#but frankly we didnt have the technology to make it this bad before 100 years ago | Explore Tumblr Posts and Blogs

sometimesrosy · 6 years

Note

story idea anon here! Im not 100% about everything I said exactly but to recap: I have a story idea for basically a series (5 books) and I’ve had it for awhile. The thing is, it’s sci-fi, which pretty much needs plot driven writing. I’m not good at that. It doesn’t make me wanna write. I’m good at character/feelings/relationship driven writing and that’s what makes me want to write and move the story forward. But I don’t wanna give up on the book just because I don’t know how to adapt.

(2) Obviously, because in order for things to happen, the plot is the thing that needs to move forward chapter to chapter in this kind of fiction. I know that. But it doesn’t seem to excite me, at all. I get excited about the slow burn I have mapped out, the story lines that will go on and complete each other from the first to the last chapter, the twists, the romance, the friendships and unexpected partnerships, the cliffhangers etc. All of it. But writing the things the characters are doing?

(3) As in plans and action scenes and fighting and bad guys and whatever? Nothing. It just seems like a chore and makes me procrastinate on moving forward. But I’ve had this idea for so long and I really like it and I really want to tell this story, I just don’t know how to do it right. Do I make it more character/feelings/relationship driven even though it doesn’t necessarily fit the genre? Do I power through the parts I don’t like even though it will make the process last longer? Do I change

(4) stuff? Do I try to change myself and my style? I don’t wanna just give up. Please help. (also i dont know if i’ve been on anon or not cause i just kinda started typing and didnt really stop)

Okay. Sorry for not answering this yesterday when I asked you to send in the missing #1 ask, but I had to do all sorts of other stuff and didn’t have the focus. Now it’s morning and i’m in writing brain, so let’s go.

All right, so it seems like you are struggling with the conflict between what you WANT to write and what you think you’re SUPPOSED to write.

The key to this struggle is to always let the WANT win over the SUPPOSED TO. Oh, well that sounds like I’m advocating complete and total writing anarchy! Who needs plot! Who needs structure! Nah I’m not. Not really.

BUT I am saying that you need to write the story you NEED to tell, the one that’s humming below your skin. Write the story you want to tell. Write the things that make you passionate. Write the things you’re good at.

Now this doesn’t mean ignore the plot or genre or the things you’re bad at. Facing the frisson of your fears and insecurities and struggles adds a tension to your work and leads you into new places that will surprise even you. So one of the things you can do when stuck between WANT and SHOULD is learn how to BALANCE them.

Okay, that doesn’t sound like letting the want win, but that’s how I work.

FIRST. FORGET ABOUT GENRE REQUIREMENTS. I mean, don’t. You know the world you’re writing in and the rules you have to follow. You know what you love about it, work with that. But it’s not as strict as you’re thinking it is. You get to BEND the rules, without actually breaking them. Sure, we love sci fi because of the action and ideas… and sure, i personally might have given up on the literary fiction genre because I was SO bored of it, but if you take the character and language driven style of literary fiction and combine it with the plot and concept driven style of sci fi, what you have is a DAMN FINE STORY. You see what I’m saying? You can use the best parts of BOTH to make your story better. BALANCE.

You don’t have to sacrifice who you are as a writer to write a particular genre. It’s part of you and it’s your voice and what makes you unique. I’ll tell you a secret. I’m actually a poet. I don’t write much poetry anymore, but I take my poetry and put it into my science fiction and fantasy. My whole writing style is based on, basically, the poetry of the world. I may not give each sentence the attention I would a poem, but the impulse is still there, even if the genre is miles away from what I’m writing. And that makes for a better story. Sometimes I think I’m a better fiction writer than poet PRECISELY because I use my poetry IN my fiction.

You aren’t WRONG as a sci fi writer because you like to focus on emotions and characters and relationships. You’re a sci fi writer with character driven stories. I guarantee you that people like that. Not all people. And some people will complain that it’s not hard enough or science fictiony enough or too girly or whatever, but, honestly, WHO CARES? Don’t write for everybody. You can’t please everybody. Write for yourself.

I personally prefer my science fiction to be character driven and I prefer to have some element of love in there, and I need to be able to connect to the characters emotionally. I think this is one reason why I prefer women writers. And one reason why I stopped listening to male critics about “What makes sci fi sci fi.” Because frankly, I’m more interested in how society works and how characters move within society than I am in whether or not my FTL space travel could conceptually work or the intricacies of war and weaponry. If boys want to play technology war in space, they can. I want to find out how that war affects my characters when it’s over and they have to keep living. Now what?

Oh. In case you didn’t catch that, there is definitely a gender driven status thing within the sci fi community that invalidates women’s stories and glorifies men’s stories, so please make sure that’s not what’s in your head while you are critiquing the kind of story you want to tell. Because if NK Jemisin’s THREE consecutive Hugo awards, and the backlash against her winning them, is not proof that we WANT the different stories, and how some people don’t want us to tell them, then I don’t know what is.

The sci fi and fantasy genre is always changing and shifting to allow for new ideas and ways of writing. That’s what it’s for. It’s speculative. And we like new ideas. There is lots of room for experimentation. There’s lots of room for alien thinking. lol. you see what I did there? The point is, sci fi is about new and different concepts and where they could take us. Go ahead and invent your own genre. Or maybe you’re not inventing it, and it’s already there as a subgenre and you never noticed. There is actually a sci fi romance subgenre, and it’s a subgenre of romance I think. I don’t tend to prefer it because it follows the tropes of romance rather than sci fi, but you can also write sci fi that focuses on romance, like Sharon Shinn. Her stories are very romantic. But definitely sci fi.

Okay, so that’s some conceptual stuff I want you to think about in regards to your writing process and style. But I also have some practical suggestions/tips/hints that might help you get over your hump. I’ve got two in my mind right now, lets see if I can come up with any others as I go along.

One trick. What I do sometimes, is to set up the overall, grand scheme plot, and really have no idea how I’m going to get there. Like that part you’re talking about, writing about what the characters are doing? None of that is set up. When I get there, I enter into the character motivations. Feelings, thoughts, backstory, personality, goals, desires, fears. ALL of these things are what move my plot forward. Because what I keep asking is, “how would this character react to this situation.” Now if I’ve done my job with character building then I will KNOW because I know my characters history and personality, and I can power the story with their growth and struggles. The question is always, “What Would MC Do?” I drive my plot forward by following my characters through the world I set up and basing their decisions on who they are. Some of them are emotional. Some of them are logical. Some of them are angry, some are pacifistic. All those characters are interacting with each other and shifting the story this way or that. This causes tension and gives us problems to solve and ways to solve it. You pick the ones that get you to your endpoint. Sometimes I think I’ve taken myself AWAY from my planned ending and I’m like, oh well, I guess I need a different ending. And then I get to the ending and, like magic, everything I set up starts falling into place and what I originally planned and thought had failed has been building all along. (GOOD JOB, SUBCONSCIOUS!) That has happened to me TWICE in the past year.

Another trick. This came from a twitter post where someone was saying how she wanted to just write stories about WLW in love, but she didn’t have a plot. And I said. What do you mean you don’t have a plot? That’s your plot. Love is the answer. Love is the goal. Obstacles to love are what your characters need to fight through. Love is how your characters find strength. I said, make love the super power. Make the villain be the one who is trying to kill love, whether individually or on a universal level. For sci fi there are so many ways to do that. Maybe they’re trying to create a solely logical universe. Maybe they’re cyborgs. Maybe they want to kill a planet that the MC loves, IDK. Use your imagination. Fit it to your story. Don’t create an obstacle and plot that doesn’t connect to your desire for character and relationships and love. MAKE YOUR PLOT ABOUT THAT LOVE. It’s sci fi, you can invent the technology to make it real. Or magic if you’re doing fantasy. IMO it’s the same thing.

Oh here’s another thing. Maybe you need to stop listening to your doubts and internal editor so much, telling you that what you’re writing isn’t right. The thing that helped me get over that obsession with doing it wrong was actually nanowrimo, which I did for the first time in 2006. If you’ve done it before, or if you haven’t, you might be ready to take on this challenge to write a novel in the month of november this year, for this project. You’ve been thinking about it a lot. It sounds like you’re ready. And if you have to focus on getting the wordcount done, and you start focusing on character instead of plot, you won’t have time to get worried about whether you’re being too charactery and not ploty enough. (how is charactery a word but ploty isn’t? anyway.) And then by the time you’ve written it, you can read it over and decide if your plot is thin or it doesn’t move you forward enough, and THEN you can ADD IN THE PLOT ELEMENTS that you don’t write in your process. WHAT? Or you can remove some of the slower character driven stuff and just use it for your character development. Or even take it out and turn it into a short story. THIS is the writing process. The revision process. Just write your little heart out, and then go back over it to add in the elements you’re missing and remove the things that don’t move the story forward.

TL;DR Whatchutalkin’ bout nonny. You’ve got a plot. You’ve mapped it out. It’s character driven. Stop doubting yourself. If you want more action, stick it in there. Make it relationship/character driven. Don’t change yourself. Make it work.

ps. i answer questions here about writing, no problem, but i have a writing blog where i try to collect posts (mine and others) about writing, and art and creativity @rosy-writes so if you want to follow or scroll that it might be more focused, although this blog is more active.

#writing advice #rosy-writes #amwriting #writeblr #writing sci fi #plot #character driven #writing practice #internal editor

7 notes · View notes