#i may or may not have been rereading frankenstein while going through some parts of this lol

[thesunisatangerine]

against all odds (to wait for you is all i can do) – part ten

alexia putellas x photojournalist!reader

warnings: none (im pretty sure)

(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]

word count: 5.8k

The melodic chirping of birds in time with the gentle beat of Alexia’s heart roused you, your back delightfully warm, and for what seemed to be a long time you felt well-rested–felt as if the leaded weight that made its home in your bones finally melted away because, truly, you’d forgotten the lightness of being one felt upon waking from a night’s sleep or, even more so, the lightness one felt when waking in the sheltering arms of a lover. So you sighed, content and at peace, as you breathed Alexia in when you nestled further into the safety of her neck where faint wintergreen and her delicate, earthly scent lived, familiar and evermore comforting. 

When you finally drew your eyes open, the world came to focus and revealed, in its center, Alexia already awake, her head propped on her arm with her honey eyes, just like molten gold in the resplendent glow of the morning sun, lidded as she gazed at you with a lazy smile, soft and relaxed but it ignited you with a gentle flame all the same, whose radiance only intensified upon meeting your eyes. 

“Good morning.” Alexia greeted you and it struck you just how much you missed the sound of her voice in the morning, low and soft with just the right amount of rasp that never failed to incite the desire to kiss her right then.

“Good morning.” You replied in the same tone, cheeks warming to a gentle simmer in the face of your lover’s tender demeanour. She brushed the back of her fingers on your cheek while a silence filled the space between your eyes, intimate, as you soaked each other in. But when you could no longer sustain the weight from her gaze–when you chest had filled twice over that it felt in danger of bursting from the sheer joy of being looked upon by such earnest affection–you whispered, “you’re staring.”

Alexia tucked your hair behind your ear before she countered in a voice so tender your heart ached.

“And you’re beautiful.”

No words could translate the gravity of what you felt in that moment, so you spoke the only language that could ever come close to conveying it: you cupped her jaw and caught her lips between yours, seared the missed ‘good morning’s’ and the lost ‘hello, how are you’s’ into the kiss, the pace languid but sweet, savouring the way her lips parted in this silent conversation–relishing the way Alexia tasted like summer on your tongue.

Alexia tugged you closer, and closer still but still not close enough, with a gentle pressure from her hand against the small of your back, the other now over the nape of your neck.

But the conversation was cut short, too short, when a small gasp reached your ear, electrifying you in an unpleasant way your eyes flung wide open, darting immediately to the direction of the sound to find Elisa standing at the last step of the stairs, her hair ruffled from sleep, her loose shirt creased and draped slightly to the side, mouth wide open in disbelief as she gawked at the sight of the two of you.

And what a sight the two of you must have been. 

In your haste to extricate yourself from Alexia, you ended up flopping down against the tiled floor, the carpet doing little to cushion your fall, but you recovered quickly and now you stood there not quite knowing what to do with your arms or what to even say. Alexia, on the other hand, remained half on her back and half sitting up, her weight against an elbow, the other arm frozen outstretched towards you, a clear attempt to save you from when you fell down. If the situation had been different, you probably would’ve laughed especially at Alexia’s expression: her face contorted in part mortification and part worry, brows upturned, eyes agape, and lips partially opened–if only you weren’t too flustered yourself to do so. 

Alexia got her bearing faster than you, though–damn her and her athletic condition–because she, too, now stood from the couch (and did so with a lot more grace than you did). She cleared her throat, fumbled with her hands as it looked like she tried to stick her hands in her jacket pockets before it dawned on her that it remained still on the coffee table, so she resorted in putting them in her jean pockets instead. 

“Good morning, Elisa. How are you?” Alexia said in English and her voice wavered at the end, the question infused with a guilty inflection. 

With bated breath, you waited for your daughter’s reaction as trepidation filled you, which only worsened when Elisa’s eyes darted at you, then to Alexia, then back to you again. Numerous scenarios fleeted through your mind and out of all the images your mind conjured, what happened next was not one them: you didn’t expect the way with which Elisa’s surprise morphed into smug delight, her once opened mouth now curved into a coy smile, not dissimilar to a cat’s, that only served to accentuate the mischievous gleam in her eyes.

“Are you guys dating?” Each word deliberately drawled out as Elisa posed them, punctuated by a teasing cadence that set your ears and cheeks aflame. The question, thankfully, brought you back to yourself because only you could save you and Alexia from this situation. 

“Okay, I think I need to have a conversation with you so up you go, young lady, back to your room for now.” You said as you approached Elisa who you guided towards the stairs with a gentle hand on her back but not before you placed a good morning kiss on the crown of her head. Elisa whined, but she heeded your words nonetheless, although she did sneak a wave and a cheeky thumbs up to Alexia on the way up, leaving you with an amused smile on your lips at her antics as you thought fondly, shaking your head, ‘Oh my god, this child.’ 

When Elisa was finally out of sight and you heard her bedroom door shut, you let out the breath you were holding. That really could have been a disaster, and when you looked over your shoulder, you found the same thought written in Alexia’s face. You dragged your feet back to where Alexia stood who, as soon as you got close enough, was quick to pull you back into her gentle arms. With your cheek pressed against her collarbone, her arms loose around your waist, and her chin resting on your head, you were grounded back to the moment, your muscles relaxing as apprehension began to leave you. 

“That was mortifying.”

Alexia let out an airy laugh, the remnant of her nervousness still apparent. “I know. At least we didn’t do it last night.”

“Alexia,” you groaned as your cheeks burnt anew, “please, don’t–I don’t even want to imagine that right now.”

Melodic laughter filled your ears again before it tapered off which, once again, left you two blanketed in the subtle refrain of the waking world and the warmth of the sunlight that streamed through the window. You didn’t know which of you moved first but in the next moment, you found the both of you swaying to a gentle rhythm as you held each other. 

“So, what now?” Alexia asked, breaking the silence.

“I… I don’t know.” You answered truthfully. Sure, the both of you agreed to take everything slow, but where to even start? When intimacy and familiarity were already there, strong and incessant in their pull, how could torn lovers begin to mend the fragments–to keep everything tentative and slow? Where should the lines be drawn, the boundaries set, when a profound desire that transcended physical affection already made its home in your heart, a yearning that constantly craved for not only Alexia’s company but also her thoughts? Because with Alexia, you wanted–and would always–want more.

“I think, for now, I need to talk to Elisa about this–about us.” Sighing, you continued, “what do I even tell her?”

“Well, she seems to approve.” At that, the both of you chuckled, then Alexia spoke again, serious but her tone remained light when she did. “Tell her whatever you’re comfortable with. Slow, remember? No labels for now, it’s just you and me.”

She placed a kiss against your ear and you hummed, nuzzling her neck in gratitude.

Another pause. 

“I think I should go.” 

Hard as you tried, you couldn’t hide your disappointment at what Alexia just said even though it was probably the best thing to do right now. There were much you needed to talk to Elisa about alone: her nightmares and her therapy, and now this. The only thing that eased your heart was the fact that Alexia seemed as reluctant to go, too, with the way her hold on you tightened and you responded to her touch by falling further into her, clutching the fabric of her shirt in an attempt to let her know you’d rather she stayed.

“I know. Me, too,” Alexia sighed seeming to understand what you were feeling as she kissed your temple. “How about this? If you and Elisa are feeling up for it, I could take you some place tomorrow? I did tell you before that I’d show you around.”

At the reminder, the memory fleeted through your mind and a sense of melancholy filled you but you swallowed it down before it could take root. Then you hummed in agreement, “I’ll ask Elisa about it. What’s on for you today?”

“Apart from waiting until tomorrow comes?” Alexia joked which made you giggle. “I’ll probably visit La Masia, check with Josep for next week’s schedule, then head home or visit Mamá and the family.”  

“That sounds fun.” You said as you began to kiss her, knowing that your time together for the day would end any second now. As you punctuated each word with a kiss, you continued, “alright, I should let you go now, then.”

The rumble from Alexia’s chuckle radiated beneath your palm on her chest as she whined, “you’re making it really difficult to leave.”

“Okay, okay, I’ll stop now,” you giggled and just as you began to pull away, Alexia cradled the nape of your neck and sealed your lips together again for a deeper kiss. Then she pulled away but not before dragging down your lower lip with her thumb as she untwined herself from you and gave you a look that made you burn all over.

“Call me later?”

You nodded.

Alexia grabbed her leather jacket, gave you a smile and one last peck on your cheek, before she strode out of the door. 

The feeling of loss that arrived upon her departure did not go unnoticed by you but before it could settle in your heart, you made your way to Elisa’s bedroom. As soon as you entered though, Elisa shot you a question without any preamble, practically buzzing in her excitement. 

“Mom, why didn’t you tell me you’re dating Alexia?” 

Your cheeks burnt at Elisa’s bluntness.

“Before we get to that, ladybug, I need to talk with you about something first.” You said as you set yourself down next to her on the bed. Elisa regarded you with a look that said she already knew what you were going to talk with her about. You wrapped an arm around her and squeezed her shoulder. “I’m worried about your nightmares and your therapy. Do you think we need to switch to a different therapist?”

Elisa gnawed on her lower lip before she spoke in a soft voice. “I like my current one. She’s cool and she makes it easy for me to talk about what happened. But I can take more sessions if you want me to.”

“Do you think you need more sessions?” You looked at Elisa pointedly, emphasising the fact that the choice was hers to make. “All I want is what’s best for you and your wellbeing, Elisa. I’m not trying to make you do anything, especially if you know yourself you don’t need them, but I also can’t just stand by and watch so I’m just here to tell you that there are options. If you need more sessions, we can do it. If you want to change therapists, we’ll both find you a new one. As long as it’s going to help you get through this, we can do it.” 

“I’m not sure… Can I–” You caught her eye again and you raised your brows at her chosen word, and you watched as Elisa nodded, understanding what you meant, before she began again, “I will talk to my therapist about it and see if I do.” 

You beamed at her, proud as you squeezed her shoulder again. She smiled back.

“So, what do you think is causing this spike in nightmares?” 

“I… I don’t know. I think I’m just nervous? Also, maybe too excited?” Then Elisa added with a small laugh, “or both? I don’t really know.”

“About what, ladybug?”

“Going back to the Academy.”

At this information, you couldn’t help but frown, confused. “Is something happening in the Academy?”

Concern must have been too apparent in your tone because Elisa quickly looked at you and said as she waved her hands in reassurance, “it’s nothing bad, Mom, don’t worry! It’s just, Coach told us there are scouts coming some time around the end of the year and I’m… I really want to play for Barça, Mom.”

You understood her apprehension but her answer didn’t tell you why her shoulders looked like they’d taken on an invisible weight again with the way her spine curved inwards, almost dejected. 

“That’s a really big opportunity, ladybug, so I understand that pressure is there for you to perform your best. Is it the pressure that’s making you think about what happened?”

Elisa shrugged, quirking her lips to the side in an unsure manner. A moment later though, she nodded and admitted in a small voice. “I just don’t want to let them down. I don’t want to let you down.”

“Elisa,” you took her hand in yours.  “Never, never. If your parents were here, they would tell you how proud they are of how far you’ve come already. You’re so strong, ladybug, and you don’t even know how much. And if you happen to fall down, we’ll be here to support you until you’re ready to stand back up again. Just know that whatever happens, you will always be enough. Always, Elisa. ”

Elisa leant her head against your shoulder then she turned her head and gazed at you with wide eyes. “You really think I can make it?” 

“I believe in you, ladybug. Do you?” You pinched her arm playfully which earned you a giggle from her. When she looked back up at you and you saw the determined gleam in her eye, the worry in you was put to rest. 

“Yes.” 

At that, you couldn’t help the warmth that surged through you and you hugged her. “There you go. I’m so proud of you, ladybug.” 

After a moment of silence, Elisa asked in a teasing tone, “so… Alexia, huh, Mom?” 

Your cheeks warmed. “What about her?” 

“Are you together?”

“It’s… complicated right now, ladybug. We’re working on it.”

“Was that why you always looked sad whenever we talked about her? Before now?” You raised your brows in surprise. You’d always tried your hardest to school your features whenever Alexia was brought up because you didn’t want Elisa to worry but you didn’t think that you were that transparent. 

“Did I really?”

“Yeah. I don’t know how to explain it but whenever you tried to smile, it didn’t quite reach your eyes.”

“Oh.” Pause. “I… I didn’t know. I’m sorry.”

Elisa shook her head. “There’s nothing to be sorry for, Mom. And it’s different now. Now you look happy.”

“I am.” You admitted with a small smile. “How… how do you feel about us, though?”

“I’m happy that you’re happy, Mom. It’s going to take awhile to get used to the Alexia Putellas being around but I’ll be fine. And as long as she treats you well, I’m alright.”

Your chest expanded at her words. “Thank you, ladybug, that… that means a lot.”

Elisa hugged you then and you hugged her back. 

“Speaking of, Alexia offered to take us around the city tomorrow. What do you say?”

At that, Elisa practically jumped up, unable to control her excitement and you laughed. 

True to her words, Alexia pulled up in her car the next day a couple of hours before noon. Alexia looked comfy in her white sneakers, ankle length socks, shorts, an oversized t-shirt, and a baseball cap, and upon opening the door for her, she took you in her arms and kissed you. Her eagerness amused you and you laughed against her lips but you tangled your fingers in her hair to deepen the kiss anyway. 

“I missed you.” Alexia spoke between kisses.

“It’s only been a day,” you smiled into the kiss, charmed. “And I missed you, too.”

Time slipped you as you lost yourself in Alexia’s arms and lips, and you didn’t know how long the both of you were there by the open door, but it was apparently long enough that Elisa needed to interrupt you two. A terse cough made you pull away and, turning to look at Elisa who was standing just beneath the archway that lead to the living room, offered your daughter an apologetic smile. Elisa only stood there with her arms crossed, clearly unimpressed with the way her brows were creased. 

“Hola, Elisa.” Alexia said with a shy wave which drew your attention back to her and you bit your lip at the state of her face. You reached out to wipe away the faint smudge of your lipstick on the corner of her lips and, upon realising what you’d done, Alexia quirked her brows up as she smiled at you, sheepish. 

“Hi, Alexia.” A pause. “Wait, should I be calling you Aunt Alexia now?” 

Alexia opened her mouth then closed it, seeming to be completely disarmed by the question. And when she looked at you with plea in her wide eyes asking you silently how she should answer it, you knew just how much the question definitely caught her off guard.

“Uh, if you want to.” Her words lilted with so much uncertainty it sounded more like a question than a statement. 

Then Elisa grinned at the both of you, practically beaming. “I’m just messing with you, Alexia.” 

She then continued to skip between you two, bounding through the door and down the porch stairs, and you held your laughter in as Alexia looked after her with a bewildered gaze, mouth agape. Once Elisa got to where Alexia’s car was parked, she started to wave the two of you over. 

“She’s… she’s very funny.” Alexia laughed nervously, eyes still fixed at Elisa. Then she whispered conspiratorially, pointing to Elisa for good measure. “Are you sure she’s the same kid I met at the Olympics?”

“Yes.” You chuckled as you locked the door and began descending down the stairs. “She’s only like this when she feels comfortable around people. So, do you know what that means?”

Alexia shook her head.

You smiled at her, cupping her cheek before you pressed a light kiss on the other. “It means she likes you.” 

At that, Alexia smiled back at you with lightness in her eyes before she grabbed your hand, intertwined her fingers with yours, and kissed the back of it. And the gesture warmed you more than Barcelona’s summer sun ever could.

Then, once the three of you were in Alexia’s car, you asked, “so, what do you have planned for us today?”

Alexia adjusted her rearview mirror to look at Elisa at the back seat, smiling. “First of, who’s hungry?”

After a delicious–and a quite scenic–brunch at a restaurant located by one of Barcelona’s waterfronts, the three of you took a short walk down a nearby landing connected to the port. By this time, the sun had already reached its peak, and with the vacant sky and the high tide, the view was one someone would expect to have come out of a film; the blue tinge of both the heavens and the sea was so vivid that you knew your camera would have trouble capturing the essence of it. Image after image, you captured your surroundings and as the three of you walked on, rolls of film were exposed to the light of Elisa and Alexia, and these images, you knew, you would cherish forever. 

At one point during the walk, Alexia asked you to teach her how to work your camera, and so you did. With Elisa between you looking over at the sea, you guided Alexia’s fingers over the camera and taught her how to hold it properly, before you told her about the rest. As soon as she got it, she slung your camera around her neck and immediately started taking photos of you and Elisa. You laughed when she held the camera at arm’s length in an attempt to take a selfie of the three of you, adjusting it as best as she could to get the right angle before she set the timer. You told her as all of you returned to her car that you’d send her the fruit of her labour the moment you developed the negatives. 

About half an hour later after hitting the road again, the three of you ended up at the second stop for the day: Camp Nou’s Barça store–much to Elisa’s delight. When Alexia parked the car at a less crowded spot and began to take her seatbelt off, you fixed Alexia with a reluctant gaze, speaking in Spanish so Elisa wouldn’t understand.

“Is it really wise for you to just march in the store? You’re the Alexia Putellas, after all, there’s no way no one would notice.” 

In response, Alexia held a finger up to indicate you should wait and shifted so she could grab the hoodie that was hanging over the back of her seat. She put it on, zipped it up and pulled the hood down over her cap, then she put on a face mask and her sunglasses, her light brown hair spilling out to frame her face.

“Voila!” Alexia waved her open hands. “What do you think?” 

You looked her up and down. All of her tattoos were covered but even with her attire and her face concealed, you could still recognise her–maybe you could chalk that up to you intimate familiarity with Alexia’s being but still. So you said as you schooled your features, your voice monotonous. “Wow. You really look like a whole new person.”  

Alexia threw her head back, laughing. Then, “we’ll treat it as an experiment and see if they will.”

“That’s very modest of you,” you countered, tone still dry. 

“Thank you,” she retorted in a saccharine tone while she flipped her hair over her shoulder, and that, in turn, made you laugh. 

So then it was decided that you and Elisa would also wear face masks as all of you went on ahead in your quest to infiltrate–as per Alexia’s words–the store. Much to your surprise, Alexia’s disguise worked although she did draw some unwarranted glances, ranging from suspicion to pure amusement, due to the nature of her getup. And to your chagrin, once the three of you got back to the car with your bags of merch, Alexia smirked at you, smugness all too evident in the curve of her lips. 

After that, Alexia took all of you for a drive up a mountainside with the windows rolled down that let the fresh, summer breeze rush inside. With the wind in her hair, she began to sing along with you and Elisa to the music playing on the radio, nodding her head to the beat of the music. At the end of the ascent, Alexia parked the car at your third stop, which turned out to be the Tibidabo Amusement Park.

You knew this place was pretty high up, but the moment you stepped out of the car, even from the parking lot, the view hit you: it was incredible. The city of Barcelona stretched out far into the distance, expansive and seemingly never-ending, and you could just see the strip of blue that bordered the ports, and the colours of the city’s structures were made ever-vibrant by the radiance of the sun. The view pulled you towards the edge of the parking lot, where you put the viewfinder to your eye to capture it.

“The view is stunning, isn’t it?” Came Alexia’s voice from beside you.

“Yeah…” you said, breathless, dragging you eyes from the cityscape to Alexia and as you did the remainder of your breath was completely taken away, cheeks warming when you found Alexia gazing at you, her smile as tender as her eyes, while her loose brown hair fluttered to the breeze which added to the softness of her demeanour. The urge to kiss her then became too much so before you fall into temptation, you closed the distance and simply rested your head against her strong shoulder, an arm around Elisa’s shoulder when she stepped into the space beside you.

Soon, you began a short trek upwards to get to the entrance, and if the view from the parking lot took your breath away, it was nothing compared to what you found at the top: from the regal immensity of the structure of the Temple of the Sacred Heart of Jesus that greeted you, to the Torre de las Aguas de Dos Ríos that stood proud just behind the Temple, to the perspective that overlooked the other side of Barcelona. After another round of picture-taking, the three of you finally entered the park.

The day went by as the three of you amused yourselves with the park's attractions. And since you'd all forgone wearing masks, Alexia was, as expected, recognised by people and was stopped more than a handful of times for photos and signatures during different points of your excursion. And you watched with Elisa on the sidelines, appreciating the way Alexia interacted with her supporters, and smiled at her with encouragement and reassurance whenever she looked at you two with an apologetic gleam in her eyes.

By the time the three of you left the park, the sun had begun to set.

It was another drive around the mountain side that lead you to the last stop for the day: Mirador d’Horta. Alexia parked the car in such a way that the trunk faced the cliffside before she urged the two of you to step out and you gasped. 

You’d seen some magnificent scenes today, but this one was definitely your favorite.

There you stood, taking in the way the lights of the city burned like embers embedded in the earth. There was something about witnessing the city at night that never failed to make you feel connected, elevated, when you see the million tangible proofs of existence: under each light was a person, a family—lovers—all in their own worlds at their corner of this world you shared with them. And in your corner, in the opened trunk of Alexia’s car, was your world right beside you, and there was nowhere else you’d rather be. The three of you sat there in silence, Elisa in the middle of you and Alexia gazing over the city lights.

It wasn’t long until the day finally took its toll on Elisa, and she ended up settling her head on your lap and dozing off into slumber. You smiled down at her, brushing back her hair behind her ear as you watched her breathe deeply, feeling relieved when you noticed the peaceful smile on her lips.

“So her battery does run out. Sometimes, I forget just how much energy kids have.” The pure awe in Alexia’s voice made you let out a quiet laugh.

“It has its way of catching you off guard.” You shook your head fondly before you met Alexia’s eyes and teased, “I can’t believe she tired you out; aren’t you supposed to be the athletic one?”

“Hey! I’m only human; thank you very much. And what’s a thirty-year-old compared to a twelve-year-old?" Alexia raised an eyebrow in challenge.

“Touché. Ah, to feel young and full of energy again.”

Alexia cringed before she laughed out. “Please, stop. You’re making me feel old.”

“I’m making us feel old.”

The both of you chuckled, then took a momentary pause. You turned to Alexia and asked, "Did you run your parents ragged as a kid?”

The inner corners of her brows lifted—it was subtle, but you were familiar enough with the intricacies of her demeanour that you caught it—exposing more of her eyes, which looked pensive in the dim light, her lips pressed in a melancholic line before she smiled, wistful.

“Oh, yeah, but I’d like to think I wasn’t a menace. It’s just—you know, when you get so focused on something that you forget the time?"

You nodded. She continued.

“When I was much younger, there were times I was so intent on winning that I’d forget about dinner. So, one of them would look for me around the streets or the square. But after I got into Sabadell, my energy finally found the right outlet, and most days I’d gone home tired. Papá–” Alexia bit her lip, her eyes glazing over for a moment as she receded somewhere—a tender memory—then she shook her head. You watched the way her throat moved as she swallowed before she continued, voice raspy and quiet, “He, uh, he’d always exclaim, ‘She’s finally tamed!’ whenever I’d slump down on the couch after a practice. It was ridiculous, but it never failed to cheer me up.”

You grabbed her hand and squeezed it, expressing silent gratitude for the memory she imparted, as you smiled at the image of young Alexia with red cheeks in a sweat-soaked shirt, hair matted to her face, being chased and dragged back home to have dinner.

“No, I can’t imagine you being a menace. Mischievous, yes, and probably hot-headed, but never a menace.”

She laughed, winking at you. “Yeah, hot-headed is probably what people who knew me then would say about me. And I can’t imagine you being a menace, either.”

You raised your brow at her, smiling slyly. “Are you sure about that?”

Alexia opened her mouth as if to reassert her claim, but you saw the way her confidence wavered as she regarded you. Then she closed her mouth, now looking more unsure.

“Wait, are you being serious right now?”

You allowed her confusion to linger for another moment before you finally broke your character. “No, I wasn’t a menace, but you really should’ve seen the look on your face.”

Alexia squinted at you and muttered just loud enough for you to hear, her tone dry. “Are you sure about that?”

“Hey!” You yelled quietly, giving her shoulder a playful nudge but being careful not to accidentally jostle Elisa awake before you took her hand again. You intertwined your fingers together and pressed a kiss on the back of her hand, meeting her eyes. Then you took a moment to soak her in.

“Thank you, Alexia, for today. You don’t know how much this means to Elisa... how it means to me.”

Alexia squeezed your hand, smiling softly.

“I’m glad you both enjoyed it.” Alexia squeezed your hand as she regarded Elisa with a soft eye. Then a sincere smile lingered on her lips as she caught your gaze and said, “I think I needed something like today more than I realised. It feels good to be spending time with you again.”

Warmth bloomed in your chest, clearly understanding what Alexia meant.

“I know the feeling,” you whispered. And I missed you, too.”

With her other hand, Alexia reached out over the space between you and brushed her thumb over your cheek, tucking a strand of loose hair behind your ear as she smiled at you with her eyes and her lips. With the city lights behind her, the soft glow of the car light bathing her features in its golden glow, and the summer breeze playing with the soft strands of her hair, Alexia looked so tenderly human, the embodiment of warmth and all that the word entailed, gentle and, oh, so soft.

The two of you sat in silence, just soaking each other in, until a ping from Alexia’s phone interrupted the moment. Alexia looked down, read it, and then locked the screen with a sigh. When she met your eyes, hers were apologetic. You smiled in understanding.

“Time to go?”

“Yes.” Alexia sighed as she stood up and tucked her phone back into her pocket. “It was Josep. He reminded me I have a full day tomorrow.”

You nodded. You gently roused Elisa, watched her drag her feet to the back seat, and nearly chuckled when she fell right back to sleep after putting her seatbelt on and closing the door. You turned to Alexia, and as soon as she closed the trunk, you cradled her jaws in your hands and pulled her down for a kiss. Immediately, Alexia wrapped her arms around your waist, pulling you closer to her.

“I wanted to do that all day.” You whispered against her lips.

Alexia gasped when you nipped at her lower lip before she buried her fingers in your hair, deepening the kiss. “You have no idea.”

On the way back to Derek's house, Alexia kept one hand on your thigh. And with the radio playing softly as the car passed under a tunnel with lights overhead, it felt like you were in a movie.

After Elisa had gone back inside the house after thanking Alexia for the day and bidding her farewell for the night, you kissed Alexia’s cheek in gratitude. Then her lips.

With her forehead resting against yours, she whispered, “I’ll see you Tuesday?”

“Yeah.” You brushed your nose against hers before you kissed her again. You began to pull away. “Have fun tomorrow.”

“I will. I–” Alexia’s cheeks flushed before she smiled. “Bye, for now.”

Later, when you were in bed about to go to sleep, you received a message from Alexia. She sent you a link to a tweet containing a photoset that contained pictures of the three of you but mostly pictures of a hooded Alexia taken from a distance by the photos’ grainy quality, captioned, 'Alexia, what are you doing????’ followed by a string of laughing emojis.

At that, you couldn’t help but laugh. Her disguise was ridiculous in person, but captured like this, you thought it was a work of pure comedy. 

You messaged her back, 'I guess you do have reason to be modest after all.’

#ap11 #not proofread #mine #my writing #a/n: #this was meant to be longer but i decided to split it into (or else this wouldve been like 10k long or something lol) #sorry for not updating last week id been in pain for the last 2 weeks so it was hard to concentrate #not to mention i got hit by a writer's block so i needed to just take a step back lol #anyway i just need to tie up some loose ends in the next part and then against all odds will be finished in two weeks time 🥲 #also i apologise for any style inconsistency #i may or may not have been rereading frankenstein while going through some parts of this lol #will fix any grammar/spelling/prose mistakes later #woso x reader #alexia putellas x reader

[baked-hylian]

I started a little late on my new years resolution to read more (I started mid february to be specific,) but in no particular order here is my full list for 2022

Novels

Black Water Sister — Zen Cho

The Jasmine Throne — Tasha Suri

Gideon the Ninth — Tamsyn Muir

Harrow the Ninth — Tamsyn Muir

Nona the Ninth — Tamsyn Muir

Tian Guan Ci Fu (Heaven Official's Blessing) — Mo Xiang Tong Xiu (volumes 1-4)

Mo Dao Zu Shi (Grandmaster of Demonic Cultivation) — Mo Xiang Tong Xiu (volumes 1-3)

Iron Widow — Xiran Jay Xhao

The House of the Cerulean Sea — T.J. Klune

Under the Whispering Door — T.J. Klune

1984 — George Orwell

Among Thieves — M.J. Kuhn

Ishmael — Daniel Quinn

Shutter Island — Dennis Lehane

Frankenstein — Mary Shelley

Jurassic Park — Michael Crichton

The Hollow Ones — Chuck Hogan and Guillermo del Toro

Good Omens — Terry Pratchet & Neil Gaiman

Howl's Moving Castle — Dianne Wynne Jones

Novellas/Short Stories

Animal Farm — George Orwell

The Order of the Pure Moon Reflected in Water — Zen Cho

Spirits Abound — Zen Cho

Manga

Cells at Work: Code Black — written by Shigemitsu Harada, art by Issei Hatsuyoshiya (volumes 1-4)

Chainsaw Man — Tatsuki Fujimoto (volumes 1-11)

Delicious in Dungeon — Ryoko Kui (volumes 1-11)

Jujutsu Kaisen — Gege Akutami (volumes 0-18)

Made in Abyss — Akihito Tsukushi (volumes 1-10, plus the 4 anthology volumes by multiple authors and artists)

My Dress-up Darling — Shinichi Fukuda (volumes 1-6)

Spy x Family — Tatsuya Endo (volumes 1-8)

Witch Hat Atelier — Kamome Shirahama (volumes 1-10)

Light Novels

Ascendance of a Bookworm — Miya Kazuki (part one: volumes 1, 2, 3)

The Faraway Paladin — Kanata Yanagino (books 1, 2, 3)

Re:Zero—Starting Life in Another World — Tappei Nagatsuki (volumes 16-19)

Re:Zero—Starting Life in Another world Extras — Tappei Nagatsuki (volume 1)

Further thoughts and comments on some things below the cut

I never thought I'd clear through this much in under a year? Especially considering the last couple months I've been a little lax in reading. Typically I read at work on break and before my shift starts if I'm early, but I've been hit or miss for that so it wound up taking nearly a month for me to finish Good Omens.

Some of the series above are definitely in the reread category, but there's others that left me a little disappointed. Like I had heard so much positive talk about Klune's works, but I was left kinda disappointed with Under the Whispering Door, however maybe it was the subject matter, because I did also enjoy The House on the Cerulean Sea from him. And others like some of the classics I've read through, Idk maybe I'm spoiled, but I like having frequent paragraph breaks? And at least with Orwell in particular, he seems to really enjoy going nearly a whole page without one break. Which wouldn't be so bad if it wasn't nearly ever 5 or so pages.

Definitely going to be rereading The Locked Tomb series entirely once Alecto the Ninth is out, I love the batshit wild ride that series puts you on.

Anyone who is curious may have noticed that I started with volume 16 for Re:Zero—that series is long okay? I opted to start with the beginning of arc five, since the anime ends with the conclusion of arc four. I do however plan to go back and read the other arcs, however I'm not in a major rush to finish them off since I doubt season 3 is coming any time soon.

I've also discovered that I enjoy some movie/television adaptions of books, now that I've read multiple while having watched the movie back to back. Maybe it has to do with a more mature understanding of good and bad in everything. However that still isn't going to make me rewatch The Last Airbender anytime soon lol

It's also super true: anime is just a commercial for the manga. Seriously, nearly every new series I picked up and really enjoyed I picked up the manga. The quickest was Spy x Family, next Chainsaw Man but holy, I only have two manga series I've been reading that don't have an anime adaption (although Witch Hat Atelier has an anime announcement from last year, so probably only another couple until that happens.) Although I would love to see J.C. Staff animate a Dungeon Meshi anime.

I think going into 2023 I'm going to look for more non-fiction books to check out as that seems to be an area I'm greatly lacking in.

#me squinting at my bookshelf from across my room: who's the author again? #Also had to wait to post this to the last possible moment #as I hadn't actually finished 1984 #cause sir your paragraphs are ridiculous for me :(

[queerpyracy]

hi king [ gender-neutral ], may we have some more of your thoughts about frankenstein? i've really enjoyed your posts about it and your fic.

as you've been re-reading the book, and specifically writing about it, what do you wish you could point out to everyone and go, "SEE??? ARE YOU SEEING THIS????"

what questions do you have - for shelley, for the characters, for the story itself - that you feel like you can't yet get to the bottom of without writing ten extremely granular essays about them?

what parts of the story make you go completely apeshit?????

anon you've unleashed a monster but i'm happy to provide. long and rambly so i'm putting it under a cut

cw for mention of suicide

here's something that made me completely insane when i reread it recently: when the creature is giving his account of his life up to that point to victor, before he gets to the paradise lost bit that everybody rightfully loves, the very first book he reads is the sorrows of young werther, which concludes with the titular werther killing himself because of unrequited love. i may never read the end of the book the same way again. like mary just came out of the past to give me a swift right hook to the face when i googled werther to see what it was about.

i have long been of the opinion that frankenstein is a doomed romance, that victor & the creature are bound together in a terrible commingling of desire and hate that could only ever lead to them destroying each other (but like in a romantic way). at the same time that the creature curses his creator he also desperately longs for any sign of affection or kindness, and victor--well. victor made an 8 foot tall intended-to-be-beautiful superhuman in his college apartment.

this is why the ballet is the only adaptation

(relatedly, go ahead and listen to cosmic love and think about the creature, and you will know a fraction of the suffering i put myself through)

i think the creature is a fascinating lens through which to view all kinds of alienation, the kind of people that are made to be monsters in society. he is perceived to be monstrous because of his body, and that's a visceral source of alienation. bodies are an inescapable fact. there are things we can change about them nowadays, but generally not without drastic measures. and why do we make the changes we make? the monstrous body is hypervisible.

to the best of my memory, victor receives very little in the way of physical description in the novel, even when he's starving to death in the arctic. (walton waxing poetic will be discounted for the moment, because i don't think he actually gets into too many specifics about victor's features.) most of the men are hardly described at all. some female characters receive a bit more, to highlight how beautiful they are, of course. but we know a lot about the creature's physicality. we know about his incredible strength and speed, his yellowed eyes, his sleek black hair, his black lips. other bodies, human bodies, are allowed to largely sink into the landscape. the monstrous body has to be brought into sharp relief as the thing that doesn't belong.

and victor, victor, victor. victor who gets pushed by his father to move on from the death of his mother, who most certainly never really processes his grief, who never seems to consciously make the connection between his mother's death and his quest to defeat mortality. victor who fashions a near-son while subconsciously trying to bring back his mother, who dreams about kissing elizabeth (his adoptive sister, cousin, and fiancee) and having her turn into the corpse of his mother on that night the creature first wakes, for whom the notions of death, family, love, and desire are all inextricably intertwined. victor who doesn't seem to be aware that his world is suffocatingly small, and that his inability to act when faced with the creature is because he has been so shielded from the world by virtue of his privileged position in society. victor who imagines his suffering is greater than that of an innocent woman being condemned to death for the murder of a child she cared for.

i think, ultimately, that frankenstein is a novel without heroes. as much blame might be (rightfully) laid at victor's feet, can we not also lay some blame on victor's father? "you've grieved enough, better to get back to being a productive member of society" is some toxic protestant bullshit if i've ever heard it. what about the peers and mentors in ingolstadt who apparently failed to notice anything odd about victor's behavior during the two entire years he spent building the creature? where does the harm begin? we know where it ends.

as for questions, i think my biggest question is one mary shelley probably wouldn't give me an answer to, even if i could ask her. because i do wonder how much of the men in her life there is in victor frankenstein. if there are shades of her relationship to her father, or to percy. this paper posits that to some degree mary can be found in both victor and the creature, which i can certainly see, but i still wonder. she clearly loved percy bysshe shelley a great deal, but it doesn't seem to have been easy for her. (certainly from my perspective two hundred years in the future i think he behaved terribly callously to her.) i wonder if there were times that she hated him as much as she loved him.

which is not, ultimately, to say i think she would have written it that way on purpose. i don't think i'm undercutting the rich material of the novel to say that she was 19 and writing her first work, it's very easy to do these things subconsciously. she may not have intended it that way at all, but perhaps, she might have noticed it later, if there was something to notice. but i suspect, from the way she carefully constructed her own myth around the writing of the novel, she would never give me an answer to that.

#frnknstn hcs #now i have a proper tag for this sort of thing #thank you anon for giving me an excuse to not edit and post the last two chapters of my fic yet kssnsms #they'll be up soon i just have to like #emotionally prepare myself

[jellybeanbeing]

History of My Bookshelf Challenge

Created by the amazing Emmmabooks!

1. The oldest book on your shelf - An Ember in the Ashes by Sabaa Tahir 

This is the first physical book I’ve ever gotten and still have. Yes, I only purchased it in 2018 but it’s been about two years so it counts because the other books I have, I got after.

2. A book you read in 2013 (adjust for however many years you like!) - Divergent by Veronica Roth  

I’m like, 85% sure I read this in 2013. I think I read it because the movie was coming out and I wanted to read the book first so I could judge the movie, but it’s been like five years and I still haven’t seen it.

3. A book you read in 2014 - Thirteen Reasons Why by Jay Asher

I only remember reading this book during this year because I was sitting at a teacher’s desk when someone came up to me and asked me why I was reading the book when it was going to be required reading in the near future. Other than that, I remember liking the book, but I’m pretty sure I wouldn’t today.

4. A book you read in 2015 - Side Effects May Vary by Julie Murphy 

Again, this is one I’m 85% sure I read in 2015. This whole book was a fever dream to me and I kind of want to read it again. 

5. A book you read in 2016 - The Fill-In Boyfriend by Kasie West 

The one thing that makes me sure I read this in 2016 was because I had made a new friend that year and the characters in the book had the same names as her brothers and I messaged her about it. 

6. A book you read in 2017 - A Court of Thorns and Roses by Sarah J. Maas 

2017 was a good reading year for me. Before 2017, I read a lot of YA romantic contemporaries and I wasn’t going to change that until my friend lent me ACOTAR. I was reluctant at first because fantasy isn’t my favorite genre but I gave it a try and I really liked it. I ended up finishing the series and moving to other popular fantasy and otherworldly books.

7. A book you read in 2018 - The Dark Descent of Elizabeth Frankenstein by Kiersten White 

This is the year I finally started tracking the books I read. I read about 52 books this year and I’m choosing this one because my experience with it is a semi-interesting one. So I read Frankenstein in class that year and hated it. Found out this book was coming out and showed it to my English teacher who preceded to buy the book, read it, and lent it to me. Said I would probably like it better than the original (because I was open about my feelings of hatred towards the book in class) and turns out, I did! I loved what Kiersten White did with the story and the characters. I was engaged and actually really cared about the characters. 

8. A book you read in 2019 - On the Jellicoe Road by Melina Marchetta 

I’m obviously going to talk about this one so here it goes: I honestly don’t know what made me put this book on my TBR but it ended up there somehow (I think Goodreads recommended it to me???? But I’m not too sure). Anyways, I was watching a video from Jessethereader where he deciphers emojis into book titles and one of them was “On the Jellicoe Road” so I took that as a sign to read the book. I read it, was confused for a bit, but then fell head over heels for the story and the characters and everything about it. It’s one of my all-time favorite books now and I’m going to reread it again soon. I’ll try to make a review for it.

9. A book you’ve read more than once - The Raven Boys by Maggie Stievater 

Is this a surprise? No. Well, kind of. I’ve only read this book (and series) twice but I’m already planning on rereading it soon and every year after that. It’s my all-time favorite book series and that’s not gonna change for a while. I love the books, I love the characters, I love the story, I LOVE EVERYTHING ABOUT IT. And it’s funny because it took me so long just to read The Raven Boys because I kept DNFing it. I picked it up in 2016, read the first three chapters, put it down, and forgot about it. A couple months after that, I picked it up again, read the first three chapters, and decided this book wasn’t for me. Around 2018, I got the sudden urge to read the books and thought “fuck it, I’m reading it and I’m gonna finish the book.” I finished the series and mildly liked it. I got another sudden urge to read the series again this 2019 year and IT BLEW MY FREAKING MIND WITH HOW GOOD IT WAS. I just have so much appreciation for this book and Maggie Stiefvater now, and I love it.

10. A book you waited over a year to be published - A Reaper at the Gates by Sabaa Tahir 

This is honestly the only book I’ve waited over a year to come out. I finished Torch in 2016 and I had to wait until 2018 to read Reaper. It was torture. And it’s still torture because we’re all waiting for Ember 4.

11. A book you read on vacation/away from home - Nectar in a Sieve by Kamala Markandaya

I read this for school and I remember going to California for a dance competition and not having a phone or something to entertain me so I took the book with me. For about a week, I read bits and pieces of it before going to bed. One moment I remember so vividly is reading the book on the plane ride back and it being dark and someone telling me to turn off my light because they were trying to sleep. I then proceeded to turn off my light and stare into the darkness because I wasn’t tired and I couldn't read my book. And if you’re wondering, it was one of those planes that didn’t have a TV at every seat.

12. A book you got from someplace special (anything that’s not your local bookstore/online retailer) - Madame Bovary by Gustave Flaubert 

My English teacher was retiring and giving away some of his books, and so I decided to rummage through his book and found a special edition of Madame Bovary with gold spray painted edges. It was gorgeous, but I gave it away.

13. A book that made you cry - Mosquitoland by David Arnold

I didn’t cry while reading this book at first, but I went back to read a few passages before giving it away and I don’t know what struck a chord in me but I was crying my eyes out over the book. The passage I had read just resonated with me in that moment and I couldn't help but cry. I read the book before some problems in my life occurred so I guess when I went to read the few parts of the book again, it all hit me real hard.

14. A book you read in one sitting - My Heart and Other Black Holes by Jasmine Warga

This one is a fun one (my experience with the book, not the book itself). So, I was, I think 12 or 13 or 14 years old when I read this. At this particular age, I was a firecracker when reading books. I would finish a book, A FULL 300 PAGE BOOK, in one night. I did this a lot. I’m not exaggerating. I think it’s about more than 20 books that this “finishing in one night” happened. This one though, was crazy. I started this book one night at around 7/8pm and finished it around maybe 12am? I then proceeded to pick up another 300 page book right after AND FINISH IT THAT VERY NIGHT, or morning, whatever you think. My reading energy was off the fucking charts at that age. I can’t do this anymore, by the way. It will literally take me a whole month to finish a 200 page book.

15. A book that was a gift - A Conjuring of Light by V.E Schwab 

I had already gotten the book for myself but a friend of mine bought me the book and I couldn’t say no so I took the book and now I have two paperback copies of ACOL, and I’m not mad about it.

16. A book you read before owning (library, borrowed from a friend) - Sula by Toni Morrison

I read for school, and let me tell you, it’s the only book I’ve read for school that I liked and was memorable for a good reason. Right from the first page, it captured my attention and kept it through out the book. I’m planning on rereading it and hopefully I’ll still like it as much as I first did.

17. A book you lent to someone else - Six of Crows by Leigh Bardugo

Six of Crows is a popular YA series but do you know how hard it was to make one of my friends read this and actually finish it? I gave it to like three of my friends and they all ended up telling me they couldn't get past the first couple of chapters. But I finally got one of my friends to read the duology and finish it and love it as much as I did. I finally have a friend I can talk to about the books.

18. A book that has been damaged - The Raven King by Maggie Stiefvater

I tend to keep my books in pretty good condition, but I also have butter fingers, so that’s something. Anyways, the amount of times that I have dropped this book and bent the covers is truly astonishing. And it’s bizarre, because whenever I dropped TRB or TDT or BLLB, the covers didn’t bend but when I drop TRK, the cover ALWAYS bends and it’s a whole mess but I still love it. I almost forgot to mention that I got it already fucked up so maybe it’s meant to be.

19. A book you got on sale/discounted - An Ember in the Ashes by Sabaa Tahir

Yes, I’m using this book again because, why not? Anyways, I got this at a thrift store and I was so psyched. I saw this book on the shelf and was so appalled because who would thrift such a good book? (If you didn’t like the book, great. That’s your opinion.) So I decided that this was my chance to finally own a book after years of not owning one, and have it be one of my favorite books.

20. A book you read with someone else (buddy read/read with a book club) - The Refugees by Viet Thanh Nguyen

I take this question to also include books I have read as required reading in class because technically, I did read it with my class. I had such a fun time picking at this book. It was not my favorite book, though I really liked the first story. My English teacher had us write commentary and I loved it. There was no literary analysis whatsoever in my notes, and I think that’s what I loved the most. I reread my notes for that book recently and they are gems.

21. A book you associate with a song - A Study in Charlotte by Brittany Cavallaro

When the Party’s Over by Billie Eilish is just a song that I associated with Charlotte Holmes, and that’s never gonna change.

22. A book you associate with a food - Queen of Air and Darkness by Cassandra Clare

It’s not a specific food but more of school lunch for me. I just remember that QOAAD had come out and I was carrying that hunk of a book around and it didn’t fit in my backpack so I carried it in my arms. I was reading the book while my friend was eating her lunch beside me. After she finished eating, I had told her that there were pictures in the book and I wanted to be surprise but she wasn’t gonna read it so she flipped through the book and looked at the pictures. 

23. A book you got years ago that you probably wouldn’t buy now - The Book Thief by Markus Zusak

I got this book in Chicago this 2019 year around May only so it’ s not years ago, but I was a different person in May 2019, alright? I honestly wouldn’t get this book now because I’ve learned that I’m not a big history fan. 

24. A book you associate with a specific time in your life - Speak by Laurie Halse Anderson

I was first introduced to this book a long time ago, around the age of 9, I think? My sister had a stack of books from school and I decided to look through it. I read a book called Hushi(?) and I literally, for the life of me, cannot remember who the author was but I really liked that book. Anyways, after reading that, I read bits and pieces of Speak and I vividly remember the day being a bright and sunny day, and reading the attack scene and being so shocked by it. I didn’t really understand it at the time, but every time I read that book or see it, it brings me back to when I was nine.

25. A book you used to like, but don’t anymore - The First Time She Drowned by Kerry Kletter

I talked about this book in another post of mine but it reiterate what I said: this book was a favorite of mine in 2018 but then I reread it again and didn't love it as much. It wasn’t a book that fully captured my attention or kept me intrigued. 

26. The newest book on your shelf - Call Down the Hawk by Maggie Stiefvater

LAST QUESTION! Call Down the Hawk came out recently and you know I had to buy it. I’m currently reading it right now, and I’m already loving it. I’m so excited for what’s in store for the characters. I am, however, feeling a little bit sad because we won’t get to see the whole Gangsey together again (or for a while). Reading CDTH is also making me realize that those who haven’t read The Raven Cycle aren’t going to know the Ronan and Adam and Gansey and Blue that those who have read TRC know them. I don’t say this to be offensive or “you’re not a true fan because you didn’t read TRC”. No, I’m not trying to say that. It’s just like you meeting someone when you’re both 30 as opposed to 14. People are different people at different ages, and Ronan and Adam are different characters in CDTH than TRC and so some people who haven't read TRC series won’t know that version of them. And also, I mean different as in they’ve grown and certain aspects of them have changed.

#an ember in the ashes #a reaper at the gates #call down the hawk #the raven cycle #the raven boys #the raven king #the first time she drowned #mosquitoland #speak #The Dark Descent of Elizabeth Frankenstein #the refugees #sula #the book thief #queen of air and darkness #a study in charlotte #six of crows #a conjuring of light #the fill-in boyfriend #my heart and other black holes #side effects may vary #on the jellicoe road #madame bovary #divergent #nectar in a sieve #a court of thorns and roses #thirteen reasons why #books #book tag #history of my bookshelf #history of my bookshelf book tag

[ladyofpurple]

GIRL ITS BEEN MONTHS SINCE YOU UPDATED TPOY!! please tell me you haven’t given up on it )-:

I KNOW IM REALLY SORRY OMG

This took a bit longer to answer than it should have because I was trying to figure out how to reply, I guess?? The short answer is basically that writing bits of fic during my exams when I didn’t actually have the time to was super productive, mainly because I Didn’t Want To Do The Thing but my entire future hinged on Doing The Thing and anxiety-driven avoidance is excellent creative fuel, apparently. The problem is, of course, that once I finished and started getting my results back and actually had time to breathe again my brain kinda fizzled out and I never wanted to look at a Word document ever again in my life. Writing is really hard right now, for some reason. And not just TPoy — everything I try to write either gives me a headache, makes every idea I’ve ever had go flying out the window like magic, or looks like absolute garbage to me. (I’ve been trying, though, I promise!!!) There is more TPoY, though!! I swear to God!! It’s just coming along a little slower than anticipated.

The long answer is... a little more complicated and probably more than you’re interested in, and the main reason is the short one anyway. But I’ll put a long answer under a cut just in case (aka the entire history of TPoY lol), since I’ve lowkey wanted to post about it for a while now but didn’t quite know how to? May get a little very personal, I suppose.

Basically, TPoY is and always has been a garbage fic. I don’t say that to disparage my own writing or attempt to elicit praise from anyone: I have always considered it a glorious dumpster fire of experimentation, a ridiculous Frankenstein’s monster of all my favorite ML tropes as a practice run, since it had been so long since attempting to write anything at all. I’m thrilled that people like it, of course! Whenever people send me asks about it my answers always involve a lot of exclamation points and variations on “I AM CURRENTLY SOBBING ON THE FLOOR IN GRATITUDE” because I honestly have no idea how to express how genuinely teary-eyed I get when someone tells me how much they like it, or post a comment. That being said, it was always intended for my own amusement and/or therapy, and that it’s gotten so many bookmarks and kudos and comments is incredibly surreal, even after a whole year.

When I started writing it, I was working through a lot of stuff. My first boyfriend had broken up with me, and as we lived together in his hometown I was stuck there on my own for another year before I could move back home. 2016 was filled with a lot of horrifying shit that kept happening one after the other and I eventually almost had to drop out of school because I couldn’t handle it all. The relationship was pretty toxic but all I knew at the time was that I was scared and alone and heartbroken. 

When I started writing, it was after 8 months of the worst bout of depression I’ve ever experienced, and I still wasn’t well, but I functioned passably enough to start hyperfocusing on things. I had an idea about a fic I suddenly wanted to write, and it would have a happy ending and all, but I could work through my feelings in a way I hadn’t tried to since before my ex and I got together. I pulled a lot of the start of the fic (the rejection, the miscommunication, the avoidance) from my recent breakup, yes, but also from my first rejection, aka the only other boy I’d liked enough to confess my feelings to. We were 17, and he admitted that he knew, and then suddenly we weren’t friends anymore. A year and a half later, I got together with my ex, and suddenly after three years of dedicating my life to “us” on his whims he was ghosting me without explanation.

I see a lot of myself in Marinette at that age. The awkwardness, the enthusiasm, the incredibly obvious lovesick obsession with a cute boy who’s nice to you. I wondered if maybe she would react the same, if put into similar circumstances as I had been. Focus on the self-doubt that would follow, based on insecurities she’s already shown in the show — coupled with your standard teenage hormone-fest —and you’d have a fabulous starter for angstfic and a free therapy session all in one.

The problem with that is nobody knows this backstory but me. People focusing on Marinette’s insecurities is nothing new. Other people are annoyed it’s such a popular trope. And the fact that I’ve chosen to focus on certain aspects of the main characters’ identities for the purposes of a story I started on a whim has been making me insecure for a long time because people in the fandom are tired of those characterizations. I’ve never gotten hate comments —I don’t even remember ever getting constructive criticism on TPoY. But I’m well aware that the plot is far from original and definitely lacking in certain places, and as the comments roll in and the hits go up my anxiety mounts because oh my God I’m that guy in the fandom.

I always intended on focusing on different aspects of their characterizations in different fics to suit the plot, y’know? Not ignoring parts of their personalities, but just... emphasizing other parts. But TPoY is the one most people have read. I have a couple one-shots where I tried to do something like that, with different aspects of their characters, but short one-shots can’t really compare to a 100,000+ word WIP, even if they even slightly compared in popularity (they don’t). So my only notable contribution to the fandom is TPoY. And that makes me anxious.

Then there’s the Frankenstein-like obsession with adding every trope I’ve ever wanted to write in a fic like this. I’ve mentioned before that the original plan for this was, like, 10-15 chapters at most. But every chapter I write I’m like, “But what if I did this???” Like I said, I never intended it to be even remotely popular. The only other fandoms I’ve written for are microscopic in comparison. I had no frame of reference for a pairing this big — all my previous experience was from Fanfiction.net, for Christ’s sake. I assumed I wouldn’t finish it, and even getting to chapter 6 was a surprise. But that hyperfocus somehow held on for dear life and I was banging out chapters like nobody’s business. And people were responding to it. And I think that kind of went to my head a little? Not like in an “I deserve all this attention” kind of way, but more like a “People like?? This thing I’m doing??? I cannot squander this opportunity, I must give them m o r e” kind of way. It was the best I’d felt since the breakup and I didn’t really think I deserved it, so I kind of wanted to... prove I did, I guess, by writing everything I’d ever wanted in a lovesquare fic in hopes that people would keep liking it and me and I’d keep feeling nice. (I mean, I’d planned to add in a ridiculous amount of tropes anyway, I just ended up adding a lot more than I’d planned.)

On the one hand, people go nuts for that shit. On the other, it’s getting harder and harder to justify cramming all this shit into the same fic. This compulsion keeps fucking me over by giving me spur-of-the-moment ideas for sub-plots I never wanted and certainly didn’t properly think through before posting the foreshadowing or setup for — yet at the same time they’re usually thought of and integrated several chapters in advance so I can’t just... leave them out? And part of me kind of doesn’t want to?? And I’m trying with every fiber in my being not to rewrite just the first 3 chapters, let alone the entire fic. A side-effect of my FF.net history at 13 was Never Edit Anything. Yeah, I’ll do some spell-check. Maybe some rewording here and there. Sometimes I’ll post a chapter and come back sporadically over the next few days to change out some punctuation or whatever. But if I don’t like a section after writing for a while? Throw the Whole Ass Chapter out. After it’s posted? This Is Your Life Now.

let’s not talk about how everything after chapter 27 was supposed to go very differently

Never mind that, after writing a hundred thousand goddamn words in a year, one’s writing skill tends to evolve and increase over time. Not just in regards to vocabulary, but with consistency and pacing and structure. This means, of course, that I can’t ever reread my own writing without the Evil Writing Goblin in my brain telling me to start the whole thing over from scratch. It’s fine.

I suppose I could get a beta, but I’m very bad at taking critique and as I’m even worse at talking to people than I am at posting on time I don’t think that would work out very well.

The point of this goddamn novel is that TPoY means a lot to me, probably a lot more than people realize. It’s kinda dumb and very cheesy and absurdly long, but it was the first real thing I did for myself after my whole life fell apart. I will finish it!!

But it’s hard to write it right now. I’m trying— I’m writing four chapters at the same time right now (a bit less than 10,000 words combined at current count). I don’t want to try to rewrite the whole fic or keep “mischaracterizing” the characters or lose the suspense I’ve tried to build (or, God forbid, try to keep interest so hard it hurts the rest of the fic) and risk alienating readers. I can’t stress enough how much these supportive comments mean to me, even on something as silly as a fanfic. But I also don’t want to force myself to write it or write something just because other people might or might not like it and risk alienating me. So I’m stuck at a kind of anxiety-induced impasse with myself that’s just made worse by the fact that I’m having trouble writing anything at all at the moment.

Jesus Christ this was longer than I meant it to be. Please don’t take this as a pity-party or anything. I don’t want sympathy or, I don’t know, reassurance or anything, I just wanted everything to be Out There because it really is the most in-depth response I could give and y’all deserve an honest answer. Some of you guys have been reading since the beginning and I can’t express how much that means to me. I feel really bad when I haven’t updated in a long time, because I know my fic makes some people really happy!

And PLEASE don’t take this as a “STOP ASKING ME ABOUT TPOY GODDAMMIT” because this is the opposite of that. I FUCKING LOVE IT WHEN PEOPLE ASK ME ABOUT TPOY. I L I V E FOR IT. But it sucks when the only answer I have is “I don’t know when it’ll be up, sorry :( ”

I mean, that’ll probably still be the answer I give, unless I by some miraculous (heh) stroke of luck) start hyperfocusing on writing again.

But at least y’all kinda know why now.

#did someone call for Too Much Information?? #BUT THANK YOU FOR YOUR MESSAGE I LOVE AND APPRECIATE YOU #I HOPE THAT ANSWERS YOUR QUESTION #[SEVERAL HEART EMOJIS] #tpoy fic #anon good nurse #Lady answers stuff

[thesnhuup]

Pop Picks — May 19, 2019

May 19, 2019

What I’m listening to: 

I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life.  While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.

What I’m reading: 

Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library.  It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more.  It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.

What I’m watching: 

What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.

Archive 

March 28, 2019

What I’m listening to: 

There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.

What I’m reading: 

Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous. 

What I’m watching: 

A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s  AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.

February 11, 2019

What I’m listening to:

Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.

What I’m reading:

Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.

What I’m watching:

Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.

January 3, 2019

What I’m listening to:

My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.

What I’m reading:

Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.

What I’m watching:

Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.

December 4, 2018

What I’m listening to:

Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.

What I’m reading:

I don’t often reread. For two reasons: A) I have so many books on my “still to be read�� pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.

What I’m watching:

Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.

October 15, 2018 

What I’m listening to:

We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.

What I’m reading:

Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.

What I’m watching:

Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.

September 7, 2018

What I’m listening to:

With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.

What I’m reading:

Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.

What I’m watching:

Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.

August 16, 2018

What I’m listening to:

In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.

What I’m reading:

John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.

What I’m watching:

I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.

July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

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Pop Picks – March 28, 2019

March 28, 2019

What I’m listening to: 

There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.

 What I’m reading: 

Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous. 

What I’m watching: 

A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s  AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.

Archive 

February 11, 2019

What I’m listening to:

Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.

What I’m reading:

Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.

What I’m watching:

Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.

January 3, 2019

What I’m listening to:

My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.

What I’m reading:

Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.

What I’m watching:

Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.

December 4, 2018

What I’m listening to:

Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.

What I’m reading:

I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.

What I’m watching:

Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.

October 15, 2018 

What I’m listening to:

We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.

What I’m reading:

Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.

What I’m watching:

Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.

September 7, 2018

What I’m listening to:

With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.

What I’m reading:

Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.

What I’m watching:

Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.

August 16, 2018

What I’m listening to:

In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.

What I’m reading:

John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.

What I’m watching:

I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.

July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

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