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#im very pleased this has no spoilers!!
sleepymccoy · 9 months
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what a lovely ending <3
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musubiki · 1 month
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please save me star rail danmarch
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tizzymcwizzy · 1 year
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might turn these sketches into smth else later, but for now ill post em here
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alchemania · 6 months
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Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.
Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!
It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.
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time-is-restored · 11 months
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btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)
tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!
but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).
rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.
my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’
it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.
and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!
(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)
again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).
and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!
and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.
so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.
that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.
i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.
#this is the most measured version of this post i was capable of fghjskdjhgfdgjhsfd#the least measured one is just the aromantic flag with the ‘we are going to beat u to death’ meme overlaid#look ik this is hardly impartial wrt very small + insular communities like nuclear families#but its fucking impossible to go into media analysis and not bring Anything from ur real life in there w u#so im trying to forgive myself for being a little hashtag Vulnerable + Opinionated on main#in the spirit of what this show could’ve been lol#if not here then where etc etc#Ted lasso spoilers#Ted lasso meta#Ted lasso critical#also just to be clear here im being dead serious abt that last point#im spiritually doing the jamie run to demonstrate to u all how badly i want gen shit#please. p l e a s e .#okay wait last ramble here but. this is also why the lack of information we got on trent was so crushing to me#like ur telling me this man went through the incredibly painful + harrowing process of breaking out of his (comfortable! safe) shell +#cynical journalist persona. came out to someone VERY important in his life. and has done nothing but face the music wrt acknowleding#his past mistakes + endeavouring to be better and kinder. and we never get to know if he has ANY support through all that? at all?#is he dating? what's his family situation like? does he have full custody? any friends from work? any friends period?????#like i can should must and will die on the beard + roy + higgins + colins are trents best friends hill but#its like the premise of the show stopped mattering just in time for him to be left in a legitimately depressing limbo#like 'yes everyone needs love + support bc life is rlly hard. but we're tired of making a show abt that so This Is All Ur Getting#+ screw anyone's personal life that u didn't already see in s1. You Know Enough.'#anyway i love u all this is a very silly show and im gonna go play t.o.t.k for a few hours o/ <3
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oceanslament · 3 months
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Look, a key to hell, the ideas of redemption in hell, a sad boy version of the devil/equivalent tired of the treatment there, powerful beings fighting for control over said hell, and ending with the supposed starter of the conflict chilling on the beach?
Now I’m not saying Vivziepop ripped off Sandman Seasons of the Mists but…
I’m really not you couldn’t convince me she read it. But I could believe she took notes from the not really well adapted parts of it from the Lucifer show.
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puppyeared · 2 years
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I want to believe this is how they found Hunter
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larabar · 1 year
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1 day
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natjennie · 29 days
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aww the cover of everyone snuggling with someone else and then laios with his sword.... the autism....
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lottieurl · 1 year
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me realizing some people were emotionally hit by the twist that it's a dream sequence while i was watching it the whole time absolutely sure it wasn't real but still worried it might be and thinking about how the true horror was shauna being all touchy feely towards the baby
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leather-field · 9 months
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extremely vague spoilers for pathologic 1 and 2 endings‼️‼️‼️
So. You know how Pathologic 2 Haruspex route is pretty clearly portrayed as, on some level, a play being staged in the Theater? I mean, you start the game backstage after a failed production, and in the (implicitly canon) Diurnal ending you end the game by exiting into the wings. Plenty of characters refer to you very literally as an actor, including your own “replacement” on day 11 (who you even meet on a stage!), and the events of the Deal & Late endings (and all your deaths) serve to further cement this fact. Plus, on a more metaphorical level, the Haruspex is portrayed as a character who is not entirely opposed to the idea of having a prewritten fate. Like, he understands that he is not in control of the story, but ultimately he doesn’t need to be as long as he’s in control of his own actions? He just needs to know his Lines (hee hee hoo hoo). There’s also the fact that the Haruspex is connected to the Town (seeing as how saving the Town is his ultimate goal) and the Theater is also representative of the Town. The Theater is the Town in microcosm; any event which takes place in the Town takes place on the stage, and vice versa. The backdrop of the stage is literally the Town itself flanked by the two Mistresses. 
We know the Haruspex is an actor in the Theater. That’s the context in which his story is framed. But—hear me out—it’s not how the other two healers will be portrayed. They’re going to have different meta explanations, for Character Reasons, and also because the Haruspex route doesn’t have either of the secret endings from Pathologic Classic (which made me suspicious).
I think the Bachelor’s route will be the one to utilize the angle about the Powers that Be. First of all, it’s intrinsically connected to the Polyhedron, which is in keeping with both his canon ending and his parallel to the Haruspex. Second of all, it’s just a way bigger slap in the face for him—he’s the one who wants to overcome inevitability, so discovering that he was never in control of his actions at all would of course be the worst epiphany ever. In the Haruspex’s storyline, the Bachelor might be an actor, but in his own storyline he is a puppet for a child as they play a meaningless game with his life. Also, it would make sense for his prologue to start in (or maybe at the base of) the Polyhedron, and for Measly and Thrush to take the place of Mark Immortell (so they can berate him for doing a terrible job at stopping the plague). In his canon ending he could also end in the Polyhedron (where Measly and Thrush could “dismiss” him in the same way), ‘cause the Polyhedron is the most significant location for him and it’s also…basically the only thing left in his ending. The same applies to all his deaths and whatnot. It’s mechanically similar to the Haruspex’s route, but narratively it fits the Bachelor much better to have his route framed in a way that emphasizes the futility of his actions. 
As for the Changeling route’s framing device… Well, she’s always been the one who was most aware of Pathologic’s meta, right? So, yeah, she’s gonna be in a video game. Canonically. She’s gonna get death penalties and pro/epilogue explanations from the Tragedian and Executor who represent the developers. It fits, okay?? She’s connected to the game’s world as a whole rather than any specific part, she’s often alluded to as a vessel of some higher power who is incomprehensible to any of the characters, uh…there are…two of her…? I don’t know. It made so much sense in my head and I got so excited about this idea. I’m too tired to explain every little detail in a coherent manner, so just, like…fill in the gaps, I guess? You can do it. I believe in you.
Anyway, yeah, that’s my Pathologic 2 prediction. I’m sort of…half-expecting this to actually happen, but I wouldn’t be too surprised if it didn’t. I just think it would be cool, y’know? 
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thedorfmirrin · 1 year
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Regular Casual Occurance
plus after when the other person leaves:
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always-a-joyful-note · 6 months
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So because I want to record my progression of where I am in the story, I'm posting my impressions of the units so far. (Disclaimer: I haven't read many of the stories, and about half the knowledge I have is from osmosis and spoilers. The other half is actually reading wiki entries and the actual stories. So if these takes are inaccurate, that is probably the point XD)
Without further ado....
fine - unit of 2 rich kids who are sort of trying to be slightly less evil but kind of still are evil, one (1) theatre kid who is just there for the ride and his crush, and a butler with the face of an angel and the threatening aura of a ezekiel-accurate angel in disguise. Also another impression I had of it was one chronically ill idol stan with three of his idol crushes. But they're solid, if slightly flowery; not exactly my style but their songs are good.
Trickstar - literally my sons. Traumatised idiots who choose to continue to see the bright side with a slice of anarchy. They're all so dumb. Their leader looks straight laced but is more insane than his co-leader who is perpetually wearing the ^u^ expression (except when trauma slapped). The other two members are a camera-phobic gamer boy who is also a model and a guy who exudes reliability and sanity but is also kind of an insane workaholic with inferiority issues. I'm adopting them all and their songs are like…both generic but SO sincere you can't hate it.
Ryuseitai - Me when first meeting them: Awww! A power ranger themed unit! So cute! Me, after hearing stuff about the two senior members' lore and how they recruited their youngsters: (clutching my heart, trying not to sob/lose my mind) Aww! A power ranger themed unit! S-so cute! I would die for literally all of them…WHY. Such silly happy sincere tunes sung by such silly, devastating characters??? Found family, to me
Alkaloid - everyone here believes they are holding everyone else back with their psychological problems (Mayoi), disability problems (Tatsumi), ability problems (Aira), or culture shock problems (Hiiro). And yet they're the unit whose songs have mostly all been ones I absolutely loved. Which means the assembly machine factory idols Eichi's got going on are working and idk how I feel about that
Eden - A bunch of guys with severe family issues who probably have never read the bible (well, maybe Nagisa has). So, like, tw inaccurate depictions of the bible? Anyway, deranged quartet of a softie obsessed with cool rocks but really he has sort of a god complex, a guy with a perpetual :D who is as smart as he thinks he is but is also kind of oblivious to all of his other skills and flaws (and thus is a combo of terrifying snake and kind of someone you're sort of humouring because he's funny), a spoiled princess who might have a bit of a savior complex, and a dude who kinda just got swept along for the ride but is actually really fond of them. And it shows in their music.
Valkyrie - Just….theatre kids, who put the drama in dramatic and the intense in intensity (that's definitely not how the expression is used). They also have a very strange thing going on even though they're trying to be healthier, but I'm too afraid to ask. Unfortunately, though, they have some killer compositions and so many references to Classics and Things, not to mention their songs are genuinely good for those who want that quick theatrical vibe
2wink - Adorable twins that I was lured into thinking were the normal mischief twin duo trope but what in the actual ensemble were the writers DOING? They deserve at least half the cw/tw tags. Also, one of them is kinda like Trickstar (just wants to make things brighter) while the other one has schemes and will not hesitate to destroy you while giggling, yes. All that angst but they have such cheery tunes. Like, boys please….
Crazy:B - I mean, with a name like that….listen. You think it's the guy with the metabolism-related medical condition who has a dad implied to be accused of cannibalism and his freeloader who is a literal prince but also constantly broke that would be the most insane. But, no, we also have a fifteen year old assassin who has definitely killed and a guy who is literally both committing identity theft AND helping in witness protection. But, yes, their songs are fun, as is their dynamic. Also…Amagi brothers. Ough.
Undead - This is just…four urban fantasy love interests thrown into a unit. I'm not exactly sure what urban fantasy race Adonis and Kaoru are (though sometimes I'm inclined to think adonis is the protagonist who just kinda got swept along for the ride except he does have the vibe sometimes (aka casually kidnapping HiMERU)) but a vampire and werewolf are very obviously there. Really do love their rock and roll style, like come on (though I sometimes do think it'd be cool if they let Rei's love for jazz into their songs)
Ra*bits - Look. I love them. It really is just a single dad with one of the most messed up backstories doing his best. But like, also, leave them alone please?? The writers really just made them the damsel in distress character that makes Subaru go "oh, I have to take this revolution stuff seriously" and that's not even mentioning all the other stuff they seem to go through??? Like they do not belong in whatever genre Enstars is going for but they make it work but….let them rest. Songs not my style but they fit their vibe of "smile and spread joy" which works cause I do feel joy. Like Trickstar without the revolutionary goals.
Akatsuki - TBH, I'm still kind of wondering why these three (a warrior, a mangaka, and a tailor who used to be a delinquent) are still idols. I mean, they do have talent and traditional aesthetic is fire, and they're definitely sort of found family, but why still idols guys? That said, again, songs not my style but they definitely capture their aesthetic and vibe and that's always cool to me. Also, one of the members was raised in a Buddhist temple and helped with funerals, and I do not know enough about Buddhism enough to say if they portray a Buddhist accurately but given how they portray everyone else's quirks, it probably still has a giant dose of deranged on it.
Knights - HAHAHAHAHA. They're all insane. But they have talent and earned their place in the big three. But that does not make them less insane. That's all because I will go a bit barmy if I think about them too much. Silly, insane knights who enjoy hobbies like kidnapping (affectionate) and dancing/singing (will kill you in a duel)
Switch - Look….at heart, I can't hate these fantasy game isekai themed group. I enjoy their music because I do like the electropop remix/edm thing they have going on. And it DOES kill me that the only two 3-people units (Akatsuki and Switch) both have the dynamic of "a couple of parents and their beloved and most treasured cinnamon roll of a chaotic son." But like Valkyrie, I don't know what's going on with the senior members and am too afraid to ask, especially since they seem fine with it while their son with synesthesia cheers them on.
MaM - He is literally a cowboy. I - is there a thing with Japan and cowboys? And did someone at the writer's table see that samurai, Victorian thief, cowboys, and pirates post? Because somehow, the only member of this unit is all of them. A very stark contrast against his weirdly cheerleader/mom friend songs. I know he has mommy issues (mafia thing, I think) but.....son, are you okay?
Double Face - Yeah, okay, I love them. They might be the murder unit and I still have no clue to their formation but I love it. Put the Victorian cowboy thief samurai pirate and the child assassin together and you get secret agent type music that sounds like it could be in an old spy flick? How can you not love it?
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arsenicflame · 7 months
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very anxious that next week is one single episode- like despite the fact its a weird airing schedule you can clearly see why its broken up the way it is. so whats so big next week that its stand alone
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qbedience · 1 year
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no you dont understand mara is different to who she was in d1 and early d2 shes changed her ways and is seeing the world differently why are you walking away WHY ARE YOU WALKING AWAY
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mothheart · 1 year
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The floaty jumps are so fun. Also preedy
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