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amesliu · 2 years

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You've already seen this, but this is me formally giving you permission to rip it to shreds with critiques ✨️

Have fun hehe

Honestly I've been dying to actually be okay at art so im getting my notes ready 🧎‍♀️

Okay hi I was blocking some lighting for a drawing and now I'm making tea before bed and I'm ready to go. This is gonna get lengthy so cutting here for everyones convenience

I like the general vibe of it. You set the tone of the drawing very well and I can see the type of imagery you're going for! That's really great because understanding vibes and emotions is something that is harder to teach and easier to have an instinct for. I don't know if thats what you're going for but if it is congrats and also a huge part of my comments will be based on this because my goal in a critique is to understand your intent and help make that come through as best as possible

Also, hands are hard and these are not bad at all. I feel like they're probably referenced which is excellent, always use references if you can't get it right and use references even when you think you can (i say, knowing i don't use references like half the time rn). Building your visual library is the one of the most important things to learn as an artist.

I think my main overarching theme for my critiques is that its taking the middle road (hear me out).

This is a very common thing for a lot of people which is that they don't go super detailed, but don't go super simple. They don't go super dark, or super light. Everything is kind of low contrast, wishy-washy, if that makes sense. You wanna go one way or the other. If you want it to be detailed go detailed, if you want it to be simple go simple. Right now it's in this middle ground between simple (with the blurred airbrushed blending and the light lines on the hands) and detailed (with the folds of the fingers and on the creases on the thumbs and the nails).

Similarly, you want to make a definitive decision on whether or not you are using linework on your drawings, or if you want to use some linework but not everywhere (like on the rest of the hands vs the nails) you want it to make sense with the image.

If we're talking values (as in light and dark) of the image, the creases on the hands should be darker than the outlines (fold ur hands the same way as the image, you'll notice that these are the darkest spots).

Personally I definitely mix line-work and paint over in my art but if you take a look at this hand from my Blackjack drawing you'll notice that the line-work is either lighter or not present where the light hits on the back of the hand.

it's probably a little more obvious what i mean in my cheerleader annabeth. when I do leave lines on my work i actually alpha lock the lineart and colour over them with a lighter colour where the light would hit.

while we're on the topic of middle roads and values, i'm gonna segue into my point about contrast.

i totally get the like washed out light vibe but even images like that need dark darks and light lights. some people post pics that totally wash the image out for the aesthetic but when you're drawing you generally wanna have contrast.

these spots (marked) should have your darkest shadows. especially if you're looking out onto water which would generally add a slightly backlit effect to the lighting because water reflects a helluva lot of light and usually have pretty harsh shadows as a result (you can fold ur hands like this and put it against a light and see what I mean). personally would recommend a super dark shadow there with a touch of rim lighting.

i know the lighting isn't quite the same but if you take a look at the polaroid of my late night talking drawing you'll see what i mean when i say that washed out soft vibes still have dark darks. the dark darks are actually what make the light lights pop and make it feel purposely washed out.

stealing this from carries moodboard but as you can see, waterfront image with a washed polaroid aesthetic still has dark darks and light lights.

My second point about contrast is sort of a comment on sharpness (?). This is another thing that's common with a lot of digital artists is that they will simply airbrush/smudge/blend until they die and this results in super soft shadows. IRL does not always have super soft shadows. Here is my rendering process if you're curious

I think you could use some harder shadows (especially given the setting) in particular around the creases of the hands. Especially with the blurred background (which, same so true) you want the focal point of the drawing to be less soft. This is why the bracelet looks so good. It's got all the darkest darks, and highest contrast, and it's the sharpest. If you look at my work (when will i shut up about myself smh) you should be able to see a healthy mix of soft shadows and sharp shadows. Its about the balance 🤌

Another point that is also about contrast (ugh i know, but art is all about balance and contrast unforch). Is that I think you need sharper lines and shapes overall. Again this is why the bracelet is so nice to look at because of the sharp lines. Fingers have bones and therefore have hard edges. If you look at someone with their hand balled up you'll see that the knuckle is a much sharper edge than the curved line you're currently using on the left hand. It's so key to find a balance of sharp lines and curves (if you go back to the real time video of me inking you'll be able to tell, especially in the hands, how I mix curves and hard lines).

Some other minor comments:

i think the fingers on the right hand are a little off, it should be a little more tapered and you should see some of the nail from this angle

the composition is super centered so i think you should straighten out the horizon line a little bit. the hands are already asymmetrical so you want to balance that out with a perfectly straight horizon

personally i would make the sky a slightly more sky blue shade than you've got going right now. skies are often actually closer to white on like an overcast day and don't usually hue warm/purple until sunset.

i think you're using black or something to shade? i won't be that type of person to say you definitively can't use black to shade (and to you're credit i think i see a tinge of orange and blue around the shadows) but you should know that most shadows aren't black and that using black can grey out or desaturate your image and make it feel flatter and more lifeless. personally i use deep blue/purple on shadows but if you want to learn to make black work for you more power to you.

Anyways this is a behemoth. Thank you for letting me do this 🫶

#not art #art nerd shit #i am being SO normal #asked and answered

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rt-lots · 2 years

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louis, clementine, jane and kenny for the character opinion bingo 🙏

RAAAAHHHH LETS FUCKINGG GOOOOOOOOOOOOOO

louis

im doing these in ms paint dont make fun of me BUT LOUISSSim in love with him top 10 f/o of the over. oh my god. LOUIS GETS a *little* done dirty by the fans but in general hes really beloved and i am grateful for that. i love him. he is so the EVER im so excited to start s4 literally just for him i am obsessed with this guy hes the silliest billiest of the ever my life

clementine

CLEMMMM one of my fav characters honestly... also i checked off adoption papers but best friend bestie papers also work. SEE i was playing s3 w max and he was like "im a clementine apologist" and im NOT her moral greyness in s4 IS MY FAVORITE FUCKING THING EVEERRRRR mcarrol ranch. RAHHHHH OH MY GODDDDD all my thoughts about her are, to be completely fair, recycled thoughts from much more competent anaylitcsists (thats not a word but i dont care) BUT still i could regurgitate those recycled points for HOURSSS i love her sm. ALSO she doesnt REALLY work better as part of a dynamic im moreso referencing her parallels with aj and lee GGRAAAAAAHHHH LEE AJ PARALELL im very easily pleased.

jane

hmmm janeee... this is where my popular opinion differsss. ok so my thoughts on kenny (this isnt about kenny but kennys impportant when talking abt my feelings on jane) rlly shifted when i watched the video "we dont talk about kenny" or some shit BASICALLY making the claim kennys role in s2 is that of an abusive stepfather. i didnt agree w all their points but its what shifted my view on kenny. (altho my view on kennys shifted AGAIN after playing s2 but youll see that in a sec) when it came to jane tho a lot of the comments were complaining that jane was "just as bad", and the vid doesnt mention her enough. so thats the belief i adopted

UNTILLL i played s2 and thought. no. no shes not nearly as bad as kenny imo. jane has commitment issues forged by trauma which is why shes hesitant to connect w the group and leaves on impulse. she knows what its like to get hurt. but the fandom constantly mischaracterizes this as jane not caring about anyone but herself (probably cuz kenny said it... just sayingg....) and that pisses me off. you cannot claim jane, who killed someone who wasnt directly attacking her the first time for clementine, who pulled clementine out of the ice and was the most concerned with saving her life, who came back after being 2009 emo furry levels of a loner just for clementine didnt care about clementine. she totally did!! she was real with clementine, warning her about love and loss to protect her.

shes totally not justified at all in ep 5 tho. and shes not justified in everything she does! ever! shes morally grey and i like her but i think it just comes back to the ass writing of s2. they wanted a conflict between luke and kenny (new vs old family) but then were like "shit how can we kill one of them!" and decided to bring hotheaded, flaky jane in to KILL A BABY so she would be on the same moral playing field as kenny. which she ISNT thats DEFINITELY A LOT WORSE!! so of COURSE a lot of people hate jane. but idk i think shes mischaracterized a lot which leads to hate for the wrong reasons. it almost feels kinda?? misogynistic at times?? people who are adamant kenny, who has violent rage fits due to his trauma, is justified in doing so but jane being emotionally distant, or dare i say, "a bitch" bc of her trauma is out of line... i see yall...

kenny

ayyy bingo!!! oh i got bingo on jane too i just didnt notice oops. OK so kennys section is gonna be as long as janes so before i ramble about that i wanna clarify the dynamic part: kennys whole thing is loyalty and i think his best moments are when hes with other people. theres not one specific kenny + another character dynamic i like, i just think kenny is best when hes w people.

kenny... clenches fist. i mentioned in my jane rant how the "why we dont talk about kenny" video changed my perspective of him. and yeah! it did! i dont like kenny in s2 specifically. i think they fucked up his character for the sake of pointless angst and where we couldve gotten an arc about cycles of trauma or healing or literally just kenny-based-fanservice instead we got a pissing competition between him and jane of who could take out their trauma on the other more violently. kenny particularly gets me bc personally, im a big doormat! i walk on eggshells for people. s2 kenny is the type you need to walk on eggshells for. and thats not healthy. i think kennys statement about jane in the truck is wrong, and i think hers is wrong too, but... i mean shes a LITTLE right. the people around kenny ARE scared of him. he (I THINK) recognizes his actions to clementine but seemingly doesnt take an effort to really change them... he just mopes around and then beats up teenagers. its exhausting.

but i dont think its right to call kenny an abusive stepdad. hes not as bad as i expected, to be frank. hes just really poorly written. he is in heavy grief over his familys death, and theres something that can be done with that, but it isnt. he stagnates until it escalates to a final confrontation- which would work in theory if the confrontation wasnt over the death of an infant, like regular kenny would still totally kill her ITS BABY MURDER IT DOESNT WORKKK- and ends. at least closed-off jane opens up occasionally, she isnt totally stuck at the same point like kenny is. kenny recognizes his problems, but when hes with people he acts the same. itd be like if jane kept telling clementine "i think i will open my heart and be less afraid to accept people into my life" and then left the group again. i could probably say more but ive been typing this for like an hour at least im gonna end it here. kenny my beloved but also i hate you

(altho one thing i do love abt kenny is how no matter what ending u choose he assures u it was the right choice... i think thats sweet. just bc im a big kenny critic doesnt mean i dont still have a big attachment to him)

anyways w/ all this out of the way please note these are all my opinions if anything is inaccurate dont come at me... im simply sharing my perceptions of my favorite little game

#NOT gonna tag this bc i have some unpopular opinions #also didnt research anything for this so there might be inaccuracies!!#dont wanna spread misinfo yknow #bunny tag #walkie talkie

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springfieldblues · 4 years

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my long ass review for S32E03 Now Museum, Now You Don’t

warning: LONG because i rambled about history more than i thought i would

id been looking forward to this one because i like art history, especially after seeing how they tried their best to stick to historical accuracy in the previous episode I, Carumbus. this time however….they didnt try that hard. i dont know why i thought theyd go through that sort of trouble again LMAO

but its okay, i dont really expect the simpsons to be the paragon of historical accuracy or anything. especially in anthology episodes told through a particular character's lens (in this case, lisa, whos already feverish so whatever)

first i just wanna say that this is, i guess, less of a review and more of an accidental list of history fun facts. so im just gonna get my general thoughts out of the way first.

the episode was fun! to me at least haha. i mean it got me to think and do a lot of research on my own so that must count for something. besides a couple of really weird ones, the jokes were good. anthology episodes tend to be….not that good but i thought this one was one of the better ones so far. idk.

anyway on to lisanardo da vinky its the renaissance! jesus christ the italian accents in the beginning of this segment were annoying as hell but i also feel like that was the joke lmao. ill be real i kind of tuned out for a second there when grampa started rambling so idk what he said.

i told myself i wouldnt get nitpicky with historical accuracy if the jokes were funny (final edit: so that was a lie) but this meh bit with the pizza guys and mascots was really not worth ignoring the fact that its impossible for italy to have any tomato-based food in the 15th century (tomatoes were brought to europe from the americas in the 16th century, and pizza as we know it today—flatbread, cheese, tomato—originated in the late 18th century)

oh this next part was kind of legit tho. lisanardo, like the real leonardo, became andrea del verrochio's apprentice at his workshop. i loved this next bit:

"Whoever paints the sweetest cherub will have the honor of having MY name signed on their work. That's what great artists do!"

SO YEAH as it turns out, lisanardo painted the sweetest cherubs. the painting here is called The Baptism of Christ, and the real leonardo assisted verrochio in finishing it. specifically, he painted the cherubs in the corner.

this causes verrochio to quit and go someplace with less talented people: a music school (yes, verrochio did quit painting after getting owned by young leo and his mad angel painting skills. he never did anything with music tho, he was more of a sculptor)

alongside lisanardo, in mr largo-verrochio's workshop we have barticelli (botticelli bart), dolphatello (donatello dolph), ralphael (raphael...ralph) and mediocrito (no one that i know of. sorry milhouse) (and kearney i guess but they dont refer to him by name). botticelli and donatello are said to have also been apprentices at verrochio's workshop, but raphael came a couple of decades later so he couldnt have been there. and donatello was too old so that claim is a bit questionable. but anyway

it IS true that leonardo's peers envied him, to the point where he was anonymously and purposefully accused of being gay (a major crime punishable by death in 15th century florence) while he was still working at verrochio's workshop

we are then treated by what im pretty sure is the fourth time the show has used 'at seventeen' by janis ian, this time sung by a dejected lisanardo (man they really do keep making yeardley sing these days huh) who only wishes to be appreciated and not envied.

"I'll show them all! I'll show them all in a secret diary that no one will decipher for 400 years!"

some of lisanardo's future inventions. who wouldve known

so after barticelli, for some reason (revenge??? or something?? what was his plan here idgi) steals lisanardo's diaries full of blueprints of her inventions and takes them to mr burns who i have to assume is pope alexander VI here, they decide to use her inventions for war.

"With these, we can kill the most evil people in the world!! ....Slightly different Christians."

leo actually did this of his own accord. im surprised this is what they decided to do with lisanardo instead of talking about leo's love of nature and vegetarianism (not a single mention of that in this episode? come on...) then again, trying to do good only to end up indirectly making things worse is a very standard lisa storyline. i guess they didnt want to miss the chance to have evil pope burns (very fitting, especially for that era since they were all about money and controlling the people)

so lisanardo decides to leave for france, unlike the real leonardo who was more or less persuaded by his ultimate fanboy king francis I to move to france.

"Lisanardo, I have many questions. Why are you hitting yourself? A nerd says 'what'? And how is it possible that I am rubber and you are glue? Et cetera, et cetera."

that line may seem a little random, like hes just nelson saying nelson things (and i mean, obviously he is) but the real francis also "had an unquenchable thirst for learning, and Leonardo was the world’s best source of experimental knowledge. He could teach the king about almost any subject there was to know, from how the eye works to why the moon shines." so yeah, he did have many questions and lisanardo, finally being appreciated for her intellect, was happy to answer them all. its very interesting how lisa assigned this role to nelson in her retelling of da vinci’s life :^)

and so she lived the rest of her days in france, nat king cole's 'mona lisa' plays because duh, and they make a da vinci code reference because duh. and the segment ends. and not a single time did they show the actual mona lisa painting. the fuck?

(ngl i was fully expecting bart to say 'leonardo da vinky' for a second here)

so this next segment is about french impressionist painters, most likely the batignolles group, a name adopted by the early representatives of impressionism. its much more vague than the lisanardo segment since no one here is referred to by name (except moe, more on him in a sec) but i dont feel like it really matters in this case. bart is prrrrooobably claude monet but its hard to say, this segment is kind of a mish-mash of a lot of things. also i gotta say i really liked how lisa introduced the story to bart with an 'if you hate the formal study of art' and not 'if you hate art' because thats exactly my headcanon. i LOVE the concept of artist bart and whenever its referenced it just makes perfect sense to me.

anyway the segment opens in 1863 at the école des beaux-arts (back then it was actually known as the académie des beaux-arts), preserver of traditional french art styles. skinner reviews his students’ paintings one by one. praises the plain, unimaginative paintings depicting your typical european countryside landscapes. very run-of-the-mill (haha get it...cuz theres….a windmill) (although the real académie didnt approve of such basic stuff, they wanted artists to draw epic historical and mythological scenes) then he gets to barts painting and he gives him an F- because the painting made him think.

(the paintings in this scene arent real famous paintings as far as i know but they are inspired by real paintings enough to get the point across)

in comes barney dressed as bacchus as a model for the students to sketch, which i just loved:

barney: “You prefer robe open or robe off?” skinner: “Just cover your privates with this walnut shell.” barney: “Whoa!!! So roomy!”

skinner gasps in horror at bart’s sketch, which “looks nothing like him” and bart explains that “it shouldn’t; we’re making the art that we feel because we can’t compete with a camera.” damn, you go bart. take that, realism. draw what you feel!!

(also no, you didnt need to hold still for 17 hours for a daguerreotype. 30 min tops.)

nelson haw-haw of the week: FOIE-gras!

so here they are at the moulin rouge (“enjoy it before baz luhrmann ruins it” hey shut up. i love that movie), which wouldnt be built for another 26 years, but it is the most widely known gathering place for bohemians in the public consciousness so i can understand why they went with the moulin. nelson delivers this anachronistic line:

“This époque keeps getting beller and beller!”

which alludes to la belle époque, the golden age of france usually dated from 1880 to 1914. made me snort so ill let that slide

and heres moe! as henri de toulouse-lautrec, who was actually born a year after the year this segment is set in. yo moe szyslak he was just 1

toulouse-moetrec introduces himself as the chronicler of the demimonde (not an actual job). an iconic figure associated with the moulin rouge (largely due to his affinity for alcohol and prostitutes), toulouse-lautrec was also a painter, having illustrated a series of posters for the moulin himself. he simply had to be in this segment, anachronisms be damned, just because they decided to include the moulin. cant have one without the other.

and yes he did have a walking cane where he kept his liquor.

i love how everyone drinks absinthe in this place. theyre bohemians what else would they drink

toulouse-moetrec points out that barts paintings are the greatest thing hes ever seen (and hes seen like five things!) and that hes a genius. milhouse realizes that they should stop doing what the teacher says and use their own minds to instead...start doing what bart says lmao. to the easels!

next we have skinner hyping up chalmers about the art his students made for the salon de paris, an art exhibition that the emperor of france will attend. he assures him that none of these paintings will encourage debate, provoke thought or be out of place at a dentist’s office. when they unveil the art, theyre both SHOCKED at how scandalous the paintings actually are.

this reaction was kind of accurate. impressionism was severely rejected at the salon de paris, due to paintings not looking finished enough to them, they thought they were ugly and vulgar for depicting nudity in a contemporary setting (historical and mythological nudity was fine). these impressionist paintings were sent to the salon de refusés, which is. yeah. the place where they sent the rejects. the salon de refusés does not make an appearance but this scene makes a reference to it when the artists get expelled from the royal salon. also:

“What about our student loans?” “Oh they’ll be refunded. We are not barbarians, I mean, come on.”

(god if only)

so the painters are down because they want the emperor to actually see their paintings. toulouse-moetrec pipes in once again with an idea.

“There is one thing the emperor loves more than anything.” “France?” “No, he hates France.”

apparently the emperor really loves cheese, which makes sense since its napoleon III (who loved cheese) and homer (who loves cheese.) so the painters roll into the salon inside a giant wheel of cheese (obviously.) as lenny said, “Eh, you know French cheese. Very runny.” napoleon III chases after the wheel into a room, where the wheel falls apart after getting chomped on by the emperor. now that they got his attention, the painters proudly show the emperor their impressionist art, which he couldnt be more indifferent about because he just wants to eat his cheese dammit, and he awards them with the royal medallion just to kind of get them out of his way. skinner immediately starts kissing ass (as he does) until marge’s like ‘hey wait a minute. you expelled these students from the royal salon’ and an executioner immediately starts ominously measuring skinners neck.

“Uh, sir...is your tongue sticking out because you’re dead or because you’re mad at me?”

and thats the end of that lmao (gore in this episode, gore in the last episode, and next week we’re getting gore too cuz its THOH, what the hell is goin on)

we get a short intermission with maggie, who wants a story for her too! lisa tells her that renaissance artists loved to put babies in their paintings, especially baby angels.

here she is showing her The Triumph Of Galatea by raphael:

King David Playing The Harp by peter paul reubens:

and a very simplified version of pretty much any depiction of hell by hyeronimus bosch lmao:

not much else to say about this one, really. but i really liked that sky!

the last segment is about frida kahlo and diego rivera. or as bart puts it ‘the one about a fat guy whos wife is too good for him.’ i was REALLY looking forward to this one because i love frida and i thought itd be a cool opportunity for animators to go bonkers and do really cool shit with her art as inspiration…..but the segment is not about frida, its about diego and his selling out to capitalism. and its also yet another story with homer and marge drama. no funky cool animation here. sigh i guess i’ll take it

the story begins in 1929 at la casa azul, frida’s home (now museum dedicated to her life and work.) frida and diego are getting married. this courtyard definitely did not look this way yet back in 1929. also theres something very cringy yet funny about lovejoy saying spanish words the way he does, i honestly cant decide how i feel about that one

the writers know theyre being cringy with their gringoness so they go along with it.

moe: “Spanish for ‘best wishes’!” mel: “Spanish for ‘congratulations’!” bumblebee man: “Spanish for ‘muy bueno’!”

OH YEAH BUMBLEBEE MAN this is his new voice actor, eric lopez! hes not mexican but its still great to finally have a latino actor voicing a latino character and hes very excited to be part of the show so i hope to hear more of him!! im rooting for him

el barto/zorro makes an appearance which i am very confused about. he has jack shit to do with frida and diego and mexico in the 20s-30s. el zorro was set in the spanish california of the early 19th century. their use of the original theme song makes me think they just wanted to flex their disney privileges tbh

lets not talk about that that whole scene was bad

anyway diego announces he and frida are going to new york, without even asking her first. frida is obviously pissed.

“Don’t worry, as a woman, you’ll be treated with much more respect in America.”

so in new york, diego is having a bit of a business meeting with mr burns as one of the members of the rockefellers, who is commissioning him to draw a mural for the rockefeller center. its kinda funny how he refers to him and frida as socialists even though they were very much communists lmao its okay you can say it. ok so far, but then frida says ‘yes, we hate the capitalists! right now, a young socialist is being born who will take them down! mr. bernie sanders. i hope hes quick about it’ and that was a simple enough joke and couldve been left at that but then its immediately followed by this weird as fuck family guy-esque cutaway gag to bernie as a baby:

“Getting a cootie shot should not cost your lunch money. And if you don’t listen to me, listen to the Bernie Babies! What? Everybody’s got goons.” *larger babies start beating up this other baby* “I disavow that, and welcome it.”

this confused me so much that i had to ask one of my american friends to help me understand, but even she was like ‘uhhh yeah thats a weird joke,’ especially now that hes been out of the race for months (then again these episodes take almost a year to produce. i guess they couldnt be bothered to replace it with something more relevant.) whatever that was weird and confusing and unfunny moving on

frida is pretty irked that diego is going through with this deal. after all, it goes against everything they believe in. im not sure how the real frida felt about diego doing the mural, but she did feel a bit of rage during her visit to the united states, especially the obvious disparity between rich and poor. she hated having to interact with capitalists and found americans very boring. in this segment, frida seems to be acting more like the american communist party, which diego got kicked out of for accepting commissions from wealthy patrons. in any case, frida is pretty upset about this whole thing.

and finally we get the first and only kind of surreal frida moment. kinda. maybe. its more cartoonish than anything but im desperate ok

interesting how they felt like they had to add a “don’t smoke” in big letters after showing patty and selma flying away on their giant cigarettes. i wonder if this is something theyre making them do now? i remember hearing something about them toning down patty and selma’s smoking

diego comes home to frida, drunk as hell, followed by the marx brothers. i cant believe they didnt make a marxism joke come on it was RIGHT THERE. THE MARX BROTHERS. KARL MARX. COME ON

frida paints her feelings.

this makes diego realize that frida is a genius and he is not half the artist she is. he proclaims he will now show his awe of her by sleeping with other women, starting “an hour ago.” to which frida replies, “and i will start sleeping with other women, starting two hours ago.” yes this was pretty much their relationship. though im just wondering how the hell did diego not know frida was this kind of artist until now? i know homers an idiot but jeez. art was how frida and diego met, diego knew from the get-go that frida was an incredible artist. i guess the fame got to his head or something. again, homer just being stupid.

“well enough already, while the art is still deco, okay?”

its time for the mural diego painted, Man At The Crossroads, to be unveiled:

rockefeller examines it. good and great so far, and then...uh oh

“Who’s that fellow…? With the beard, and the bolshevik smile…” “That’s the founder of Soviet Russia, Lenin!”

“B-b-but he’s a communist!” “Oh he just attended a couple of meetings.”

rockefeller will not have this communist in the temple to capitalism that is the rockefeller center, so he orders diego to paint over it. diego stands his ground and refuses. despite rockefeller’s threats, diego says that theres only one person he wants to be proud of him no matter what and in true homer & marge fashion, frida is touched by this. they happily leave the rockefeller center.

now, the real story of Man At The Crossroads and the rockefeller center was actually not that different. as soon as the rockefellers found out diego had snuck in a portrait of lenin into the mural, they ordered him to paint over it, to which he refused. diego even offered to include abraham lincoln and even american abolitionists in the mural as a compromise, but the rockefellers simply did not want any references to communism whatsoever. they did not complain about the hammer and sickle, though. yes, they did know diego was a communist and hired him anyway. what did they expect? lmao. diego said:

"Rather than mutilate the conception [of the mural], I shall prefer the physical destruction of the conception in its entirety, but preserving, at least, its integrity."

so they decided to destroy the mural before it was even finished and they never talked to each other again.

diego then repainted the mural at the palacio de bellas artes back in mexico, this time known as Man, Controller of the Universe. this new version included even more communist leaders and a depiction of john d. rockefeller jr. drinking at a nightclub, right underneath a depiction of syphilis bacteria. cue nelson haw-haw:

this was the version they used in the episode also, since the original was, well, never finished and also destroyed. only a black and white photograph of it exists, taken by diego before it was destroyed so he could remake it.

right so, homer!diego then pulls a Barthood and finishes the episode with a large mural summarizing the entire episode. he says some rick and morty thing i didnt get because i dont watch the show idk idc

the end

ALRIGHT NOW ITS TIME FOR THE STORY OF VINCENT VAN MOE

#if you read all of this bless you #the imageless gdocs version of this is 8 pages long #hope you...enjoy?!?! these art history fun facts?!?!#dont let me do something like this again but also let me know if i should do something like this again #i was really only motivated to do this because im already passionate about the subject so idk if i could do it otherwise #anyway. this took me all day yesterday because the power kept going out #but im finally done #bye

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meanminyxrd · 3 years

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believe but its ab a redheaded runaway

alright so today i’m tackling ‘believe’ by hollywood undead. i think the vibes can fit both andrew and neil, but moreso neil in this connotation. as always, book spoilers ahead. i’ve been forgetting to put that lately.

let’s start w the chorus and opening of the song:

I can't believe that when I breathe

There's something good inside of me, just one good thing inside

So close to me, that memory

Of that one good thing inside of me, just one good thing inside of me, yeah

neil is, inherently, a selfish person before he gets attached to the foxes. think ab it: he cares only for his survival and nothing more, nothing less. that takes a certain type of apathy towards other people, which was taught to him by his mother. stay disconnected, stay safe. care for no one but yourself. when he starts seeing that the foxes care for him, and he’s just... playing them, essentially—lying to them about who he is and where he’s come from—he acknowledges that they’re never going to forgive him for ditching them later on in the year; specifically andrew, because he promised andrew he would stay. he feels like a bad person but it’s what he has to do to live. he wants to stay and play exy and be able to focus on something other than survival for once, but he knows it’s all just a play in his head. in the end its about his survival.

If I ran out the backdoor, nobody would stop me, but where would I go?

'Cause I ain't ever had a real home, so what do I know?

So I could keep running, hide until they find me, but what would that do?

If they could only know what I knew, what would it prove?

I should've seen the writing on the wall, instead I'm left to fall

'Cause the longer I'm away, the more we stay the same

Looking back, would've thought I knew it all

Instead I'm left to fall, did I throw it all away?

neil is a runaway. it’s how he’s managed to survive this long; running away and keeping on the move to avoiding his father’s men tracking him down. never leaving a trail, never staying anywhere for too long and never making any connections. when he leaves, there’s no one there to stop him both physically and metaphorically. no connections means he isn’t held back emotionally or by someone forcing him to stay. he’s never really had a home, being on the run his whole life. its all about survival, but neil signs the contract to palmetto, right? he knows he could keep running to stay safe but really, what would that do? is that really living? he wants to open up to people im sure, but what would that prove to them? in his mind it would just show that he was a bad person—dangerous. keeping kevin around is one thing; kevin is an exy star. he’s worth it. but neil? neil is nothing. why would they risk their life for a nobody?

saying he should have seen the writing on the wall alludes to all the hints that his father’s men left that they were closing in on him, however he ignored it just to be able to stay a little longer—play a little longer. instead he ignored it and fell. looking back on it he thought he had a handle on it and would be able to get away or at the very least accept his death, but it actually hurts. he got attached without realizing. and now he’s wondering if any of it was worth it. is this worth losing his life for? or, did he do enough w his time with the foxes and with andrew? or did he throw away that time for nothing?

Don't you know, little boy, they'll lay you to waste, man?

Little do they know every song has a lifespan

Never taken one, but I'm taking my last chance

To hold all we know and let go with both hands

So don't you know the clouds are made from concrete?

Right through the stone, can you hear my heartbeat?

Beats through my bones like the memory left me

Not for a second or a minute when I dream

I wanna go home like the home that I keep

You can dig six or sixty-six feet

‘don’t you know, little boy, they’ll lay you to waste, man?’ his father’s men want him dead and he knows that. they’re who he’s been outrunning his entire life (and i suppose the yakuza but he didn’t know that.) he knows attention is being drawn towards him by being in the public eye, so this is like he’s mocking himself, because he knows he’s taking a very big unnecessary risk. he’s never taken a chance in his life before because its always been about survival. but this time he is taking a chance. he’s taking a chance by joining the palmetto state foxes. but by taking this chance it is metaphorically the last chance he’ll ever take, because at this point he’s 99% sure he’s gonna end up dead by the end of it all. ‘dont you know the clouds are made of concrete?’ referencing that the only way out for him is by death. whether by someone else’s hand or his own. the only way this whole catastrophe is going to end in him being ‘at peace’ or ‘in heaven’ ie the clouds, is if he’s killed. digging 6 or 66 feet down implies ‘6 feet under’, again a death metaphor.

We could live forever, still your misery missed me

Hold this song together with a bottle of whiskey

Look into the mirror at the lines that time drew

See them painted white and the eyes that shine through

My heart beats heavy in an open chest

And I wanna say goodbye, but there's nobody left

he could have gone to his dad and flipped everything on his mom instead, or run off to live with his uncle, but the anger that his father had missed neil. yes, neil had his father’s temper, but his father was tainted with misery that neil didn’t get and he didn’t want any part in the crime scene of things. ‘look into the mirror at the lines that time drew, see them painted white and teh eyes that shine through.’ this part to me is in the mirror after the nest, when neil is first really seeing his scars, ‘the lines that time drew’ would reference like old age lines stereotypically, but in neil’s case i see it a reference to his scars because that’s what marks time for him—his scars. the scars that his dad and his dad’s men left. the scars that riko left. the scars he has just from living. the ‘eyes that shine through’ is because neil no longer has his contacts. when wymack gets him from the airport he has nothing of his disguise left. and god, is he tired of running. his heart is so heavy. he wants to be able to say goodbye to someone when he dies, but there’s no one left. his mom is dead and he has no connections other than, now, the foxes. but being in this mindset of its him vs everyone, he’s alone. he cant say goodbye to anyone but himself.

I broke it all, and I put it to the test

Put your hand on mine, and feel this emptiness

There's no beat in my chest 'cause there's nothing left

No, it ain't goodbye, it's a last caress

What's another dream? You can hardly sleep

Can you believe bad things only happen to me?

God knows one day you will finally see

That scars will heal but were meant to bleed

neil, by making these decisions, broke every self imposed rule he had for himself to stay safe. he broke the rules his mother had set in place prior to her death, and he tested the limits. he chanced trusting, if just a little. he chanced making a connection. specifically, with andrew. so this part is really andreil heavy for me. let me explain why.

this part is almost like the locker room scene when his father’s men were being security guards and he knew he no longer stood any chance. he says goodbye to andrew in that moment, and this last part is a big goodbye message to me.

he’s empty. he’s out of fight. he cant fight or he would risk the foxes lives too. there’s nothing left inside of him. he says thank you to andrew as a goodbye, but it’s not a goodbye, no, it’s a last touch, one last joy to share even if it’s small. ‘whats another dream? you can hardly sleep.’ what’s the loss of something you lose all the time? what’s the loss of something that doesnt matter? neil doesnt think he matters to andrew, and so what will his loss mean, if anything? why would andrew care? the ‘can you believe bad things only happen to me?’ is a mocking quote if anything; bad things have followed neil around his whole life, and though statistically its not true only bad things happen to him, it sure feels like he’s got the worst of it. and even in the off chance that andrew does miss him, the emotional scars will heal, even if it does hurt. because neil doesnt think he matters as much to andrew as he really does.

Do you realize I would lie for you?

Please, have my last breath, I would die for you

I know I'm no good, but my heart beats true

You know I'm gonna fight, though I might be scared to lose

You took me in, and I fucked it up again

An empty promise? No, I won't pretend

'Cause in the end we need someone to solve 'em

Nobody can fix me if I'm part of the problem

he would give everything to protect the foxes. he cares about them more than he’d like to admit. he may seem distant, but do they realize how far he’s willing to go to ensure their safety? first he went to the nest to protect them, right? now he’s literally going off to his death to keep them safe. he would lie for them, he would die for them; he would throw away everything he could and couldn’t have for them. he doesnt believe hes a good person, for putting them all in this situation, but he’s trying his best. his heart has the best intentions for the foxes. in that ‘goodbye’ to andrew, he conveys so much, and andrew obviously catches on that it’s a goodbye. but neil conveys that he’s gonna fight, even if he’s scared he’s gonna lose, even if he knows he’s gonna lose. andrew took him in after everything; after being sus of neil and then neil telling him half truths, and yet he’s fucking everything up again by going off to die. and empty promise? there isnt an empty failed promise because he made andrew break off the deal beforehand. in the end, andrew was the one who was helping to fix him. the connection he formed with andrew made him feel like he had a shot; like maybe they could outwit his father and he would be safe. however, this whole situation including himself couldn’t be fixed because he is a part of the problem. he blames himself for the foxes being a target so to keep them safe he will go off w his father’s men and remove the issue. no one can fix him and keep him safe if he’s the dangerous one.

uhhh yeah i hope you liked my breakdown! here’s neil’s playlist if you’re curious for more! see ya next time.

#neil josten #song analysis #aftg #all for the game #tfc #the foxhole court #playlists #songs #music

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whumpiary · 5 years

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Hey im sorry if you've answered this before, but how do you draw your bruises/bruising? It always looks so good!!!

HI @norawritestrash! THANK YOU FOR THE COMPLIMENT AND THANK YOU FOR THIS QUESTIONNN!! Please never apologise for asking something, it makes me CRAZY happy

I wanted to wait until I had my tablet back to answer it for you so I could do some visuals with it!

The short answer: LAYERS and REFERENCES

The long answer: Under the cut (content warning for bruise photos obvs)

Okay! So first thing is first: learn your colours. If you’re going for something vaguely adjacent to realism, this is really important.

We have a habit of “learning” what things look like wrong, and so people will try to paint bruises by splashing a bunch of purple, blue, and yellow and then wonder why it looks weird! I highly rec going in with your eye-dropper tool in whatever art program you have (even if it’s MS paint) and pulling some colours straight from photos:

You could use these colours as pallets if you like, or (like I do) just as a reference point to remind yourself what real colours do. One of the biggest rules of thumb with bruise colours is that they often pull red and yellow because a) bruises are just blood trapped under skin and b) most skin-colours pull yellow!

And while we’re on skin colours... make sure you’re looking at references specific to the skintone of your subject, as this can REALLY affect the colour pallet. You can fuck with this if you like, but make sure you’re doing it intentionally, ya know?

OKAY!! So now we’ve done all our learning and referencing etc etc, let’s get to putting it on a face (bc I mostly do faces).

I almost always do bruises very last on a portrait, bc I tend to paint them at a later stage, though if you’re wanting a more dramatic look you might want to take swelling into account. I just don’t because I’m laaaazy

We’re gonna take this painting of manny jacinto I did a while ago and bash him up with paint (sorry manny):

SO the first thing you wanna take notice of, is the shape of the face/section of face. We’re gonna do the eye:

See how the shape flows and tilts in different ways?? We could literally just colour these “waves” in black and put it on a low opacity and it would kinda look like a p good bruise. In fact, let’s do that:

This is just pure black, done with a textured brush, following the shapes of the face. A few little hacks here include pooling deeper shades in the “corners” of shapes, were blood would more obviously pool. Again, check your refs! Nature follows rules, bruises are just nature!

Now lets add in some colourrrrrrs.

Make sure, as you’re adding extra tones, be sure to do it bit by bit, and not just cover one colour totally over another, otherwise you’ll get this disaster (done in purple to demonstrate a double No-No):

I like to start with a middle-range colour: not the deepest, not the lightest, but a middle range (usually a pink), followed by a slightly deeper shade (usually a deeper pink) to start shaping that dEPth.

PLEASE NOTE!! All bruise work I do, I do on a seperate layer ON TOP of the finished drawing. This is important later, but also just good practice so you can change your mind if you want.

Another method you can use is to do each individual colour/shade on a seperate layer. This is more complicated and fiddly, but some people find it easier

Now if you were going for a really subtle bruise (like a mostly healed on, eg) you could almost leave it here! If you like a bit of a darker look, just play around with tones until you get something you kinda like:

Remember all of the different yellows and greys from your pallet too!! you’ve got a whole range to play with!!

“BUT NELL!” I hear you scream “THIS LOOKS SO FAKE AND FLAT THO”

yeah, bih, I know. that’s when we get to CHEAT and play with ~layer blending modes~ which you can google bc i cant be bothered screenshotting. My fave blending modes for bruises (or also, always) are Multiply, Overlay, and Lighten. All of these have different functions and I could explain them, but I think its better for you to have a play on your own and see what you like (in some art programs, its worth noting, you can also use these modes on your brush, and get the effect from the get go. that’s not my personal preference but ya know. its an option)

BAM! Dynamic!! But maybe a little intense. So lets play around with those settings and transparencies a little...

ooooooh yeah there’s that stylised middle ground yeahhhhhh babyyy. see how you can see all those cool and warm undertones now??? thats the good juice.

And Voila! Now all that’s left to do is to stare at your finished piece and try not to judge it too much!! Usual shit.

Hope this helps! Never hesitate to ask questions like this. I love it x

#norawritestrash #answered #whump art #whump resource #art resource

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boisentertainment · 4 years

Text

Dark Lane Demo Tapes HD Review

Cover Art To “Dark Lane Demo Tapes”

“I’m losing enough sleep

dealing with envy and the news that they send for me

got the block in a frenzy”

–Deep Pockets

Drake starts off Dark Lane Demo Tapes doing what he does best, effortlessly floating on the intro “Deep Pockets“, another collaboration accompanied by producer Noah “40” Shebib. Self-reflecting and reminiscing on adolescent aspirations before the transition of becoming one of the greatest artists of all time.

Drake breaking the record for Most Wins in one night at the 2017 Billboard Music Awards

Drake has been navigating through uncharted territory flawlessly. Proving this point yet again with his release of “Toosie Slide”. Drake’s 3rd single to debut at #1 on the Billboard Hot 100 Chart making him the first male in history to achieve this milestone.

“500 mill and I’ll fall back in the six,

finally give you n**** the space you need to exist”

-When To Say When

*Talk To em Drizzy*

Drake follows up with two pre-released tracks, “When To Say When” & “Chicago Freestyle”. Jam packed with bars, a sample from “Song Cry” by Jay-Z (one of my all time favorite Hov songs) on “When To Say When”, and a nostalgic Eminem cadence reference on “Chicago Freestyle”.

You really love to see Drizzy remind everyone on “When To Say When” that his pen still outmatches all who oppose. Re-asserting his dominance as if it was ever in question. Subtle reminders like the bars above are what keep Drake and his competition completely separated.

“Two-thirty, baby, won’t you meet me by The Bean?

Too early, maybe later you can show me things

You know what it is whenever I visit

Windy city, she blowin’ me kisses, no

Thirty degrees, way too cold, so hold me tight

Will I see you at the show tonight?”

-Chicago Freestyle

Giveon, a California native sings of the windy city as Drake gets ready to paint a picture of a night through his perception. From scrolling through his contacts of women’s names that are seemingly categorized by area code, to eventually just letting his boi Chubbs pick a girl out for him as if picking up women is as easy as shopping! Drake brilliantly segways into a memory that you forgot you had by referencing a cadence used in Eminem’s “Superman” released in 2002.

Eminem and Drake. Picture: Instagram

Don’t be fooled by the feature credit of Chris Brown….we didn’t get another “No Guidance” summer anthem….

Just a few background vocals from the R&B legend were enough to get his name on the project tracklist. Meanwhile Burna Boy is still waiting for his credits since More Life but that’s a conversation for another day. “Not You Too” Featuring Chris Brown is the first song on the project that I really don’t care for. It’s disappointing when you see a Drake and Chris Brown collaboration and it doesn’t slap..

What A Time To Be Alive is in my Top 3 favorite duo albums of all time. Whenever I see a Drake and Future collab I automatically get excited. Previously leaked, “Desires” is everything you want in a slower more laid back vibe from these two. The hook is addicting. Future’s verse is versatile with flows. His energy matches perfectly and his lyrics have SUBSTANCE. Listen to it carefully.

Photo From Future Featuring Drake “Life Is Good”

Drake has this ability to be able to sing 90% of the song, take the other 10%, completely spazz, and musically still have it make sense. These are the moments in songs like “Desires” and “Redemption” that turn slow R&B type vibe songs into a completely different entity within itself. Now all of a sudden you’re turning up and talking your sh*t instead of staring at the ceiling crying yourself to sleep.

When I hear “Time Flies” I automatically think of Tik Tok. I don’t know why but if it blows up on Tik Tok you heard it here first! Honestly for me this, is another skip it and forget it type of song, I really hope it doesn’t go viral.

The first forty-five seconds is the only part of the song that kept my attention. Otherwise the rest is forgettable or just too similar to music that he’s already done thus not really elevating his ability here. During a full listen to the song I’m 100% paying attention during the first forty-five seconds. After that my attention doesn’t come back until he starts saying “Im Sorry”.

Don’t worry Drizzy I forgive you.

“If he talkin’ out his head, then it’s off with it, yeah

Boardin’ Air Drake, then we takin’ off in it, yeah”

-Landed

Luckily, “Time Flies” is followed by a HEATER. Three hooks and three verses of aggressive, yet relaxed, reckless bars knowing there isn’t a consequence for you when you’re at the top. “Landed” is a slick talk, mean face, making breakfast with the speaker on 10 with the neighbors calling the cops while you’re trying to get hype for the day joint.

I wanna stop writing this review, get in my car, windows down, put this song on max volume and mean mug old people walking their dog in the suburbs for the rest of the day.

At first listen I was super excited about “D4L”. The production from Southside is out of this world. I do feel like it’s lacking a certain element. It’s easy to fall in love with a song featuring Drake, Future, and Young Thug, with this type of production. To me it just doesn’t sound organic. It sounds like it was thrown together rather than collectively created.

Honestly, I wish Drake and Future left Young Thug out of it, sat down together and created a dope record. Kind of wasted a great instrumental.

To be blunt, I’m just not impressed with “Pain 1993”. It could be the fact that I’m not the biggest Playboi Carti fan, or it could be just because the song’s just not that interesting. I’ve replayed “Pain 1993” numerous times searching for something with depth or meaning because that, accompanied with creative cadences and complex bars, is the reason why I love Drake’s music. This didn’t do it for me.

The intro to “Losses” is amazing. The song starts with a clip of Drake’s father Dennis Graham previewing a song Dennis had been working on recently. It ends with Dennis saying something like, “This songs about family, if anyone feel anyway about it I don’t give a f***”, classic.

It’s funny how you can listen to any Drake project and stumble upon a song that you personally aren’t really feeling. The next song is the exact song you’re looking for. Self-reflection is my favorite type of Drake song because the untouchable becomes relatable and humbled.

The second verse of “Losses” touches on Drake’s motivation on why he does what he does, “I do it for the Grahams not the Gram”. Then goes into depth about his sacrifices and choices that he’s made over the years and defends his reasoning behind them.

“I did it by being myself with no dramatic acting

I couldn’t sit around and wait, I had to have it happen

Lost you to the game, I gotta face that

Really think I lost you like a ways back”

-Losses

Drakes starts off “From Florida With Love” paying homage to the late Static Major who was well known for his appearance on Lil Wayne’s “Lollipop”. Otherwise the song is a dope story about Wayne showing Drake “Lollipop” back in 2008 on a tour bus with Kobe Bryant. (RIP) Then the story continues with Drake getting robbed for his chain and how that lesson stuck with him for life. Further justifying his reasoning for his mentality and how he handles certain situations.

“From that day I never touched the road without a (Plugg)

Ayy, from that day I never saw the point in talkin’ tough (Nah)

Hasn’t happened since, I guess you n***** know what’s up (Yup)

Yeah, haven’t seen the 6ix in like a month (6ix)

F*** that, I’m back, baby, where the love? (Love)”

– From Florida With Love

“VIRAL. MOVIE.”

Love to see Drake on some, what I define as, “murder music”. Type of music that just makes you wanna fight anybody, anytime… Drake absolutely BODIES the first verse but it’s a mere alley oop to Fivio Foriegn.

Fivio Foriegn sounds like he’s right at home on this one. His delivery is in your face, lyrics are gritty, his aggression is on another level. My only take back is Sosa Geek’s verse just feels, unnecessary. Or maybe I just really wish Pop Smoke was alive to clean this one up RIP.

The final song on the project “War” was released around Christmas time 2019. The best part of this being the outro to the project is only that we can stream this song now. Despite being released months in advance it only became available on streaming services with this release.

War is a song that is being recognized as “UK Drill” which, obviously, was created in the United Kingdom. This is just another example of how Drake can travel in and out of different genres and subgenres immaculately.

Conclusion

Overall the project is supposed to be perceived as a “mixtape” rather than an “album”. Drake is set to release a brand new studio album later this year. As a whole I enjoy the project, I’m trying to shy away from relating it to other albums because it technically isn’t an album. Dark Lane Demo Tape isn’t game changing, but it will hold the world over until the real album drops.

What was your favorite song on “Dark Lane Demo Tape”?

Tell me what you guys think in the comments below!

Thank you for reading my “Dark Lane Demo Mixtape” HD review. If you enjoyed this post check out boisandbartalk.com for more content from the bois!

Love,

Kev Clark HD

#beer tasting #microbreweries #bars #drinking #partying #blogging #Podcasts #restaurants #night clubs

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