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ginggotisga · 2 years

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flavenlonno · 2 years

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geribpiegu · 2 years

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moongrogcaweb · 2 years

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niadeatewant · 2 years

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detectivehood · 4 years

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sauravbenny · 4 years

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isoufianelmoussaouius · 4 years

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What’s New!

Fully built in Fusion visual effects and motiongraphics, incredible new Fairlight audio tools and nearlya hundred enhancements focussed on speed and quality!

DaVinci Resolve 16 now has full Fusion visual effects and motion graphics built in! The Fusion page gives you a complete 3D workspace with over 250 tools for compositing, vector paint, keying, rotoscoping, text animation, tracking, stabilization, particles and more. With new Apple Metal and CUDA GPU processing, the Fusion page is faster than ever! Fairlight audio gets a massive upgrade with new ADR tools, audio normalization, 3D panners, audio and video scrollers, a sound library database, and built in cross platform plug-ins such as reverb, hum removal, vocal channel and de-esser. There are also dozens of new features and improvements that editors and colorists have asked for. These include a new LUT browser, shared grades, multiple playheads, Super Scale HD to 8K up-rezzing, stacked timelines, on-screen annotations, subtitle and closed captioning tools, better keyboard customization, new title templates and much more!

Introducing Blackmagic Raw

Blackmagic RAW is a new and modern codec that gives you stunning image quality and blazing fast performance in an intelligent new file format. Featuring advanced de‑mosaic technology and a revolutionary intelligent design, Blackmagic RAW gives you both the quality and benefits of RAW with the speed, ease of use and file sizes of traditional video formats.

The Blackmagic RAW codec features an intelligent design that moves part of the de-mosaic process into the camera where it can be hardware accelerated by the camera itself. This gives you incredibly efficient encoding and small file sizes. Blackmagic RAW files are much more than just a simple RAW container because they combine image data along with information about the unique characteristics of the camera’s sensor. This gives you much better image quality, even at high compression settings. Plus, you get total control over RAW settings such as ISO, white balance, exposure, contrast, saturation and custom color spaces. Blackmagic RAW also includes extensive metadata support including user customizable sidecar metadata files, plus GPU and CPU acceleration, new Blackmagic Design Generation 4 Color Science, different encoding options for constant quality or constant bitrate and more!

With Blackmagic RAW you can shoot, edit and grade projects all from a single file format. Picture adjustments and settings that you make in the camera will come into DaVinci Resolve via metadata and are completely editable. You can even make changes to the RAW settings in DaVinci Resolve, open the files in other applications that support Blackmagic RAW and automatically see the settings. You get a consistent look and controls between software applications, even on different platforms. Blackmagic RAW is the world’s fastest and highest quality RAW format.

Professional Editing

DaVinci Resolve includes everything professional editors need to cut blockbuster films, television shows, and commercials. It’s perfect for both offline and online editing. The high performance playback engine makes editing and trimming incredibly fast, even for processor intensive formats such as H.264 and RAW.

Fusion Effects

Fusion brings the world’s most advanced compositing software for visual effects artists and motion graphic animators right into DaVinci Resolve! So now you can create cinematic feature film quality visual effects and stunning broadcast motion graphic animations without having to switch software applications!

Color Correction

DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry’s most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, ResolveFX and more.

Fairlight Audio

With Fairlight audio built in, you get a complete digital audio workstation with professional mixer, automation, metering, monitoring, sample level editing, new ADR tools, a sound library database, native audio plug-ins and more! You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2!

Media and Delivery

DaVinci Resolve 16 makes importing, syncing and organizing footage fast! Whether you’re going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You’ll be able to get to work quickly and output files fast, so you’ll never miss a deadline!

DaVinci Resolve Studio

for even more creative tools and options!

The free version of DaVinci Resolve has all of the professional editing, legendary color correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, deflicker, dust busting, warping and much more!

New High PerformancePlayback Engine

Fly through edits and colorcorrection with up to 10x the performance!

DaVinci Resolve features an incredible new video playback engine with CPU and GPU optimizations, lower latency, faster UI refresh, support for Apple Metal, and more! These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime! Whether you’re working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve is completely responsive and fast enough to keep up with your every move!

Legendary DaVinci Quality

Unique YRGB 32-bit float image processing!

DaVinci Resolve’s Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB color science that processes luminance independent of color. This allows you to adjust the luminance of video without rebalancing the color of your highlights, midtones, or shadows! The massive internal color space is also perfect for the latest HDR and wide color gamut workflows.

This is a multi-package portable.

I can add updates/plugins via .svm files, just request plugins or notify me about new updates.

FILES:

- DaVinci Resolve Studio 16 Portable.exe = main program and data file

ADDONS:

Addons can be added via .svm files by me, or via normal files by you.

Show how .svm files work and how to add plugins

Sandbox folder: "\Sandbox\DaVinci Resolve\roaming\modified\@PROGRAMFILES@\Blackmagic Design\DaVinci Resolve\"

Languages:

Multilanguage version! All available languages included. Change in settings. English, Spanish, Portuguese, French, Russian, Chinese, Japanese (I guess).

Portable features:

No installation required

No Admin rights needed

Pre-activated

100% Offline, completely safe to use, no firewall needed

Sandbox folder containing modified settings, delete to reset

portable

setup

Just run it and enjoy!

via Blogger https://ift.tt/2r4hVg8

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softrls-blog · 6 years

Text

Blackmagic Design DaVinci Resolve Studio 15.1.2.8

DaVinci Resolve 15 is the world’s first solution that combines professional offline and online editing, color correction, audio post production and now visual effects all in one software tool! You get unlimited creative flexibility because DaVinci Resolve 15 makes it easy for individual artists to explore different toolsets. It also lets you collaborate and bring people with different creative talents together. With a single click, you can instantly move between editing, color, effects, and audio. Plus, you never have to export or translate files between separate software tools because, with DaVinci Resolve 15, everything is in the same software application! DaVinci Resolve 15 is the only post production software designed for true collaboration. Multiple editors, assistants, colorists, VFX artists and sound designers can all work on the same project at the same time! Whether you’re an individual artist, or part of a larger collaborative team, it’s easy to see why DaVinci Resolve 15 is the standard for high end post production and is used for finishing more Hollywood feature films, episodic television programing and TV commercials than any other software. What's New! DaVinci Resolve 15 now has full Fusion visual effects and motion graphics built in! The Fusion page gives you a complete 3D workspace with over 250 tools for compositing, vector paint, keying, rotoscoping, text animation, tracking, stabilization, particles and more. With new Apple Metal and CUDA GPU processing, the Fusion page is faster than ever! Fairlight audio gets a massive upgrade with new ADR tools, audio normalization, 3D panners, audio and video scrollers, a sound library database, and built in cross platform plug-ins such as reverb, hum removal, vocal channel and de-esser. There are also dozens of new features and improvements that editors and colorists have asked for. These include a new LUT browser, shared grades, multiple playheads, Super Scale HD to 8K up-rezzing, stacked timelines, on-screen annotations, subtitle and closed captioning tools, better keyboard customization, new title templates and much more! Professional Editing DaVinci Resolve includes everything professional editors need to cut blockbuster films, television shows, and commercials. It’s perfect for both offline and online editing. The high performance playback engine makes editing and trimming incredibly fast, even for processor intensive formats such as H.264 and RAW. Fusion Effects Fusion brings the world’s most advanced compositing software for visual effects artists and motion graphic animators right into DaVinci Resolve! So now you can create cinematic feature film quality visual effects and stunning broadcast motion graphic animations without having to switch software applications! Color Correction DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry’s most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, ResolveFX and more. Fairlight Audio With Fairlight audio built in, you get a complete digital audio workstation with professional mixer, automation, metering, monitoring, sample level editing, new ADR tools, a sound library database, native audio plug-ins and more! You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2! Media and Delivery DaVinci Resolve 15 makes importing, syncing and organizing footage fast! Whether you’re going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You’ll be able to get to work quickly and output files fast, so you’ll never miss a deadline! Multi User Collaboration DaVinci Resolve 15 completely redefines post production workflows! Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, effects artists work on VFX, and sound editors mix and finish audio, all in the same project at the same time! You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting color and audio work! That means picture editors, visual effects artists, colorists, and sound editors can now work in parallel, leaving more time for everyone to be creative! DaVinci Resolve Studio The free version of DaVinci Resolve has all of the professional editing, legendary color correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, deflicker, dust busting, warping and much more! New High Performance Playback Engine DaVinci Resolve 15 features an incredible new video playback engine with CPU and GPU optimizations, lower latency, faster UI refresh, support for Apple Metal, and more! These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime! Whether you’re working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 15 is completely responsive and fast enough to keep up with your every move! Legendary DaVinci Quality DaVinci Resolve’s Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB color science that processes luminance independent of color. This allows you to adjust the luminance of video without rebalancing the color of your highlights, midtones, or shadows! The massive internal color space is also perfect for the latest HDR and wide color gamut workflows. Hardware Control Panels When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse! All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image! Fairlight Professional Consoles Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and dynamic configuration changes provide fast to use buttons and controls that are optimized for the task at hand allowing you to work faster with Fairlight audio than any other tool in the world. With the modular design you can start with a larger console frame than you need and add more modules to meet the growing needs of your facility. Open and Compatible With all of the different workflows and systems out there, you need a post production solution that’s compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you’re on a tight deadline, you can count on DaVinci Resolve to “just work!” Minimum System Requirements for Windows: • Windows 10 Creators Update • 16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion • Blackmagic Design Desktop Video version 10.4.1 or later • NVIDIA/AMD/Intel GPU Driver version – As required by your GPU • RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later Download Blackmagic Design DaVinci Resolve Studio 15.1.2.8 (Windows x64 | Languages: English | File Size: 1.05 GB) https://rapidgator.net/file/d01a699b321e00abdda4339e04092e17/.DRS.15.1.2_softrls.com.part1.rar.html https://rapidgator.net/file/5a3f145e80836ccf4cdfd24209ea5eb4/.DRS.15.1.2_softrls.com.part2.rar.html http://turbobit.net/b488y24i12p8.html http://turbobit.net/pctfxit1a40u.html Read the full article

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photomaniacs · 7 years

Photo

An Open Letter to Nikon from a Time-Lapse Photographer http://ift.tt/2uXl8Ok

Dear Nikon,

I am writing as a longtime Nikon photographer and someone who has been working extensively with your cameras and who has written many reviews in the past years. I have been shooting in the area of timelapse photography for many years now, and have given many workshops and training sessions.

For your 100th birthday, you announced the Nikon D850, a camera that, according to your advertisement, should be particularly suited to create 8K timelapse movies.

I am especially pleased that you have now finally identified timelapse photography as one of the important areas in which your cameras are being used.

In fact, for long a time, digital SLR cameras (and especially Nikon cameras) have become indispensable tools for timelapse photographers. Many photographers prefer Nikon cameras because of your great sensors with high dynamic range and outstanding ISO performance. But there is a lot more to consider when you want to record a good timelapse than just using the interval or timelapse feature of your cameras.

Astro image of the Milky Way with the Nikon D750. On the top left you can see the green guiding laser of the observatory on La Réunion.

For example, the timelapse function built into some of your newer cameras that directly outputs a video usually does not fulfill the demands of serious timelapse photographers. For high-quality timelapse clips, we would prefer a dedicated RAW file based output that gives us more freedom for editing.

Over the past few years, the timelapse community has been intensively working on developing special techniques that have brought timelapse photography to a fairly high level. Recordings, such as day-to-night and night-to-day transitions, which not too long ago were considered impossible — they are called “The Holy Grail” of timelapse photography for a reason — can now be easily done by everyone.

In order to understand our requirements as timelapse photographers, let me briefly explain which factors we consider most important for advanced timelapse:

We want to work with exposure times as long as possible and intervals as short as possible.

We would like to be able to operate and control the camera during a recording.

We would like to have a preview of the last recorded image on the camera display and would like to transfer those via Wi-Fi and USB to a smart device.

Timelapse shooting on a frozen lake in Northern Norway – waiting for the Northern Lights.

Exposure Time vs. Interval

For aesthetic timelapses, we always try to work with long exposure times. Exposure times that are at least half as long (so called 180°-shutter) and often almost as long as the intervals.

Think about the astro scenes from your last promo video for the D850. Such shots of the Milky Way need long shutter speeds of approximately 20 seconds per shot.

At the same time, however, we would rather prefer to shoot with short intervals, because the interval with which the images are recorded will set the speed of the playback of the final clip and this should not become too fast.

Since the interval can never be shorter than the exposure time, in this example we would preferably like to work with 21 seconds, which is only a bit longer than the exposure time. In this case, we would have a “dark-time” of only 1 second, in which the camera shutter is closed before the next exposure starts.

But also during the day, good timelapse photographers almost always work with long exposure times, often leaving a dark time of just 1 second.

For Northern Lights, and other fast moving subjects, we bring this to the limit of what’s technically feasible — intervals of one second are rather common, with even shorter dark-times.

During this dark-time, your camera must save the picture, show it on the display and provide it via Wi-Fi and USB for external analysis.

All this already works with some of your cameras today with an appropriate external intervalometer. But, unfortunately, not with the timelapse tools that you currently provide in your cameras.

Timelapse shooting in the Altiplano, Bolivia

The Built-In Intervalometer

Unfortunately the internal intervalometer that we can find in most of your cameras is quite limited for purposes of effective timelapse use. When we shoot with a dark-time of 1 second with the internal intervalometer, the camera buffer fills up after a few seconds, and we can only dream about any image preview and Wi-Fi transmission.

With any dark-time lower than 6 secs, cameras like the D750 will not display any preview when using the built-in intervalometer. This means that a photographer who needs to have control over what he is shooting cannot work with intervals below 7 seconds. And even then the exposure will be limited to 1 second only.

You may ask yourself why it is so important to be able to see the pictures during the recording. Well, many exciting timelapse situations span over a long period of time during which the light can change dramatically. Those dramatic changes require the photographer to control the camera exposure, but he will only know when to take action if he sees what is being captured.

Day-to-Night Transitions

I’ve already mentioned day-to-night transitions, which we love to capture, because they mostly result in spectacular timelapses and for a long time have been a real challenge to shoot. In such situations light changes continually and very drastically, so that the camera settings have to be adjusted frequently. To be able to do this however, we need access to the images and their histogram in order to know when we have to adjust the exposure time, aperture or ISO. Otherwise, we would quickly get images that are over- or under-exposed.

You might ask yourself why we do not work in A-mode or the P-mode, possibly in combination with the ISO-automatic?

These modes have been designed for handheld photography. They always aim towards short exposure times and, with activated ISO automatic, first raise the ISO before going towards long exposure times.

What we really need, instead, is a shooting strategy specifically adapted to the requirements of timelapse photography. In the case of a sunset, for example, at first the exposure time has to be increased, then the aperture will be opened, and finally the ISO will be increased. Additionally we would like to be able to intervene at any time, depending on the situation.

You see, this is not realizable with the tools that you provide today, but that’s okay for us. You provide cameras with the great sensors and great dynamic range, and we are the experts for timelapse photography and do the rest with our special external tools and techniques.

Controlling the Camera via Wi-Fi

To accomplish this, most of us use special apps on smart devices, which are usually connected to the camera via Wi-Fi. USB is possible too, but that would not work for many mobile devices — for example, those with iOS.

qDslrDashboard is an app that offers a special timelapse mode that allows to capture day-to-night and night-to-day transitions automatically by evaluating the camera previews and controlling the camera accordingly.

After a capture, these apps download the preview image from the camera, analyze the histogram, and determine when exactly which camera parameter has to be adjusted in order that the scene will not get over- or underexposed. This control happens in such a way that the final look will be as aesthetic pleasing as possible.

The smoothing of the residual brightness jumps resulting from this so-called “ramping” process will happen in post processing with special software such as LRTimelapse.

Sequence shot with automatic ramping by qDslrDashboard. The blue curve shows the luminance, the zig-zag line comes from the automatic adjustment of the camera settings. The orange curve shows the compensations that LRTimelapse calculated automatically and applied directly to the RAW files. The result is a smooth transition from night to day.

We get a very smooth transitions after the smoothing by LRTimelapse (Holy Grail Wizard and Visual Deflicker)

This procedure works great and leads to perfect results! Black times of only 1 second are possible in practical use! During this time, your cameras do not only write RAW+JPG to the memory card, but also transfer the JPG preview via WiFi to the smart device, the app analyzes it and changes exposure time, aperture or ISO within the same second. Awesome, right?

At least this was working until about a year ago! Unfortunately, then you decided to make our special tools practically useless by closing your Wi-Fi to 3rd party apps with the introduction of “Snapbridge.”

Don’t get me wrong – I like that you are introducing with new approaches for the connection of smart devices. But it’s definitely unfortunate that you decided to exclusively allow only your own app to access the Wi-Fi interface and blocked any special app from third party developers.

It’s even understandable that SnapBridge is still at the beginning (currently it does not even allow changing camera parameters at all) and I really wish that you will to improve this app in the future and make many users happy. But it is also clear that this will never be an app that can support all the special applications for us timelapse photographers, astro photographers, macro photographers and so on in a way like specialized tools, which were developed by experts in their area over years.

I would therefore ask you to restore the ability to work with our specialized tools. We will then continue to use your cameras with pleasure and create great, creative work with them in our special areas! Unfortunately, as of today this is not possible with any of the cameras which have SnapBridge enabled.

My Request

Technically, the standard Wi-Fi interface is also available in your new cameras with SnapBridge, and in principle it even would work with our specialized apps. Unfortunately, currently the cameras switch it off after a short time, as soon as the user switches from the SnapBridge app to another one.

Thus, the only thing missing for us in your new cameras is the possibility to manually turn on WiFi via the menu independently of the SnapBridge App!

This is my modest request: Please give us back the possibility to use Wi-Fi independently of SnapBridge! We would be really happy, if you could provide a firmware update for the Nikon D500, D5600 and D7500 and a corresponding implementation in all upcoming cameras. The timelapse community and all others who depend on an open Wi-Fi implementation will continue to be faithful users of your cameras in the future!

The other issues, for example, with regard to the internal intervalometer, should be addressed, but we can easily work around them by using external tools.

However, if you’re really serious about your new focus on timelapse photographers, I would like to offer you my expertise as a consultant. I’d be more then happy to help you developing a state-of-the-art timelapse solution for your cameras, leaving nothing to be desired!

Thank you for your consideration and all the best wishes for the next 100 years,

Sincerely,

Gunther

P.S. If you agree with this open letter, please consider leaving a short comment on my website to add your voice to the request. The more voices we have, the more force our common request will have when I send it to Nikon!

About the author: Gunther Wegner is a timelapse photographer and the developer of LRTimelapse, a leading solution for timelapse editing. The opinions expressed in this article are solely those of the author. Wegner gives workshops and trainings for amateurs and professionals and consults companies in the field of timelapse photography. You can find more of his work and writing on his website. This article was also published here.ere.

Go to Source Author: Gunther Wegner If you’d like us to remove any content please send us a message here CHECK OUT THE TOP SELLING CAMERAS!

The post An Open Letter to Nikon from a Time-Lapse Photographer appeared first on CameraFreaks.

August 02, 2017 at 10:00PM

#photo photography art camera cameras

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