#glamour is the real endgame
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Hey Yoshi-P can I please have more glamour chest space?
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When people ask "What's the most effort you've put into something for glamour" I can never think of anything specific so I'm gonna put this here for posterity.
Currently, I don't main monk and I hardly even play it besides occasionally in PVP, but I think I'm going to have to finish the ARR relic. I got it up to Spharai Novus because glowy white tiger fists are awesome. However, it turns out I like the Animus glow better than Novus, but you can't get replicas until you get to the Zeta stage. ;_; So now I've got to finish it before I can get an Animus replica.
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I can't wait for the craftable version of hydalean's weapons to come out
because I'm a scrub, one of my friends got me the hydalean crystal crafting ingredient from the savage version of her fight and now I'm just waiting for dawn trail so I can FINALLY complete my paladin of light set. I got the 2nd endwalker alliance raid tanking set complete and in my glamour dresser all nice and pretty and waiting to get a shiny glowy blue-crystal shield and sword.
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new glams for Xau~
1: Axe of Light, Blade's Circlet of Fending (Metallic Gold), Law's Order Mail of Fending, Peacock Gloves, Aug. Lunar Envoy Trousers of Fending (Jet Black), Neo-Ishgardian Sollerets of Fending
2: Star Velvet Hood of Casting, Voidmoon Coat of Casting, Seigneur's Gloves, Far Eastern Beauty's Koshita, Oracle Leggings (everything that can be dyed is Dark Red)
3: Elegant Rimless Glasses (Dalamud Red), Recreationisle Shirt (Rose Pink), Far Eastern Maiden's Armband, Isle Farmhand's Widebottoms (Sky Blue), Varsity Shoes (Rose Pink)
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Went around the clothing shops in Scarlet like "I have a lot of Pokedollars now, why not just buy everything?" But the clothes are awful and not worth it. I don't get how they went from the awesome options in SwSh to the travesty that is SV.
I mean I guess we got more character creation customization in SV but tbh the players still look samey and have awful clothes on top of that. I would have preferred having less eye shapes and weird half smiles if it meant better clothes.
#pokemon sv#everyone knows glamour is the real endgame but theres no winners in sv except the NPCs who get to wear whatever they want#pokemon scarvi#pokemon scarlet and violet
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in case people are curious, this is the current results including my static and some friends on discord
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would love to play ffxiv for everything except the fighting X'D
#thinking out loud#real time fighting stresses me out and i'm bad at it#but i love creating characters and planning their skills and job progressions#and the customization of ffxiv! didn't someone say glamour was the true endgame X'D
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i try not to post pics of my char bc if you don't play ffxiv you probs would just find it annoying if i was constantly posting all my glams but sometimes i find an outfit that should on paper look bad but for some reason it just works and well here you go
#glamour is the real endgame tbh#nerd post#all my glamour plates are constantly full like 20 is not enough ;~;
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A Nancy Wheeler/Stancy Meta
I really love being able to see Nancy’s whole arc and story as the show starts to wind down and it’s beautiful to me that it’s a winding path back to real love and real self-knowledge. Nancy is so real because she wants love and romance and excitement and ~danger~ in her romantic relationships but she also wants success and glamour in her personal and professional life and work and to NOT be foolish or stuck or unfulfilled and unhappy. and those conflicting desires play out so truthfully in both her romantic relationships.
I think season 1 Nancy likes Steve a lot and it’s girlish and real and brand new and she covers it with the “Steve I have REAL work to do!” playful good girl faux scandalized head shake routine while still flirting with him/letting him in her window etc. But also, I think that for season 1 Nancy Steve is The Prize, the height of her teenage girl ambition to be cool and popular and also Brave and Interesting. The relationship comes apart not only because of the inherent fragility of teenage relationships, her grief over Barb, and the distance she feels she needs because they do sleep together way too soon and in the wrong context (imo) but because of this underlying truth. She didn’t like him more than or at least disentangled enough from these ambitions so she doesn’t completely see him as a person. It’s natural enough that in the middle of her grief she withdraws from him and questions everything that was important to her before Barb’s death etc. but what’s interesting to me is her pursuit of Jonathan in the middle of this. Yes, they bond over shared trauma and his caretaking of her but really that isn’t it. She doesn’t leave Steve for Jonathan because Jonathan makes her feel safer and warmer. It’s that he has become another sort of prize for her girlish ambition—to be liked by this outsider, this other person who seems to have more on his mind than high school and its games and stakes. For most of the seasons (i haven’t seen season 4 yet! pls avoid spoilers in the reblogs if possible) it’s not really very clear who she wants because she’s thinking much more about WHAT she wants as it relates to her inner very truthfully confusing and sometimes emotionally conflicting journey and personal ambitions.
and the thing I think that’s so true and beautiful and LAYERED about the story is that underneath even those underlying questions and problems of her own identity there is the question of love and what and WHO Nancy wants and, more than that, who she needs. And there’s two things that I think are increasingly clear but are also easy to miss and get wrong about her story. And the first is that Nancy not only wants romantic love, she needs it. There is a fragility to her that needs the person to person clarity of being seen and being known in the depths of an intimate romantic relationship and all her girlboss reporting ambition is never going to change that. In fact she’ll never be a good reporter until/if she’s completely loved and cared for in a romantic way. And no that isn’t a gender specific thing, it’s a Nancy specific thing. and the second thing is—that person is Steve! the reason that I’ve simply had to let go of jancy and come around to not only allowing that Steve and Nancy make the most sense as narrative endgame but loving their dynamic completely is because the way that he loves her allows her to really and truly grow up and become better when she’s in its light. Because it’s so generous and it’s so steady and it’s so faithful. In a way he sees her as better than she is; there is a sense in which he ONLY sees her through rose-colored glasses. I sympathize sometimes with the “Nancy doesn’t deserve Steve” rhetoric even while I think it’s not the point. (It’s pretty much never the point.) But there’s a deeper truth the kind of steady love Steve has for Nancy illuminates. And it’s that—being loved like that can MAKE you better. Being believed in so wholeheartedly and admired so much and rooted for so completely can change you a person. And the way that Steve’s heart has unfolded for the viewer over the seasons, the way he has never actually been able to fully let her go proves that he’s the right person to do that for her. He wouldn’t even frame it that way himself because his love IS so true but it’s true that that is what his love could do for her and even in an unreciprocated way already is doing for her.
the fight Jonathan and Nancy have in season 3 after they get fired kind of tells you everything you need to know about them as a couple—they have different priorities and they’re too different for it to work. The season 1 journey they go on is beautiful and poignant and also not inherently romantic or enough to build a romance on. Once the danger is cleared away how they interact isn’t great for either of them. She makes fun of his “Oliver Twist” routine; it’s clear that he cares more about the stability of his job and providing for his family than he does about her personal journey or ambitions or heart. And that is actually fine and valid of him, as a character trait. (I don’t know why tumblr is incapable of articulating that without somehow villainizing him for it or saying that Nancy DESERVES to be dismissed.) But it’s a troubling sign as her boyfriend. And it’s a clear sign that they don’t work and it’s one that pretty much all their interactions point to. They don’t actually have the patience with each other or the tenderness with each other or the delight in each other that romance needs. The actual romance that they have simply doesn’t go deep enough; it’s very conditional; it depends on context and makes neither of them very happy. They both care about other things more than each other. And I think that’s because their best selves in season 1, the best of their dynamic, was rich and surprising and tender but more platonic at its core than romantic. He saw her fragility and took care of her physically and it feels like that should lead to romance. But it only lasts about a minute. Emotionally, he isn’t interested in or equipped for caring for her in a romantic way and because it’s not an unconditional or steady thing for her to lean she can’t ever grow beyond her own personal fears and worries and insecurities in that relationship.
Steve and Nancy’s season 1 selves exist surrounded by the many necessary foolishnesses of a high school dynamic. And tbh I was too impatient for and uninterested in those foolishnesses the first time around for me to be able to see the real and surprising tenderness that exists between Steve and Nancy, and that CAN be the basis of a real romantic life together with growth and maturity, in spite of those foolishnesses. But with time it’s clear it’s become the only actual working romantic dynamic for Nancy in the show because it has the truthful call and response of a living romantic dynamic that pushes and pulls at both of them, that supports and challenges them. Nancy likes Steve so much actually, as a person and as a boyfriend, underneath all the waters that obscure that. She likes him beyond her vision of him as a prize or her desire to “win” some elusive high school dream. And that’s so GOOD for her on its own because it draws her back to herself. And he likes her enough, loves her enough really, to be unable to do anything except be changed by loving her for the better, which is exactly what we see play out over the first two seasons. He loves her; it makes him better; it forces him to grow and re-evaluate and step out of the trappings of his life that hold him back. And in going on that journey because of her he somehow has the clearest vision of her of anyone in the show, because it’s her BEST self that he sees and it’s with his best self that he responds. That’s growth, that’s dynamism, that’s romance! A Steve and Nancy endgame not only brings Nancy back to true love, a place she needs to go and ADMIT she wants as opposed to prioritizing what she only feels pressure to prioritize from her own fears of being ignored/passed over, it also gives both of them the context and support they need to be able to KEEP growing as people. And to be happy and safe and loved while doing so.
#stranger things#stancy#y’all please don’t put season 4 spoilers in the reblogs#anyway will i regret posting this? It’s possible#am I going to want to bonk some people on the head with a cardboard tube if they start fighting in the reblogs? yeah#But I wanted to share#my meta
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For the FFXIV Ask Meme I just saw! 8, 19, 20, and 27 if you don't mind. :)
8 done
19. Is there a character/boss/etc that hasn’t appeared yet (or been referenced) that you’d like to see?
I’m...super wanting X rep, we’ve gotten so little of it for such a fantastic game. There were some great boss designs in that game too.
20. Do you use glamours? What’s your favorite glamoured set if so?
Glam is the real endgame obvs
For as many m*ds as I use I tend to prefer the ones that are just straight upscales of vanilla items (or at least edit them). My favorite casual outfit for Gisele still is just the Hannish Lace top, some kind of skirt (right now the Collegiate), and the Ishgardian thighboots. 9 times out of 10 it’s what Gisele’s got on in so many gpose shoots
Right now I am really really into my current healing glam though:
it’s kind of a nod to Gisele’s lineage, the Surana line goes back to Arlathan and they were known as diviners and water mages
27. You now have the ability to add in one character and one dungeon from any Final Fantasy title prior to XIV, who/what do you pick and why?
I like this question so much I’ll do repeats
Kuja. Pls. I need him in XIV in the worst way. Stick him in Pandaemonium as a failed creation and the one behind all the fucked up shit going on there, idk.
Staying with IX I gotta say Ipsen’s Castle just because the architecture of that place is so fucking cool (it literally borrows from Escher) but the most interesting thing about it from game design standpoint is sadly not really something that’s doable in an MMO (weaker weapons do more damage).
#it’s funny bc generally speaking i am not huge on ix#but it had some cool things to it#askbox memes#whimsicallymacabre#ask bisho
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Shipping in Final Fantasy the Fourteenth is dangerous business. Especially since glamour is the real endgame.
#final fantasy xiv#zoissette vauban#aeryn striker#gage acquisitions#biot edits#biot comic#does this count as a comic? whatever#shippy nonsense (sort of)
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MCH isn’t even my main but this is my favorite portrait I’ve done after the patch.
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CONOCE EL VERDADERO COSTE DEL DESARROLLO DE PROYECTOS DE TV & CINE
Imagínate entrar en un juego de "Adivina el costo". Y no, no nos referimos al costo de un litro de leche o una barra de pan. Estamos sumergiéndonos en el deslumbrante mundo de los proyectos de cine y televisión de alto presupuesto, donde los números tienen más ceros que las explosiones en una película de superhéroes. Es una industria bañada en glamour y glitz, pero a menudo se pasa por alto el compromiso financiero sustancial requerido en la fase de desarrollo.
La fase de desarrollo es el primer acto de una gran película. Es el momento donde las ideas cobran vida, los guiones se esculpen a la perfección, los presupuestos se trazan con precisión y se reúne un reparto y equipo. En esencia, es el plano maestro que guía todo el proyecto de cine o TV.
Decodificación del presupuesto de desarrollo
El presupuesto de desarrollo es un plan financiero meticulosamente planificado, que cubre todo, desde la escritura de guiones hasta la búsqueda de lugares, desde asegurar los actores hasta el desarrollo de efectos especiales. Y no olvidemos el plan de marketing estratégico crucial. Estos son sólo la punta de los exquisitos gastos de tamaño iceberg.
Entonces, ¿cuál es el costo real del desarrollo de proyectos de cine y televisión? Es como preguntar cuánto dura una cuerda. El presupuesto puede variar de unos pocos miles de euros para una película indie de bajo presupuesto a sumas astronómicas para una serie de televisión de gran éxito o de alto perfil. Para ponerlo en perspectiva, el presupuesto de desarrollo solo para una película como “Avengers: Endgame” se informó de ser de 15 millones de euros estupendos!
En primer lugar, vamos a profundizar en la comprensión de las facetas clave de la fase de desarrollo de un proyecto de película o televisión. Es un viaje fascinante, lleno de creatividad, estrategia y una gota de magia financiera.
¡Vamos a sumergirnos!
En primer lugar, la "Biblia" - no es un texto religioso, sino el texto más importante de tu proyecto.
A continuación, el "Script Doctor", el héroe anónimo que da vida al guión. Un elemento muy importante para reducir el riesgo financiero.
El "tablón de ideas": la hoja de ruta visual para crear la atmósfera de tu obra maestra.
No olvides el "Mood Teaser", el primer vistazo al ambiente de tu proyecto.
Selección": el reparto, cuidadosamente elegido, listo para dar vida a los personajes.
Diseño: el plano de tu proyecto, tu visión traducida en forma tangible.
Preproducción ejecutiva": la magia entre bastidores que garantiza la fluidez del proyecto.
Y, por último, el guión: los cimientos, el corazón, el alma del proyecto.
Desentrañando el arte de la "Biblia"
La "Biblia" puede parecer un detalle menor, pero es la vara mágica que establece el tono de todo el proyecto. Imagínala como un mapa detallado que te guía a través del fascinante mundo del espectáculo, te presenta a los personajes y traza el camino de la trama. Pero no es solo un mapa, es el código genético, el ADN de tu proyecto.
¡Llamando al "Script Doctor" para un rescate creativo!
Cuando un guión está luchando por respirar, el "Script Doctor" viene al rescate. Este mago de las palabras perfecciona la narrativa, los diálogos y la estructura, minimizando el riesgo financiero y aumentando la fuerza de tu proyecto. Es una inversión que simplemente no puedes ignorar.
Puedes conocer más sobre este tipo de servicios aquí: https://www.filmarkethub.com/script-analysis
El 'Mood Board' y el 'Mood Teaser':
Mood Board, referencias visuales y el Teaser. Cómo encapsular la esencia estética de tu proyecto
Encontrar el reparto perfecto es un arte fascinante, una danza entre intuición y estrategia.
El actor correcto puede encender la chispa que transforma un personaje de papel en una personalidad vibrante. Este es un paso vital que puede hacer o deshacer el encanto y el éxito de tu proyecto.
El diseño y la maquetación.
Este plano creativo traduce tu visión en una forma tangible, dando forma a los aspectos físicos y estéticos del proyecto. Es el esqueleto sobre el que se construirá la carne de su narración.
El proceso de preproducción ejecutiva es la maquinaria invisible del éxito de su proyecto.
Garantiza que todos los detalles estén alineados para una navegación fluida, coordinando el presupuesto, la programación y la logística. Es una tarea ingente, pero cuando se hace bien, allana el camino para un proyecto eficiente y sin fisuras.
La base de todo proyecto es el guión.
Este documento es el alma de la narración y marca el ritmo de todo el proyecto. Es el primer borrador de tu sueño y, como todos los sueños, necesita alimentarse para convertirse en realidad.
La verdad detrás del costo de dar vida a tus sueños
Materializar esos sueños cinematográficos o televisivos no es tarea fácil ni económica. A menudo, el presupuesto de desarrollo, un elemento esencial en las primeras etapas del proyecto, se pasa por alto. Este presupuesto es la varita mágica que transforma un guión en bruto en una deslumbrante obra de arte cinematográfica.
El viaje épico de un guión
La fase de desarrollo es un viaje épico que sucede antes de que las cámaras empiecen a rodar. Este viaje incluye el desarrollo del guión, la búsqueda de localizaciones, la reunión del elenco y equipo, la obtención de fondos y hasta la planificación de estrategias de marketing y distribución. Cada etapa de este viaje lleva consigo sus propios costos, lo que convierte el presupuesto de desarrollo en una bestia compleja y multifacética.
Un vistazo a los costos
Para dar una idea de los costos involucrados, hagamos un desglose. Solo el desarrollo del guión puede costar desde 1.000 hasta 100.000 libras esterlinas, dependiendo de la complejidad de la trama y de los talentos atraídos al proyecto. La búsqueda de localizaciones puede oscilar entre unos pocos cientos hasta varios miles de euros, dependiendo de las demandas específicas de la producción.
Imagínate en el centro del rodaje de una película o serie de televisión, con más de 2 millones de dólares en juego. En este emocionante y arriesgado universo del entretenimiento, es posible que estés mirando a un presupuesto de desarrollo de alrededor de 100.000 dólares. Esa es la columna vertebral financiera que permite que tu sueño creativo se convierta en una realidad tangible.
Para calcular un estimado, se suele usar como referencia un 5% del total del presupuesto del proyecto
Reunir a un elenco y equipo estelares no es una tarea económica. Desde el director hasta los artistas de maquillaje, los honorarios de cada individuo se suman rápidamente al presupuesto de desarrollo. Y eso es antes de contar los costos de marketing y distribución, que a menudo pueden duplicar o incluso triplicar tu presupuesto inicial.
No existe una respuesta "talla única" a la pregunta de cuánto debe costar un presupuesto de desarrollo. Cada proyecto es un copo de nieve único con sus propios desafíos. Pero una cosa es segura: si quieres convertir esa visión en una realidad, debes estar preparado para abordar el coste real de hacerlo.
instagram.com/filmarkethub
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Costa del Sol honeymoon (?) I’ve been jokingly calling it that since I took the pics lmao. The gpose function in game is so nice and takes such nice pictures! I’m happy I’ve been figuring it out 🩷
Also the swimsuit & sunglasses was the first glamour purchase I’ve made in the game. The cat is out of the bag. I’m going to buy more I just know it. Some of the store glamours are sooOooo cute 😭 the real endgame of FFXIV is looking sharp and taking sick screenshots 😅😂
#ffxiv#final fantasy 14#final fantasy xiv#ffxiv screenshots#pc gaming#lalafell#ffxiv gpose#viera#ff14 gpose#ffxiv glamour#potato waifu with their bunny man husbando
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Fake relationship with the playboy billionaire who's hiding secrets...
Pretend Ever After by Skye Warren is now live!
Billionaire. CEO. Heir to the largest fortune in the United States. Finn Hughes has a secret that no one can know. It means keeping people away... And what better way than with a fake relationship?
It will keep people from prying into his personal life.
He won't be exposed. His family will remain safe from public scrutiny and disdain. Then the fake relationship turns all too real.
PRETEND EVER AFTER contains all three books in the Hughes series, taking you from the steamy beginning to the emotional conclusion.
Download today or read for FREE with Kindle Unlimited
Amazon: https://bit.ly/43I8TDf
Amazon Worldwide: https://mybook.to/PretendEverAfter
Goodreads: https://bit.ly/422rBDN
Meet Skye
Skye Warren is the New York Times bestselling author of dangerous romance such as the Endgame trilogy. Her books have been featured in Jezebel, Buzzfeed, USA Today Happily Ever After, Glamour, and Elle Magazine. Her books have sold over two million copies. She makes her home in Texas with her loving family, sweet dogs, and evil cat.
Connect with Skye
Website: http://www.skyewarren.com
Goodreads: https://www.goodreads.com/author/show/5339130.Skye_Warren
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