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minijeong · 4 years

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i just read some of your dance analysis posts and whoa you're so cool skdjhsdf !!!!!!! well i was wondering, since fiesta has been out for quite some time and they also posted the dance practice vid, what are your thoughts on it choreo-wise?? u should answer this only if u have time though!!! (ps i love ur posts btw! they inspire me to make gifs too hehe keep it up! ^^)

HAHA thank you!!! i appreciate you appreciating my thoughts adkfjsa come join izonetwork if you want to hear more 🥰

i actually went wild about the choreo when it came out so i guess this is a good opportunity to re-evaluate now that i’m calm LOL. thoughts below the cut!

(yall insp me to make gifs too 😭😭)

to sort of premise my thoughts on the dance, i want to say that i really think fiesta set a new standard for gg dances. most of the time, gg dances that are praised are honestly not tHAT interesting to me… not to say that their work is for naught, but as someone who has seen a lot of dances of different levels, gg dances tend to fall flat in choreography and execution. ggs are usually not taught to use grooves or textures as basics, and companies dont want to spend effort teaching them to do so. then they are restricted to choosing choreographers that tend to make choreographies with “arms and legs”, and barely any torso movement besides basic body rolls or chest rolls. on top of that, they are usually given restricted outfits that make the dancing even more underwhelming for me and then i just prefer bgs for dance :( to be honest, even recent gg dances that people have been wowed at have not really been… that interesting for me either because of execution or choreography or both, but i dont want to mention them because i dont want to disregard the work of any idols! i respect them all and hope you will just take my word for it haha

i just watched the dance practice again and honestly the first thing that i think of is that the choreographers really put a lot of time and effort into this. usually to keep things dynamic, i try to change formations every 8-16 counts in a competitive set. this isnt usually something you see in kpop, but the choreographers had a lot of formation changes going on every 8 counts, and most of them werent just simple center or window changes… very nice. the use of stage was nice as well, and varying the number of members on stage at once is a good way to keep things dynamic. there are also points in the choreography that match the lyrics with movements that would normally be cheesy, but it ended up not being cheesy because the formations were so nice e.g. yujin’s first line using a waking up gesture, but having the other girls do level changes and fan their arms out… i enjoy that a lot

another thing i want to comment on about the choreography that is kind of rare to see in gg dances is the use of textures and how the musicality changes. to understand this, the intro is a good example. if you really listen to the music and match it with the choreography, you can tell that the choreographers try to follow a different instrument every 4-8 counts, and this is something i really value and look for as a choreographer. the choreography for fiesta isn’t just a simple one that follows an 8 count strictly (e.g. one that would probably look fine to any song as long as you follow the beat), and i appreciate that a lot

at the same time, izone gets equal credit, because theyre able to see it and interpret the choreography in relation to the music, showing that they have understanding and appreciation of textures and musicality in dance. i think this can be attributed to chaeyeon eunbi and yena and this is an asset in making a dance performance interesting

the only feedback i have about the choreography is that the formations are usually centered and the girls are usually brought up one by one either by walking up or being hidden behind a member that goes down when it is their part. it would be a lot more interesting if the attention was moved around with more variety, like having the attention move from one side of the stage to another. when done well this could be very interesting. the only place i see this happen is minju’s part at the beginning of the bridge

moving away from choreography, and before i talk about the girls, i just want to mention that i feel the stylists are very mindful about izone’s mobility while dancing this comeback. the outfits are generally easy to move in, and the part that stands out to me the most is the shoes. in the comeback show, they were wearing boots, which are easier to dance in than other shoes that ggs usually wear. in the other stages where the stylists have them wear heels, those are the best heels you can wear for dancing lol (boot heels). a lot of dancers i know who have to dance in heels use boot heels because those are the most comfortable to dance in, and give proper ankle support to keep you safe. i also found that the outfits from the comeback show (although many people thought they werent flattering for the girls individually) worked really well with the dance, like when the camerawork showed an arial view

ok now for izone

i think for this comeback, my favourite member to watch is yena. this choreography has a lot more musical complexity this time around, and i think this is yenas greatest strength. to kind of show what i mean, i watch yenas fancam and see how well you can hear the music from her movements, and then watch another member, and it just doesnt match the same. (but also i have a weird thing where i can basically “hear” when someone moves, so it might be a personal thing lol. try it out anyway!).

another person i notice is eunbi. normally the choreography and concept is softer or cuter, so eunbi hasnt really been able to show off her strength, but there are parts in this choreo that let eunbi really go off and it feels like she literally slaps me in the face when she hits lol. good example of this is in the comeback show at her last part… that hip hit… i actually felt like she punched me lol… thats when i realized that eunbi could beat me up in an instant she is so strong lol…

other things i noticed… hitomi sakura and nako’s musicality has improved, yujin is learning to dance as a tall person (match your levels with shorter people… it’s a skill LOL), hyewon and nako are learning to put more strength in their movements (my heart flipped when i saw), and izone is really unified when they are in good condition. i say good condition because idk about you, but in the first week of their performances, watching them made me feel kind of uneasy. i could feel their anxiousness from the way they moved and from the looks in their eyes and i could eunbi being dizzy and losing balance and it made me sad… esp compared to comeback show. in comeback show, you can see that they have the same fire in their eyes, that they really are performing as one, and thats honestly what you want to aim for when you are dancing as a group

but for the show, izone really hit different… the fire was coming back and i watched it like ten times… i think the best part is seeing the fire in the eyes of members you dont really see it from, like minju and nako. not to say that they dont perform well because this isnt what i mean at all, but their intensity and focus made me feel their genuine effort on stage and i loved it. theres just a Look that dancers have when their condition is good and they’re performing better than usual. and there’s just this Vibe that a team gives off when things are going Right. it’s really hard to explain because it’s not really something you practice, but it’s just when your hearts match and everyone is on the same page and when you dance with your team the energy you share with your team and the energy you have on the stage is literally TANGIBLE. there is really no other way i can find to explain it, and im honestly normally a super sciency person… but this is just something i will never be able to explain…

the only thing about that performance was that they performed with such energy and intensity that they kind of lost it after the bridge LOL. there are times in choreographies when you’re really tired and theres a resting point and ur adrenaline dies down a bit and ur like shit im tired LOL. and you can kind of see that happen… yena seems tired, and then the formation kind of gets messy,,, but it’s understandable because that jumping is tiring looool

if i had to give izone some constructive feedback:

the pathing for some of the arms in certain parts of the choreo are not the same, so it gets a little messy and loses effect. i know this is something they can fix if they know how to though, since there are other arm parts that are very clean

the timing for some of the canons need to be cleaned up.. i understand this is very hard though. the choreographers gave them pretty quickly timed canons that dont really follow any part of the music. this is generally really hard on the people in the middle vs. the people at the beginning and end who have it easier knowing exactly when to start and stop their movement (google dance canon if you dont know what im talking about)

it would be best if izone learned to pace themselves throughout the performance while keeping the focus and intensity. e.g. if youre going hard all the time, youll run out of energy real quick, so usually when dancers perform they kind of gauge when they put in 80% effort vs 110%, so the performance can have ups and down, and they wont get tired that much. this is honestly hard though and im still working on it hehe i get excited really easily and then halfway im wheezing like holy shit i shoulda calmed down LOL

to make things cleaner, it would be best if some members adjusted their height more e.g. wonyoung esp when they are near nako LOL it’s tough but yea it’s a skill… i got yelled at for like 6 months before i learned so

some formations need to be adjusted e.g. the last one, yuri and hitomi need to move out a bit to adjust to the formation change for the end formation. sakura is actually quite attentive and readjusts her formation mid movement to fix the line - this just needs to happen on the other side now

some random things i noticed:

yena has clean hands and arms and i appreciate this

their facial expressions change collectively at some parts e.g. minju’s first part, they all start smiling and their dance gets light and it’s cute. also during yenas rap in so curious they collectively get more serious and i like that uwu

if chaewon stomps on me one more time in the beginning ill probably cry

i really like the crossing behind wonyoung with their arms up (at the beginning) that goes into the hits (yena hits HARD) and then the hair flip canon (this is always so good omg)

my dance friend acknowledged this choreo, like its good can confirm

that leg part where they go down in the chorus is hard lol i was talking to my dance friend like yea if i had to do that in a set id quit like i cant man LOL

i miss chaeyeon’s chest hit that was in the mv during her part she doesnt do it anymore :cry:

more members are figuring out how to spot during spins and SO AM I i feel an emotional connection LMAO

after wizones were worrying about members’ knees, they started being more cautious when doing the floor part and i thought that was the sweetest thing ever

if youre still here, thanks for coming to my ted talk and thanks for supporting my blog and caring if i have time etc etc etc my anons are always always so sweet qq

#anon #replies #dance #dance analysis #i still cant believe i have a tag for this but asdlfkajslakj #thank you for stopping by thank you thank you thank you #for the other asks im sorry but gonna have to reply another day... need to sleep asap #love yall #good night!!!!

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