#good omens s3 music inspiration

[willowmaidsworld]

Good Omens s3 clue

I realised I never posted this, although I made it ages ago! So here y'all go!

This is going to be long, and I hope it will make sense. Please bear with me to the end, I will eventually get to the Judgement Day, Armageddon, Death (and four horsemen of Apocalypse) and I will mention goats.

I noticed this tiny clue when watching s2ep3. Aziraphale drives to Edinburgh and the Bentley plays classical music. But not just any classical music – it’s Danse Macabre by Camill Saint-Saëns.

I am a musician and I've played this piece in the past, so I knew there was a lot of symbolism to uncover. And that thing is deeper than I thought. I will be speaking about some music theory, but I will try to make it as understandable as possible. 

I think it would be best, if you listened to Danse Macabre: https://youtu.be/…zrJ 

I would like to speak once more about the scene in which Danse macabre appears. Aziraphale is driving to Edinburgh in now a yellow Bentley, and he even has his "car sweets". He is quite satisfied. And he plays this, certainly dark-themed, music. It is a major contrast. 

Danse Macabre, "the dance of death" is a memento mori. Memento mori is a theme we see in art, and it originated in medieval times as reaction to the plague. It should remind us of our own mortality. “Memento mori” literary translates as "remember death". And mark my words, do remember death!

The composition uses tritones, a special kind of a music interval. (Interval is the tonal distance between two tones, you can play the tones together and/or separate.) Tritone is seemingly dissonant because it uses seemingly inharmonious tones. (You can hear tritones just at the beginning, the violins play it.) Because of its dissonance it was called "the devil in music" and was considered forbidden and associated with Hell/demons/death.

Since the music piece and the poem is based on the theme of Memento mori, I had to look into it as well. Turns out Danse Macabre was inspired by a poem by Henry Cazalis. Here is the poem: https://oxfordsong.org/…bre Memento mori doesn't only remind us of death and our mortality, it also reminds us, that everyone's equal in death. Henry Cazalis, the poet, writes: Long live death and equality! The poem is called, of course, Danse Macabre, but I found that it is also called Égalité - Fraternité (when reading stuff about it in French). This is a reference to the French revolution motto: Liberté, Égalité, Fraternité (Liberty, Equality, Brotherhood), but Liberty is missing. Is there then no Liberty in death and we are all doomed to obey someone's will, The Ineffable plan? (Good Omens book and season one also deals with topics of free will, look at Crowley and Anathema. She has been doing only the things her dead ancestor told her to do, she overcomes it in the end. I think it nicely illustrates the problematic of a free will. And Crowley values free will a lot.)

Memento mori says one thing - remember death, no one can outrun it. And there I would like to get back to season 1, because who else we meet here than Death itself.

Death is one of the Four Bikers/Riders/Horsemen of Apocalypse. But I always thought Death has a higher rank than the others. If you think of it, War, Pollution and Famine all lead to one thing- to Death. Why would you need all three then? Isn't Death qualified enough to do its job? Also, rewatch the scene where Adam and his friends battle them! War, Pollution and Famine all get destroyed by the flaming sword. But not Death- it spreads its wings and says (quote from the book): "You cannot destroy me. That would destroy the world." And later he adds that they are never far away. And he flies of. He isn't destroyed.

Death didn't appear in season two and I think people are starting to forget it, but Memento mori! Remember Death!

I would also like to remark that Neil Gaiman says the whole story is plotted out and that he has done this with Terry Pratchett. In every Discworld series book (the magnum opus of Sir Terry Pratchett), apart from two or three, there is the character of Death. And I think it would make sense that Death would appear in Good Omens as well, after all, it is also Pratchett's book. I think we might see Death returning in season three, because the Day of Wrath/Last Judgement/Armageddon is coming. And this music piece could serve as a literal memento mori - remember Death, it has not exited the scene yet. (A lot of Pratchett's humour is based on puns, and this seems like a joke/plot twist he would try to use. It's my personal opinion based on how I know his style from his books.) 

And what's next? Armageddon is coming, the Day of Wrath is here! Both sides are pretty eager to do this ending-of-the-world thing and after all, it's what they have been trying to start from the begging of the show. It was delayed by Gabriel's "disappearance", but things are now getting into motion, I think. 

But back to the Danse macabre, because it (surprise surprise!) has quite some things to do with the Judgement Day. In the middle of the composition Cammille Saint-Saëns uses a musical theme from a different work, a Gregorian chant called Deis irae ("Day of Wrath").

Here is a link to Wikipedia page about the chant, you can listen to it there. (I didn't find any recording on YouTube, only other musicians using the quite popular words of the chant and not the actual music.) https://en.m.wikipedia.org/…rae 

About the chant itself. It is written from the point of view of a sinner/normal person, and it describes how the Last Judgement shall be. Before dealing with the themes of the chant itself, I would like to say, that Saint-Saëns has used the Deis irae in a major key. Allow me to do a quick music theory intermission.

You can play in two keys, major and minor. These are, if I oversimplify things, sets of notes with different intervals. The melody, played one tone at a time, can be used in both major and minor key. The melody isn't the thing that determines the key of the song, the tones played with it do. And depends on what tones you use, you either get major or minor. Major is (in western culture) associated with happiness and good things, while minor with sadness. (It's not always like that, but for the sake of understanding we are going to pretend it is.) Now, the Deis irae is usually written in the sad minor key. Saint-Saëns decided to use the happy major key with this depressing chant, once again creating contrast. I'm stumbling over contrasts more than usually, so this may be important. End of the intermission. 

In the third and fourth strophe of Deis irae, it's described how the sound of a trumpet will sound everywhere and the Death will resurrect all dead creations to be brought to the Judge. (Death is back again and resurrecting, that sounds familiar, where have we seen that before?)

In the fifteenth strophe, the writer, a sinner, prays for this: Put me with the sheep and separate me from the goats, guide me to the right side! Goats again, there they are! This strophe of course references the chapter 25 in the Gospel of Matthew, the Separation of sheep and goats. Sheep go to the right and goats to the left. I think the side symbolism is pretty clear in Good Omens. Right is the righteous side and left is the sign of sin. And we also know how Crowley cares about the goats. There is also the Jewish tradition of scapegoat. Either way, goats are connected to Crowley, their symbolism of being “on the left side” is clear. This interesting bit can play part in Armageddon.

In the fifth strophe of Deis irae the Book, that is exactly and perfectly worded and that will judge all world, appears. And this book is no other than The Book of Life.

We know about Book of Life from the season 2, Micheal threatens to force "extreme sanctions" (erasing them form the Book) upon anyone who knows about Gabriel. 

Enter a fan theory I read: Nor Heaven or Hell actually have the Book of Life, we never see it on screen. This was mentioned in a tumblr post, and I will probably never be able to dig it up from the depths of the internet, so remember this is not my theory. (Although I find it very interesting.) The post continues and remarks, that when Crowley in the first episode of the second season learns about the Book and the "extreme sanctions" from Beelzebub, he doesn't bat an eye. He is pretty calm and doesn't seem surprised. (He literary says: "That will teach them a lesson", man, we're talking about being wiped from the earth's surface completely!) The writer of the post thinks, this is because Crowley knows that Heaven doesn't have the book and he knows where it is. The writer claims, it was Crowley, who took it as a little souvenir before his Fall, and later has hidden it in Aziraphale's bookshop. ('Cause one single book will definitely stay hidden in all those piles of old books.)

I think this is really interesting because of Crowley’s reaction. He knows what Aziraphale is risking, and he loves that angel, yet he seems so calm. When the bookshop burned down in the fifth episode of season one and Crowley thought Aziraphale died, he went feral: he was angry and furious, and he was destroyed by the fact that he has lost Aziraphale. He mourns and gets drunk. Nothing of this happens in season two! 

So, what are my thoughts on season three? It will get really dark and serious, the Armageddon is coming, after all. I think we will see Death return and the Book of Life will appear. The goats may not be used literally, like on screen, but I think we will get some metaphors.

In all of this, I tried to say one thing. All of the cards are laid out, we have all of the clues. It would be pretty cheap trick to use some ineffable "deus ex machina", that's not Gaiman's and Pratchett's style.

I think everything is now foreshadowed; we have been given all the information. We just haven't made the links in-between. Given the uproar the second season has caused, I think people are forgetting the first season a bit. But it must end with what it started with.

I think we should look at both seasons equally and try to pick up as much as we can, after all the third season will not be based solely on the season two...

We have all the clues, now it's Neil Gaiman who plays an ineffable game of his own devising, a poker that nobody has the rules for and the dealer, Neil himself, is smiling all the time. Ineffable, indeed. If you ask me, he's enjoying it bloody-well.

#good omens #neil gaiman #s3 speculation #good omens clues #good omens meta #good omens 2 #ineffable husbands #aziracrow #aziraphale #crowley #good omens fandom #go 2 #david tennant #micheal sheen #good ineffable omens #ineffable fandom

[hkblack]

So I've been seeing a lot of people talking about Good Omens Season 2 and the Final 15 and Angst. And I'm watching the conversation sort of become either you loved Season 2 fully because you like angst, or you have reservations/didn't like it/are upset because you don't like angst.

And that didn't sit with me right, because I actually am not anti-angst. I mean, let's be honest about some of the fics I've been beta-reading for (@aethelflaedladyofmercia's amazing Aziraphale's Children Series and @mirjam-writes Be Still My Soul Series to name a few--needless to say, if you read these mind the damn tags). So I've been digging into it, and I think I've realized what inspired my initial knee jerk towards E6, my early reliance on various Discord S2-Venting channels, and I'm hoping it'll resonate with other people and maybe help them put things into words.

So, you know, Spoilers, and Long Post below.

Again, I am not anti-angst. What I am is someone who doesn't consume in-progress media. I don't actually watch a lot of television, nor do I watch any of the big movie franchises like Marvel where you've got to watch 12 movies to understand how you get to the Thanos snap, and then you've got two more movies to resolve the Thanos snap, nor do I read book series that do not have a published end. I don't even read in-progress fanfic unless I am beta-reading it. The TV series I do watch tend to be Monster of The Week shows, Doctor Who, Criminal Minds, Bones, where you maybe will have a season/series arc, but the format is designed so that unless it's a season finale, the "main" story of the episode is tied up neatly in that episode (and maybe a special guest is around for a two part season finale, or mid season special, or whatever). And maybe something bad happens in the season finale (this building exploded, the Doctor started regenerating!) that's a "cliffhanger" of did he/didn't he die (set up for an actor to potentially take a season off, or gracefully exit the show, or deal with off season contract negotiations), but for the most part, there is still a resolution for that season and episode.

So as I'm looking at folks still processing their feelings, and moving through handling S2, what I'm realizing is that I don't actually think the problem here is the "angst" and I'm finding myself getting a bit frustrated as people have started drawing a line of "you like angst, you don't like angst" as what's causing the fandom to have feelings right now.

Good Omens the book is a completed form of media. As is the radio play. And the musical (ostensibly). And Season 1 was, also, a completed form of media. It did not need a second season to complete the story it was telling. Now, I'm sure as we do more digging once we do get the third season, we're going to see little seedlings that Neil planted in season 1 for us in the hopes of fulfilling a promise to his best friend. However, it was and remains a completed form of media.

While yes Neil did warn us that Season 2 was the connective tissue between 1 and 3, I think I was still expecting S2 to be a semi-completed form of media the way most television seasons are. Not everything is resolved, no, but we've arrived at the end of this book. But season 2 is not a stand alone book. It's a prologue to s3.

My reasons for not engaging with uncompleted media is not really something I've spent a lot of time poking at because it's not that serious and honestly completed or not, I have a hard time focusing on tv/movies/books anyway because the ADHBees that live in my brain. I had a professor in grad school ask me once if I ever allowed myself to do "nothing" and let my brain shut off. I went "Oh I go to the gym!" and she got snippy because that's not "nothing," and then I had to explain to her that that's fine for her brain, but for my brain, walking on a treadmill is the only time you'll actually get me to watch television and let my brain "turn off." So I started using the gym as a time to catch up on all the latest pop culture. Good Omens S1 was a rare treat for me in that I did put down my phone the first time I watched it, and I'm not sure my hyperfixation would've been as strong had I not watched it in 2020 when I couldn't go to the gym to watch tv. But from my initial reaction to S2 I think my problem with uncompleted media is a mix of ADHBees and a dash of anxiety. I don't mind a cliffe that I've created by stopping reading at X chapter in my book, or pausing the binge on X episode of this show, so that I can go to bed/work/the bathroom. And I don't even mind that end of the season "What happens to the Doctor next?" or "Did Derek survive that bomb blast?" Because I know that the current arc that I'm invested in is complete and the next season will be a new arc, that will answer those questions (that may depend on actor schedules).

As I sit with it more, though… Season 2 is great. I have some issues with the Not-Neil writing, I won't label it as Bad, but I will say there were moments where I went "That's not Neil or Terry" and I have feels about that, because for me, Good Omens is Neil and Terry. While Terry isn't with us and I expect it to be more Neil than Terry, I wasn't ready for moments that weren't either of them. I'll get over it as I watch it more (and have, already, started to love some of those moments). But my issue isn't the angst. It's that, this was a prologue, and I don't like engaging with uncompleted media.

I think a fandom that is 33 years old based of a completed book, you're going to have more people who also don't engage with uncompleted media--whether they've made that realization of themselves or not. I think the struggles folks are having has less to do with "I Love Angste" vs "I Loathe Angste" and more to do with "Is there any kind of resolution to this season's arc?"

It is my belief that we have been given an excellent set up for next season. Seriously! I'm very excited! But I don't think I was given a good resolution for Season 2. I can't even say Gabe/Bee is a good resolution because by the time we got to the fly, it had been a hot minute since I had really spent time with Jim/Gabe or Bee being the main character on screen. So I lost my investment in them. My investment was in Crowley & Aziraphale, Nina & Maggie, and Shax & the Archangels. Because that's what the writing told me to be invested in. Muriel is adorable, and I love her, but like Gabe and Bee, I could take or leave all of them and what we saw of them, tbh. Gabe and Bee's story was so rushed and felt so empty compared to the characters we did spend time with (I really feel like I have more connection to the Magic Shop and it's history than Gabe and Bee's history because of how we had that time in it spread out and given to us in a way that made us care, I sort of wish their relationship hadn't been a mystery to us, the audience, much the same way as Adam as the anti-christ wasn't a mystery to us, and that the mystery had remained "where is Gabriel's memory?" because then that twist of "Oh the Archangels wiped it--WAIT THEY DIDN'T?!" would've hit even harder) that even though you could point to this season and say that their arc is clearly what was resolved in this season--their arc didn't start until 15 minutes to the end. Maggie and Nina's arc was excellent, but also we only saw them telling Crowley about their end of the season resolution (the end of the story resolution will, obviously, be them getting together, as the angel Maggie knows, as Nina rolls her eyes), we didn't really get to see their resolution.

This season was a lot of filler, and that's okay! I know Neil told us there was connective tissue. I just wish there had been a stronger story to center myself on in that connective tissue so I wasn't left with such a strong feeling of: "...that's it?"

#good omens #good omens season 2 #meta analysis #angst #unresolved #season 2 thoughts

[fastcardotmp3]

.ficlets

[back to main masterlist]

I've written so many ficlets and blurbs etc for these little weirdos that I could never find again once I posted them, so here's all of (what I could find) in one place! (mostly for my own organization and sanity, but hey, you can use it too mwah!) full-length fic masterlist meta and analysis masterlist ao3

Platonic and/or Pre-Slash

the Munsons' Indy 500 tradition

Max & the Munson family

Uncle Eddie

Spider-Eddie AU

Music Industry Stobin meet Tour Journalist Eddie

He's been here before, he'll be here again

Nancy & Eddie pre-S3 meeting

"The Bear" AU

Nancy & Barb "When your best friend dies young..."

Nancy "Comphet" Wheeler goes to a gay bar

Nancy & Eddie & Barb

Jonathan & El sibling bonding

Robin's second coming out

TLOU inspired apocalypse AU

Truman Show inspired AU

Steve & Barb reunion

college radio AU

The West Wing AU

Conspiracy Theorist outsider POV

Steve & Nancy: Adventurers

Nancy & Mike: No More Secrets

Stobin on the run

Nancy & Eddie: Christmas at the cemetery

Liminal space: Robin, gas station on a long mountain road

Ronance

Ronance meets Immortality (part 2 here)

Ronance Letters AU

Kiki's Delivery Service AU

fool's gold

Good Omens AU

Generational listening

Horror Filmmaker!Nancy

Childhood Friends AU - Femslash Week 1

Getting together at the wrong time (and then the right time) - Femslash Week 2

Steddie

One-Hit Wonder Eddie

the beauty of a steddie slow burn

Steddie non-soulmate soulmate AU

post-S4 memory-wipe AU

Steddie New Years Eve traditions

beauty and tragedy

pre-S4 Steddie, but Eddie still dies

Gilmore Girls AU

Model!Steve

Graphic Novelist!Eddie

Russian Doll AU

here we go again (microfic challenge, July)

butter cake (microfic challenge, August)

wildfire (microfic challenge, September)

more for your money (microfic challenge, October)

rest stop (microfic challenge, November)

fluke (microfic challenge, December)

Guts

long haul trucker Eddie comes home

Dancer!Steve AU

Jargyle

Jargyle and the mortifying joy of Being Seen

Stonathan

How could you think, darlin', I'd scare so easily?

Wheelingham

Wheelingham S3 AU/ Chrissy candy striper AU

Chrissy Comes Back Wrong (1)

Chrissy Comes Back Wrong (2)

post-S2 AU

S4 AU Secret Relationship - Femslash Week 3

#dot post #dot masterlist #ficlet masterlist #stranger things meta #I found loads of stuff I'd forgotten about doing this #I literally never shut up I guess #if any of these links are broken I will simply pass away probably

[glassvines]

Fan-Related Thoughts on 2019

Time for praise and thoughts on all my favorites from this year: TV Shows 1. The Dark Crystal: Age of Resistance - Still so amazed at how gorgeous and creative this series is. Crossing my fingers for a second season. 2. Good Omens - Series of the year for me! Actually, it's potentially the series of the decade? It's rare I rewatch a show as many times as I've rewatched GO, but it really is just that good. The book was recommended to me a decade ago by a good friend, and I never got around to completing it before the television series was released. I’m kind of kicking myself now because it’s so. Right up my alley. HHGttG-esque Bible fanfiction? Check. Tons of my favorite narrative and character tropes? Check. Centers around the arguably B characters of the story, who have what can only be described as the most ridiculous, long-term case of ust in fictional history while simultaneously acting like an old married couple? Double check. It’s a new favorite I plan on re-watching regularly for years to come. Animation 1. IZ Movie - Sweet, sweet nostalgia. I’ve missed this show so much. Glad to see it still has enough of a fanbase to create content for. 2. Infinity Train - Loved the first season! Really creative concept with some suprising character twists. 3. Klaus - Sooo gorgeous. Netflix may have canceled a couple favorites this year (MST3K among them), but they were also distributing a lot of cool, creative movies/shows as well. 4. Promare - Can't wait to buy this on bluray. Really dynamic 3D backgrounds. And I loved all the neon/bright color schemes. 5. Amphibia - A new favorite Disney show! It's not being talked about enough despite being able to juggle a bunch of fun narrative stuff at once. It's funny, it’s characters are three-dimensional, and the animation (particularly the backgrounds) is very nice looking. 6. Carmen Sandiego - Another well-made reboot. Great animation and style choices. Also: three of the mains are redheads :). Good!! Video Games 1. Samorost 3 - Absolutely adored the visuals, atmosphere and music in this game. Had to buy a poster as soon as I finished playing it, because it inspired me so much. I've only played a little bit of first two at this point, but they're a lot of fun too. 2. Link's Awakening - Enjoying the new updated graphics. It’s so weird seeing all this stuff I loved when I was younger getting re-released. Good to know that kids will appreciate some of the same games I did. 3. Stardew Valley - This is like, the year I decided to start playing games that came out in 2016 I guess. The hype is real though. It's super cute.

Films 1. Us - Can’t wait to see future Jordan Peele projects after Get Out and Us. This was probably my favorite movie of 2019. Creepy, fun and stylistically brilliant. 2. Midsommar - Brightly colored and horrific. Loved it. Ari Aster’s films truly creep me out; possibly because there’s a lot of metaphor beneath the surface of his cult-centered horror films. But mostly because he just really knows how to set a good, creepy mood. 3. Shazam! - May be my new favorite DC film :). Just a really cute/fun movie overall. 4. John Wick 3 - Long live this franchise I love it so much. 5. Endgame - Speaking of franchises. I thought this was a good conclusion to a giant franchise, and a fitting ending for a favorite character I've had a gigantic crush on for a decade too. I’m lowkey peacing out in terms of Marvel films now. 6. SW: TRoS: Kylo Ren has done nothing wrong ever in his life, and I love him.

Honorable Mentions 1. The Umbrella Academy 2. The Boys 3. The Witcher 4. Stranger Things s3 5. Scary Stories to Tell in the Dark 6. The Mandalorian

Things I'm Looking Forward to in 2020 1. the new Emma film 2. The Owl House 3. Psychonauts 2 4. Pacific Rim anime? Is it still happening? Buller?

Some Creative Goals for 2020 1. Keep up with my travel journal! I've had one for over a year now, but I've been terrible at properly recording things in it. I made sure to write down some notes, and print photos up for my CA vacation at least. 2. While I haven't been posting much art here, I've been taking a lot of photography and sketching a decent amount. Plan on focusing more of my art posts elsewhere moving forward, and reblogging them over here if I think they're a good fit. 3. More shelling and flower collecting when it gets warm again. I didn’t do enough of that this year.

#bring on the roaring 20s #best of 2019 #New Year's #some comments #animation