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lelecoresworld · 4 months

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byur camicami week icons pt.3 ♡

em caso de uso, creditar hanyujin. amanhã é o grande dia 🫣☝️ por enquanto fiquem com esses iquinhos do v e da ha:tfelt!

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bloomfish · 2 months

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I definitely will not get back into kpop ever but occasionally I'll go through a youtube binge of my old faves. I only ever liked female artists but the thing was you'd get attached to a girl group or a female vocalist and like a year later it would be like "no she's too old now. time to abandon her and introduce a new group of 15 year olds" . they continually wasted so much incredible talent by viewing the artists as well as talent itself as a replaceable commodity imo (i'm not saying this doesnt happen in western pop too but perhaps not so brazenly)

anyway a lot of it is bad lol but these are some of the things that I've revisited that still actually go so hard:

4minute crazy- excuse me?? this was such a slay. also hate. the tonal plot twist in this track: unparalleled. hyuna was iconic but also jiyoon !!! i agree w the comments of this yt video this would absolutely be a massive hit if it was released today

ladies code. this is just legitimately good pop music. a very sad story behind them as well and they were very undervalued as I recall. but this. galaxy was spectacular. both of the last two EPs tbh. that vocalist's voice does things to me

f(x) 4walls. should have been an international dance hit tbh

wonder girls obviously. even as far back as irony which is so charming in a retro way but I love that they eventually were playing their own instruments/having more of a hand in their own music. specifically i want to point out that park ye-eun from wonder girls was legitimately SUCH a talented musician imo (as a singer and a composer) and so much of her solo stuff as ha:tfelt was incredible. I was very glad to hear that she (and the others i think) left their agency bc they were so mistreated rip

yezi cider.... god she was so talented and i was so in love with her. my underrated fave... at one point i watched a whole reality show about korean female rappers for her lol (which was. a lot. but she should have won)

suzy yes no maybe again this was just really good pop.

dalshabet someone like u this is the corniest thing i'll put on this list but mostly it's just a super interesting case to me. iirc it was fairly popular with international audiences but kind of a flop in korea. which is fascinating to think about in terms of the cultural differences in what music appeals to us. like as a cheesy pop song it is just so catchy to me lol and I can't understand how it could not be but there u go

in capable/caring hands so many of these women could have done INCREDIBLE things imo. like it's undeniable that there is very real talent in kpop, I think the aggressively commercial aspect just limits the artists criminally and it's a shame. which ig is true to some extent about any pop music.

anyway i've put two of my kpop playlists that were popular on 8tracks on spotify: here and here

#im speaking in the past tense but im sure a lot of them are still doing stuff that is perhaps good i have no idea tho #4minute were ahead of their time and their stuffs aged SO well too like i was watching live performances of crazy and they're iconic #there were some soloists/k-indie artists that were good too. like neon bunny #4minute #ladies code #this isnt even touching the other suspect aspects of kpop. like idk what to tell u about the feeling of watching a girl group performance #and the audience is just men bellowing incoherently.... ugh #ha:tfelt #ha:tfelt was my fave and truth is incredible song any way u look at it #another thing i think is that their insistence on following a specific formula was limiting. like not EVERY song needs a rap part lol #unless ur 4minute in which case thats the main thing it needs #but it ws so funny how youd get an incredibly twee little girlish pop track with a random rap part in the middle of it #i didn't mention red velvet here but i also loved them

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ggroupsresources · 4 days

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