Tumgik
#i mean this kindly
boinin · 1 year
Text
Guys, Sendou isn't blond.
I repeat: Sendou isn't blond.
This guy.
Tumblr media Tumblr media Tumblr media
This guy.
47 notes · View notes
landlessbud · 5 months
Text
that photo of michael sheen from yesterday has very strong “i’m weird. i’m a weirdo. … have you ever seen me without this stupid hat on?” vibes
2 notes · View notes
merriclo · 1 year
Text
y’all will reblog anything huh?
2 notes · View notes
the-holy-ghosted · 2 years
Text
Hey mcr fans congrats on the gender win can I get past all the pictures of Gerard way in a dress to get to my other posts now please
3 notes · View notes
mouseymassacre · 7 months
Text
can mom jeans fuck off i am so mental over their music. like goddamn i am addicted to cigarettes. like YES at first i didn't let myself inhale. but smoke got through and so did you now every burn hole smells like home. like what the fuck made them write this song.
0 notes
bumblebyaf · 9 months
Text
marinettes classmates are sooo fucking cringe
0 notes
wiredentrails · 2 years
Text
talking to men is so hard
0 notes
Text
sometimes adulthood is about becoming oddly excited in finding a small mom n pop grocer that will sell you honeycrisp apples at a shockingly low price
1K notes · View notes
kaladinkholins · 3 months
Text
Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
Tumblr media Tumblr media
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Tumblr media
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
Tumblr media Tumblr media
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Tumblr media
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Tumblr media
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
Tumblr media
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
Tumblr media
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
Tumblr media
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Tumblr media
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
Tumblr media
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
Tumblr media Tumblr media
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
Tumblr media Tumblr media
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
Tumblr media Tumblr media
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
701 notes · View notes
canon-gabriel-quotes · 3 months
Text
Transcript:
A vile trickster sent me a nefarious package that unleashed a torrent of glitter upon myself and my home!
I have spent the last 3 hours meticulously using masking tape to extract the microplastics from my helmet.
Audio Source
Tumblr media
gif for anyone who wants it
secret bonus audio of him opening the glitter bomb
287 notes · View notes
autisticaradiamegido · 5 months
Note
thoughts on dave and aradia (<>)?
Tumblr media
day 356
BIG fan tbh. in this house we love and respect timerails
truly yall read this log and tell me theyre not cute
#day 356#year 4#dave strider#aradia megido#aradave#homestuck#she really saw this kid and was like OH YOU HAVE ISSUES WITH YOUR MORTALITY?? :D#boy do i have some relevant life experience and wisdom to impart on THAT ISSUE SPECIFICALLY#and then she just. very gently and kindly makes the subject more approachable for ghostdave#the pesterlog i linked is literally my FAVORITE aradia moment. to me it is THE character defining moment for god tier aradia#yes she is being kind of ominous and trickstery at first#but it VERY quickly becomes clear shes got genuine concern for this kid she's had very little to do with up until this point#she really wants to connect with him over their shared time aspect stuff#and she really DOES care about how he feels about everything. she wants to help and she wants to put him at ease#because she KNOWS from experience that being dead and having to cope with what that means for you is like VERY UPSETTING AND TRAUMATIC#shes not just like. 'hee hee i think death is great and awesome because im edgy'#shes like 'no dude being dead is scary if you dont have anybody to explain this shit to you. so im going to explain it-'#'-and hopefully by the end of this conversation you will have some new things to feel relief and maybe even joy and excitement about'#'not just in spite of the death thing but BECAUSE of it'#i know shes spooky and has weirdgirl swag and we all love that about her but like#at her core she is a very KIND person. she may occasionally struggle to connect to people through the Death Special Interest Haze#but she WANTS to and when she DOES she is like. a genuinely very warm and comforting presence for her friends#ANYWAY. if andrew hussie or i guess james roach now want to give me an honorary doctorate for my 12+ years of intensive aradia studies#i will be here waiting patiently#timerails
357 notes · View notes
theythemmer · 22 days
Text
Tumblr media
‘kendrick vs drake’ ‘megan vs nicki’ nah THIS was the real rap battle of the century
114 notes · View notes
bookshelfdreams · 7 months
Note
Hey I like a lot of the takes you have regarding the pirate show so I wanted to ask for your opinion on smth that's been bothering me for a while:
I have a deep seated dislike for Hamilton. Twinkifying the fucking founding fathers, romanticizing slave abusers and overall villainizing the wrong people while others (Hamilton at the front naturally) gets sung at. Speaking of singing - I really hate it. Shipping (i want to repeat) the founding fathers, the blatant white washing bla bla bla. Anyway those are all known problems and better people have said it smarter before and that isn't really my point
It's the fact that a friend of mine recently brought up that Ofmd pretty much is the same and I shouldn't scream so loud in my glass house. Inaccurate historically speaking, the blatant ignoring of the slave owning that the real Stede and Edward did and so on and so forth. Minus the singing perhaps if we ignore Frenchies and Izzys
So. Does it make me a hypocrite to like ofmd so much but despise the mere mention of Hamilton? It's a thing I'm really stressed about lately and that kind of ruined my joy about finally getting season 2. I would love to hear your opinion. or that of your followers for that matter.
Thank you 😊
oh thank YOU because I do feel that this is an interesting thing to examine and we do not talk about it enough.
I have never seen Hamilton, or listened to the songs (except some snippets). I have never been involved in the fandom. I really, really can't speak to what the musical itself did wrong and right. But I will say this: There was a reason it got as popular and received the critical acclaim that it did. I can't speak to how it addresses the systemic injustice baked into the USA from the very beginning, and I do have a suspicion that it glosses over a lot of uncomfortable truths. But I also feel it is important that we divorce the source material from the fandom it spawns because ultimately, Miranda isn't responsible for Hatsune Miku Binder Jefferson, or the whole hivliving debacle.
Just as David Jenkins isn't responsible for the handwaving of slavery in fanworks, or the great Izzy Hands Debate, or whitewashing in fanart, or shitty, racist headcanons of the characters of colour, or whatever deranged scandal is yet to come to light. This is true for all fandoms; criticizing fandom dynamics is a very different conversation from criticizing the canon.
Let's focus on the canon here, though, because defending the fandom is pointless, and not something I want to do. Curate your experience.
The first thing to say is: If you like ofmd but don't like Hamilton, that's not hypocritical at all, that's first and foremost a matter of taste. Things are good when we like them and bad when we don't. We don't have to find objective reasons for it.
If the fact that the historical Stede Bonnet was a slaveowner, and the historical Blackbeard also participated in the slave trade, are dealbreakers for someone, that's valid. People have every right to be uncomfortable with that. The conversation could end at this point, if we want it to (I don't because I love to hear myself talk).
If we look at the historical figures a little closer the first stark difference is the cultural context in which they exist. The founding fathers seem to be extremely mythologized in the american consciousness but also, are understood to be real historical people. The founding myth is fundamental to the way in which the USA perceives itself (that is, as a beacon of freedom and democracy), and it's pretty hard to reconcile that with the bloodshed and human misery it was founded on. It's uncomfortable; and it's not just an American problem. Every western nation/former colonial power has quite literal corpses in their closets they'd rather not talk about (just so you don't think I'm getting on a high horse about the famed Erinnerungskultur here; go ask a german person about Lothar von Trotha and what he did to the Nama and Herero to receive a blank stare). The difference is, that the founding fathers are too prominent and too important to just not talk about, so instead, they are sanitized to a degree that can be straight up historical revisionism.
That's not Miranda's fault. Nor is it the fault of any one particular piece of historical fiction, biography, documentary, or what have you. But it is the context in which Hamilton exists and, from what I understand, a culture to which it contributes. Especially since it's based on a biography of the real Alexander Hamilton, and (again, to my understanding) claims to tell a more or less accurate story.
Pirates, on the other hand, are perceived completely differently. They are mythologized, but not for ideological reasons, not as state-building propaganda. Pirates are more like folk heroes; cultural icons (near) completely divorced from whatever historical figure once lived. They are "real" in the sense that they are based on real people, but engaging with them, from the start, has a layer of removal from reality that engaging with figures like the founding fathers hasn't. Blackbeard is from a saga. George Washington is from history.
ofmd, specifically, makes clear at every turn that what we are told is a fictional story that has very little to do with any real events. It's openly anachronistic, it has absurd internal logic. Life-threatening injuries are walked off. There's actual magic. Dinghies are treated like spawn points in a video game. Everything, from the costumes to the vernacular to the story beats, tells the audience that none of this is real.
You wouldn't accuse, idk, A Knight's Tale, or Mel Brooks's Men In Tights of whitewashing history. I feel like ofmd plays in a similar league; it's a comedy very vaguely based on history, and it makes sure the audience knows we are not about to be told anything true. If you watch ofmd, you know this isn't about the real, historical Stede Bonnet or Edward Teach.
So. Let's examine the actual story, yes? The story that is told here is anticolonialist, antiracist, and challenges oppressive power structures as much as is possible for a production like this. It addresses these things and condemns them, both explicitly and in its underlying message. (I'm not gonna explain all of this, enough ink has been spilled about it by people smarter than me)
I do not know what Hamilton is about at its core. I know Our Flag Means Death is about authenticity in the face of the whole world telling you there's something wrong with you. It's about resisting dehumanization and reclaiming your personhood. It's about love, in a radical, system-destroying way, about breaking the cycle of abuse, about healing, and finding joy.
Yes, the real historical figures it's based on were all horrible people. Again, if that's a dealbreaker, that's fine. I'm not trying to convince anyone who is deeply uncomfortable with that fact; it's perfectly understandable.
However, for me, personally, the story as a whole is so far removed from reality, and so firm in its message, that I feel this is forgivable.
(Oh, and a lat aside, I also feel like likening ofmd to Hamilton seldom seems to come from a place of genuine criticism. Often it seems to be more along the lines of "Hamilton is cringe, and if I say ofmd=Hamilton ppl will be too embarrassed to defend it" which yk. feels kinda disingenuous to me.)
187 notes · View notes
saltynsassy31 · 9 months
Text
There is no fucking way that the devs for splatoon aren't aware of the problem, like, they even removed the votes from the sneak peek but like, they aren't willing to fix the ACTUAL problem that is the non-regional votes.
A part of me wished they had fixed that sooner because its SO OBVIOUS who would have won if it were regional, but no, it's shiver everytime and we don't even stand a chance against her :/
And the worst part is that if they do not fix this before the final fest, I fear of what it might become.
Idk, it's kinda....sad, really, like...ugh, it just all feel so hopeless now....
Also, was gonna put on tags but if people are to reblog this, then I need everyone to see this
Do NOT put the blame on shiver, it is NOT her fault, you guys are blaming the wrong person, we need to address the actual problem and point the fingers at the REAL culprit and that is Nintendo for not doing anything about this, obviously Japanese people are going to choose someone who represents their culture, I almost do the same by supporting big man (I'm Brazilian), I don't vote for him often as he doesn't have the themes I tend to like, but I still like him a lot just because of that little fact.
So please, stop throwing hate at her and start trying to hold Nintendo accountable
221 notes · View notes
insomnya777 · 1 month
Text
i think joel smallishbeans should blast ur so gay by katy perry and sing his heart out to it i think it would fix him
67 notes · View notes
palms-upturned · 1 year
Text
I think that post tribunal Harry should have some kind of option where if u talk to Roy in the pawn shop he’ll tell u that he has a cane from when his radiation symptoms were worse and u can have it now free of charge because dear Jesus god why are you walking around with a hole in your leg and a broken hip in a town where tripping over craters is an everyday occurrence? Please take it, it’s stressful just to watch you. And if you lost your necktie to the spirit bomb, the cane will talk to you in a new voice (because Roy is voiced by the same actor who voices the necktie) and it gives you volition and pain threshold bonuses. What to call it? Beautiful cane. Sturdy cane. Supportive cane. Idk I’m not good at the naming part. It would call you bratan/bratushka in honor of the necktie and also bc its voice comes from a place that wants to keep u alive just like the necktie, but this time it’s smth u can’t hang urself with. Anyway devs you can have this idea for free please please pl
611 notes · View notes