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#i got hit with the worst art block ever (exaggeration) and then i consumed a bunch of media in a crazed state
kitamars · 1 year
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omen
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maybe just a mildly annoying one actually
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kl-writes · 3 years
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One thousand words a day is too much!
How many times do you have to tell a story before it consumes you and becomes redemption? 1001.
There’s nothing funnier than being told the twentieth “only right way to do something.” Particularly when the only difference is a step there or shifting your weight here. It teaches you things about the world you never had to think about in school, where there really was only one right answer. Supposedly. At least, you could count on there being only one right way to advance. Even the more open-ended arts and literature gave way to easily-graded grammar, symbolism, setting, spelling.
At the same time, there’s nothing worse than someone who is always responsible for when the right thing happens and never responsible for when the wrong thing happens. Even if it’s subjective who’s right or wrong, a three year old can spot that pattern.
When I was eight, I caught a basketball wrong and broke my finger. When I went into the living room of my grandparents’ house to show my parents, my mom asked my dad to set it back in place. I didn’t trust him to do it in a way that wouldn’t hurt, so in my arrogance I set it back myself. So my pinky finger will always be a little bent. Maybe I should wax poetic about how I’d rather hurt myself than trust someone else and get hurt. Or maybe I was a dumb eight year old who knew it would hurt either way, but would rather risk doing it wrong than have an adult do it. I’m almost twenty-five and I still don’t trust the notion of “adults.” “Adults” are awful people.
In middle school, my friend R- and I talked about keeping our middle names secret so that we couldn’t be True Name’d or impersonated. We shared our middle names readily. We worried about our parents, who already knew our middle names. It wasn’t a very good secret.
I would get frustrated with myself in middle school for not having the drive to finish knitting a simple scarf. I made a few bookmarks and coasters. I never considered that maybe the problem was that knitting was boring. These days, I have no issue finishing scarves, so long as the knitting is accompanied by a particularly long and dry class.
I used to plan conversations, sentence by sentence, before I had them. It avoids any freezing-up you might do on the phone, and helps you make it through the conversation. Nowadays, I still hold useless conversations in my head and in my dreams, but I no longer need them. The army’s made me almost too brash.
I hated creative writing lessons in middle school because the teachers always wanted you to write about real life. Nothing was less interesting or more stale and putrid than my life. I think I made up what happened and exaggerated for the assignment. I still dislike that I had to do it, since it bothers me to no end when my mother lies for the sake of a good story. I never had any issue writing or reading fiction, when people knew it was escapism.
I forget the names of second cousins and neglect to ask the names of people I sit across from at lunch for months. I don’t call anyone, and my facebook messages to my sisters are more to show my own excitement for whatever video game or image I’ve found engaging or funny. I dread getting calls, but I don’t despise calls from my Grandma Z- like my mother claims to. I don’t know if she does anymore, my mom isn’t the same person who raised me anymore. That’s a good thing.
I want to connect to people, to scream when I’m mad, to cry when I’m sad, and to spread my joy to those I care about. But I don’t like dealing with problems or obligations that arise from relationships, and I prefer that everything fades away and that I am forgotten. People wouldn’t like “me,” But “I” have a very judgy and spiteful personality. I know better than to sling barbs at others, so I hold my tongue and bury myself ever deeper. Till we’re nothing but pins in a sewing tomato of needles.
They say that Terry Pratchet wrote 400 words a day! Less than what most writing blogs and advice says (1k words, 1.6k if you’re on nanowrimo), but I bet that Pratchett was more prolific than all of them combined! Writing’s a marathon, not a sprint. So that’s why I’m following his sage wisdom, and writing 400 words a month. Absolutely nothing to do with my own lack of discipline, self-imposed sleep deprivation, or general flakiness.
Maybe it’s a problem when things that bring you joy turn into products. There’s a number attached to everything on the internet these days, and I scrutinize even what little heuristics I can squeeze from my AO3 fics. I used to delete unfinished fics all the time, back in middle school, since I only managed a chapter or two and then got bored and moved on. I shamed myself. I’m better now- I no longer delete fics, since I no longer risk writing anything that long and publishing it. My record word count on any work is 18k, and that one was encyclopedic in nature. Pretty much useless, too, but at least the journey was fun.
It’s far easier to spend money on fancy writing books and fancier typewriters than it is to actually write. That’s why I love my AlphaSmart 3000! It was cheap, so it doesn’t hurt as much that I don’t write on it often! (Plus, I bet it’d survive a nuclear fallout)
I gotta be careful not to send to computer too often, though. Then I start psychoanalyzing the word count, pitifully smaller than all my estimates. Writing may be one task where you want to train to time, not to task. But that’s just the pessimism and lack of ambition speaking! Battery life’s pretty Gucci tho…
The strangest thing of all is that the stories I want to read aren’t the ones I enjoy writing, when everything’s said and done. I love the prep, I love the planning, but actually sitting down and going for it after all that work? That’s a no-go. And seat-of-the-pants writing for me leads to incoherent-to-semicoherent blobs of nothing. Word count ain’t anything. So if I like twists, and mysteries, and all sorts of odds and ends, should I break all conventional wisdom and seek to surprise myself with the ending? Should I produce a murder victim with no murderer? I still think the goose was behind everything in Hot Fuzz, so maybe everything’s reasonable if you do it with style.
I like weighty stories, too, but I loathe to write my own weight.
The best fancy writing book out there is Elements of Style, no shot. Stephen King’s “On Writing” is the worst since 12 year old me was irritated that there was no writing advice, and 12 year old  me skipped the intro where he talked about how the book wasn’t really about how to write. Intros and prologues annoyed me, since I read a lot of pulp fantasy with useless introductions. Eragon got me into the habit of skimming large blocks of text (My apologies to Paolini), so when I read denser stuff I would miss things and have to go back and reread, lest I frustrate myself with the text. Back then, useless introductions and unimportant blocks of text were just things that books had, they weren’t the subject of critique or judgement. So I wonder why I treat my own works with a judgement I never extend to others? It’s all or nothing with me. Either a sentence is perfect, or the entire passage is barely decipherable but free of spelling errors.
Did you know that you could do warm-ups for writing? Just write nonsense, and then when you run out of nonsense the rest of what you write that day will be fine. I don’t know a better way to hit daily wordcount goals and still feel like you’re doing something meaningful.
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