Okay this shot of Colin is giving me the vibes of this little part of their first night together:
He's figured out that he loves her before this moment but he's just feeling so much that he also can't believe it's all because of Penelope, his lifelong friend who he didn't even see any other way before this season. He's like: "What the fuck and how the fuck are you making me feel these things" and I LOVE IT
He also looks like he was crying (or maybe that's just me) but that would also bring the whole scene on another level
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patented 'not that I care that much or anything so there's no need to dwell on it too too much ahaha *sweats nervously* but tain would you pls consider not murdering my mom (and the mother of your child) for absolutely no reason whatsoever? no pressure tho of course you know best! :)' smile
(it's so dark but also so funny that when tain keeps on Hinting Ominously, garak's reaction seems... slightly exasperated? more than anything, under all the tension fsdjafsl. this exact conversation has definitely happened multiple times over the last thirty years, lending horror an edge of 'oh this again huh' ennui and hilarity. 'I should have killed your mother before you were born'/'so you've told me, many times'. I think it's the turnaround time from 'I've missed you, Elim' to this that drives it from straightforward psychological horror sneaking dread to still that but also kind of hilarious. it really took tain less than five minutes to go there didn't it. wow. well, actually. I think maybe the real horror part is that garak still loves him and doesn't know how to stop. somewhere in there is a five year old whose heart is a desperate stupid little moth and his father is a ruinous forest fire in the night, brighter and closer than any star. of course it burns you to touch it that's just what love is, right. *spots a smiling julian bashir in the loading bay holding a box of chocolates out of the corner of his mind and experiences something harrowing and existential he simply cannot unpack right in this moment thank you* right???)
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Me: Finally acquires everything i need, including inspiration, to actually fucking make an animatic
Also me: brain has decided my first ever animatic is going to be a minimum of 13 minutes long due to the specific audio that has made said brain go ‘brr’, thusly i do not get a choice in this
Me: somethings never fuckin change huh
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like yes totk is technically much darker than other zelda games, but is there any emotional weight to it? when the plot consists of these out-of-context cutscenes that you can collect in any random order at any point in the game (or not at all) with zero impact on the plot or link himself? somehow the silly toon zelda game managed to make toon king daphnes of hyrule's sacrifice more heart-wrenching than king rauru of hyrule's, and the toon guy was literally a boat for most of the game
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