I like to think that Leo one day decides to really play around with his portaling and teleportation abilities and see the full extent of them.
Like - continuously throwing one sword and teleporting to it while throwing the next one immediately and repeating this as long as he can to see how far he can keep it up without stopping.
Making little portals in the air that lead right up against the ground so he could potentially just stand on the portal in the middle of the sky.
Ultimate storage system - anything anywhere at any time is available if he knows where to get it (personally my headcanon for why he goes from two satchels to one in the movie.)
Phasing to avoid attacks - like, he could lightly toss a sword a single centimeter and teleport to it, and in that short amount of time he can completely avoid hits.
If they ever do go to space and end up on different planets, with enough training he can just…go there, whenever. Not only would this be great for being well traveled and having more places to go in general, but this also opens up more room for connections and allies that could assist them the next time they need help against a grand foe.
Leo can easily remove injured team members from a fight and get them help without having to account for transportation times.
On that note - Leo’s teleportation in particular acts on a particle level. It’s quite literally breaking him down into particles and remaking him every time he uses it. Both for him and for anyone he uses it on. Who’s to say it can’t be used for healing? At least for basic wounds.
None of this even touches upon the offensive potential of both portals and teleportation. Leo’s abilities flourish more as a support main, but that doesn’t mean those abilities can’t easily be used as weapons - and I don’t think I need to get into how exactly they can be. Portal chopping alone can take on a very different meaning…
Furthermore, I gotta wonder if he’ll always need the swords for this, or if he could one day be able to achieve the same results without them.
My point being - teleportation and portals are super OP. Even with the abilities Leo has in present they are so unbelievably adaptable and so fun to think about in terms of basic mechanics.
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You ever think about how Garroth and Laurance’s fears could’ve been so much more interesting than what we got during the Malachi Arc? Like. Just imagine.
Garroth being cornered by a woman in a wedding dress, face covered by a veil as she says how nice it is to meet him even though her voice is flat, words clearly only for the politics. A voice echoing through the halls, saying things about lordship and domination and how Garroth will carry on his legacy whether he wants to or not because it is his duty.
Flames circling Laurance, people he loves and cares about standing lifelessly on the other side telling him how much of a monster he is, that their blood is on his hands. Other shadow knights standing with him in the circle, familiar faces or obscured by armor doesn’t matter because they’re treating him like a friend and not an enemy as the Shadow Lord’s voice crackles through the fire, telling him how well he’s done.
Or yknow. I guess Aphmau and Dante kissing works ig
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i hope yellowjackets never gives a clearcut answer vis a vis the whole "how much of it is the supernatural and how much of it is the trauma" question, but like, at this point my best guess for tai is that she physically has a screw loose in the most literal sense possible. like something is not right up there. and i don't even mean in the mental illness sense, they're all deeply traumatized and different shades of mentally ill at this point, but like- this degree of sleepwalking, and dissociating, and losing time? it's giving neurological damage, it's giving uniquely horrible and very strange form of traumatic brain injury. like that plane crash knocked something Loose i swear to god
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Fixing history using the power of editing and my editing skills!!
For today we have, New Titans (1980) Issue #100
✨ Wedding Special ✨
@robstarblog @robstaryeah pinging yall just in case so that this doesn't get lost in oblivion (It'd be painful since I worked 5 hours non stop on it lol)
I think the most time was taken by the final panel and adding in the finishing touches since I pretty much had to change everything to the pixel level, quite literally lol (I'm serious, I did)
Welp I hope the results were worth it! And with that, another one gets a good ending!!
I kinda didn't add sleeves in the first two panels of the final page because it didn't look good and looked janky with how I was editing it so yeah please ignore that-
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one thing that is kinda wild to notice is the way fic seems to have gotten a shorter and shorter lifespan over the years. granted, i only have my own anecdotal experience to go by, and there's plenty of factors that can contribute to that, but it's wild because like i remember posting fic in like 2015 would get so much more engagement over time than posting fic today. in 2015 if i posted something i generally would get comments and interaction with it for a week or so before it tapered off into obscurity. today, its like. you post a fic and after 24 hours its dead in the water. odd.
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the other dracula thing i’ve been emotional about all day is how like, we have these two segments of Vamp Action: jonathan’s gothic heroine turn in transylvania, & lucy wasting away in england. and the connective tissue between them, the thing that bridges the two, that makes possible the team-up that eventually takes dracula down — is mina. and it’s not just a matter of logistics, that she happens to know both jonathan and lucy: it’s that she shows up at jack’s house, she reads jonathan’s diary after promising not to because she loves her husband but she trusts her own instincts, she shows her own diary to the others believing in the potential value of her observations and uses her skills to help them share their knowledge with each other. she’s the central figure around which the text revolves well before the plot becomes a race to save her from damnation. and she serves that role through her smarts and through her instincts, but also because she loved lucy, too. the entire third act of the novel - a series of events that culminates in these brave but ordinary people ultimately taking down a centuries-old monster - is made possible because of the powerful and deep emotional bond between two women. i didn’t realize when we were reading their letters in the spring that somehow bram stoker’s dracula (1897) literally is a novel about the power of friendship, but looking back, the polycule is the friendship that sees it through to the end, but lucy and mina are the friendship on which the whole thing turns. that’s so genuinely beautiful to me.
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I don't plan on talking about Hazbin Hotel much because I am not happy with it, and that is why I want to talk about what disappoints me the most: Alastor.
TW: mentions of cannibal
There were a couple of comics released a long while ago showing how Angel came to the Hotel, and a special comic with Alastor that I rather enjoyed where he goes to the meat market where a hellborn is being threatened by the butcher.
Alastor of course kills and eats the butcher.
Basically the comics set him up as Hannibal Lector type moral code. If you aren't rude or unnecessarily cruel, he'll leave you alone. However if you are he would be thrilled to kill you in the most horrid way he can think of and then eat your corpse.
And then the show turns him into some edge lord with a connection to Lilith and half ass tries to make him seem like he cares about the hotel when he has alternative motives and he is just an edgelord. It sucks.
Because think of what could have been done in the show, and I think we kinda get SOME of what we could have from the cannibal village but think of what else could have been done:
For one thing, I think the Lilith connection could have been cut. He is there for his own entertainment, but he does like Charlie's spirit. I think it could be much more interesting if he genuinely isn't there to be evil. Course he still does fucked up shit and sometimes counter intuitive shit on the regular(just an example, Angel Dust could say something wrong enough he is about to cause a murder and has to be held back).
But he does actually help.
Like, instead of having to be coaxed into making a TV ad, just, have him doing radio ads?
Also him actually like the Egg Bois I think would be fun. They are stupid and kind of useless but they are sweet and he finds himself fond of them. Also could give him more of a relationship with Penticous.
"You know, I have to give you credit, my boy, these little guys are extremely entertaining!"
Also if he was actually, in some way trying actively to help, I think it could lead much more into Dadstor. I want that to make sense, you know? I want it too but it doesn't and I think having him be more Gentleman who expect good manners, and can cause harm should you not.
And if they had gone more with the ideas of redemption and the actual truth of that, have a bad client thrown in that Charlie is really trying to help but they just keep snapping straws, and well Charlie can hold everyone else back well: Alastor is not all to pleased by someone wasting time.
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Hpw the fuck are kittens so small. How is this allowed for something to be so small
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