.”
“Everyone.” He exaggerates the word, using his index finger to trace the lip of his coffee cup. “Does that include you?”
The smirk on his face indicates that he’s either messing with you or flirting with you. Maybe both. 
“Well,” you demure. “are you?”
“Evie is just a friend.” Eddie’s still perfectly composed, but the familiarity with which he says her nickname betrays him. His face twitches when he catches his slip-up. “A really close friend.”
It’s already too late. He couldn’t convince you that she was just a friend if he tried. A flash of a crossed-out halo and crooked angel wings comes to mind. 
You’re about to ask him another question, but Dorothy and her impeccable timing interrupts the moment by placing the check on the table. Eddie throws down a few bills from an old leather wallet, while you’re trying to figure out how you can spin a two-hour diner date into an entire article. 
Eddie stretches as he stands up, the hem of his black v-neck raises to expose a tattoo on his right hip that snakes down further than you’re supposed to look. On the other side, you catch a muddled array of purple and red scar tissue. Averting your eyes, you look up and are met with a stony gaze. He caught you staring.
“What do you say we get outta here?”
Because you’re a very stupid, stupid woman, you agree.
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likes are appreciated, comments and reblogs are cherished ♥️
taglist: @twisted-wonderland-of-wren
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viktoriaoie · 5 months
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u-are-in-love · 18 days
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question of the day
dear taylor,
what song from the tortured poets department are you most excited for fans to hear?
from,
kyra
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isabelhst91 · 4 months
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how tf do you know if you’re aromatic or not
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eclecticemmas · 6 months
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Throw back to my first midnights hoop!
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tavi-calypso · 2 months
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I swear to GOD
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NO YOU CANNOT ASK ME A FUCKING QUESTION-
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intheclearyetgood12 · 7 months
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'Fuckin....' Oh, my God, it's raining so hard' 😂 those rain showss 🌧️🌧️ one of my favorite songs during a rain show 💚💚
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Zutara or not, it’s crazy that katara doesn’t end up having any kind of political role or influence whatsoever. and you would expect to when visiting the water tribes, that a lot of places would honor her name
Right? I’ve ranted before about how Katara would make a killer diplomat and I cannot believe that her conflict avoidant husband and her tactless friend had greater political influence than she did. I simply refuse. The ATLA comics make it blatantly clear that the Avatar and the Fire Lord are dumbasses, and Katara is the one who has to be the voice of reason. And don’t get me started on how Sokka, who is more of a strategist / general than a ruler, somehow had time to both be Chief of the SWT and be a United Republic Councilman, which presumably require him to be in two places at the same goddamn time? Why couldn’t Katara have gotten to be one of the two? Especially since presiding over a nation or representing your people are extremely different skill sets than keeping track of a schedule and planning an invasion. Listening to your people and making decisions to benefit them is Katara’s wheelhouse. And to top that off, she was the last Southern Waterbender. Give the girl an ice fountain or something smh.
Anyway some people just hate to see female characters succeed because “women aren’t always girlbosses!” Well in the context of a children’s show, I’d prefer an unrealistic girlboss over a female character who’s stripped of all her ambitions and power, okay?
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Taylor Swift describing her relationship with Harry Styles in terms of colors:
Slut!: “Flamingo pink, Sunrise Boulevard”, “Aquamarine, moonlit swimmin' pool” & “In the tangerine, neon light, this is luxury.”
Out of the Woods: “The rest of the world was black and white / But we were in screaming color.”
Wonderland (original lyrics): "Colors I'd never seen twisting around me."
Question…?: “I don't remember who I was before you / Painted all my nights / A color I've searched for since.”
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kimberly-spirits13 · 4 months
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Okay something that doesn't make sense in the Barbieverse is that in Barbie Fashion Fairytale is that there are Flaries which are mini fairies. In Barbie Fairy Secret, it is revealed that there are fairies in real life and that Lilliana Roxelle (who was in Barbie Fashion Fairytale) is a fairy. Barbie knows Lilliana Roxelle because she was at Aunt Millicent's fashion show so WHY IS BARBIE SURPRISED WHEN IT IS REVEALED THAT THERE ARE REAL FAIRIES LIKE SHE KNOWS THIS ALREADY OR DID SHE FORGET ABOUT SHINE, SHIMMER, AND GLIMMER?
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HAPPU BIRTHAY
thank you bee!!!!!!! ily so much <333333
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pricelessemotion · 1 year
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Can I ask you a question?
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an au based on funny you should ask by Elissa Sussman
Summary: Los Angeles, 1990. eddie munson is a promising rockstar with a less-than-stellar reputation. you’re a budding music journalist who has been tasked with strengthening his social standing. what started as a mutually beneficial assignment turns into something more, as you both blur the lines between professional and personal.
Pairing: rockstar!eddie munson x fem!music journalist!reader
prologue: big city, wrong choices
A-side: off the record ★ starstruck and metal ★ lectori salutem ★ a little confession
Interlude ★ august ★ reply 1994
B-side: for the record ★ high fidelity ★ you and i
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