and the winner of TUMBLR'S ULTIMATE SAWBONES is...
DOCTOR BARON MARIUS VON RAUM!!!
'twas a rough, tough, final poll, and a long interesting way there, so thank you all, including surprise participants @neitherabaron (!!) and @pepurika (!!!), for coming out to our little bracket!
...when we created this particular torment nexus, we didn't expect to be the ones experiencing torments in it, but with our most precious of blorbos frequently going head to head, we as your local poll-runners certainly did get tormented! thank you also for the torment.
now, while this poll may be over, the fun and/or torment isn't done quite yet! tune in again sometime soon for our next caper, the MARITIME MATCHUPS, wherein we'll determine the finest of fictional naval officers!
395 notes
·
View notes
"Does Shen Qiao even like Yan Wushi?"
I feel like it may be relatively easy for people to pick out "what does Yan Wushi like about Shen Qiao / what does YWS get out of yanshen." but I think a criticism/line of thought I see around is people struggling with "well what does Shen Qiao get out of all of this?" and like, "does SQ even like YWS, what with how YWS annoys him and gets him angry all the time."
But I think that actually is the crux of their relationship, lol. Because if you think about it, to everyone else, Shen Qiao is this lofty ideal, this untouchable immortal/仙, maybe even this obstacle or goal to conquer or shoot down.
Who else treats him casually and teases him and pokes at him to get emotional reactions out of him because they like that about him?
If he wants to seek people who treat him with respect and reverence, he just has to step out into the city square - hell, he just has to travel out and random people he meets are likely to treat him with that sort of dazzled awe or reverence too (we literally see this happen several times in the course of the novel).
So yeah, I think joking not joking, YWS makes him angry and feel Emotions and he likes that, YWS is enrichment for him, YWS pushes his buttons and his boundaries but reframing that it's pushing him out of his comfort zone and like hardening him off to the elements and realities of the world like a gardener with plants out of the greenhouse. But also, YWS treats him like a person, like a man, and not like Shen-daozun, Shen-daozhang, Shen-zhangjiao. To Yan Wushi, Shen Qiao is Shen Qiao. (and he loves to tease the shit out of him hehe ( ̄▽ ̄) )
CONVERSELY! This also gives Shen Qiao a space to *be* Shen Qiao. With Yan Wushi, he does not have to be Shen-daozun, Shen-daozhang, Shen-zhangjiao. He does not have to always be magnanimous and generous and a bastion of righteousness. These are in his nature, yet, but it's not ALL of his nature - he is, after all, still a man, a human, with human emotions -- including the full breadth of human emotions. Yes Yan Wushi annoys him and he shows it, but it's specifically BECAUSE of that that they are closer than him and anyone else in the world. He can "be himself" around Yan Wushi, he can get worked up and be petty and be snippy, and it's fine and won't cause catastrophes or undesired splashdown sociopolitical effects.
But also, he (lets himself?) get worked up by Yan Wushi - they HAVE that level of intimate understanding with each other where they can be like this and not have feelings hurt in any irreparable way. This isn't something that SQ does (lets himself do?) with just anyone, which we see throughout the novel reflected in his internal narration and comportment. So really, the fact that he DOES get annoyed with YWS shows that they are on a different, more "real" level with each other than SQ is with anyone else.
And like, they didn't get there in a day, sure, but imo we definitely see through the novel how they get there, so imo, the yanshen relationship is incredibly justified.
(I also say this bc I think literally every "I've connected the two dots" moments I've had in my reread, I would metaphorically flip the page only to be met with that connection I'd made spelled out on the page by MXS lmao. Like... yeah okay MXS *shakes your hand* you know your stuff. oh and also because I do think there may be some level of skepticism about yanshen esp from SQ's side floating around lol, but like... MXS did the legwork! yes chapter 45 happened, yes YWS never "apologizes" with words, but that doesn't mean that they don't share a deep mutual understanding of themselves and each other by the end, nor that they haven't moved past the events of literally 83 chapters ago, 96 if you count the extras -- a whole literal two-thirds of the novel ago. Like, I know we piss on the poor here and many educational systems around the world are in shambles these days, but work on developing reading comprehension skills, pls :') )
(lmao rip this post got long AGAIN. well, hopefully at least some people are reading all of this lol.)
27 notes
·
View notes
Into the Storm
Storms berrate the helicopter as it draws near, towering waterspouts reaching into the dark clouds like pillars of the Parthenon. Rain swirls around them, flashes of lightning threten to blind the pilots, all while something darker than the clouds snakes throughout the sky.
The chopper shakes with turbulence, but the Other Yugi pays it little mind as he sits with his rival. In a rare moment of cooperation, they compare their decks, discuss their strategies, try to form a battle plan to save the world.
Finally, a geat tower appears through the wall of dark clouds and rain, a spire of white stone rising from the black, tumultuous sea. Mokuba, hanging on to the back of Isono's co-pilot seat, gasps as it comes in to view. He calls out for Seto to look, finally daring to interrupt the Duelists' conversation.
Somehow, the pilots manage to brave the winds and land atop that massive structure, before an intricate and ornate temple.
Without hesitation, Seto Kaiba and the Other Yugi exit the helicopter and approach that temple, both determined to bring this Armageddon to an end. Though Tristan and Téa both hesitate at the entrance, Mokuba marches in right behind his brother.
The temple feels ancient and brand new all at once, with all its long, stone hallways and intricately carved snake motifs, and not a speck of dust. It almost feels unreal, like a sophisticated movie set, or something in a theme park. But the oppressive feeling that permeates the air in this place is very real, making Mokuba's hair stand on end and his chest feel tight.
Seto tells him to stay close, and Mokuba wishes he could laugh. As if he could stay any closer. No, he doesn't plan to fall more than a step behind.
The group enters a massive chamber, dimly lit by standing torches but otherwise empty. The walls, floor, and ceiling of this room are carved in thousands upon thousands of perfect rectangles, each filled with the image of a different human being.
Téa gasps as she realizes what these tiles depict.
Mokuba feels his stomach sink.
The walls of this chamber stretch up, up, up into shadow, to a peaked ceiling too dark to see. And every inch of those walls is tiled in trapped, human souls.
So this is what made the air feel so heavy with dread.
Out of the rows and rows and rows of poor, unfortunate souls, somehow the Other Yugi finds that one in particular almost immediately. His eyes widen as he calls out for his Partner and races ahead impulsively, and the rest really have no choice but to follow.
Until an echoing voice stops them in their tracks as they reach the center of the expansive hall.
"You've kept me waiting, Nameless Pharaoh, Seto."
Who is this guy to use his first name, anyway?
"Still, my god feels blessed that those with strong souls have finally arrived. And you brought your friends for dessert, too. Good. My god is very hungry."
The torches flare, flooding the room with bright light. Finally, Dartz shows himself, appearing from the dim shadows as if by magic. Or some cheap parlor trick, as Seto would say.
Mokuba steps closer to his brother.
Yugi starts to argue with Dartz, to launch some speech about the value of these lives and souls, but Seto cuts him off. "You know there's no point to arguing with him, Yugi. You know what we came here for." Straight to the point, as always. Unwavering and confident as he readies his DuelDisk.
Mokuba feels a hand on his shoulder. "C'mon," Téa urges him away from his spot at Seto's side. He glances back up at his brother, with his own determined glare fixed on his enemy. Reluctantly, Mokuba follows the cheerleaders to the sidelines.
He had told Crowley he preferred his role as support. But when there's no computer to hack, no plane to save, nothing to sabotage or investigate or DO except watch and cheer, he feels helpless. Maybe if he played Duel Monsters more, he could fight too. Maybe if he wasn't so afraid of being the hero, he could have taken that Claw of Hermos when Joey fell. Maybe he could be helpful. Useful.
The Duel begins, and Seto goes first. By the end of his turn, he already has one Blue Eyes White Dragon on the field, and Mokuba feels his spirits lift a little. Yugi's first turn ends with Black Luster Soldier at the ready, and the teenager cheers.
And then Dartz begins his turn. Unfortunately, he had a fortunate opening hand as well.
He activates the Seal of Orichalcos.
A gust of wind snuffs the torches, leaving the chamber illuminated only by the teal light of the Seal of Orichalcos. The air, already thick with the anguish of countless trapped souls, feels suffocating. The temperature drops.
Across the playing field, the expression on Dartz's face changes, his lips curling back in a snarling grin. His mismatched eyes narrowed, fixating on the Duelist's with what could only be described as bloodlust.
Mokuba feels that hope fade as quickly as his brother had summoned his first dragon.
9 notes
·
View notes
it’s very funny how this fandom suddenly cares so much about sensitivity, meanwhile no one was up in arms about folks calling valeria shit like “cartel mommy” and simping for her. and, if you point this out, you get told that it’s “less important” or incomparable. way to tell victims of cartel violence that they don’t matter. y’all can’t preach about sensitivity and mindfulness while doing the exact opposite of that.
sensitivity is something that needed to be brought up a long time ago. people need to be mindful about the content they’re engaging with and producing. COD and its characters are based on very real issues and very real situations, mindfulness is needed for every single character.
seeing this only be brought up in the context of makarov and graves is honestly so, so frustrating. they’re not the only problematic characters that you need to consider when making content. western militaries like the US and UK are incredibly controversial and have devastated vulnerable people and their countries. price, ghost, soap, gaz— any member of the military, especially the special forces, is problematic. they’re not good people and should not be treated like saints, nor should they be idolized for what they do.
that all being said, the concepts of “be mindful and sensitive when making content” and “let people enjoy problematic media” can absolutely, 100%, co-exist. art is not meant to be a paradigm of moral goodness, it has always been a medium for people to explore things that are considered "taboo" in a safe space. there's a reason why "dead dove: do not eat" exists as a genre – with proper warning and precautions put in place, people can explore darker topics. for some, it's morbid interest. for others, it's a way of coping with trauma and experiences they've had in real life.
i want to repeat this just to make it very clear: be mindful and sensitive with the content you're producing. do not romanticize topics that should not be painted in a good light. don't minimize the impact of characters' actions or act like people are in the wrong for being uncomfortable with them. in this fandom especially, people treat atrocities like jokes because we're becoming desensitized to them. it's up to every individual to ensure that they don't forget how impactful a lot of this stuff is in real life. war is not a joke. terrorism is not a joke. people dying is not a joke. do not romanticize any of these things in your content, even if you're exploring the different sides of the people behind these things.
humanize the characters all you want. horrible people are still people, after all. humans are not one-dimensional beings. humanize them, but do not romanticize them.
be kind to victims, be sensitive, and be mindful about what you engage with. no one is perfect, no thing is perfect, but we can always do better. we need to approach every topic through this lens instead of picking and choosing who to support. everyone is deserving of it, everyone is entitled to basic respect. we don't need to compete and argue over who has it worse, we just need to be better across the board. support real victims. don't let media warp your perceptions of reality. be conscious of the content you make and consume.
32 notes
·
View notes